DOCSLIB.ORG

Download Radio File Kroq Download Radio File Kroq

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Radio File Kroq Download Radio File Kroq download radio file kroq Download radio file kroq. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67d1bab7fafdc43d • Your IP : 188.246.226.140 • Performance & security by Cloudflare. KROQ Absolut Almost Acoustic Christmas - Day 1. Your Easy-access (EZA) account allows those in your organization to download content for the following uses: Tests Samples Composites Layouts Rough cuts Preliminary edits. It overrides the standard online composite license for still images and video on the Getty Images website. The EZA account is not a license. In order to finalize your project with the material you downloaded from your EZA account, you need to secure a license. Without a license, no further use can be made, such as: focus group presentations external presentations final materials distributed inside your organization any materials distributed outside your organization any materials distributed to the public (such as advertising, marketing) Because collections are continually updated, Getty Images cannot guarantee that any particular item will be available until time of licensing. Please carefully review any restrictions accompanying the Licensed Material on the Getty Images website, and contact your Getty Images representative if you have a question about them. Your EZA account will remain in place for a year. Your Getty Images representative will discuss a renewal with you. By clicking the Download button, you accept the responsibility for using unreleased content (including obtaining any clearances required for your use) and agree to abide by any restrictions. Radio: KROQ has a problem, and here’s how to fix it. KROQ (106.7 FM) has been a big thing in Los Angeles for many years, longer than many fans even realize. The station actually had its genesis in 1972 as an AM station at 1500 AM, home of the former KBLA. The new KROQ played top-40 music and included personalities such as Charlie Tuna, Sam Riddle, Shadoe Stevens, and Jimmy Rabbitt, among others. As with KBLA, in spite of big-name talent, the station was never able to compete against the big boys in town, primarily KHJ (930 AM). A limited signal didn’t help. In 1973, KPPC-FM was purchased and became KROQ-FM, simulcasting the AM programming. But money was tight, and soon the staff was not being paid. By mid-1974, some of the personalities had resigned, the others went on strike, and the stations went off the air for about two years. The KROQ most of us know picks ups from there. Back on the air in late 1975, the stations — under the direction of Stevens — were playing a format of rock music with an emphasis on some of the new music hitting the local scene … primarily punk and new wave. Related Articles. Famed Chicago radio host has new show on KABC Los Angeles radio DJ Kat Corbett officially quits 106.7 KROQ-FM Radio: Why it doesn’t make sense to simulcast an AM station on FM What happened to Bryan Suits’ Dark Secret Place radio show on KFI AM? There’s a radio station coming that will play one artist and one artist only. In 1980, the stations stopped simulcasting; the AM went Spanish and eventually off the air. The FM, though, was building momentum. Rick Carroll arrived to program the station and tweaked the format … still focusing on new music, but with a top-40 approach. Essentially, Carroll saw the station not as “alternative,” but as the place to hear new music and new bands first — no matter the genre. Artists included The Ramones, The Police, The Cars, Duran Duran, Blondie, Sparks, The Runaways, Devo … and Prince, The Rolling Stones and the Beach Boys. I bring up this history in order to maintain perspective. A recent story in Variety (tinyurl.com/RadioWaves0529) makes the claim that recent changes at the station mean the end of KROQ “as we know it.” What recent changes? Several months after half of Kevin and Bean left for England at the end of 2019, the station got a new programmer, management fired Kevin Ryder and the rest of the morning show and started switching up the music. Ratings, for their part, tanked … to the point where the station now finds itself with fewer listeners than any time since the early 1980s. But therein lies the problem. The KROQ that we “know” is not the station that we think we know. It has been over a decade, maybe two, since KROQ was actually a place to find new music and discover new bands. Over the years the station has gotten as predictable and stale as the stations it once beat. The same thing that killed KMET (now KTWV, 94.7 FM) — complacency and an aversion to risk — was killing KROQ as well. The only reason it wasn’t noticed was the boost Kevin and Bean gave to the station’s ratings; it became painfully obvious this past month when KROQ earned a mere 1.4 share of the audience. KMET, by the way, had a 1.6 share when the decision was made to end its format. Over the years, KROQ essentially painted itself into a corner. Yes, it did play music that was different than some of the music played on other stations. But it was predictable. Songs were slow to be added. New bands were missed. The focus was on “alternative,” limiting