LOUIS ARMSTRONG Louis Armstrong & His All Stars & Big Band

Total Page：16

File Type：pdf, Size：1020Kb

LOUIS ARMSTRONG Louis Armstrong & His All Stars & Big Band

DESCRIPTION Louis Armstrong was one of the most influential figures in jazz with a career spanning five decades (1920s to the 1960s). The career starts with playing in brass bands and on riverboats in New Orleans, learning to read music and being one of the first musician to perform extended trumpet solos, moving to Chicago to play in King Oliver 's Creole Jazz Band , went to New York City to play with the Fletcher Henderson Orchestra , returning to Chicago to form his own group as Louis Armstrong and his Hot Five . Back in NY, he emerged as a vocalist with his scat singing style, enriched by matchless experience as a trumpet soloist. He kept touring well into his '60s, playing in Africa, Europe, and Asia, got a Grammy Lifetime Achievement Award and was inducted into the Rock and Roll Hall of Fame. TRACKLISTING 1.01. Cabaret 1.02. A Kiss To Build A Dream On 1.03. Please Dont Talk About Me 1.04. Blueberry Hill 1.05. Hello Dolly 1.06. St. Louis Blues LOUIS ARMSTRONG 1.07. Thats My Desire 1.08. Mack The Knife Louis Armstrong & 1.09. Basin Street Blues 1.10. King Porter Stomp His All Stars & Big Band 1.11. Stompin At The Savoy 1.12. I Cant Give You Anything But Love Label DELTA 2.01. Mahogany Hall Stomp 2.02. Tea For Two 2.03. Black And Blue Format 2.04. Royal Garden Blue 2CD 2.05. Thats My Desire Catalog Number 2.06. Muskrat Ramble D 20014CD 2.07. On The Sunny Side Of The Street 2.08. I Cried For You EAN 2.09. Baby, Wont You Please Come Home 4049774200144 2.10. C Jam Blue 2.11. High Society 2.12. Boff Boff (Final) Y(0E97HE*MKKLOO( List Price $10.98 Release Date 10/11/19 Territory NORTH AMERICAN EXCLUSIVE Genre FILE UNDER - A - JAZZ HIGHLIGHTS • A collection featuring Louis Armstrong performing with his All Stars and Big Band . Exclusively Distributed by • Armstrong was one of the most influential figures in jazz with a career spanning five decades (1920s to the 1960s). 60 Lowell St, Arlington, MA 02476 ph: (781) 321-0320 • fx: (781) 321-0321 [email protected] Press Contact: [email protected] .

Copy Link

Recommended publications

Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection.
[Show full text]
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
[Show full text]
“JAZZ Fabric Garland”!
nolajazzmuseum.org Celebrate International Jazz Day With Us On April 30, 2019! Create a “JAZZ fabric garland”! Choose how you participate: (1) Decorate your own classroom and share photos with us on Facebook! Remember to tag us @nolajazzmuseum (2) Send your students’ garlands to be displayed as part of the New Orleans Jazz Museum’s International Jazz Day garland exhibit. Mail garlands to: The New Orleans Jazz Museum 400 Esplanade Avenue • New Orleans, Louisiana • 70116 • USA Jazz - What Ties Us Together “It's not exclusive, but inclusive, which is the whole spirit of jazz.” – Herbie Hancock Activity: Make your own jazz fabric garland to celebrate what ties us together for April 30th. Supplies Vocabulary • fabric (new, or use up old scraps, old • rhythm colorful clean t-shirts, sheets, clothes, • repetition etc…) • improvisation • ribbon or twine • call & response • tape • swing • scissors • groove • paper plates • feelings • card stock • emotion • crayons, markers or other mediums • a playlist of favorite jazz recordings • computer and projector Please note: This is an introductory activity and further unit studies can be extended with curriculum from jazzday.com. Check out the additional free educational resources by clicking here. Let’s get started: Grades K-5 • Play 3-5 jazz recordings and/or video clips, and have students only listen. • Review vocabulary. • Distribute drawing and writing supplies and ask students what they feel while listening, and to draw or write and share their reflections. Younger student may want to draw their faces on paper plates, while older student may want to create a jazz-inspired drawing or posters (of instruments or musicians, for example).
