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Sydney Program Guide
4/23/2021 prtten04.networkten.com.au:7778/pls/DWHPROD/Program_Reports.Dsp_SHAKE_Guide?psStartDate=09-May-21&psEndDate=15-… SYDNEY PROGRAM GUIDE Sunday 09th May 2021 06:00 am Totally Wild CC C Get inspired by all-access stories from the wild side of life! 06:30 am Top Wing (Rpt) G Rod's Beary Brave Save / Race Through Danger Canyon Rod proves that he is a rooster (and not a chicken) as he finds a cub named Baby Bear lost in the Haunted Cave. A jet-flying bat roars into Danger Canyon to show off his prowess. 07:00 am Blaze And The Monster Machines (Rpt) G Treasure Track Blaze, AJ, and Gabby join Pegwheel the Pirate-Truck for an island treasure hunt! Following their treasure map, the friends search jungle beaches and mountains to find where X marks the spot. 07:30 am Paw Patrol (Rpt) G Pups Save The Runaway Turtles / Pups Save The Shivering Sheep Daring Danny X accidently drives off with turtle eggs that Cap'n Turbot had hoped to photograph while hatching. Farmer Al's sheep-shearing machine malfunctions and all his sheep run away. 07:56 am Shake Takes 08:00 am Paw Patrol (Rpt) G Sea Patrol: Pups Save A Frozen Flounder / Pups Save A Narwhal Cap'n Turbot's boat gets frozen in the Arctic Ice. The pups use the Sea Patroller to help guide a lost narwhal back home. 08:30 am The Loud House (Rpt) G Lincoln Loud: Girl Guru / Come Sale Away For a class assignment Lincoln and Clyde must start a business. -
Will the JOBS Act╎s Transformative Regulatory Regime for Equity
Texas A&M Law Review Volume 1 Issue 3 2014 An Essay Inquiry: Will the JOBS Act’s Transformative Regulatory Regime for Equity Offerings Cost Investment Bankers’ Jobs? Kurtis Urien David Groshoff Follow this and additional works at: https://scholarship.law.tamu.edu/lawreview Part of the Law Commons Recommended Citation Kurtis Urien & David Groshoff, An Essay Inquiry: Will the JOBS Act’s Transformative Regulatory Regime for Equity Offerings Cost Investment Bankers’ Jobs?, 1 Tex. A&M L. Rev. 559 (2014). Available at: https://doi.org/10.37419/LR.V1.I3.3 This Article is brought to you for free and open access by Texas A&M Law Scholarship. It has been accepted for inclusion in Texas A&M Law Review by an authorized editor of Texas A&M Law Scholarship. For more information, please contact [email protected]. AN ESSAY INQUIRY: WILL THE JOBS ACT’S TRANSFORMATIVE REGULATORY REGIME FOR EQUITY OFFERINGS COST INVESTMENT BANKERS’ JOBS? By: Kurtis Urien * and David Groshoff** TABLE OF CONTENTS I. INTRODUCTION .......................................... 560 II. DIFFICULTIES OBTAINING CAPITAL ..................... 564 A. Debt financing ...................................... 564 1. Cost of Debt.................................... 564 2. Finding a Willing Lender ....................... 565 B. Equity Financing .................................... 565 1. Cost of Equity .................................. 565 2. Finding Investors ............................... 568 C. A Brief History of Crowdfunding ................... 569 III. IS CROWDFUNDING A SECURITY?....................... 570 A. Application of the Howey Test ...................... 570 1. Investment of Money ........................... 570 2. Common Enterprise ............................ 571 3. Expected Profits ................................ 571 4. Derived Solely from the Efforts of Others...... 571 IV. COMPLIANCE WITH THE FEDERAL SECURITIES LAW S ... 572 V. SHORTCOMINGS OF THE JOBS ACT .................... -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
South Park and Absurd Culture War Ideologies, the Art of Stealthy Conservatism Drew W