the sound unlike the early days when the focus was being the first to play what would later be heard elsewhere. Instead of excitement coming over the airwaves, it was boredom. I have wondered for years why a station that still sold itself on being the place for new music was playing mostly “recurrents,” industry jargon for songs that have been around a while. I like Blink-182, for example, but I should not hear songs in regular rotation from an album now ten years old. So in my opinion, KROQ has to die so that KROQ can live. I don’t know if new programmer Mike Kaplan has the ability — or the authority — to do what needs to be done, but KROQ absolutely needs to bring back the focus on finding new music, breaking new bands, and opening up the playlist. It needs to become a true alternative to Alt 98.7, which honestly suffers from many of the same problems as does KROQ, including over- reliance on the morning show and a stale playlist. Call it “active rock” if you want, rather than “alternative.” But it needs to be done. Otherwise there really isn’t a reason for KROQ to exist at all. COVID-19 hits Bean. Speaking of Kevin and Bean … when Gene “Bean” Baxter moved to England, it is doubtful that he ever expected to become a statistic. But he did. Earlier this month, Bean announced that he had been infected with the Coronavirus and was at a critical point in the illness. “Well no one is more surprised than I to now have the Coronavirus,” he messaged on social media. “…locked down tight at home since 9 March, only venturing out to walk the dogs and if we needed prescriptions or the odd grocery in between food deliveries. Masks, gloves, disinfectants, hand-washing, we took it seriously. Yet somehow here I am …” Last week came an update. He said he is doing fine, recovering, and telling friends that the worst is behind him. Spirits are good, and he has not had to go to the hospital…. “feeling stronger every day,” he writes. KROQ Events for PC. KROQ Events is an Android Entertainment app developed by Eventbase Technology, Inc. and published on the Google play store. It has gained around 1000 installs so far, with an average rating of 3.0 out of 5 in the play store. KROQ Events requires Android with an OS version of 4.1 and up. In addition, the app has a content rating of Teen, from which you can decide if it is suitable to install for family, kids, or adult users. KROQ Events is an Android app and cannot be installed on Windows PC or MAC directly. Android Emulator is a software application that enables you to run Android apps and games on a PC by emulating Android OS. There are many free Android emulators available on the internet. However, emulators consume many system resources to emulate an OS and run apps on it. So it is advised that you check the minimum and required system requirements of an Android emulator before you download and install it on your PC. Below you will find how to install and run KROQ Events on PC: Firstly, download and install an Android emulator to your PC Download KROQ Events APK to your PC Open KROQ Events APK using the emulator or drag and drop the APK file into the emulator to install the app. If you do not want to download the APK file, you can install KROQ Events PC by connecting your Google account with the emulator and downloading the app from the play store directly.
Load more

Recommended publications
  • Press Release
    LOOKING AT MUSIC: SIDE 2 EXPLORES THE CREATIVE EXCHANGE BETWEEN MUSICIANS AND ARTISTS IN NEW YORK CITY IN THE 1970s AND 1980s Photography, Music, Video, and Publications on Display, Including the Work of Jean-Michel Basquiat, Blondie, Richard Hell, Sonic Youth, and Patti Smith, Among Others Looking at Music: Side 2 June 10—November 30, 2009 The Yoshiko and Akio Morita Gallery, second floor Looking at Music: Side 2 Film Series September—November 2009 The Roy and Niuta Titus Theaters NEW YORK, June 5, 2009—The Museum of Modern Art presents Looking at Music: Side 2, a survey of over 120 photographs, music videos, drawings, audio recordings, publications, Super 8 films, and ephemera that look at New York City from the early 1970s to the early 1980s when the city became a haven for young renegade artists who often doubled as musicians and poets. Art and music cross-fertilized with a vengeance following a stripped-down, hard-edged, anti- establishment ethos, with some artists plastering city walls with self-designed posters or spray painted monikers, while others commandeered abandoned buildings, turning vacant garages into makeshift theaters for Super 8 film screenings and raucous performances. Many artists found the experimental music scene more vital and conducive to their contrarian ideas than the handful of contemporary art galleries in the city. Artists in turn formed bands, performed in clubs and non- profit art galleries, and self-published their own records and zines while using public access cable channels as a venue for media experiments and cultural debates. Looking at Music: Side 2 is organized by Barbara London, Associate Curator, Department of Media and Performance Art, The Museum of Modern Art, and succeeds Looking at Music (2008), an examination of the interaction between artists and musicians of the 1960s and early 1970s.
