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Exhibitions & Art Fairs Exhibiting
Alan J. Poole (Dan Klein Associates) Promoting British & Irish Contemporary Glass. 43 Hugh Street, London SW1V 1QJ. ENGLAND. Tel: (00 44) Ø20 7821 6040. Email: [email protected] Website: www.dankleinglass.com Alan J. Poole’s Contemporary Glass News Letter. A monthly newsletter listing information relating to British & Irish Contemporary Glass events and activities, within the UK, Ireland and internationally. Covering both British and Irish based Artists, those living elsewhere and, any foreign nationals that have ever resided or studied for any period of time in the UK or Ireland. JUNE EDITION 2015. * - indicates new or amended entries since the last edition. 2014. EXHIBITIONS, FAIRS, MARKETS & OPEN STUDIO EVENTS. 08/11/1431/08/15. “Now & Then”. inc: Guan Dong Hai, Yi Peng, Ayako Tani, Wendi Xie & Lu ‘Shelly’ Xue. The Shanghai Museum Of Glass. Shanghai. PRC. Tel: 00 86 21 6618 1970. Email: [email protected] Website: http://en.shmog.org/cp/html/?118.html 15/09/1430/08/15. “North Lands Creative Glass: A Selection Of Works From The North Lands Collection”. inc: Karen Akester, Peter Aldridge, Fabrizia Bazzo, Jane Bruce, Marianne Buus, Tessa Clegg, Katharine Coleman M.B.E., Keith Cummings, Philip Eglin, Carrie Fertig, Catherine Forsyth, Carole Frève, Catherine Forsyth, ‘Gillies · Jones’ (Stephen Gillies & Kate Jones), Mieke Groot, Diana Hobson, Angela Jarman, Alison Kinnaird M.B.E., Richard Meitner, Tobias Møhl, Patricia Niemann, Magdalene Odundo, Zora Palová, Anne Petters, Janusz Pozniak, David Reekie, Bruno Romanelli, Elizabeth Swinburne, Richard Whiteley & Gareth Williams. National Glass Centre. University Of Sunderland. Sunderland. GB. Tel: 0191 515 5555. Email: [email protected] Website: www.nationalglasscentre.com/about/whatson/details/?id=410&to=2014-10- 19%2017:00:00&from=2014-10-19%2000:00:00 2015. -
14 August 2020 Issue 126
14 August 2020 Issue 126 Paul Huxley R.A. (British, b.1938) Line on Turquoise, No. 25 (1963) is one of 190 lots in the Lyon & Turnbull live online auction Contemporary & Post-War Art (Wed Aug 19). See ARTS NEWS ALISON KINNAIRD M.B.E ART IN GLASS 2020 OPEN STUDIO EXHIBITION 1st – 31st August and thereafter by appointment • 10am – 5pm An Open Studio Exhibition in the historic village of Temple Alison has an international reputation for her work in glass and music. She will be displaying new work, some of which came directly out of the COVID-19 situation. Shillinghill Studios. Photo: Robin Morton Shillinghill Studios. Photo: Robin The gallery is a large airy building which can welcome visitors safely. Visitors may phone to arrange a private viewing. Online Virtual Tour and more information available at: ‘Lockdown 2020’. Photo: Robin Morton ‘Lockdown 2020’. Photo: Robin www.alisonkinnaird.com Shillinghill, Temple, Midlothian. EH23 4SH • Tel: 01875 830 328 • Email: [email protected] www.alisonkinnaird.com ArtInGlass2020.indd 2 13/07/2020 15:41 2 | 14 August | Issue 126 14 August | Issue 126 | 3 Arts News Up close and personal with Lorenzo Bartolini’s The Campbell Sisters Dancing a Waltz (1821-1822) at the Scottish National Gallery, Photo: Neil Hanna he Scottish National Gallery reopens on Monday 1808), otherwise known as the Skating Minister. August 17 followed by the Scottish National Modern One has works by Pablo Picasso, Jenny Saville, Gallery of Modern Art (Modern One) on Monday Francis Bacon, the Scottish Colourists, Salvador Dalí and August 24. Visitor numbers at any one time will be limited, René Magritte among many others. -
Scotland's Glass