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2009-01-01 South Park and Absurd Culture War Ideologies, The Art of Stealthy Conservatism Drew W. Dungan University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Mass Communication Commons, and the Political Science Commons Recommended Citation Dungan, Drew W., "South Park and Absurd Culture War Ideologies, The Art of Stealthy Conservatism" (2009). Open Access Theses & Dissertations. 245. https://digitalcommons.utep.edu/open_etd/245 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. South Park and Absurd Culture War Ideologies, The Art of Stealthy Conservatism Drew W. Dungan Department of Communication APPROVED: Richard D. Pineda, Ph.D., Chair Stacey Sowards, Ph.D. Robert L. Gunn, Ph.D. Patricia D. Witherspoon, Ph.D. Dean of the Graduate School Copyright © by Drew W. Dungan 2009 Dedication To all who have been patient and kind, most of all Robert, Thalia, and Jesus, thank you for everything... South Park and Absurd Culture War Ideologies. The Art of Stealthy Conservatism by DREW W. DUNGAN, B.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department of Communication THE UNIVERSITY OF TEXAS AT EL PASO May 2009 Abstract South Park serves as an example of satire and parody lampooning culture war issues in the popular media. -
De Representatie Van Leraren En Onderwijs in Populaire Cultuur. Een Retorische Analyse Van South Park
Universiteit Gent, Faculteit Psychologie en Pedagogische Wetenschappen Academiejaar 2014-2015 De representatie van leraren en onderwijs in populaire cultuur. Een retorische analyse van South Park Jasper Leysen 01003196 Promotor: Dr. Kris Rutten Masterproef neergelegd tot het behalen van de graad van master in de Pedagogische Wetenschappen, afstudeerrichting Pedagogiek & Onderwijskunde Voorwoord Het voorwoord schrijven voelt als een echte verlossing aan, want dit is het teken dat mijn masterproef is afgewerkt. Anderhalf jaar heb ik op geregelde basis gezwoegd, gevloekt en getwijfeld, maar het overheersende gevoel is toch voldoening. Voldoening om een werk af te hebben waar veel tijd en moeite is ingekropen. Voldoening om een werk af te hebben waar ik toch wel fier op ben. Voldoening om een werk af te hebben dat ik zelfstandig op poten heb gezet en heb afgewerkt. Althans hoofdzakelijk zelfstandig, want ik kan er niet omheen dat ik regelmatig hulp heb gekregen van mensen uit mijn omgeving. Het is dan ook niet meer dan normaal dat ik ze hier even bedank. In de eerste plaats wil ik mijn promotor, dr. Kris Rutten, bedanken. Ik kon steeds bij hem terecht met vragen en opmerkingen en zijn feedback gaf me altijd nieuwe moed en inspiratie om aan mijn thesis verder te werken. Ik apprecieer vooral zijn snelle en efficiënte manier van handelen. Nooit heb ik lang moeten wachten op een antwoord, nooit heb ik vele uren zitten verdoen op zijn bureau. Bedankt! Ten tweede wil ik ook graag Ayna, Detlef, Diane, Katoo, Laure en Marijn bedanken voor deelname aan mijn focusgroep. Hun inzichten hebben ervoor gezorgd dat mijn analyses meer gefundeerd werden, hun enthousiasme heeft ertoe bijgedragen dat ik besefte dat mijn thesis zeker een bijdrage is voor het onderzoeksveld. -
NEW YEAR EDITION Inside Scoop
Volume 1, Issue 1 January—February Edition NEWNEW YEARYEAR EDITIONEDITION Letter to the Readers, This is our very first edition of the GPA Scoop and we appreciate your pa- tience. We have incorporated different writers to make this edition appeal to every- one’s interests. We have pieces from what to wear and Not to wear to how to start your new year off right. We have interesting articles about the “Shining Dia- monds” this month that we hope will capture your attention. As a club, we are con- stantly opening ourselves up to new possibilities whether it be new writers or new piec- es. Your creativity is always welcomed, so enjoy this edition and keep your eyes open to try and win this month’s prize! Enjoy, GREAT PATH ACADEMY Selena & Ashley GPA Scoop Editors Pg.2 - GPA News Pg.10 - New Year Edition Pg.17 - Editorial & GPA Resolutions Pg.3 - Did You Know? Pg.18 - ASK Bella GPA Scoop GPA Scoop GPA Scoop & Weird Facts Pg.12 - Sports - Year in The Pg.20 - GPA Community The Review / GPA Student Pg.4 - Shining Athletes Diamonds Pg.22 - GPA Mind Bind Pg.14 nside-nside Entertainment TV Puzzles*Contests*Prizes Pg.6 - Fashion II Favorites & Music Pg.8 - Brain Food Pg.16 - Teen Speak Out ScoopScoop GPAGPA -- 411411 Message from Mrs. Niles - Outler I understand that this year has been an awkward year with all of the changes, but I am so proud of the way GPA students have risen to the occasion! For instance, there has been an increase in the number of students taking college courses. -