    [Show full text]
  • Siriusxm to Launch "Chris Carter's British Invasion" on Little Steven Van Zandt's Underground Garage Channel
    SiriusXM to Launch "Chris Carter's British Invasion" on Little Steven Van Zandt's Underground Garage Channel New weekly show featuring music from the British Invasion to be hosted by renowned British music expert and Underground Garage host, Chris Carter NEW YORK, April 3, 2013 /PRNewswire/ -- Sirius XM Radio (NASDAQ: SIRI) today announced that it will premiere Chris Carter's British Invasion, a new weekly three-hour show dedicated to the artists and music of the British Invasion, on Sunday, April 7, at 9:00 am ET. (Logo: http://photos.prnewswire.com/prnh/20101014/NY82093LOGO) Chris Carter's British Invasion will cover all aspects of the British Invasion and feature artist interviews as well as hits, album tracks, B-sides, and live recordings from iconic artists including The Beatles, The Rolling Stones, The Who, Mott The Hoople, The Move, The Creation, Oasis, and many more. "Chris Carter's British Invasion will be an exciting addition to our weekend lineup of music programming for the generation that lived it and for those who missed it," said Scott Greenstein, President and Chief Content Officer, SiriusXM. "There is no one better than Chris Carter to guide SiriusXM listeners nationwide through the hits and album tracks from one of the most vibrant, groundbreaking, and fun musical periods in rock." "As listeners already know, the British Invasion of 1964 to 1968 is the heart of the Underground Garage format here on SXM 21, but this will be our first show dedicated to the music and era that defines our identity," said Steven Van Zandt, creator and producer of SiriusXM's Little Steven's Underground Garage channel and E Street band member.
    [Show full text]
  • The Alt-Right on Campus: What Students Need to Know
    THE ALT-RIGHT ON CAMPUS: WHAT STUDENTS NEED TO KNOW About the Southern Poverty Law Center The Southern Poverty Law Center is dedicated to fighting hate and bigotry and to seeking justice for the most vulnerable members of our society. Using litigation, education, and other forms of advocacy, the SPLC works toward the day when the ideals of equal justice and equal oportunity will become a reality. • • • For more information about the southern poverty law center or to obtain additional copies of this guidebook, contact [email protected] or visit www.splconcampus.org @splcenter facebook/SPLCenter facebook/SPLConcampus © 2017 Southern Poverty Law Center THE ALT-RIGHT ON CAMPUS: WHAT STUDENTS NEED TO KNOW RICHARD SPENCER IS A LEADING ALT-RIGHT SPEAKER. The Alt-Right and Extremism on Campus ocratic ideals. They claim that “white identity” is under attack by multicultural forces using “politi- An old and familiar poison is being spread on col- cal correctness” and “social justice” to undermine lege campuses these days: the idea that America white people and “their” civilization. Character- should be a country for white people. ized by heavy use of social media and memes, they Under the banner of the Alternative Right – or eschew establishment conservatism and promote “alt-right” – extremist speakers are touring colleges the goal of a white ethnostate, or homeland. and universities across the country to recruit stu- As student activists, you can counter this movement. dents to their brand of bigotry, often igniting pro- In this brochure, the Southern Poverty Law Cen- tests and making national headlines. Their appear- ances have inspired a fierce debate over free speech ter examines the alt-right, profiles its key figures and the direction of the country.
