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Captive Orcas
Captive Orcas ‘Dying to Entertain You’ The Full Story A report for Whale and Dolphin Conservation Society (WDCS) Chippenham, UK Produced by Vanessa Williams Contents Introduction Section 1 The showbiz orca Section 2 Life in the wild FINgerprinting techniques. Community living. Social behaviour. Intelligence. Communication. Orca studies in other parts of the world. Fact file. Latest news on northern/southern residents. Section 3 The world orca trade Capture sites and methods. Legislation. Holding areas [USA/Canada /Iceland/Japan]. Effects of capture upon remaining animals. Potential future capture sites. Transport from the wild. Transport from tank to tank. “Orca laundering”. Breeding loan. Special deals. Section 4 Life in the tank Standards and regulations for captive display [USA/Canada/UK/Japan]. Conditions in captivity: Pool size. Pool design and water quality. Feeding. Acoustics and ambient noise. Social composition and companionship. Solitary confinement. Health of captive orcas: Survival rates and longevity. Causes of death. Stress. Aggressive behaviour towards other orcas. Aggression towards trainers. Section 5 Marine park myths Education. Conservation. Captive breeding. Research. Section 6 The display industry makes a killing Marketing the image. Lobbying. Dubious bedfellows. Drive fisheries. Over-capturing. Section 7 The times they are a-changing The future of marine parks. Changing climate of public opinion. Ethics. Alternatives to display. Whale watching. Cetacean-free facilities. Future of current captives. Release programmes. Section 8 Conclusions and recommendations Appendix: Location of current captives, and details of wild-caught orcas References The information contained in this report is believed to be correct at the time of last publication: 30th April 2001. Some information is inevitably date-sensitive: please notify the author with any comments or updated information. -
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
The Earthing Movie Bringing It Home Poisoning Paradise Free Willy
SANTA MONICA COLLEGE FALL 2019 GREEN SCREEN SERIES Hosted by Sheila Laffey, Ph.D., Adjunct Professor 09.23.19 11.04.19 The Earthing Poisoning Movie Paradise Documentary Film Screening and Talk Film Screening with Filmmakers Josh and Rebecca Mon, November 4 | 4 p.m. Tickell and Oscar-nominated Actor Mariel Hemingway 11.18.19 Mon, September 23 | 4 p.m. Free Willy 10.07.19 Film Screening and Talk with Producers Lauren Shuler Donner Bringing It Home and Jennie Lew Tugend Film Screening Mon, November 18 | 3 p.m. and Talk with Sheila Laffey Mon, October 7 | 4 p.m. All events will be held at the Center for Media and Design, Auditorium. Free admission. THE EARTHING MOVIE Film Screening and Talk with Filmmakers Josh and Rebecca Tickell and Oscar-nominated Actor Mariel Hemingway The Earthing Movie (2019, 75 minutes) explores the effects on human physiology and health of connecting our skin to the ground for extended periods of time, which can significantly reduce inflammation, leading to often dramatic health benefits. A talk with the documentary’s award- winning filmmakers Josh and Rebecca Tickell and actor Mariel Hemingway follows the screening. Mon, September 23 | 4 p.m. | Free | Center for Media and Design, Auditorium 180 BRINGING IT HOME Film Screening and Talk with Sheila Laffey Hemp — it’s not just for hippies anymore. Today, it’s found in everything from salad dressings to construction materials. Industrial hemp is a nonpsychoactive plant grown in 31 other countries, but prohibited until very recently in the United States. Directed by Linda Booker, Bringing It Home (2006, 60 minutes) uses animation, archival images, and interviews with hemp business leaders and growers, to explore a crop with so many widespread benefits. -
Free Willy Theme Song
Free willy theme song click here to download Will You Be There (Theme from "Free Willy) - Reprise Lyrics: Hold me like the River Jordan / And I will then say to thee, you are my friend / Carry me like you are. Free Willy () SoundTracks on IMDb: Memorable quotes and exchanges ( Theme from "Free Willy") Courtesy of The RCA Records Label of BMG Music. Lyrics to Will You Be There [From Free Willy] by Michael Jackson from the Lo Esencial De Los Grandes Temas De Películas album - including song video, artist. Check out Will You Be There (Theme from "Free Willy") by Michael Jackson on Amazon Music. Stream ad-free or purchase CD's and MP3s now on www.doorway.ru . "Will You Be There" is a song by Michael Jackson which was released in The song is the eighth single from the album Dangerous. The song also appeared on the soundtrack to the film Free Willy, of which it is the main theme. Lyrics to 'Will You Be There (Theme From "Free Willy")' by Michael Jackson. Hold me like the River Music Videos. Michael Top Songs By Michael Jackson. 