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Rambo: Last Blood Production Notes
RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar.
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Fenton Police Go Live with New Crime-Mapping Website CRIMEMAPPING
Sunday, August 10, 2014 Featured Section tctimes.com More to life after FEATURED SECTION: Get up-to-date SPORTS 15A Text the word FiftyWork for fun as a retiree MORE TO LIFE AFTER FIFTY area garage PG 5 Eye your nutrition GARAGESALE Frederick leaps to for best vision as you age sales sent to PG 8 Work for fun Bond between (all one word, upper case) top of our boys grandparents and grandkids benefits both your phone in PG 10 as a retiree to 810-475-2030 track team Bonus advance! Section ! PAGE 5 $1.00 PAGE 3A: Community Life | Active Living | Healthy Choices SUNDAY EDITION SCUBA DIVING... A TREAT FOR THE SENSES Weekend VOL. 21 NO. XXXII SUNDAY, AUGUST 10, 2014 2012 & 2013 NEWSPAPER OF THE YEAR tctimes.com ONLINE Fenton police go live with new crime-mapping website CRIMEMAPPING. COMMENTS Maps, alerts, reports just a click away for residents COM This Crime- By Sharon Stone other cities in Michigan that show We built the Panama Mapping. [email protected]; 810-433-6786 crimes on this website. Canal. We built an intercon- com screen ‘‘ tinental railroad. Have you ever found yourself In an effort to help reduce We build the peeking through your living room crime and further strengthen lo- shot of Hoover Dam. blinds in an attempt to find out why cal community-oriented policing Fenton City We build coast- police are at your neighbor’s home? efforts, the Fenton Police Depart- Thursday to-coast ex- If you live in Fenton City, a new ment (FPD) decided to go live at morning pressways.
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Hollywood's Ageing Ensemble Action Hero Series
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wilfrid Laurier University Wilfrid Laurier University Scholars Commons @ Laurier English and Film Studies Faculty Publications English and Film Studies 2017 Ageing in Action: Hollywood’s Ageing Ensemble Action Hero Series Philippa Gates Wilfrid Laurier University, [email protected] Follow this and additional works at: https://scholars.wlu.ca/engl_faculty Part of the English Language and Literature Commons, and the Film and Media Studies Commons Recommended Citation Gates, Philippa, "Ageing in Action: Hollywood’s Ageing Ensemble Action Hero Series" (2017). English and Film Studies Faculty Publications. 13. https://scholars.wlu.ca/engl_faculty/13 This Article is brought to you for free and open access by the English and Film Studies at Scholars Commons @ Laurier. It has been accepted for inclusion in English and Film Studies Faculty Publications by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. Ageing in Action: Hollywood’s Ageing Ensemble Action Hero Series By Philippa Gates Note: This is the English language version of a paper published in French as « Vieillir, agir: les héros d’âge mûr dans deux séries de films d’action hollywoodiens.» L’Âge des stars: des images à l’épreuve du vieillissement. Eds. Charles-Antoine Courcoux, Gwénaëlle Le Gras, Raphaëlle Moine. L’Âge d’homme, 2017. pp 130-50. Permission to reprint the paper in English is graciously given by the editors of the collection. Summary This paper explores the treatment of ageing in the ensemble action hero series RED (2010 and 2013) starring Bruce Willis and Helen Mirren and The Expendables (2010, 2012, and 2014) starring Sylvester Stallone and other 1980s action stars.
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Cultural Studies and the Un/Popular How the Ass-Kicking Work of Steven Seagal May Wrist- Break Our Paradigms of Culture Dietmar Meinel ‘Steven Seagal. Action Film. USA 2008.’ —German TV Guide The first foreigner to run an aikido dojo in Japan, declared the reincarna- tion of a Buddhist lama, blackmailed by the mob, environmental activist, small-town sheriff, owner of a brand of energy drinks, film producer, writer, musician, and lead in his first film (cf. Vern vii), 1980s martial arts action film star Steven Segal is a fascinating but often contradictory figure. Yet, Seagal is strikingly absent from the contemporary revival of seasoned action-film heroes such as Sylvester Stallone, Arnold Schwarzenegger, Bruce Willis, Jean-Claude Van Damme, Dolph Lundgren, and Chuck Norris in The Expendables (2010), The Expendables 2 (2012), and The Expendables 3 (2014). In contrast, ‘starring’ in up to four direct-to-video releases each year over the last decade, Seagal has become a successful entrepreneur of B movies. The (very) low production values of these films, however, highlight rather than conceal his physical demise as incongruent, confusing, and Godard-style editing replaces the fast-paced martial arts action of earlier movies. While his bulky body has become a disheartening memento of his glorious past, his uncompromising commitment to spiritual enlighten- ment and environmental protection arguably elevates him above the mere ridiculousness of his films. In this essay, I will explore Seagal and his oeuvre as he moved from ac- claimed martial arts action star to bizarre media figure in order to devise a framework for un/popular culture.