    [Show full text]
  • Jay & Silent Bob Reboot
    Presents JAY & SILENT BOB REBOOT A film by Kevin Smith 105 mins, USA, 2019 Language: English Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com JAY AND SILENT BOB REBOOT SYNOPSIS: The stoner icons who first hit the screen 25 years ago in CLERKS are back! When Jay and Silent Bob discover that Hollywood is rebooting an old movie based on them, the clueless duo embark on another cross-country mission to stop it all over again! 1 CAST & CREW BIOGRAPHIES: KEVIN SMITH (Silent Bob, Director / Writer) Kevin Smith has been saying silly cinematic shit since his first film Clerks, released way back in 1994. He had a heart attack and almost died last year but survived solely so he could direct his magnum opus, Jay and Silent Bob Reboot. A polygamist, he’s married to both his wife Jen and podcasting. JASON MEWES (Jay) Jason Mewes most recently made his directorial debut on MADNESS IN THE METHOD, which was released in August 2019. With cult-fans following his controversial antics, Mewes has captured audiences with his rebellious banter against his unspoken other half and longtime friend, Kevin Smith. Since the beginning of the duo’s offbeat work together, Mewes and Smith have continued to build on their beloved character-driven roles from the Jay and Silent Bob series. It’s been over a decade since fans last saw the duo in live- action, but they’re back along with a star-studded cast in the upcoming comedy film, JAY AND SILENT BOB REBOOT.
    [Show full text]
  • Print Journalism's Framing of Female Candidates in The
    Joining the World of Journals Welcome to the nation’s first and, to our knowledge, only undergraduate research journal in communi- cations. We discovered this fact while perusing the Web site of the Council on Undergraduate Research, which lists and links to the 60 or so undergraduate research journals nationwide (http://www.cur.org/ugjournal. html). Some of these journals focus on a discipline (e.g., Journal of Undergraduate Research in Physics), some are university-based and multidisciplinary (e.g., MIT Undergraduate Research Journal), and some are university-based and disciplinary (e.g., Furman University Electronic Journal in Undergraduate Mathematics). The Elon Journal is the first to focus on undergraduate research in journalism, media and communi- cations. The School of Communications at Elon University is the creator and publisher of the online journal. The second issue was published in Fall 2010 under the editorship of Dr. Byung Lee, associate professor in the School of Communications. The three purposes of the journal are: • To publish the best undergraduate research in Elon’s School of Communications each term, • To serve as a repository for quality work to benefit future students seeking models for how to do undergraduate research well, and • To advance the university’s priority to emphasize undergraduate student research. The Elon Journal is published twice a year, with spring and fall issues. Articles and other materials in the journal may be freely downloaded, reproduced and redistributed without permission as long as the author and source are properly cited. Student authors retain copyright own- ership of their works. Celebrating Student Research This journal reflects what we enjoy seeing in our students -- intellectual maturing.
    [Show full text]
  • Union Calendar No. 881