cotland’s Glass A Directory of Glass Businesses S 2010 sponsored by Artists & Craftspeople working in 2010 at the 400th Anniversary of COMPILED & EDITED Scottish Glassmaking FRANKby ANDREWS Including: A selection of buildings and sites across Scotland. Museums with a Glass Collection. Societies and Organisations to further explore Glass interest. ISBN 978-0-9549196-6-5 Glass 400th cortex S design Introduction Crystal and others. Glass from earlier times is much harder to find, yet there must still be I was surprised when I started to compile this many pieces sitting in cupboards, forgotten and cotland’s Glass list by how many people are working with glass unidentified. The output of the many bottle works in Scotland today. Although the industrial side is also hard to pin down but the whisky bottle 1610 continues to decline, the number of glass artists collector has many opportunities from the labels. An International Conference and craft workers has grown dramatically since the beginning of the studio glass movement in Today, we often look for information on the 2010 the country during the 1960s. The book Scotland’s Internet and Scotland’s glass features there too. S Glass: 400 Years of Glassmaking, 1610–2010 by I built the site Ysartglass.com some 10 years ago Shiona Airlie and Brian Blench finally makes a and it has grown and grown with input from comprehensive history available (see inside rear collectors worldwide. Scotlandsglass.co.uk was 1st–4th October 2010 cover for details). started to provide a space for the rest. Using open source software, it is intended to be owned and This booklet reveals the wealth of glass made (confirmed) run by the community. -
Scotland ^ 37Th Annual Smithsonian
SMITHSONIAN FOLKLIFE FESTIVAL SCOTLAND ^ 37TH ANNUAL SMITHSONIAN FOLKLIFE FESTIVAL Appalachia Heritage and Haniioiiy Mali From Timbuktu to Washingto ii Scotland at the Smithsonian June 2 5 -July 6, 2003 Wa s h i n g t o n , D . C . The annual Smithsonian Folklife Festival brings together exemplary keepers of diverse traditions, both old and new. from communities across the United States and around the world. The goal of the Festival is to strengthen and preserve these traditions by presenting them on the National MaO, so that the tradition-hearers and the public can connect with and learn from one another, and understand cultural difierences in a respectful way. Smithsonian Institution Center for Folklife and Cultural Heritage 750 9th Street NW Suite 4100 Washington, DC 20560-0953 www. folklife. SI . edu © 2003 by the Smithsonian Institution ISSN 1056-6805 Editor: Carla Borden Associate Editors: Frank Proschan, Peter Seitel Art Director: Denise Arnot Production Manager: Joan Erdesky Design Assistant: Krystyn MacGregor Confair Printing: Finlay Printing, Bloomfield, CT Festival Sponsors The Festival is co-sponsored by the National Park Service. The Festival is supported by federally appropriated funds; Smithsonian trust funds; contributions from governments, businesses, foundations, and individuals; in-kind assistance; volunteers; and food, recording, and craft sales. Major in-kind support for the Festival has been provided by media partners WAMU 88.5 FM—American University Radio, Tfie IVashiiigtoii Post, washingtonpost.com, and Afropop, and by Motorola, Nextel, Whole Foods Market, and Go-Ped. APPALACHIA: HERITAGE AND HARMONY This program is produced in collaboration with the Birthplace of Country Music Alliance and the Center for Appalachian Studies at East Tennessee State University. -
'…Musicianship of the Highest Level, Confirming Battlefield Band Among
‘…musicianship of the highest level, confirming Battlefield Band among the top ten folk bands in the world. A fantastic concert...Kiel's folk concert of the year.’ Kieler Nachrichten, Kiel, Germany, Feb 2012 image: John Slavin www.designfolk.com 'These stalwarts of the Scottish traditional music scene pull off their umpteenth album with panache' The Scotsman, April 2013 '...new album 'Room Enough for All' continues their commitment to giving the world some of the best music from their homeland' San Diego Troubadour, USA, March 2013 '...as fresh as new mown hay... ...their live show was a revelation, their new album is a keeper' Irish Music Magazine, May/June 2013 '...another inspirational recording from the flagship Scottish band, which may well be counted as their finest hour in the studio' Fatea, May 2013 '...still at the cutting edge of modern Scottish folk music... ...technically flawless and fabulously entertaining' Piping Today, Feb/March 2013 'Battlefield Band never stand still' Folking, April 2013 '...a world class