One of the Entertaining Offerings from a Show of the Work of the Angus Painter John Johnstone, Coming to the Compass Gallery in Glasgow in October
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National Programme 2017/2018 2
National Programme 2017/2018 2 National Programme 2017/2018 3 National Programme 2017/2018 National Programme 2017/2018 1 National Programme Across Scotland Through our National Strategy 2016–2020, Across Scotland, Working to Engage and Inspire, we are endeavouring to bring our collections, expertise and programmes to people, museums and communities throughout Scotland. In 2017/18 we worked in all of Scotland’s 32 local authority areas to deliver a wide-ranging programme which included touring exhibitions and loans, community engagement projects, learning and digital programmes as well as support for collections development through the National Fund for Acquisitions, expert advice from our specialist staff and skills development through our National Training Programme. As part of our drive to engage young people in STEM learning (Science, Technology, Engineering and Maths), we developed Powering Up, a national science engagement programme for schools. Funded by the ScottishPower Foundation, we delivered workshops on wind, solar and wave energy in partnership with the National Mining Museum, the Scottish Maritime Museum and New Lanark World Heritage Site. In January 2017, as part of the final phase of redevelopment of the National Museum of Scotland, we launched an ambitious national programme to support engagement with Ancient Egyptian and East Asian collections held in museums across Scotland. Funded by the National Lottery and the Esmée Fairbairn Collections Fund, the project is providing national partnership exhibitions and supporting collection reviews, skills development and new approaches to audience engagement. All of this work is contributing to our ambition to share our collections and expertise as widely as possible, ensuring that we are a truly national museum for Scotland. -
Written Guide
The tale of a tail A self-guided walk along Edinburgh’s Royal Mile ww.discoverin w gbrita in.o the stories of our rg lands discovered th cape rough w s alks 2 Contents Introduction 4 Route map 5 Practical information 6 Commentary 8 Credits © The Royal Geographical Society with the Institute of British Geographers, London, 2015 Discovering Britain is a project of the Royal Geographical Society (with IBG) The digital and print maps used for Discovering Britain are licensed to the RGS-IBG from Ordnance Survey Cover image: Detail from the Scottish Parliament Building © Rory Walsh RGS-IBG Discovering Britain 3 The tale of a tail Discover the stories along Edinburgh’s Royal Mile A 1647 map of The Royal Mile. Edinburgh Castle is on the left Courtesy of www.royal-mile.com Lined with cobbles and layered with history, Edinburgh’s ‘Royal Mile’ is one of Britain’s best-known streets. This famous stretch of Scotland’s capital also attracts visitors from around the world. This walk follows the Mile from historic Edinburgh Castle to the modern Scottish Parliament. The varied sights along the way reveal Edinburgh’s development from a dormant volcano into a modern city. Also uncover tales of kidnap and murder, a dramatic love story, and the dramatic deeds of kings, knights and spies. The walk was originally created in 2012. It was part of a series that explored how our towns and cities have been shaped for many centuries by some of the 206 participating nations in the 2012 Olympic and Paralympic Games. -
Sons of Crispin
Sons of Crispin Sons of Crispin: The St Crispin Lodges of Edinburgh and Scotland By Sandra M. Marwick Sons of Crispin: The St Crispin Lodges of Edinburgh and Scotland, by Sandra M. Marwick This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Sandra M. Marwick All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-6361-0, ISBN (13): 978-1-4438-6361-2 TABLE OF CONTENTS List of Illustrations .................................................................................... vii Acknowledgements .................................................................................... ix Abbreviations .............................................................................................. x Chapter One ................................................................................................. 1 Introduction: Why Crispin? Chapter Two .............................................................................................. 17 St Crispin as Patron Saint Chapter Three ............................................................................................ 52 The Memorable Crispin Chapter Four ............................................................................................. -