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The Expendables 2 - Back for War - Uncut Version LTD
www.wvg.com The Expendables 2 - Back For War - Uncut Version LTD. VÖ-Datum 25.01.2013 Bestellnummer 7704682SLD EAN-Code 4013549046824 Genre Action Preiscode VH FSK ab 18 Laufzeit (Min.) 99 / Uncut Label Splendid Film Verpackung Steelbook Format DVD Anzahl der Discs 2 Bildformat 16x9 anamorph (2,40:1) Tonformat Dolby Digital 5.1 Sprachen Deutsch/Englisch Untertitel Deutsch, DfHg Bonusmaterial Audiokommentar, Featurettes, Deleted Scenes, Gag Reel Produktionsland USA, 2012 Mehr Heroes - Mehr Action - Mehr Blockbuster 100% schlagkräftige Action! 100% knallharte Muskelmasse! 100% kochendes Testosteron! „The Expendables“ sind zurück ... und dieses Mal nehmen sie es persönlich! Unter der Regie von Action-Spezialist Simon West („The Mechanic“, „Con Air“) liefern Sylvester Stallone („John Rambo“, „Rocky Balboa“), Arnold Schwarzenegger („The Last Stand”, “Terminator“), Bruce Willis (“Looper”, „Stirb langsam“), Dolph Lundgren („Universal Soldier“), Chuck Norris („Missing in Action“), Jet Li („Romeo Must Die“), Jason Statham („The Transporter“, “Crank”) und Jean-Claude Van Damme („JCVD“, „Wake of Death“) Schlag auf Schlag stahlharte Fights, spektakuläre Stunts und einen gnadenlosen Humor! Die Expendables haben einen neuen Auftrag! Barney Ross (Sylvester Stallone), Lee Christmas (Jason Statham), Yin Yang (Jet Li), Gunner Jensen (Dolph Lundgren), Toll Road (Randy Couture), Hale Caesar (Terry Crews), Billy the Kid (Liam Hemsworth) und Maggie (Yu Nan) werden von Mr. Church (Bruce Willis) für einen Job engagiert, der nach leicht verdientem Geld aussieht. Doch der Plan geht schief und einer der furchtlosen Söldnertruppe wird brutal ermordet. Getrieben vom Drang der Vergeltung brechen die Expendables in feindliches Gebiet ein und stehen einem gefährlichen und brutaleren Feind gegenüber als sie erwartet hatten. Marketing Facts Über 1,5 Mio.
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The Birth of Haptic Cinema
The Birth of Haptic Cinema An Interactive Qualifying Project Submitted to the Faculty of WORCESTER POLYTECHNIC INSTITUTE In partial fulfillment of the requirements for the Degree of Bachelor of Science by Panhavuth Lau Jordan Stoessel Date: May 21, 2020 Advisor: Brian Moriarty IMGD Professor of Practice Abstract This project examines the history of The Tingler (1959), the first motion picture to incorporate haptic (tactile) sensations. It surveys the career of its director, William Castle, a legendary Hollywood huckster famous for his use of gimmicks to attract audiences to his low- budget horror films. Our particular focus is Percepto!, the simple but effective gimmick created for The Tingler to deliver physical “shocks” to viewers. The operation, deployment and promotion of Percepto! are explored in detail, based on recently-discovered documents provided to exhibitors by Columbia Pictures, the film’s distributor. We conclude with a proposal for a method of recreating Percepto! for contemporary audiences using Web technologies and smartphones. i Contents Abstract .......................................................................................................................................... i Contents ........................................................................................................................................ ii 1. Introduction .............................................................................................................................. 1 2. William Castle ..........................................................................................................................