musical tour de force… …I’ve never seen so many smiling faces' Meander Valley View, Tasmania, April 2012 'As players they’re all on top of their game... ...when all four take the chocks away for a blast of tunes they’re unstoppable' Chronicle Herald, Nova Scotia, October 2012 BATTLEFIELD BAND 01: Bagpipe Music 3:33 room enough for all 02: Major George Morrison DSO… 4:31 03: Farewell To Indiana 3:53 04: The Garron Trotting… 4:53 05: Nic Coiseam 4:08 06: The Hairy Angler Fish… 3:49 07: Ceann Loch an Dùin… 4:22 08: Duanag an t-Seòladair 4:05 09: The Eight Men of Moidart… 3:06 Recorded at Temple Records Studio, Scotland Engineered: Robin Morton and Ewan MacGregor 10: In Contempt 3:37 Produced by Robin Morton • Design: John Slavin 11: Tynes In Overtime! 3:24 Battlefi eld Band are: MIKE KATZ; ALASDAIR WHITE; SEAN O’DONNELL; EWEN HENDERSON 01: BAGPIPE MUSIC 04: THE GARRON TROTTING Words Louis MacNeice; Music Trad. -
Battlefield Band
BATTLEFIELD BAND 01: Bagpipe Music 3:33 room enough for all 02: Major George Morrison DSO… 4:31 03: Farewell To Indiana 3:53 04: The Garron Trotting… 4:53 05: Nic Coiseam 4:08 06: The Hairy Angler Fish… 3:49 07: Ceann Loch an Dùin… 4:22 08: Duanag an t-Seòladair 4:05 09: The Eight Men of Moidart… 3:06 Recorded at Temple Records Studio, Scotland Engineered: Robin Morton and Ewan MacGregor 10: In Contempt 3:37 Produced by Robin Morton • Design: John Slavin 11: Tynes In Overtime! 3:24 Battlefi eld Band are: MIKE KATZ; ALASDAIR WHITE; SEAN O’DONNELL; EWEN HENDERSON 01: BAGPIPE MUSIC 04: THE GARRON TROTTING Words Louis MacNeice; Music Trad. Arr. Battlefi eld GLENGARRY Band, Pub. Kinmor Music This is Sean’s setting of a popular poem written in the 1930s by Irish born poet CAWDOR FAIR Louis MacNeice(1907-1963) who had written it after a visit to the Hebrides: THE MERRY LADS OF AIR Scotland’s Western Isles. Who better to introduce the poem than the man himself: THE CUCKOO “...on the surface it is a nonsense poem but it does have a nucleus of truth...it All four tunes Trad. Arr. Battlefi eld Band, is dealing with the cultural decline of the highlands and islands in the 1930’s and Pub. Kinmor Music the clash of the indigenous folk culture and the new, slick, urbane culture which A fi ddle-led set here. The fi rst three tunes are strathspeys: a dance peculiar to is bound to supercede it.” Scotland. -
Scottish Parliament Art Collection Development Policy
Scottish Parliament Art Collection Art Collection Development Policy 2020 Name of collection: Scottish Parliament Art Collection (also referred to as ‘the Collection’ or ‘Collection’) Name of governing body: Scottish Parliamentary Corporate Body (hereafter referred to as the ‘SPCB’), the body established by section 21 of the Scotland Act 1998, with the function inter alia of providing the Scottish Parliament with property, staff and services required for its purposes. Responsible officer: Exhibitions Manager/Art Curator (referred to as ‘the Curator’) Budget holder: Head of the Events and Exhibitions Team (referred to as ‘the Office Head’) Clerk/Chief Executive: The SPCB has delegated its functions to the Clerk/Chief Executive per the Scotland Act 1998 (Schedule 2, paragraph 5) to ensure the Scottish Parliament is provided with the property, staff and services required for the Parliament’s purposes. The Presiding Officer: Chair of the Scottish Parliamentary Corporate Body Date on which this policy was approved by governing body: 29 October 2020 Policy review procedure: The Art Collection Development Policy will be published and reviewed at least once every five years. The policy is due for review no later than 31 October 2025. Introduction 1.1 The Scottish Parliament Art Collection is a collection of contemporary art, sculpture, craft and photography. Acquired for display in the Scottish Parliament building, it represents a diverse range of Scotland’s artists, makers and photographers. 1.2 The aims of the Collection Development Policy -
For the Creative Professional Working in Hot, Warm, and Cold Glass