    1 Union Calendar No. 881 115TH CONGRESS " ! REPORT 2d Session HOUSE OF REPRESENTATIVES 115–1114 ACTIVITIES OF THE HOUSE COMMITTEE ON OVERSIGHT AND GOVERNMENT REFORM ONE HUNDRED FIFTEENTH CONGRESS JANUARY 2, 2019 (Pursuant to House Rule XI, 1(d)(1)) Available via the World Wide Web: http://www.fdys.gov http://oversight.house.gov/ JANUARY 2, 2016.—Committed to the Committee of the Whole House on the State of the Union and ordered to be printed U.S. GOVERNMENT PUBLISHING OFFICE 33–945 WASHINGTON : 2019 VerDate Sep 11 2014 05:03 Jan 08, 2019 Jkt 033945 PO 00000 Frm 00001 Fmt 4012 Sfmt 4012 E:\HR\OC\HR1114.XXX HR1114 SSpencer on DSKBBXCHB2PROD with REPORTS E:\Seals\Congress.#13 COMMITTEE ON OVERSIGHT AND GOVERNMENT REFORM TREY GOWDY, South Carolina, Chairman JOHN DUNCAN, Tennessee ELIJAH E. CUMMINGS, Maryland DARRELL ISSA, California CAROLYN MALONEY, New York JIM JORDAN, Ohio ELEANOR HOLMES NORTON, District of MARK SANFORD, South Carolina Columbia JUSTIN AMASH, Michigan WILLIAM LACY CLAY, Missouri PAUL GOSAR, Arizona STEPHEN LYNCH, Massachusetts SCOTT DESJARLAIS, Tennessee JIM COOPER, Tennessee VIRGINIA FOXX, North Carolina GERALD E. CONNOLLY, Virginia THOMAS MASSIE, Kentucky ROBIN KELLY, Illinois MARK MEADOWS, North Carolina BRENDA LAWRENCE, Michigan DENNIS ROSS, Florida BONNIE WATSON COLEMAN, New Jersey MARK WALKER, North Carolina RAJA KRISHNAMOORTHI, Illinois ROD BLUM, Iowa JAMIE RASKIN, Maryland JODY B. HICE, Georgia JIMMY GOMEZ, California STEVE RUSSELL, Oklahoma PETER WELCH, Vermont GLENN GROTHMAN, Wisconsin MATT CARTWRIGHT, Pennsylvania
    [Show full text]
  • UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
    QuickLinks -- Click here to rapidly navigate through this document UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2006 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-09553 CBS CORPORATION (Exact name of registrant as specified in its charter) DELAWARE 04-2949533 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification Number) 51 W. 52nd Street New York, NY 10019 (212) 975-4321 (Address, including zip code, and telephone number, including area code, of registrant's principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Name of Each Exchange on Title of Each Class Which Registered Class A Common Stock, $0.001 par value New York Stock Exchange Class B Common Stock, $0.001 par value New York Stock Exchange 7.625% Senior Debentures due 2016 American Stock Exchange 7.25% Senior Notes due 2051 New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None (Title of Class) Indicate by check mark if the registrant is a well-known seasoned issuer (as defined in Rule 405 of the Securities Act of 1933). Yes ☒ No o Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934.
    [Show full text]
  • AM RADIO STATIONS (50Kw) Sorted by City
    AM RADIO STATIONS (50kW) Sorted by City: Frequency Station kHz City State WDCD 1540 Albany NY KKOB 770 Albuquerque NM KENI 650 Anchorage AK KFQD 750 Anchorage AK WSB 750 Atlanta GA WBAL 1090 Baltimore MD KBOI 670 Boise ID WRKO 680 Boston MA WEEI 850 Boston MA WBZ 1030 Boston MA WWZN 1510 Boston MA WWKB 1520 Buffalo NY KTWO 1030 Casper WY WBT 1110 Charlotte NC WSCR 670 Chicago IL WGN 720 Chicago IL WBBM 780 Chicago IL WLS 890 Chicago IL WMVP 1000 Chicago IL WLW 700 Cincinnati OH WSAI 1530 Cincinnati OH WTAM 1100 Cleveland OH WHK 1220 Cleveland OH KRLD 1080 Dallas TX KFXR 1190 Dallas TX KOA 850 Denver CO WHO 1040 Des Moines IA WJR 760 Detroit MI WWJ 950 Detroit MI WXYT 1270 Detroit MI KPNW 1120 Eugene OR WFDF 910 Farmington Hills MI WOWO 1190 Fort Wayne IN KMJ 580 Fresno CA KYNO 940 Fresno CA WBAP 820 Ft Worth TX WLFJ 660 Greenville SC WALE 990 Greenville RI WTIC 1080 Hartford CT KTRH 740 Houston TX KMNY 1360 Hurst TX KOFI 1180 Kalispell MT KDWN 720 Las Vegas NV KRVN 880 Lexington NE KAAY 1090 Little Rock AR KFI 640 Los Angeles CA KSPN 710 Los Angeles CA KTNQ 1020 Los Angeles CA KNX 1070 Los Angeles CA KTLK 1150 Los Angeles CA KMPC 1540 Los Angeles CA WHAS 840 Louisville KY WMAC 940 Macon GA WAQI 710 Miami FL WTMJ 620 Milwaukee WI WISN 1130 Milwaukee WI KVTT 1110 Mineral Wells TX WCCO 830 Minneapolis MN KTCN 1130 Minneapolis MN WSM 650 Nashville TN WLAC 1510 Nashville TN WWL 870 New Orleans LA WFAN 660 New York NY WOR 710 New York NY WABC 770 New York NY WCBS 880 New York NY WINS 1010 New York NY WEPN 1050 New York NY WBBR 1130 New York
