A Tale of Two Cities Program
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CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
READING INTERNATIONAL, INC. (Exact Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K þ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2020 or ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from _______ to ______ Commission File No. 1-8625 READING INTERNATIONAL, INC. (Exact name of registrant as specified in its charter) Nevada 95-3885184 (State or other jurisdiction of incorporation or organization) (I.R.S. Employer Identification Number) 5995 Sepulveda Boulevard, Suite 300 Culver City, CA 90230 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including Area Code: (213) 235-2240 Securities Registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol Name of each exchange on which registered Class A Nonvoting Common Stock, $0.01 par value RDI NASDAQ Class B Voting Common Stock, $0.01 par value RDIB NASDAQ Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ¨ No þ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934. Yes ¨ No þ Indicate by check mark whether registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Exchange Act of 1934 during the preceding 12 months (or for shorter period than the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
Boston Symphony Orchestra
Tangtewqpd 19 3 7-1987 BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Saturday, 29 August at 8:30 The Boston Symphony Orchestra is pleased to present WYNTON MARSALIS An evening ofjazz. Week 9 Wynton Marsalis at this year's awards to win in the last four consecutive years. An exclusive CBS Masterworks and Columbia Records recording artist, Wynton made musical history at the 1984 Grammy ceremonies when he became the first instrumentalist to win awards in the categories ofjazz ("Best Soloist," for "Think of One") and classical music ("Best Soloist With Orches- tra," for "Trumpet Concertos"). He won Grammys again in both categories in 1985, for "Hot House Flowers" and his Baroque classical album. In the past four years he has received a combined total of fifteen nominations in the jazz and classical fields. His latest album, During the 1986-87 season Wynton "Marsalis Standard Time, Volume I," Marsalis set the all-time record in the represents the second complete album down beat magazine Readers' Poll with of the Wynton Marsalis Quartet—Wynton his fifth consecutive "Jazz Musician of on trumpet, pianist Marcus Roberts, the Year" award, also winning "Best Trum- bassist Bob Hurst, and drummer Jeff pet" for the same years, 1982 through "Tain" Watts. 1986. This was underscored when his The second of six sons of New Orleans album "J Mood" earned him his seventh jazz pianist Ellis Marsalis, Wynton grew career Grammy, at the February 1987 up in a musical environment. He played ceremonies, making him the only artist first trumpet in the New -
Ottorino Respighi
Ottorino Respighi (geb. Bologna, 9. Juli 1879 — gest. Rom, 18. April 1936) Lauda per la Natività del Signore (P 166, 1930) per soli, coro, strumenti pastorali e pianoforte a quattro mani Testo attribuito a Jacopone da Todi (ca. 1230-1306) Andantino (p. 1) – Poco più lento (p. 5) – Tempo primo (p. 8) – Andante (p. 11) – Allegro (p. 13) – Moderato (p. 14) – Poco più vivo (p. 15) – Lento (p. 18) – Moderato (p. 20) – Meno – a tempo (p. 21) – Moderato – Lento (p. 22) – Moderato – Allegretto (p. 23) – Allegretto (p. 24) – Lento (p. 27) – Allegro (p. 28) – Più vivo (p. 39) – Moderato espressivo (p. 43) – Lento moderato (p. 46) – Più lento (p. 49) – a tempo (p. 50) Vorwort 1929 hatte Ottorino Respighi mit der Uraufführung seiner dritten römischen Tondichtung ‚Feste romane’ in am 21. Februar in New York (unter Arturo Toscanini) und der römischen Erstaufführung des Werks (unter Bernardino Molinari), der Gerhart Hauptmann- Oper ‚La Campana sommersa’ (Die versunkene Glocke) in Mailand, Rom, Buenos Aires und Bologna und auch dem ‚Trittico Botticelliano’ in Rom (unter Mario Rossi) überwältigende Erfolge erlebt. Er erhielt Serge Koussevitzkys Auftrag, zum 50-jährigen Bestehen des Boston Symphony Orchestra ein Werk zu schreiben (‚Metamorphoseon modi XII’), hörte die Uraufführung seines ‚Poema autunnale’ für Violine und Orchester mit Arrigo Serato in Rom und widmete sich voller Inbrunst der Orchestration von Johann Sebastian Bachs Passacaglia und Fuge c-moll für Orgel, einer „aus Tönen erbauten Kathedrale in göttlicher Vollendung, nach deren Uraufführung am 16. April 1930 ihm Toscanini aus New York telegraphierte: „Die Passacaglia hatte einen grandiosen Erfolg. Sie ist meisterhaft orchestriert. -