1. This is an easier version of MJ's, Free Willy theme tune, Will You Be There? I didn 't know what to call one note so I named it GT, its *basically playing the bottom. 12 Songs, 59 Minutes. Preview. Free Willy (Original Motion Picture Soundtrack) Various Artists Will You Be There (Theme from "Free Willy"). Michael Jackson. Will You Be There (Theme from 'Free Willy') Hold me like the River Jordan And I will then All songs www.doorway.ru (You Were The Only One) (Emile Haynie Remix) 2. -
I Sing Because I'm Free‖: Developing a Systematic Vocal Pedagogy For
―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer D. M. A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Crystal Yvonne Sellers Graduate Program in Music The Ohio State University 2009 Dissertation Committee: Loretta Robinson, Advisor Karen Peeler C. Patrick Woliver Copyright by Crystal Yvonne Sellers 2009 Abstract ―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer With roots in the early songs and Spirituals of the African American slave, and influenced by American Jazz and Blues, Gospel music holds a significant place in the music history of the United States. Whether as a choral or solo composition, Gospel music is accompanied song, and its rhythms, textures, and vocal styles have become infused into most of today‘s popular music, as well as in much of the music of the evangelical Christian church. For well over a century voice teachers and voice scientists have studied thoroughly the Classical singing voice. The past fifty years have seen an explosion of research aimed at understanding Classical singing vocal function, ways of building efficient and flexible Classical singing voices, and maintaining vocal health care; more recently these studies have been extended to Pop and Musical Theater voices. Surprisingly, to date almost no studies have been done on the voice of the Gospel singer. Despite its growth in popularity, a thorough exploration of the vocal requirements of singing Gospel, developed through years of unique tradition and by hundreds of noted Gospel artists, is virtually non-existent. -
Summary Report of Keiko Evaluation Panel
Summary Report of Evaluation Panel Convened to Assess the Health of Keiko January 28, 1998 Panel Members: Dr. James McBain, Sea World, Inc. Dr. Al Smith, Oregon State University Dr. Jeffery Stott, University of California at Davis Dr. Joseph Geraci, National Aquarium in Baltimore Mr. Bud Krames, Dolphin Quest Dr. Barbara Kohn, USDA, APHIS, AC - Facilitator Other Contributors: Dr. Isis Johnson, USDA, APHIS, AC Dr. Randy Ridenour, USDA, APHIS, AC This independent evaluation was done with the full backing and support of the Free Willy Keiko Foundation. Foundation liaisons were Mr. Joseph Gaskins, and Mr. Robert Ratliffe. The Panel wishes to thank the staff at the Free Willy Keiko Foundation and the Oregon Coast Aquarium for their cooperation with this evaluation. The Panel was welcomed with open arms. We wish to thank Dr. Lanny Cornell for his cooperation. Keiko, a male killer whale, Orcinus orca, was transported to the United States and housed at a newly built facility within the Oregon Coast Aquarium (OCA) in January 1 1996. Since that time the animal has been under the care of the OCA and the Free Willy Keiko Foundation (FWKF). Due to the history and popularity of the whale, his health and well being have been subjected to a high degree of public and media scrutiny. In August 1997, after a change in personnel han- dling the day-to day care of Keiko and after conflicting reports of his health status,APHIS was asked to facilitate the formation of an independent panel of marine mammal experts who would assess the current health status of Keiko. -
Hartford Public Library DVD Title List