[Show full text]
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds.
[Show full text]
Chronological Discography
Chronological Discography arranger g guitar as alto saxophone 0 pipe organ bb brass bass (sousaphone/tuba) p piano bj banjo ss soprano saxophone bs baritone saxophone t trumpet c comet tb trombone cl clarinet ts tenor saxophone d drums v vocals db double bass vib vibraphone dir director vn violin f flute This chronological list contains most known releases on which Danny Barker plays and sings. Titles are given as they appear on the record labels. Where possible, the first issue number is given, but the complexity of subsequent reissues is such that these are not shown. In preparing the list much use has been made of the works cited in the acknowledgment section as well as Stagg and Crump: New Orleans: the Revival (Dublin, 1973). 1931 Ward Pinkett (t, v); Albert Nicholas (cO; Jack Russin (p); Danny ]une9 NewYork Barker(g);Joe Watts (db); Sam Weiss (d) Dave's Harlem Highlights 95337-1 Everything is okey-dokey (WP:v) Bluebird B-6144 Dave Nelson (1, v); Clarence Brereton (t); Melvin Herbert/Harry 95338-1 I'm on a see-saw (WP:v) Bluebird B-6130 Brown (t); Wilbur de Paris (tb); Buster Bailey (cl, as); Glyn Paque (cl, 95339-1 Red sails in the sunset (WP:v) Bluebird B-6131 as); Charles Frazier (ts); Wtryman Caroer (ts, f); Sam Allen (p); 95340-1 Tender is the night (WP:v) Bluebird B-6131 •Danny Barker (bj); Simon Marrero (bb); Gerald Hobson (iii 95341-1 I'mpaintingthetownred 69905-1 Somebody stole my gal Timely Tunes C-1587 (to hide a heart that's blue) Bluebird B-6130 69906-1 Rockin' Chair Timely Tunes C-1576 95342-1 Tap Room Special (Panama) Bluebird B-6193 69907-2 Loveless Love Timely Tunes C-1577 69908-2 St.
[Show full text]
Download the Tenor Saxophone of Buddy Tate
1 The TENORSAX of GEORGE HOLMES TATE “BUDDY” Solographer: Jan Evensmo Last update: Jan. 4, 2020 2 Born: Sherman, Texas, Feb. 22, 1914 Died: Chandler, Arizona, Feb. 10, 2001 Introduction: We became familiar with Buddy Tate very early through his recordings with Count Basie. I met him once, many years ago, at the Molde International Jazz Festival. He was a very kind man, and when he realized I was doing some useful work on ja zz tenor saxophone, he invited me to his hotel room for whisky. We had a very nice time together in the light summer night of Norway! Early history: His brother, a saxophonist, gave Buddy an alto in 1925. Two years later began gigging with McCloud's Night Owls (led by his cousin, trumpeter Roy McCloud). In 1929 played for several months in Wichita Falls with the St. Louis Merrymakers, later that year joined Troy Floyd's Band in San Antonio. Briefly with Gene Coy's Band, then with Terrence Holder's 12 Clouds of Joy from 1930-33. Worked with E. J. Malone and his Rhythm Kings (early 1933), Wesley Smiths' Band, ‘Tan Town Topics’, and Ethel May's Band before joining Count Basie in Little Rock, Arkansas (ca. July 1934). From late 1934 until early summer 1935 with Andy Kirk, played with band at Wiley College, Texas, then long spell with Nat Towles until joining Count Basie in spring 1939. Remained with Basie until September 1948, brief return in early 1949, then for the rest of that year worked mostly with Hot Lips Page, occasionally with Lucky Millinder.