Ottorino Respighi, Musicista Geniale Ed Estroverso a 130 Anni Dalla Nascita
Ottorino Respighi, musicista geniale ed estroverso a 130 anni dalla nascita. di Giuseppe Testa Ottorino Respighi è, tra i compositori italiani del secolo scorso, quello che trovò diffusione e fama internazionale sin dall’inizio della sua carriera. E’ ricordato soprattutto per i tre poemi sinfonici romani, capolavori della letteratura sinfonica del ‘900 italiano, ma è anche stato un apprezzato musicologo. Respighi nasce a Bologna il 9 luglio 1879, inizia gli studi del pianoforte e del violino con il padre Giuseppe, studi che continua al liceo musicale di Bologna, dove è allievo di F. Sarti per il violino e la viola, C. Dall’Olio per il contrappunto e la fuga, L. Torchi e di G. Martucci per la composizione. E’ proprio Martucci che lo interessa alle forme sinfoniche e cameristiche dei romantici tedeschi, sino ad allora poco praticate in Italia. Si Diploma in violino nel 1899 e in composizione nel 1901 al liceo musicale di Bologna. Subito dopo si trasferisce in Russia dove ricopre il posto di prima viola dell’orchestra del Teatro Imperiale a San Pietroburgo, studiando per cinque mesi con Nikolaj Rimskij-Korsakov con cui può approfondire lo studio della sinfonia e del poema sinfonico, evidenziando la tendenza al descrittivismo e l’abilità nel trattamento dell’orchestra. Nel 1902 è accompagnatore in una scuola di canto a Berlino, dove conosce Ferruccio Busoni ed ha modo di studiare con Max Bruch. Ma la sua attività principale fino al 1908 è quella di violista, solo dopo si dedica alla composizione. Nel 1911 torna in Italia per sostituire il suo maestro L. -
Annual Stockholders Meeting
2019 ANNUAL STOCKHOLDERS MEETING MAY 7, 2019 DISCLAIMERS Our comments today may contain forward-looking statements and This presentation is intended to summarize the projects on which management may make additional forward-looking statements in we are working and our plan for moving our Company forward. response to your questions. Such written and oral disclosures are made pursuant to the Safe Harbor provision of the Private Securities Many of the projects are in their early stages and will be subject to Litigation Reform Act of 1995. various Governmental and Board approvals. Accordingly, no assurances can be given that the plans discussed herein will be Although we believe our expectations expressed in such forward- achieved. looking statements are reasonable, we cannot assure you that they will be realized. Investors are cautioned that such forward-looking Further, some of the design concepts included in this presentation statements involve risks and uncertainties that could cause actual include proposed architectural renderings that represent works in results to differ materially from the anticipated results, and progress. therefore we refer you to a more detailed discussion of the risks and uncertainties in the Company’s filings with the Securities & Exchange Commission. FINANCIAL RECONCILATIONS We use EBITDA in the evaluation of our Company’s performance since we believe that EBITDA EBIT and EBITDA also fail to take into account the cost of interest and taxes. Interest is clearly a real provides a useful measure of financial performance and value. We believe this principally for the cost that for us is paid periodically as accrued. Taxes may or may not be a current cash item but are following reasons: nevertheless real costs that, in most situations, must eventually be paid. -
View Sample a Tale of Two Cities by Charles