List of Scottish Museums and Libraries with Strong Victorian Collections
Scottish museums and libraries with strong Victorian collections National Institutions National Library of Scotland National Gallery of Scotland National Museums Scotland National War Museum of Scotland National Museum of Costume Scottish Poetry Library Central Libraries The Mitchell Library, Glasgow Edinburgh Central Library Aberdeen Central Library Carnegie Library, Ayr Dick Institute, Kilmarnock Central Library, Dundee Paisley Central Library Ewart Library, Dumfries Inverness Library University Libraries Glasgow University Library University of Strathclyde Library Edinburgh University Library Sir Duncan Rice Library, Aberdeen University of Dundee Library University of St Andrews Library Municipal Art Galleries and Museums Kelvingrove Art Gallery, Glasgow Burrell Collection, Glasgow Aberdeen Art Gallery McManus Galleries, Dundee Perth Museum and Art Gallery Paisley Museum & Art Galleries Stirling Smith Art Gallery & Museum Stewartry Museum, Kirkcudbright V & A Dundee Shetland Museum Clydebank Museum Mclean Museum and Art Gallery, Greenock Hunterian Art Gallery & Museum Piers Art Centre, Orkney City Art Centre, Edinburgh Campbeltown Heritage Centre Montrose Museum Inverness Museum and Art Gallery Kirkcaldy Galleries Literary Institutions Moat Brae: National Centre for Children’s Literature Writers’ Museum, Edinburgh J. M. Barrie Birthplace Museum Industrial Heritage Summerlee: Museum of Scottish Industrial Life, North Lanarkshire Riverside Museum, Glasgow Scottish Maritime Museum Prestongrange Industrial Heritage Museum, Prestonpans Scottish -
Exhibitions & Art Fairs Exhibiting
Dan Klein Associates Promoters Of Contemporary Glass. (Alan J. Poole) 43 Hugh Street, Pimlico, London SW1V 1QJ. ENGLAND. Tel: (00 44) Ø20 7821 6040. Email: [email protected] Website: www.dankleinglass.com Alan J. Poole’s Contemporary Glass News Letter. A monthly, group email listing information relating to British & Irish Contemporary Glass Artist’s events and activities. Featuring Artists based at home or abroad and also foreign nationals that have ever resided or studied for any period of time in the UK or Ireland. April Edition. * - indicates new or amended entries since the last edition. 01/10/1104/04/12. “Contemporary Glass In Foreign Countries”. inc: Jiří Harcuba, Gillian Mannings Cox, Zora Palová, Ronald Pennell, Stephen Procter, Colin Reid & Mare Saare. Koganezaki Glass Musem. Koganezaki Crystal Park Co. Ltd. Shizuoka-ken. J. Tel: 00 81 558 551 515. Fax. 00 81 558 551 522. Email: [email protected] Website: www.kuripa.co.jp 20/11/1115/04/12. “21st. Century Icons”. Mixed Media Touring Exhibition. inc: Emma Bourke & Róisín De Buitléar. Ccol National Craft Gallery. Kilkenny./Rathfarnham Castle. Dublin. IRL. Tel: 00 353 1 493 9462. Email: [email protected] Website: www.heritageireland.ie/en/Dublin/RathfarnhamCastle 08/12/1101/04/12. “The Tool At Hand”. Mixed Media Exhibition. inc: Tavs Jørgensen. Milwaukee Art Museum. Milwaukee (WI). US. Tel: 00 1 414 224 3200. Fax. 00 1 414 271 7588. Email: [email protected] Website: www.mam.org 2012. 17/03/1214/04/12. “The Force & Form Of Memory”. Mixed Media Touring Exhibition. inc: Angela Steel. The Stirling Smith Art Gallery & Museum. -
House of Lords Minute
REGISTER OF LORDS’ INTERESTS _________________ The following Members of the House of Lords have registered relevant interests under the code of conduct: ABERDARE, Lord Category 1: Directorships Director, WALTZ Programmes Limited (training for work/apprenticeships in London) Director, Twist Partnership Limited (promoting leadership through learning) Category 2: Remunerated employment, office, profession etc. Publications Consultant, Freemasons' Grand Charity (irregular employment) Category 10: Non-financial interests (c) Trustee, Berlioz Society Trustee, St John Cymru-Wales Category 10: Non-financial interests (e) Trustee, West Wycombe Charitable Trust ACTON, Lord Category 2: Remunerated employment, office, profession etc. Barrister (non-practising) ADAMS OF CRAIGIELEA, Baroness Nil No registrable interests ADDINGTON, Lord Category 7: Overseas visits Visit to India, 26 September-4 October 2009, under auspices of Liberal Democrats Friends of India; business class flights and accommodation paid for by Government of India Category 10: Non-financial interests (d) Vice President, British Dyslexia Association Category 10: Non-financial interests (e) Vice President, UK Sports Association Vice President, Lakenham Hewitt Rugby Club ADEBOWALE, Lord Category 1: Directorships Director, Leadership in Mind Ltd Non-executive Director, St Vincent Healthcare (retains 5% shares in this organisation) Category 2: Remunerated employment, office, profession etc. Chief Executive Officer, Turning Point (social care registered charity) Occasional income from broadcasting -