[Show full text]
 Mio Ricky Riccardi Show Playlist
MIO RICKY RICCARDI SHOW PLAYLIST A Monday Date — Live 1951 Pasadena Louis Armstrong & His All-Stars CD: Satchmo — A Musical Autobiography No (Papa, No) Louis Armstrong and His Hot Five CD: Louis Armstrong: The Complete Hot Five and Hot Seven Recordings Piano Theme, Animal Crackers The Marx Brothers & Chico Marx CD: The Marx Brothers Strike Again, Vol. 1 Piano & Violin Duet Charlie Chaplin & Buster Keaton Limelight (Original Motion Picture Soundtrack) Maxi the Taxi Eddie Cantor CD: Eddie Cantor (44 Songs) Basin Street Blues Louis Armstrong & His All-Stars CD: The Glenn Miller Story (Motion Picture Soundtrack) Baby It’s Cold Outside Louis Armstrong & His All-Stars, feat. Velma Middleton CD: What a Wonderful World — Louis Armstrong in Concert All of Me Louis Armstrong & His All-Stars CD: Louis Armstrong: 16 Most Requested Songs Canal Street Blues Louis Armstrong CD: Satchmo — A Musical Autobiography Beau Koo Jack Louis Armstrong and the Hot Five CD: Louis Armstrong: The Complete Hot Five and Hot Seven Recordings Mack the Knife Louis Armstrong & His All-Stars CD: Louis Armstrong: 16 Most Requested Songs Flat Foot Floogie The Mills Brothers & Louis Armstrong CD: The Anthology 1931-1968 Tight Like This Louis Armstrong and His Hot Five CD: Louis Armstrong: The Complete Hot Five and Hot Seven Recordings Who’Sit Louis Armstrong His Hot Five CD: Louis Armstrong: The Complete Hot Five and Hot Seven Recordings West End Blues Louis Armstrong and His Hot Five CD: Louis Armstrong: The Complete Hot Five and Hot Seven Recordings The Real Ambassador
[Show full text]
Glen Miller in the Mood 1 Jazz & Swing Louis Prima Just a Gigolo 1
Glen Miller In The Mood 1 Jazz & Swing East Coast Fast 1 Louis Prima Just A Gigolo 1 Jazz & Swing East Coast Fast 2 Harry Connick, Jr. It Had To Be You 1 Jazz & Swing East Coast Med 3 Bobby Darin Beyond The Sea 1 Jazz & Swing West Coast Med 4 Frank Sinatra New York, New York 1 Jazz & Swing West Coast Med 5 Les Brown Sentimental Journey 1 Jazz & Swing West Coast med 6 Frank Sinatra Fly Me To The Moon 1 Jazz & Swing West Coast Med 7 Woody Herman Tuexedo Junction 1 Jazz & Swing West Coast Med 8 Bobby Darin Mack The Knife 1 Jazz & Swing West Coast Med 9 various My Bir Mis Du Shoen 1 Jazz & Swing East Coast Med 10 Tony Bennett I Left My Heart in San Francisco 1 Jazz & Swing Ballad Slow 11 Frank Sinatra The Way you Look Tonight 1 Jazz & Swing East Coast Med 12 Artie Shaw Star Dust 1 Jazz & Swing Ballad Slow 13 Dean Martin Ain't That A Kick In The Head 1 Jazz & Swing East Coast Med 14 Fats Waller Ain't Misbehavin 1 Jazz & Swing West Coast Med 15 various Makin Whoopie 1 Jazz & Swing West Coast Med 16 Woody Herman Woodchopper's Ball 1 Jazz & Swing East Coast Fast Wayne Newton Danke Shoen 1 Jazz & Swing East Coast Med various Darktown Strutter's Ball 1 Jazz & Swing East Coast Med various Blue Moon 1 Jazz & Swing East Coast Med various Autumn Leaves 1 Jazz & Swing East Coast Med Peggy Lee Fever 1 Jazz & Swing West Coast Med Nat King Cole Unforgettable 1 Jazz & Swing Ballad Slow Nat King Cole L.O.V.E 1 Jazz & Swing East Coast Med Louis Prima Jump Jive and Wail 1 Jazz & Swing East Coast Fast Louis Jordan Choo Choo Cha Boogie 1 Jazz & Swing East Coast
[Show full text]
NJJS Org the MAGAZINE of the JANUARY 2021 NEW JERSEY JAZZ SOCIETY Jerseyjazz VOLUME 49 ISSUE 01