Your Last Name 1 Student Name Professor Name Course Date A Tale of Two Cities by Charles Dickens The book A Tale of Two Cities was first published in 1859 describing the French revolution that took place in the 18th century. This novel resembles Thomas Carlyle’s book featuring two cities, Paris and London. The tale by Charles Dicken's is about a young seventeen- year-old girl, Lucie Manette, who is brought to Paris by Mr. Jarvis Lorry in search of her father, Dr. Alexandre Manette, who is released after 18 years of imprisonment in Bastille. Their journey starts in the Paris suburb known as Saint Antoine where her father is supposedly kept. A couple called the Defarges, being secret revolutionaries and owners of a wine shop, take them to her father who they housed after his discharge. Monsieur Defarge used to work for Dr. Mannete before his imprisonment; ironically, Dr. Manette, Lucie’s father is now under the care of his former servant. The author depicts Dr. Mannete as a person who is still suffering the trauma of his imprisonment and seems to be withdrawn. The eighteen years spent in jail have taken a toll on him making him quite reserved; his only pastime is making shoes, which he learned how to mend during those long 18 years of imprisonment. He stares at his daughter who he barely recognizes. However, thanks to Lucie's devotedness and love to her father, her father gets recovered. Lucie takes her father back home with Lorry’s help. She falls in love with Charles Darnay. -
A Tale of Two Cities - Walsh 76
A TALE OF TWO CITIES - WALSH 76. SCENE 19 (The scene shifts to the Manettes’ home in London. Lucie and Miss Pross enter. Lucie is upset. Miss Pross has to work hard to keep up.) MISS PROSS Miss Lucie! Miss Lucie! What on earth is wrong? LUCIE He has oppressed no man. He has imprisoned no man. Rather than harshly exacting payment of his dues, he relinquished them of his own free will. He left instructions to his steward to give the people what little there was to give. And for this service, he is to be imprisoned. MISS PROSS What are you talking about, Miss Lucie? LUCIE The decree. MISS PROSS What decree? There have been so many decrees I’ve lost count. LUCIE They are arresting emigrants. (The doorbell rings.) MISS PROSS But you remember what Mister Carton said, how unreliable the news is from France during these troubled times. LUCIE I must go to him. MISS PROSS You what? LUCIE If I leave now, there is a chance I may overtake him before he arrives in Paris. (Carton enters.) MISS PROSS Oh, Mister Carton! Thank goodness. Do talk some sense into her. A TALE OF TWO CITIES - WALSH 77. CARTON I, Miss Pross? When have I ever been known to talk sense? MISS PROSS She’s got it in her head to go to Paris! CARTON She... what? Lucie, you can’t be serious. LUCIE I am quite serious. Charles would do no less if our positions were reversed. CARTON Charles would not have let you go to Paris in the first place. -
A Tale of Two Cities by Charles Dickens
A Tale of Two Cities By Charles Dickens Book 2: The Golden Thread Chapter 11: A Companion Picture Sydney,” said Mr. Stryver, on that self-same night, or morning, to his jackal; “mix another bowl of punch; I have something to say to you.” Sydney had been working double tides that night, and the night before, and the night before that, and a good many nights in succession, making a grand clearance among Mr. Stryver’s papers before the setting in of the long vacation. The clearance was effected at last; the Stryver arrears were handsomely fetched up; everything was got rid of until November should come with its fogs atmospheric, and fogs legal, and bring grist to the mill again. Sydney was none the livelier and none the soberer for so much application. It had taken a deal of extra wet-towelling to pull him through the night; a correspondingly extra quantity of wine had preceded the towelling; and he was in a very damaged condition, as he now pulled his turban off and threw it into the basin in which he had steeped it at intervals for the last six hours. “Are you mixing that other bowl of punch?” said Stryver the portly, with his hands in his waistband, glancing round from the sofa where he lay on his back. “I am.” A Tale of Two Cities: Book 2, Chapter 11 by Charles Dickens “Now, look here! I am going to tell you something that will rather surprise you, and that perhaps will make you think me not quite as shrewd as you usually do think me. -
A Tale of Two Cities