ASVA Visitor Trend Report, December 2015 Dashboard Summary, December 2015
ASVA Visitor Trend Report, December 2015 Dashboard Summary, December 2015 Scotland Total Visitor Numbers Usable data was received from 179 sites. The total number of visits recorded in December 2015 was 1,157,383; this compares to 1,154,657 in 2014 and indicates an increase of 0.2%. Excluding Country Parks Month of December 1,157,383 0.2% p ASVA's Commentary and Observations for December 2015 Year-to-Date 25,430,260 3.1% p Please note that figures can only be used when there is comparable data for both years, so if you submitted figures for Including Country Parks 2015 and do not see these in the listing, this is the reason. Month of December 1,586,034 2.1% p The marginal increase of 0.2% shown (excluding Country Parks) brings the year to an end and sees 45% of respondents Per Region noting an increase. Northern Scotland 48,350 -7.2% q December is typically one of the quietest months of the year although in some sites Christmas related activities do boost *Northern Scotland † 47,300 -9.2% q This report was numbers (see New Lanark Visitor Centre). Looking at the dashboard summary, two of the regions show increased visitor Eastern Scotland 702,346 2.3% p produced for ASVA by numbers and two show a decrease. Despite the extremely wet weather (see next paragraph), and for some against the Southern Scotland 30,179 0.7% p odds, several sites did show healthy increases including: Dundee Science Centre (140%), FC Scotland The Lodge Visitor Western Scotland 805,159 2.5% p Centre (36%), Gallery of Modern Art (16%), Highland Wildlife Park (49%), Kelvingrove (11%), Riverside Museum (7%), *Western Scotland † 377,558 -51.9% q Scottish Fisheries Museum (2209%), Scottish National Gallery of Modern Art (67%) and The Real Mary King’s Close (37%) Weather-wise, December was mild with mean temperatures 3⁰C above average. -
National Strategy for Scotland's Museums and Galleries
GOING TheNationalStrategyfor Scotland’sMuseumsandGalleries fURTHER To SUccEEd aNd floURiSH we wILL aLL Need tO pLay Our part ScoTTiSH NaTioNal PoRTRaiT GallERy National Galleries of Scotland TheScottishNationalPortraitGalleryre-opened on1December2011,followingatwoandahalfyear closureandanambitious£17.6mrestorationproject. Asaresult,amuchgreaterproportionofthe collectionwillbeonshow,bringingtolightawealth Theproject–thefirstmajorrefurbishmentinthe ofartworksthathasbeen,untilnow,largelyhidden Gallery’s120-yearhistory–hasrestoredmuchof fromview. thearchitect’soriginalvision,openinguppreviously inaccessiblepartsofthebuildingandincreasing Reviewsandfeedbackhavebeenoverwhelmingly thepublicspacebymorethan60%.Accesstothe positivewithmorethan52,000visitorsgoing exhibitionspacesonallthreelevelshasbeenopened totheGalleryduringthefirstmonthofopening. up,whiletherestorationofthemagnificentsuiteof top-litgalleriesontheupperfloorhascreatedoneof themostimpressivedisplayspacesinScotland. www.nationalgalleries.org TheNationalStrategyfor Scotland’sMuseumsandGalleries Images courtesy of the National Galleries of Scotland © Chris Watt The National Strategy for Scotland’s Museums and Galleries gOINg The National Strategy for Scotland’s Museums and Galleries further Acknowledgements contents The development of this National Strategy for Scotland’s Museums and Galleries would not have 5 FOREWORD 34 AIm fIve -
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BIOLOGY CURATORS GROUP •~eo· NEWSLETTE January 1994 Vol6 No. 3 Welcome to another BCG Newsletter.This issue BEETLE DOWN LEAFLET- UPDATE containsanothermixtureofthefascinating, theessential, the tragic and the downright farcical. As claimed by BCG's stock of Beetle Down leaflets is now nearly another, less august, publication "All human life is exhausted and this is perhaps just as well consid ring there". I would like to thank all those members whose the number of changes which apply to the address list. contributions have enabled another full length issue to There are plans for a re-print of the leaflet and these can be assembled. Contributions are ofcourse sti 11 welcome only go ahead after a total revision of the list. fromanyonewhohasasnippetforgeneralconsumption Torefreshyourm m ri sth listisinclud dh rewith and I would particularly encourage the new recruits to some revisions added for NW England and Scotland. our curatorial ranks to contribute something. Please PLEASE CAN YOU CH_, K TH FOLLOWIN remember that this is not the Royal Society and all that DETAILS:- is required is that your note should be ofinterest to other 1. That you and your museum are included. members. It does not (yet) have to be extensively researched, refereed and packed full of esoteric 2. That the address and telephon number are curT nt. references. The one plea I would make (again) is that 3. That you have an * if you qualify for one. for anything other than a short note contributors send their piece on disk, preferably using Wordpetfect 5.1, 4. Anyothermus umsthaty ukn wa utar n tleft as this makes assembling an issue so much easier. -