KATHRINE GORDON Hair Stylist IATSE 798 and 706
KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 [email protected] www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell -
Thrill of the Chace
REVIEW Ed and Thrill of Jessica are dating in real life KELLY RUTHERFORD CE (Lily van der Woodsen) It’s a case of life imitating THELUCKY SHANNON O’M EARACHA KEEPS A DATE Ed and art as 40-year-old WITH GOSSIP GIRL NICE GUY NATE Chace are Kelly, who plays a great mates multi-divorced mum, off-screen battles for custody of her WAKE-UP call at 6am is not real-life son, Hermès. much fun, although if Chace ED WESTWICK Crawford – Gossip Girl’s Nate (Chuck A Bass), CHACE CRAWFORD Archibald – is at the end of the line, (Nate Archibald) and JESSICA could there be a better reason to get SZOHR (Vanessa Abrams) up in the morning? Nate and Vanessa briefly dated on So Grazia happily (and breathlessly) the show, but party-boy Ed is now takes the call from the Texan romancing Jessica in the real world – heart-throb, who has a rare day off despite the gay rumours that plague former flatmates Ed and Chace. from !lming the hit drama series. The 23-year-old is eager to tell us about his crush on Australia and his penchant for Aussie stars. “I want to get to Australia so bad,” Chace says. “Ed [Westwick, aka Chuck Bass] has of the been down there and he had a blast. Real-life drama s Australia is de!nitely next on my list. The accent, the girls!” CAST Despite having hordes of female GOSSIP GI RL fans, the actor remains surprisingly THE ON-SCREEN SOAP OPERA HAS grounded, mostly thanks to some NOTHING ON THEIR OFF-SCREEN PLOTS good ole southern values. -
The Fashion Industry As a Slippery Discursive Site: Tracing the Lines of Flight Between Problem and Intervention
THE FASHION INDUSTRY AS A SLIPPERY DISCURSIVE SITE: TRACING THE LINES OF FLIGHT BETWEEN PROBLEM AND INTERVENTION Nadia K. Dawisha A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Communication in the College of Arts and Sciences. Chapel Hill 2016 Approved by: Patricia Parker Sarah Dempsey Steve May Michael Palm Neringa Klumbyte © 2016 Nadia K. Dawisha ALL RIGHTS RESERVED ii ABSTRACT Nadia K. Dawisha: The Fashion Industry as a Slippery Discursive Site: Tracing the Lines of Flight Between Problem and Intervention (Under the direction of Dr. Patricia Parker) At the intersection of the glamorous façade of designer runway shows, such as those in Paris, Milan and New York, and the cheap prices at the local Walmart and Target, is the complicated, somewhat insidious “business” of the fashion industry. It is complicated because it both exploits and empowers, sometimes through the very same practices; it is insidious because its most exploitative practices are often hidden, reproduced, and sustained through a consumer culture in which we are all in some ways complicit. Since fashion’s inception, people and institutions have employed a myriad of discursive strategies to ignore and even justify their complicity in exploitative labor, environmental degradation, and neo-colonial practices. This dissertation identifies and analyzes five predicaments of fashion while locating the multiple interventions that engage various discursive spaces in the fashion industry. Ultimately, the analysis of discursive strategies by creatives, workers, organizers, and bloggers reveals the existence of agile interventions that are as nuanced as the problem, and that can engage with disciplinary power in all these complicated places. -
Half Way Down the Trail to Hell