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November 2014 Vol
Weeks Public Library Bulletin November 2014 Vol. 26, No. 11 Put Your Retirement Plan to Work Baby Lap Sit presented by John St. Pierre, Tuesdays Edward Jones Financial Advisor 10:30am Wednesday, November 12 Join us for stories, finger plays 6:30pm and open play Tuesday mornings Retirement can mean different things through November 25th. to different people. Maybe you want Ages 0 to 24 months. No registration needed. to travel, volunteer, start your own No class Tuesday, November 11th, Veteran’s Day. business, or go back to school. Be financially prepared for whatever you Lego Building Day decide! Join us for this informational Wednesday, November 5 session on the importance of saving 222-2---3pm3pm3pm3pm for retirement, how to save through your employer- Come and build with Lego bricks. All builds will be put sponsored plan, and other tax-advantage options for on display until the next Lego day. building your retirement savings. Snacks and drinks are allowed. All bricks will stay at the library. Classic Movie Night Captain Courageous starring Spencer Tracy © Warner Bros. Monday, November 17 6pm6pm6pm In Spencer Tracy’s Academy Award per- formance as a fisherman who saves a Family Story Time drowning boy, the boy learns life- changing lessons about the importance Thursdays of friendship and the dignity of labor in 10am this adventure saga based on a story by The last day this session is November 13. Next ses- Rudyard Kipling. Local film buff, Glenn sion begins December 4. Join us for stories, a craft, Bergeron will introduce the film. This and fun! All ages welcome, no registration required.
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CHAPTER 7 • Movies and the Impact of Images 231 7 Movies
SOUNDS AND IMAGES 7 Movies and the Impact of Images “A long time ago in a galaxy far, far away . .” So 233 Early Technology begins the now-famous opening credit crawl of and the Evolution Star Wars. The first appearance of those words of Movies was in movie theaters on earth, but the time now 238 is rather long ago: May 25, 1977. The Rise of the Hollywood Studio System The space epic changed the culture of the movie industry. Star Wars, produced, written, and 241 The Studio System’s directed by George Lucas, departed from the per- Golden Age sonal filmmaking of the early 1970s and spawned 251 a blockbuster mentality that formed a new primary The Transformation audience for Hollywood: teenagers. It had all of the of the Studio System now-typical blockbuster characteristics, including 255 massive promotion and lucrative merchandising The Economics of the Movie Business tie-ins. Repeat attendance and positive buzz among young people made the first Star Wars the most 262 Popular Movies successful movie of its generation. and Democracy Star Wars has impacted not only the cultural side of moviemaking but also the technical form. In the first Star Wars trilogy, produced in the 1970s and 1980s, Lucas developed technologies that are now commonplace in moviemaking: digital animation, special effects, and computer-based film editing. With the second trilogy (which was a prequel to the narrative of the original Star Wars), Lucas again broke new ground in the film industry. © Lucasfilm Ltd./Everett Collection CHAPTER 7 • MOVIES AND THE IMPACT OF IMAGES 231 7 MOVIES Several scenes of Star Wars: Episode I— creativity across multiple platforms, busi- The Phantom Menace (1999) were shot on nesses, and markets to generate sustained digital video, easing integration with digital growth and drive significant long-term special effects.
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'Geri-Action' Film
Narratives of cultural and professional redundancy: Ageing action stardom and the ‘geri-action’ film Glen Donnar (RMIT University) Abstract Focusing on The Expendables films, I identify the importance of discourses of professional and cultural redundancy in ‘geri-action’, an emergent subgenre of Hollywood action film that has revitalised the careers of ageing action stars such as Sylvester Stallone and Arnold Schwarzenegger. These redundancies, which hold long-standing significance in 1980s action film, are compounded in geri- action by advanced age and diminished physical capacity. In geri-action, the spectacle of once idealised, muscled bodies is concealed and displaced onto oversized guns, fetishised vehicles and younger action bodies. However much geri-action resists 1980s action stars’ use-by dates, it ultimately admits physical and generic exhaustion. Keywords: geri-action, Hollywood action films, ageing stars, Expendables The Rise of ‘Geri-action’ The release of a third Expendables film in 2014 extended the twilight of ageing 1980s action idols in the so-called ‘geri-action’ subgenre, that is, action films predominantly showcasing male stars ranging in age from their mid-50s into their 70s. The Expendables series (Stallone 2010; West 2012; Hughes 2014) features a motley team of elite mercenaries, led by Barney Ross (Stallone), recurrently motivated to take revenge on the all-star action villain after a local woman or beloved colleague is killed, injured or captured. The third film in the series adds such ageing action film luminaries as Mel Gibson, Wesley Snipes and Harrison Ford (replacing Bruce Willis, who left the series after a conflict with Stallone) to the already extensive aged cast led by Sylvester Stallone, Arnold Schwarzenegger and Chuck Norris.