Hartford Public Library DVD Title List # 24 Season 1 (7 Discs) 2 Family Movies: Family Time: Adventures 24 Season 2 (7 Discs) of Gallant Bess & The Pied Piper of 24 Season 3 (7 Discs) Hamelin 24 Season 4 (7 Discs) 3:10 to Yuma 24 Season 5 (7 Discs) 30 Minutes or Less 24 Season 6 (7 Discs) 300 24 Season 7 (6 Discs) 3-Way 24 Season 8 (6 Discs) 4 Cult Horror Movies (2 Discs) 24: Redemption 2 Discs 4 Film Favorites: The Matrix Collection- 27 Dresses (4 Discs) 40 Year Old Virgin, The 4 Movies With Soul 50 Icons of Comedy 4 Peliculas! Accion Exploxiva VI (2 Discs) 150 Cartoon Classics (4 Discs) 400 Years of the Telescope 5 Action Movies A 5 Great Movies Rated G A.I. Artificial Intelligence (2 Discs) 5th Wave, The A.R.C.H.I.E. 6 Family Movies(2 Discs) Abduction 8 Family Movies (2 Discs) About Schmidt 8 Mile Abraham Lincoln Vampire Hunter 10 Bible Stories for the Whole Family Absolute Power 10 Minute Solution: Pilates Accountant, The 10 Movie Adventure Pack (2 Discs) Act of Valor 10,000 BC Action Films (2 Discs) 102 Minutes That Changed America Action Pack Volume 6 10th Kingdom, The (3 Discs) Adventure of Sherlock Holmes’ Smarter 11:14 Brother, The 12 Angry Men Adventures in Babysitting 12 Years a Slave Adventures in Zambezia 13 Hours Adventures of Elmo in Grouchland, The 13 Towns of Huron County, The: A 150 Year Adventures of Ichabod and Mr. Toad Heritage Adventures of Mickey Matson and the 16 Blocks Copperhead Treasure, The 17th Annual Lane Automotive Car Show Adventures of Milo and Otis, The 2005 Adventures of Pepper & Paula, The 20 Movie -
Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, Its People
It’s Not Me, It’s You: Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, its People by Sharieka Shontae Botex April, 2019 Director of Thesis: Dr. Wendy Sharer Major Department: English The origins of Hip Hop evidence that the art form was intended to provide more than music to listen to, but instead offer art that delivers messages on behalf of people who were not always listened to. My thesis offers an analysis of Jay-Z and J. Cole’s lyrical content and adds to an ongoing discussion of the potential Hip Hop artists have to be effective leaders for the Black community, whose lyrical content can be used to make positive change in society, and how this ability at times can be compromised by creating content that doesn’t evidence this potential or undermines it. Along with this, my work highlights how some of Jay-Z and J. Cole’s lyrical content exhibits their use of some rhetorical strategies and techniques used in social movements and their use of some African American rhetorical practices and strategies. In addition to this, I acknowledge and discuss points in scholarship that connect with my discussion of their lyrical content, or that aided me in proposing what they could consider for future lyrical content. I analyzed six Jay-Z songs and six J. Cole songs, including one song from their earliest released studio album and one from their most recently released studio album. I examined their lyrical content to document responses to the following questions: What issues and topics are discussed in the lyrics; Is money referenced? If so, how; Is there a message of uplift or unity?; What does the artist speak out against?; What lifestyles and habits are promoted?; What guidance is provided?; What problems are mentioned? and What solutions are offered? In my thesis, I explored Jay-Z and J. -
Considering Connections Between Hollywood and Biodiversity Conservation
Considering connections between Hollywood and biodiversity conservation AUTHORS: Matthew J Silk1*+, Sarah L Crowley1*, Anna J Woodhead1,2 and Ana Nuno3+ 1 Environment and Sustainability Institute, University of Exeter, Penryn, Cornwall, TR10 9FE, UK. 2 Lancaster Environment Centre, Lancaster University, Lancaster, LA1 4YQ, UK. 3 Centre for Ecology and Conservation, College of Life and Environmental Sciences, University of Exeter, Penryn, Cornwall, TR10 9FE, UK *Joint lead authors Author emails: [email protected] (MJS), [email protected] (SLC), [email protected] (AJW), [email protected] (AN) Corresponding authors: Matthew J Silk, Environment and Sustainability Institute, University of Exeter, Penryn, Cornwall, UK. TR10 9FE. Email: [email protected]. Ana Nuno, Centre for Ecology and Conservation, College of Life and Environmental Sciences, University of Exeter, Penryn, Cornwall, UK. Email: [email protected]. RUNNING TITLE: Hollywood and biodiversity conservation Keywords: CITES; consumer research; Google trends analysis; impact evaluation; industry engagement; nature deficit disorder; social media; wildlife trade Article Impact Statement: Engaging with and understanding the impact of the movie industry could contribute to the success of biodiversity conservation. Abstract Cinema offers a substantial opportunity to share messages with a wide audience. Given its global range and potentially high impact, there is an urgent need for research that evaluates the This article has been accepted for publication and undergone full peer review but has not been through the copyediting, typesetting, pagination and proofreading process, which may lead to differences between this version and the Version of Record. Please cite this article as doi: 10.1111/cobi.13030. -