    [Show full text]
  • Industry, ASCAP Agree Him As VP /GM at the San Diego Seattle, St
    ISSUE NUMBER 646 THE INDUSTRY'S WEEKLY NEWSPAPER AUGUST 1, 1986 WARSHAW NEW KFSD VP /GM I N S I D E: RADIO BUSINESS Rosenberg Elevated SECTION DEBUTS To Lotus Exec. VP This week R &R expands the Transactions page into a two -page Radio Business section. This week and in coming weeks, you'll read: Features on owners, brokers, dealmakers, and more Analyses on trends in the ever -active station acquisition field Graphs and charts summarizing transaction data Financial data on the top broadcast players And the most complete and timely news available on station transactions. Hal Rosenberg Dick Warshaw Starts this week, Page 8 KFSD/San Diego Sr. VP/GM elevated to Exec. VP for Los Hal Rosenberg has been Angeles-based parent Lotus ARBITRON RATINGS RESULTS COMPROMISE REACHED Communications, which owns The spring Arbitrons for more top 14 other stations in California. markets continue to pour in, including Texas, Arizona, Nevada, Illi- this week figures for Houston, Atlanta, nois, and Maryland. Succeeding Industry, ASCAP Agree him as VP /GM at the San Diego Seattle, St. Louis, Kansas Cincinnati, Classical station is National City, Tampa, Phoenix, Denver, Miami, Sales Manager Dick Warshaw. and more. On 7.5% Rate Hike Rosenberg, who had been at Page 24 stallments, one due by the end After remaining deadlocked KFSD since it was acquired by Increases Vary of this year, and the other. by for several years, ASCAP and Lotus in 1974, assumes his new CD OR NOT CD: By Station next April. The new rates will the All- Industry Radio Music position January 1, 1987.
    [Show full text]
  • Stations Monitored
    Stations Monitored 10/01/2019 Format Call Letters Market Station Name Adult Contemporary WHBC-FM AKRON, OH MIX 94.1 Adult Contemporary WKDD-FM AKRON, OH 98.1 WKDD Adult Contemporary WRVE-FM ALBANY-SCHENECTADY-TROY, NY 99.5 THE RIVER Adult Contemporary WYJB-FM ALBANY-SCHENECTADY-TROY, NY B95.5 Adult Contemporary KDRF-FM ALBUQUERQUE, NM 103.3 eD FM Adult Contemporary KMGA-FM ALBUQUERQUE, NM 99.5 MAGIC FM Adult Contemporary KPEK-FM ALBUQUERQUE, NM 100.3 THE PEAK Adult Contemporary WLEV-FM ALLENTOWN-BETHLEHEM, PA 100.7 WLEV Adult Contemporary KMVN-FM ANCHORAGE, AK MOViN 105.7 Adult Contemporary KMXS-FM ANCHORAGE, AK MIX 103.1 Adult Contemporary WOXL-FS ASHEVILLE, NC MIX 96.5 Adult Contemporary WSB-FM ATLANTA, GA B98.5 Adult Contemporary WSTR-FM ATLANTA, GA STAR 94.1 Adult Contemporary WFPG-FM ATLANTIC CITY-CAPE MAY, NJ LITE ROCK 96.9 Adult Contemporary WSJO-FM ATLANTIC CITY-CAPE MAY, NJ SOJO 104.9 Adult Contemporary KAMX-FM AUSTIN, TX MIX 94.7 Adult Contemporary KBPA-FM AUSTIN, TX 103.5 BOB FM Adult Contemporary KKMJ-FM AUSTIN, TX MAJIC 95.5 Adult Contemporary WLIF-FM BALTIMORE, MD TODAY'S 101.9 Adult Contemporary WQSR-FM BALTIMORE, MD 102.7 JACK FM Adult Contemporary WWMX-FM BALTIMORE, MD MIX 106.5 Adult Contemporary KRVE-FM BATON ROUGE, LA 96.1 THE RIVER Adult Contemporary WMJY-FS BILOXI-GULFPORT-PASCAGOULA, MS MAGIC 93.7 Adult Contemporary WMJJ-FM BIRMINGHAM, AL MAGIC 96 Adult Contemporary KCIX-FM BOISE, ID MIX 106 Adult Contemporary KXLT-FM BOISE, ID LITE 107.9 Adult Contemporary WMJX-FM BOSTON, MA MAGIC 106.7 Adult Contemporary WWBX-FM