For the Creative Professional January/February 2014 Working in Hot, Warm, and Cold Glass $7.00 U. S. $8.00 Canada Volume 29 Number 1www.GlassArtMagazine.com One Fire Mountain Way, DEPT C066 Grants Pass, OR 97526-2373 1-800-355-2137 America’s Favorite Beading and Jewelry Supply Company® Request your Free 448 page catalog online You supply the creativity, we supply everything else!® Showcasing the artwork of Jessie Stern, MD basicallybuttonsandbeads.com Fire Mountain Gems and Beads© 2014 Save time...save money... Invest in Quality Introducing the Mini Scarab Backed by Skutt We are not happy unless Balanced Stainless you are happy. Two full Steel Main Door time techs on staff, 5 days a Opens and closes to a week. tight seal with ease. Mini Scarab - $2535.00 Optional Outboard Point Rest $65 Smooth Hinge Powder Coated Re-engineered hinge is smooth and precise. Durable and Environmentally friendly. Balanced Wood The Ultimate Upgrade Door Handle New Secondary Point Rest Cool to the touch. smoothly moves up and down and in and out with ease. New scalloped profile. Easy-Glide Point Rest Front and Back Handles Optional 4” rests Four sturdy nickel plated available for more handles are positioned for loading flexibility. ergonomic lifting. Stays Cool Just Press Go! Vent holes keep electronics cool. Easy to use controller designed by Flame Working Artist Marcel Slide-out Chassis Braun specifically for Easy access to compo- Borosilicate Glass. nents. “You just press GO!”. MODEL PHASE VOLTS AMPS WATTS TEMP CU. FT. HEIGHT WIDTH DEPTH SHIP WT. WIRE BREAKER -
Art & Design Collections
Art & Design Collections 1 Introduction Glasgow Museums’ art collection is one of the finest in the UK. It consists of some 60,000 objects covering a wide range of media including paintings, drawings, prints, sculpture, metalwork, ceramics, glass, jewellery, furniture and textiles. It provides a comprehensive overview of the history of European art and design and includes masterpieces by major artists such as Rembrandt, Van Gogh, Whistler and Dali. The art from non-European cultures includes an internationally renowned collection of Chinese art. The development of the art collections began with the bequest in 1854 of 510 paintings by the Glasgow coachbuilder Archibald McLellan. He was a prolific collector of Italian, Dutch and Flemish art and his bequest included gems such as works by Botticelli and Titian. Other gifts and bequests followed, such as the collection of 70 paintings formed by the portraitist John Graham-Gilbert, which included Rembrandt’s famous Man in Armour. Glasgow’s massive expansion in the late nineteenth century saw the rise of an industrial elite who developed a taste for collecting art. Many were extremely discerning and knowledgeable and their gifts now form the backbone of the art collection. William McInnes, a shipping company owner, had a particular fondness for French art. His bequest in 1944 of over 70 paintings included work by Degas, Monet, Van Gogh, and Picasso. However, the greatest gift undoubtedly came from the shipping magnate Sir William Burrell. His collection of nearly 9,000 objects included a vast array of works of all periods from all over the world, including important medieval tapestries, stained glass, English oak furniture, European paintings and sculpture and important collections of Chinese and Islamic art. -
The Newsletter
The New sletter GranGe association WINTER 2013 I ISSUE NO.105 COVER STORY A brush with genius www.grangeassociation.org Recognised Scottish Charity SCO 25491 The Grange Newsletter I Winter 2013 A warm welcome to the 2013 Winter edition of the official magazine of the Grange Association . Feel inspired by artist Dame Elizabeth Blackadder in the first of a new series Portrait ... marvel (or not) at the ingenuity and imagination of an award-winning architectural gem... give your views on design and planning issues... and take note for your diaries of an exciting and unmissable agenda of talks and events... all this and so much more. Richard Mowe, Editor, The Newsletter CONTACTS Index Derek Lyddon (667 2266) Honorary President 31 Blackford Road EH9 2DT [email protected] Portrait of the artist: Dame John Graham (667 6331) Chair 55 Grange