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Awards / Nominations
BRIAN TYLER FEATURE FILMS REDEEMING LOVE Cindy Bond, Wayne Fitzjohn, Michael Scott, Simon Mission Pictures International Swart, David AR White, Brittany Yost, prod. D.J. Caruso, dir. ESCAPE ROOM 2 Neil H. Moritz, prod. Columbia Pictures Adam Robitel, dir. *Co-Score with John Carey CLOUDS Justin Baldoni, Casey La Scala, Andrew Lazar, prods. Warner Bros. Justin Baldoni, dir. THOSE WHO WISH ME DEAD Garrett Basch, Aaron L. Gilbert, Taylor Sheridan, New Line Cinema Kevin Turen, Steven Zaillian, prods. Taylor Sheridan dir. CHARLIE’S ANGELS Elizabeth Banks / Max Handelman, Elizabeth Sony Pictures Cantillon, Doug Belgrad, prods. Elizabeth Banks dir. RAMBO: LAST BLOOD Avi Lerner / Kevin King Templeton, prods. Millennium Films Adrien Grunberg, dir. READY OR NOT James Vanderbilt / Tripp Vinson, prods. Fox Searchlight Matthew Bettinelli-Olphin /Tyler Gillett, dirs. FIVE FEET APART Justin Baldoni / Cathy Schulman / Claire Wineland, CBS Films prods. *Co-Score with Breton Vivian Justin Baldoni, dir. WHAT MEN WANT Taraji P. Henson / Adam Shankman, prods. Paramount Pictures Adam Shankman, dir. ESCAPE ROOM Neal H. Moritz / Logan Miller, prods. Sony. Pictures Adam Robitel, dir. *Co-Score with John Carey CRAZY RICH ASIANS Nina Jacobson / John Penotti / Brad Simpson, prods. Warner Bros. Pictures Jon M. Chu, dir. THE DEVIL WE KNOW Joshua Kunau, prod. Teflon Film Stephanie Soechtig, dir. THE FATE OF THE FURIOUS Vin Diesel / Neal H. Moritz / Chris Morgan, prods. Universal Pictures F. Gary Gray, dir. THE MUMMY Bobby Cohen / Barbara Muschietti / Sarah Bradshaw / Universal Pictures Chris Morgan / Sean Daniel, prods. Alex Kurtzman, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 BRIAN TYLER XXX: THE RETURN OF XANDER Joe Roth /Vin Diesel / Samantha Vincent / Jeff CAGE Kirschenbaum, prods.
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Predicting Long-Term Box Office Performance of Movies Using Social Media and Its Comparison with Traditional Survey Methods
IJRRAS 26 (3) ● March 2016 www.arpapress.com/Volumes/Vol26Issue3/IJRRAS_26_3_03.pdf PREDICTING LONG-TERM BOX OFFICE PERFORMANCE OF MOVIES USING SOCIAL MEDIA AND ITS COMPARISON WITH TRADITIONAL SURVEY METHODS Hossien L. Najafi1 & Darryl W. Miller2 1,2University of Wisconsin River Falls, 410 S. 3rd St., River Falls, WI 54022, USA ABSTRACT Recently, social media content has gained popularity as a viable resource for gauging consumers‟ intention to buy goods and services. For example, Twitter has been used with promising results by many researchers for predicting box-office returns for motion pictures. Alternatively and for many years, purchase intention (a type of behavioral intention (BI)) has been used for predicting likely levels of demand for new products, successfully measured through traditional surveying methods. This paper investigates how use of social media compares with the traditional surveying tools. Specifically, tweets about the movie are collected during the same period as surveys regarding intention to see a movie are administered. Traditional BI measures are compared with various measures of tweeting activity to gauge how well each correlates with domestic and international performance of a movie. The results show that the two methods are very comparable. The results also demonstrate that the rate and length of tweets are good predictors of a movie‟s long-term success. Keywords: Movies, Box-office forecasting, Social media, Survey methods, Prediction, Sentiment analysis, Natural language processing 1. INTRODUCTION The motion picture industry in the United States generates over US$12bn annually. The revenue per movie, however, varies significantly from one movie to another. Given the high production and marketing costs along with the considerable variance in the success rate of movies, forecasting box-office revenue as a means to mitigate the risk has gained popularity in recent years.
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Top 100 Grossing Domestic Movies in 2012
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