00:00:00 Music Transition “Crown Ones” Off the Album Stepfather by People Under the Stairs
00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under the Stairs. [Music continues under the dialogue, then fades out.] 00:00:06 Oliver Host Hello! I’m Oliver Wang. Wang 00:00:08 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:10 Oliver Host Every episode, we invite a guest to join us to talk about a heat rock: an album that just burns eternally. And today, we have something for the blunted as we dive back to 1991, to talk about the debut, self-titled album by Cypress Hill. 00:00:27 Music Music “Break It Up” from the album Cypress Hill by the band Cypress Hill. Light, multilayered rap. Break it up, Cypress Hill, break it up Cypress, break it up, Cypress Hill Cypress Hill! Break it up Cypress Hill, break it up Cypress, break it up Cypress Hill Cypress Hill! Break it up Cypress Hill, break it up Cypress, break it up Cypress Hill Cypress Hill! [Music continues under the dialogue briefly, then fades out.] 00:00:39 Oliver Host The first time I ever saw Cypress Hill was at my very first hip-hop show, in San Francisco in ’91. Cypress, however, were not the headliners. That would have been the trio of 3rd Bass, then touring behind their radio single, “Pop Goes the Weasel”. Cypress Hill was the opening act, with only a slow-burn B-side, “How I Could Just Kill a Man”, to their name at the time. Of course, a few years later and this would all change. -
Cash Box June 26, 1993 21 Urban
CASH BOX JUNE 26, 1993 21 URBAN 5 9 TOP 30 HIP-HOP ALBUMS By M.R. Martinez THE CASH BOX • JUNE 26, 1993 HOLLYWOOD SOCIETY: Artists RHYME who are on the Jive Records soundtrack XX THE CHRONIC (Death Row/Interscope 57128/Priority) Dr. Dre 1 34 to the New Line Cinema release Menace 2 12 INCHES OF SNOW (Atco EastWest 92207/AG) SnOW 2 18 BACDAFUCUP (RAlVChaos 53302) Onyx 5 8 II Society mingled with the film's stars BORN GANGSTAZ (OJ West/Chaos/Columbia 52903) BOSS DEBUT during a party at the Hollywood Athletic H 14 19 NAUGHTY m (Tommy Boy 1069) Naughty By Nature 4 17 Club in Los Angeles following the premiere screening. Artists 15 166 THE BLISS ALBUM (Gee Street 514517) P.M. Dawn 6 10 such as Too $hort and MC Eiht (of Compton's Most Wanted) 7 THE PREDATOR (Priority 57185) IceCube 7 26 appear in the film and on the soundtrack. They were joined at the 8 DOWN WITH THE KING (Profile 1440) Run-D.M.C. 3 6 19 3 YEARS 5 MONTHS Sr 2 DAYS IN THE LIFE OF... party by Dr. Dre, Tone Loc, DJ Premiere (Gangstarr), Young MC, 20 (Chrysalis 21929) Arrested Development 10 18 Pharcyde, Ed Lover, Martin Lawrence, Laurence Fishbume, 21 2210 14 SHOTS TO THE DOME (Def Jam/Columbia 53323) L.LCoolJ 11 10 Har- Angela Bassett, Morris Chestnut, Sam Jackson, Kadeem 11 TILL DEATH DO US PART (Rap A Lot 53818) GetO Boys 8 14 dison, Debbie Allen and Keenan Ivory Wayans, among others. -
Back to the Future Howard Shore:The Cell
Original Music Soundtracks for Motion Pictures and TV V OLUME 5 , N UMBER 9 / 1 0 Art-house Action page 45 09 > ALAN SILVESTRI: CAST AWAY PLUS: BACK TO THE FUTURE 7 252 74 9 3 7 0 4 2 $4.95 U.S. • $5.95 Canada HOWARD SHORE: THE CELL Two new scores by the legendary composer of The Mission and A Fistful Of Dollars. GAUMONT AND LEGenDE enTrePriSES PReSENT Also Available: The Mission Film Music Vol. I Film Music Vol. II MUSicic BYBY ENNIO MORRICONE a ROLAND JOFFÉ film IN STORES FEBRUARY 13 ©2001 Virgin Records America, Inc. v CONTENTS NOVEMBER/DECEMBER 2000 cover story departments 26 101 Great Film Scores on CD 2 Editorial Here at the end of the year, century, millennium, Counting the Votes. whatever—FSM sticks out its collective neck and selects the ultimate list of influential, significant 4 News and enjoyable soundtracks released on CD. Hoyt Curtin, 1922-2000; By Joe Sikoryak, with John Bender, Jeff Bond, Winter Awards Winners. Jason Comerford, Tim Curran, Jeff Eldridge, 5 Record Label Jonathan Z. Kaplan, Lukas Kendall Round-up & Chris Stavrakis What’s on the way. 6 Now Playing 33 21 Should’a Been Contenders Movies and CDs in release. Go back to Back to the Future for 41 Missing in Action 8 Concerts ’round-the-clock analysis. Live performances page 16 around the world. f e a t u r e s 9 Upcoming Assignments 14 To Score or Not To Score? Who’s writing what Composer Alan Silvestri found his music for whom. struggling for survival in the post-production of Cast Away.