Loan EH9 2ER [email protected] elizabeth Blackadder finds herself in the frame for the first Doreen allerton (0780 3356200) Vice-Chair 61b/4 St Alban’s Road EH9 2LS in a new series. Cover image sue tritton (667 8027) Hon Secretary 6 Grange Terrace EH9 2LD by Dawn Marie Jones. [email protected] / [email protected] Pages 3–5 richard Brown (667 8289) Hon Treasurer 90 Grange Loan EH9 2EP Visions of light... and watery re - [email protected] flections: richard Mowe looks alison Bramley (667 5667) Garden Group / Community Liaison 5 Findhorn Place EH9 2JR at an award-winning project for [email protected] / [email protected] his series House Proud . Dan cronin (667 5279) Newsletter Distribution Pages 6–7 [email protected] / [email protected] Some times the planning olga Franks (667 1689) 66 St Albans Road EH9 2PG [email protected] system seems to mitigate Margaret thom (667 5330) Minutes Secretary against the aims of [email protected] / [email protected] conservationists.. -
Alison Kinnaird
ALISON KINNAIRD Unknown II by Alison Kinnaird 2010-13 Optical glass, water-jet cut, wheel engraved and sandblasted; LED lighting; Painted textile backdrop. 50cm H x 65cm W x 110 D (base and soldiers) . Backdrop: 120cm x120cm This installation was created in response to the conflict in the world today, and lessons unlearned from the past. Glass seemed the ideal medium in which to depict the fragility of life in war. There are references to the Terracotta Army of the Chinese Emperors, and to fairground shooting galleries. 3 ALISON KINNAIRD Where are you based? Based in Temple, Midlothian. Studio is within her home, a converted church, and her workspace is the landing at the top of the stairs. What is your definition / the definition you prefer of craft? The skills that allow me to give my ideas an actual form. How does craft relate to your practice as an artist? Craft is very important in my work. Glass is a very special and demanding medium that can do many things that other media cannot. It has transparency and translucency; it can be mirrored or opaque; it can be coloured or colourless, apparently weightless or extremely solid. It can also imitate any of the other media - ceramic, stone, metal, wood or textile - but it has its own distinct character. The technical skills that I have acquired over 40 years of intensive practice help me to exploit this character. At a certain point of skill, technique becomes effortless, and subservient to the idea; so that in the end, my craft allows me freedom in expressing my thoughts. -
31 July 2020 Issue 124
31 July 2020 Issue 124 Glass artist Alison Kinnaird MBE invites visitors to her annual open studio exhibition in the Midlothian village of Temple. Pictured: Astronomer (detail), Photo: Robin Morton. See ARTS NEWS. 24 July | Issue 123 | 1 ALISON KINNAIRD M.B.E ART IN GLASS 2020 OPEN STUDIO EXHIBITION 1st – 31st August and thereafter by appointment • 10am – 5pm An Open Studio Exhibition in the historic village of Temple Alison has an international reputation for her work in glass and music. She will be displaying new work, some of which came directly out of the COVID-19 situation. SHORT COURSES 2020/21 Morton Shillinghill Studios. Photo: Robin Booking is now OPEN for our programme of DAY and EVENING courses beginning The gallery is a large airy building from September 2020. From a weekly morning, afternoon, evening or full day course which can welcome visitors safely. we hope you find something to inspire you. Our courses offer students the opportunity Visitors may phone to arrange a to develop their interests and skills in a wide range of subjects, benefiting from our private viewing. tutors’ depth of knowledge and passion for their subject. Online Virtual Tour and more BEGINNERS | DRAWING & PAINTING | JEWELLERY information available at: ‘Lockdown 2020’. Photo: Robin Morton ‘Lockdown 2020’. Photo: Robin www.alisonkinnaird.com MIXED MEDIA | FIGURE | INTRO TO DRAWING ONLINE LECTURE SERIES | CONTEMPORARY LEITH LANDSCAPES Shillinghill, Temple, Midlothian. EH23 4SH • Tel: 01875 830 328 • Email: [email protected] INTRO TO PAINTING | PHOTOGRAPHY