The Colbert Report and Its Nation as Critical and Productive Commodities Critical Cultural Discourse and Political Economy Analysis of Satire and Fan Culture to Review Dallas Smythe Research Master in Media Studies Dissertation Name: Pauline Le E-mail addresses:
[email protected] [email protected] Student number: 6075665 Supervisor: Jan Teurlings Second reader: Markus Stauff Third reader: Jaap Kooijman Master: Research Master in Media Studies Department: Graduate School of Humanities University: University of Amsterdam Word Count: 19.014 Date: August 14th, 2014 Abstract In “Communications: Blindspot of Western Marxism” (1977), political economist Dallas Smythe laid out the theoretical framework for the North American tradition/field of the political economy of media and communications. Being interested in the media industry as a capitalist system within a capitalist society, he convincingly argued that the content of media are ‘free lunch’ and that media audiences are produced as audience commodities for advertisers to buy and sell. His work is still being cited and revised today. This current study expands and problematises Smythe's two main claims about media content and media audiences by looking into The Colbert Report (Comedy Central, 2005-present) as a political satire in the context of the culture war and the 24- hour news media culture, and as a television program with a dedicated fan following. In engaging with Smythe's theory, the paradoxes of the genre of satire and fan culture within capitalist society come to the fore. On the one hand, satire and fans desire to be critical and/or productive; on the other hand, they are part of a capitalist television industry undermining that desire.