NJJS org THE MAGAZINE OF THE JANUARY 2021 NEW JERSEY JAZZ SOCIETY JerseyJazz VOLUME 49 ISSUE 01 REGINA CARTER SALUTES ELLA FITZGERALD IN THIS ISSUE ARTICLES/REVIEWS 08 January Jazz Social 33 Jazz at William Paterson 10 Remembering Lou Pallo 36 Book Review: Peggy Lee: A Century of Song 12 Regina Carter and John Schreiber Pay Tribute 38 Book Review: Jazz to Ella Fitzgerald Dialogues 15 The Many Sides of 41 Other Views Conrad Herwig 48 Big Band in the Sky 19 Viola Smith: The Fastest Girl Drummer in the World COLUMNS 21 Talking Jazz: Allen 02 All That’s Jazz Farnham 05 Editor’s Choice 27 Alex Levin: English 39 Dan’s Den Teacher and Jazz Pianist 46 From the Crow’s Nest 30 Rising Stars: James ON THE COVER _ Regina Carter photo courtesy of NJPAC Haddad and Joe Block 51 Not Without You! NJJS.ORG JERSEY JAZZ JANUARY • 2021 01 ALL THAT’S JAZZ BY CYDNEY HALPIN ood Bye 2020, and not a second this award-winning publication velopment and growth of NJJS. of Recording Secretary, Treasurer, too soon! Hello to change and to be “Google-able”—with select Further, I’d like to acknowledge VP Music Programming and VP of G creative, new possibilities in 2021. contents available to a worldwide and thank Jay Dougherty for the time Publicity/Editor, Jersey Jazz, and Ed- If you’re reading this message, you’ve audience—and allow NJJS to be- and effort he’s extended to NJJS for ucation Director, respectively. Sad- embraced our new reality, a more come part of the ever-expanding the past three years as Executive ly, we say goodbye to board member modern, online publication of Jersey digital world.
[Show full text]
Jazz Discography Sixth Edition Upgraded 08/2010
C.W.U. MUSIC LIBRARY JAZZ DISCOGRAPHY SIXTH EDITION UPGRADED 08/2010 FIRST EDITION: JENNIFER GOOKIN SECOND EDITION: STACIE KUDAMATSU THIRD EDITION: CYNTHIA MORS, ANGELA SCHUTT, KRISTINE BRYAN FOURTH EDITION: MELANIE TEBAY, CHRISTINE JOLLEY FIFTH EDITION: CARYN WRZESINSKI SIXTH EDITION: JONI HERBERT ADDENDUM TO SIXTH EDITION: CHRIS THOMAS SEVENTH EDITION: ANDREA PAINE EIGHTH EDITION: SEAN LA SHIER ALL RECORDINGS LISTED IN THE FOUR PARTS OF THE JAZZ DISCOGRAPHY ARE LOCATED IN THE LISTENING AREA OF THE C.W.U. MUSIC LIBRARY, ROOM 401, OF THE MAIN LIBRARY. JAZZ: GENERAL COLLECTIONS A) GENERAL COLLECTIONS, ETC: CD-2146 ANTHOLOGY OF AMERICAN FOLK MUSIC (Jazz, Blues, and Folk) Volume 1 (2 cd‟s) Ballads Volume 2 (2 cd‟s) Social Music Volume 3 (2 cd‟s) Songs CD-2333 BEST OF DIXIELAND Loveless Love – Kid Ory‟s Creole Jazz Band, Beale Street Blues – George Lewis and his Band, Someday You‟ll Be Sorry – Louis Armstrong and His All Stars, Canal Street Blues – Henry Red Allen Orchestra, Eccentric Rag – Maz Kamindk and his All Star Dixieland Band, St. Louis Blues – Eddie Condon and his Boys, Basin Street Blues – Jack Teagarden and his Sextett, Eh-La-Bas – The Original Tuxedo “Jass” Band, Over in the Glory Land – Dejan‟s Original Olympia Brass Band, Ken Coyler – Ballin‟ the Jack, Hindustan – Alex Welsh and his Jazz Band, Saturday Night Function – Monty Sunshine‟s Jazz Band, Perdido Street Blues – Mr. Acker Bilk and his Paramount Jazz Band, Savoy Blues – Terry Lightfoot, Stevedore Stomp – Chris Barber‟s Jazz Band, Christopher Columbus – Humphrey Lyttelton and his Band. RD-4856 THE DIZZY GILLESPIE BIG BAND; CARNEGIE HALL CONCERT Manteca, This is the way, Ool ya koo, Kush, Tunisian Fantasy.