    [Show full text]
  • Newsletter 15/10 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 15/10 DIGITAL EDITION Nr. 278 - September 2010 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/10 (Nr. 278) September 2010 editorial Hallo Laserdisc- und DVD-Fans, auch jede Menge Filme auf dem liebe Filmfreunde! Fantasy Filmfest inspiziert. Diese sind Herzlich willkommen zum ersten jedoch in seinem Blog nicht enthalten, Newsletter nach unserer Sommer- sondern werden wie üblich zu einem pause. Es ist schon erstaunlich, wie späteren Zeitpunkt in einem separaten schnell so ein Urlaub vorbeigehen Artikel besprochen werden. Als ganz kann. Aber wie sollten wir es auch besonderes Bonbon werden wir in ei- merken? Denn die meiste Zeit ha- ner der nächsten Ausgaben ein exklu- ben wir im Kino verbracht. Unser sives Interview mit dem deutschstäm- Filmblogger Wolfram Hannemann migen Regisseur Daniel Stamm prä- hat es während dieser Zeit immer- sentieren, das unser Filmblogger wäh- hin auf satte 61 Filme gebracht! Da rend des Fantasy Filmfests anlässlich bleibt nicht viel Zeit für andere Ak- des Screenings von Stamms Film DER tivitäten, zumal einer der gesichte- LETZTE EXORZISMUS geführt ten Filme mit einer Lauflänge von 5 hat. ½ Stunden aufwartete. Während wir dieses Editorial schreiben ist er Sie sehen – es bleibt spannend! schon längst wieder dabei, Filmein- führungen für das bevorstehende Ihr Laser Hotline Team 70mm-Filmfestival der Karlsruher Schauburg zu schreiben. Am 1. Ok- tober geht’s los und hält uns und viele andere wieder für drei ganze Tage und Nächte auf Trab.
    [Show full text]
  • Letter Was Presented to the Commissioner Signed by the Ceos of 50 Minority Owned AM Radio Licensees, Collectively Owning 140 AM Stations.'
    NATIONAL ASSOCIATION OF BLACK OWNED BROADCASTERS 1201 Connecticut Avenue, N .W., Sui te 200, W ashington, D.C 20036 (202) 463-8970 • Fax: (2 02) 429-0657 September 2, 2015 BOARD OF DIRECTORS JAMES L. WINSlOI\ President Marlene H. Dortch, Secretary MICHAEL L. CARTER Vice President Federal Communications Commission KAREN E. SLADE 445 12th Street NW Treasurer C. LOIS E. WRIGHT Washington, D. 20554 Counsel 10 the 80ii1td ARTHUR BEN JAMI Re: Notice of Ex Parte Communication, MB Docket 13- CAROL MOORE CUTTING 249, Revitalization of the AM Radio Service ALFRED G. LIGGINS ("Notice") JE RRY LOPES DUJUAN MCCOY STEVEN ROBERTS Review of the Emergency Alert System (EB Docket MELODY SPANN-COOPER No. 04-296); Recommendations of the Independent JAMES E. WOL FE, JR. Panel Reviewing the Impact of Hurricane Katrina on Communications Networks (EB Docket 06-119) Dear Ms. Dortch: On September 1, 2015, the undersigned President of the National Association of Black Owned Broadcasters, Inc. ("NABOB") along with Francisco Montero of Fletcher, Heald & Hildreth, PLC, and David Honig, President Emeritus and Senior Advisor, Multicultural Media, Telecommunications and Internet Council ("MMTC") met with Commissioner Ajit Pai and Alison Nemeth, Legal Advisor, to discuss the most important and effective proposal set forth in the AM Revitalization Notice: opening an application filing window for FM translators that would be limited to AM broadcast licensees. As the Commission recognized in the Notice, the best way to help the largest number of AM stations to quickly and efficiently improve their service is to open such an AM-only window. Any other approach will make it extremely difficult, if not impossible, for AM stations, to obtain the translators they urgently need to remain competitive and provide our communities with the service they deserve.
    [Show full text]