Glasgow Museums (£52,145), City of Edinburgh Museums and Galleries (£24,250), the Hunterian (£18,329) and Aberdeen Art Gallery and Museums (£17,027)
National Fund for Acquisitions Grants Paid 2010–2011 National Fund for Acquisitions Grants Paid 2010–2011 Hazel Williamson National Fund for Acquisitions Manager National Museums Scotland Chambers Street Edinburgh EH1 1JF Tel 0131 247 4106 email [email protected] Cover: Colour woodblock print, Kyōbashi Takegashi from Meisho Edo Hyakkei, 1857, by Utagawa Hiroshige. Acquired by The Hunterian with a grant from the National Fund for Acquisitions. National Fund for Acquisitions The National Fund for Acquisitions (NFA), provided by Scottish Government to the Trustees of National Museums Scotland, contributes towards the acquisition of objects for the collections of Scottish museums, galleries, libraries, archives and other similar institutions open to the public. The Fund can help with acquisitions in most collecting areas including objects relating to the arts, literature, history, natural sciences, technology, industry and medicine. Decisions on grant applications are made in consultation with curatorial staff at National Museums Scotland and the Directors and staff of the National Galleries of Scotland and the National Library of Scotland who provide expert advice to the Fund. While recognising that the financial climate is extremely difficult, National Museums Scotland was particularly dismayed to learn of a 25% cut to the NFA’s already limited funding, reducing the grant to only £150,000 in financial year 2011/12. NFA funding had remained at £200,000 per annum since 1996, a figure which in real terms has declined very considerably in value during the subsequent fifteen years. Clearly the extent of the cut means that the NFA cannot support collecting in Scotland as effectively as we would wish. -
University of Dundee DOCTOR of PHILOSOPHY Eco-Socialism in The
University of Dundee DOCTOR OF PHILOSOPHY Eco-socialism in the early poetry and prose of William Morris Macdonald, Gillian E. Award date: 2015 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 03. Oct. 2021 The University of Dundee Eco-socialism in the early poetry and prose of William Morris By Gillian E. Macdonald Thesis submitted to the University of Dundee in fulfilment of the requirements for the degree of Doctor of Philosophy. July 2015 Table of Contents Page Abbreviations Acknowledgments List of Illustrations Abstract Introduction 1 Chapter 1 The Defence of Guenevere and Other Poems and the Oxford and Cambridge Magazine (1856-59). (I) Introduction 15 (II) Sources and influences 15 (III) The Oxford and Cambridge Magazine 27 (i) Social equality and the sense of community -
2013 ASVA Visitor Trend Report Dashboard Summary
2013 ASVA Visitor Trend Report Dashboard Summary Usable data was received from 249 sites. The total number of visits recorded in 2013 Scotland Total was 32,542,556; this compares to 32,393,441 in 2012 (up 0.5%). 2013 (incl. Country Parks) 32,542,556 0.5% p Acknowledgements 2013 (excl. Country Parks) 22,971,222 0.1% p After many years of publishing monthly benchmarking reports, ASVA has been able to achieve the direct comparison of annual data from its members for 2013 and 2012 for the first time. We’d like to take the opportunity to thank Scottish Enterprise for its support which has allowed this to happen. We’d also like to Per Region thank the team at LJ Research who designed the online survey (complete with embedded algorithms) and for collating this data on our behalf. And last but not least, a big thank you to all our members who contributed to Northern Scotland 2,669,893 7.7% p this survey as without your support there would be no publication. Eastern Scotland 12,403,741 0.2% p Southern Scotland 864,768 6.1% p Western Scotland 16,604,154 -0.7% q ASVA's Commentary and Observation for 2013 For the third year, the National Museum of Scotland was the most visited attraction with 1,768,090 visits recorded. Edinburgh Castle was the highest paid entry attraction with 1,420,027 visits. (See table , page 4, for top 20 sites.) Per Attraction Category The 0.5% increase in the table above does appear modest.