Half Way Down The Trail To Hell A Wartime Remembrance in Three Parts By Stephen E. Kirkland i Prologue “The danger, being around veterans, the memories are so selective and so heroic that you’ve got to be careful talking to a guy like me.” George Herbert Walker Bush A while back I discovered the Library of Congress is conducting a program called The Veterans History Project. The mission of the project is the collection and preservation of veteran’s wartime recollections and documents before they are lost forever. Like many wartime veterans, I concentrated on getting on with my life. I needed a job that would allow me to marry, buy a house and raise a family. I didn’t feel anything I had experienced in Vietnam would contribute to these goals, and I felt that, for the most part, people who hadn’t served didn’t know or even care what I had seen or done. The country’s attitude was different than with the Gulf War veterans and I deflected the few inquires that were made, especially the ones that contained the words “Did ya’ kill anybody?” I was too busy dealing with the present to spend a lot of time staring into the past. Now, almost four decades after returning home, the time has come to look back and try to recreate a piece of personal history, albeit history filtered though my water colored memories. I’ve relied on a number of sources for this remembrance, not the least of which were letters that I wrote home. -
Leighton Meester Hopes to Find True Love Someday
Leighton Meester Hopes to Find True Love Someday Leighton Meester has high hopes for true love. According to People, the Gossip Girl star is looking for the kind of relationship that her character on the show, Blair, shares with onscreen love, Chuck Bass (Ed Westwick). “Because the way they love each other is very real, and not for the sake of being dramatic,” says Meester. Though 24 and single, the accomplished actress is far from giving up. “It’s okay if you don’t find him and you’re 24. You can find it someday.” How do you know when you’ve found “real” love? Cupid’s Advice: Leighton Meester says, “Real love is not for the sake of being dramatic.” If you’re not sure whether you’re in love or not, Cupid has a few telling signs: 1. It goes deeper than looks: Make sure you enjoy talking to your partner just as much as you like looking at him. If you find yourself constantly fixated on your partner’s physical appearance, you make be confusing love with lust. 2. It’s not just physical: If your relationship is more physical than it is emotional, it’s probably not love. You should be getting to know your partner inside and out. When its’ time to say, “I do,” you should be looking forward to more than the honeymoon. 3. You make sacrafices: The biggest sign of love is putting your partner’s needs before your own. Sometimes you have to make sacrifices, even if they’re small. If you’re always thinking what this person can do to help you instead of what you can do to help them, you’re probably not in love yet.. -
The Intern – Ben & Patty – Entire Screenplay.Pdf
THE INTERN by Nancy Meyers January 2014 FADE IN: EXT. PROSPECT PARK - BROOKLYN - AN EARLY SPRING MORNING An eclectic Group ranging in age from 30 to 80 gather in rows performing the ancient Chinese martial art of TAI CHI. They are led by their young and graceful Instructor. CAMERA GLIDES PAST one student to the next, as they move in sync through their meditative poses. CREDITS BEGIN. BEN (V.O.) Freud said, “Love and work, work and love. That’s all there is.” Well, I’m retired and my wife is dead. And on that, we ARRIVE on BEN WHITTAKER. Ben just turned Seventy, an Everyman in many ways, but a unique man to all who know him. He exhales as he turns in sync with the others. BEN (V.O.) -- As you can imagine, that has given me some time on my hands. INT. BEN’S HOUSE - BROOKLYN - NIGHT BEN, wearing a suit and tie, sits in an upright chair in his comfortable brownstone, TALKING TO CAMERA. Looks like he’s on VIDEO. BEN My wife’s been gone for three-and-a- half years. I miss her in every way. And retirement -- that is an ongoing, relentless effort in creativity. At first, I admit, I enjoyed the novelty of it. Sort of felt like I was playing hooky. EXT. JFK TARMAC - NEW YORK CITY - DAY A jumbo jet lifts off. BEN V.O. I used all the miles I had saved and traveled the globe. 2. INT. BEN’S BROWNSTONE - BROOKLYN - NIGHT Ben ENTERS in an overcoat, carrying his suitcase and wearing a purple lei around his neck.