[Show full text]
Clarence and Spencer Williams
1 Clarence Williams & Spencer Williams Clarence Williams - 1 Spencer Williams - 46 Clarence Williams 1893-1965 First know as a pianist he later gained fame as a music publisher. His publications were both a guide and barometer for other jazz orientated publishers. He hired the best of arrangers (among them William Grant Still and Don Redman) and working bands could rely on the music he published as the genuine, authentic sound of this ever-increasing popular music to be called jazz. In his publications one could find the latest trends in jazz rhythms, chord progressions and the latest (and many times leading) trends and jazz „gimmicks‟ of the era. The use of jazz breaks, riffs, special effects (even examples of early rap) can be seen and found in his publications. His importance in the advancement and popularity of early written jazz cannot be over emphasized. On this program we will present many original compositions by Williams along with music by other composers which the Williams Publishing Company released. Clarence Williams was born in Plaquemine, LA in 1893, moving to New Orleans in 1906. One of his earliest musical experiences was in 1911 when he traveled with a minstrel show. Returning to New Orleans around 1915 he opened a music publishing business with A. J. Piron, a popular orchestra leader in the city. Moving the business briefly to Chicago he then permanently moved to New York City. He was very successful in this business and also was active in recording, especially with Okeh Records. Williams recorded more frequently than any other black musicians of the 1920‟s apart from Fletcher Henderson.
[Show full text]
August 2019 Page 1
Basin Street Regulars • The Central Coast Hot Jazz Society August 2019 Page 1 SWINGIN’ AUGUST CONCERT! from the Big Band era. Over 200 special arrangements make up the library of The Royal Garden Swing Orchestra from San memorable tunes from the swing era to Luis Obispo and the will be playing “Hot modern classics. Swingin’ Jazz” at the Basin Street Regulars’ As one of the most sought-after bands on the Sunday Afternoon Concert 1:00 to 4:00 at the Central Coast, the Royal Garden Swing Pismo Beach Veteran’s Memorial Building, Orchestra is an exceptional choice for private 780 Bello Street on Sunday, August 25th. parties, weddings as well as community Jam session starts at 11:00 (bring your instrument and join in). Admission is $5 members, $10 Non-members. Annual single membership $25. Annual under 26, $15. Couples $40, Family $50, Silver $100. For more information call (805) 481-7840 or go to www.pismojazz.com . Email at: [email protected]. The Basin Street Regulars is a 501(c)(3) organi- zation, dedicated to the performance and Judith and the Jazz Crewe concerts. The group is directed by Warren Balfour, retired Director of Jazz studies at Cuesta College. Judith and the Jazz Krewe is united by a love for making music and an appetite for good times also joins us Sunday. This lively group of local musicians features Royal Garden Swing Orchestra vocalist Judith Bean, Del Gomes on reeds and piano, Jeff Cardinal on trumpet, Gary Thompson on tuba and vocals, Bill Fortin preservation of Traditional Hot Swingin’ Jazz.
[Show full text]