LEVEL 5 Teacher’s notes Teacher Support Programme A Tale of Two Cities Charles Dickens Summary EASYSTARTS A Tale of Two Cities was Charles Dickens’s second historical novel and is set in the late eighteenth century during the period of the French Revolution. It was originally published in thirty-one weekly instalments between April LEVEL 2 and November 1859. Chapters 1–2: The version of the story published here LEVEL 3 begins in the last decades of the eighteenth century, when the poor and oppressed of France were at last beginning to plan the downfall of the aristocracy. The book opens LEVEL 4 with the description of a poor suburb of Paris called Saint Antoine. A wine barrel is accidentally damaged and the poor people of the area rush to drink the wine from About the author the street. The scene is witnessed by the local wine shop LEVEL 5 Charles Dickens, a world-famous author, born in 1812, owner Monsieur Defarge, who is also a revolutionary was the son of a clerk in the Navy office. His irresponsible leader. Monsieur Defarge is looking after his former parents ran into great debt and when Dickens was twelve, employer, Dr Manette, who has recently been released LEVEL 6 his father was placed in a debtors’ prison and the boy from prison after spending many years locked up in the was put to work in a factory for some months. Dickens’s Bastille. Dr Manette spends his time in his room making intense misery in this place made a profound impression shoes – a skill he learned while in prison. -
California State University, Northridge the Charms Of
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE CHARMS OF ASSUMPTION: ROLE PLAYING IN DICKENS'S LATER NOVELS A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in English by Patrick Byron Hunter January 1988 The Thesis o~Patrick Byron Hunter is approved: Lawrence Stewart California State University, Northridge ii ACKNOWLEDGMENTS I most especially thank Dr. Harry Stone, whose brilliant expertise as a Dickensian and meticulous attention as an advisor helped to create many of this thesis's virtues and none of its flaws. I also thank Valerie, my dearest friend, whose insight inspired me to begin this thesis and whose support enabled me to finish it. iii TABLE OF CONTENTS Acknowledgments •• . iii Abstract • • • • • . • v Chapters: I. Introduction . • • • 1 II. Dickens and Role Playing • . 8 III. Expected Roles: Great Expectations •• • • • .18 IV. Behavioral Roles: Our Mutual Friend • • .34 v. The Impersonator . • • • ~ .45 VI. The Player Without a Role. • • .57 VII. Conclusion • • . .67 Works Cited. • • • • .70 iv ABSTRACT THE CHARMS OF ASSUMPTION: ROLE PLAYING IN DICKENS'S LATER NOVELS by Patrick Byron Hunter Master of Arts in English This thesis demonstrates how roles, or the facades which human beings project when interacting with others, provide an approach for understanding the characters and themes in Dickens's fiction written after 1857, from Little Dorrit to The Mystery of Edwin Drood. It argues that the characters in the author's final period desperately play roles to find fulfillment and also demonstrates how Dickens himself sought role playing to alleviate his own personal crises. ' ~ v The thesis approaches the fiction by categorizing roles into the two types: expected roles, or those roles demanded by society; and behavioral roles, or those structured, not by society, but by individuals. -
The Plot Structure and Theme in Charles Dickens's Famous Novel “A Tale of Two Cities”
International Journal of Multidisciplinary Research and Development 2014; 1(6): 71-73 The plot structure and theme in Charles Dickens’s famous IJMRD 2014; 1(6): 71-73 www.allsubjectjournal.com novel “A Tale of Two Cities” Received: 23-10-2014 Accepted: 11-11-2014 e-ISSN: 2349-4182 Krishma Chaudhary p-ISSN: 2349-5979 Abstract Krishma Chaudhary The present research work deals with the development of ‘plot’ and ‘theme’ of Charles Dickens’s famous (M. phil. Scholar) Department of novel “A Tale of Two Cities” 1859. It is one of the famous novels by Dickens which set in London and English Chaudhary Devi Lal Paris before and during the French Revolution. However, this novel follows the lives of several University, Sirsa, Haryana, characters through these events but it has fewer characters and sub-plots than a typical Dickens novel. India. The forty five chapter novel was published in 31 weekly instalments in Dickens’s new literary periodical titled “A Tale of Two Cities”. The first weekly instalment of it ran in the first issue of “All the Year Round” on 30 April 1859 and the last ran thirty weeks later, on 26 November 1859. “A Tale of Two Cities” is one of only two works of historical fiction by Charles Dickens. In this essay we discussed the plot construction and the themes of the novel “A Tale of Two Cities” written by Charles Dickens. Keywords: Dickens, A tale of Two Cities, plot structure, theme. 1. Introduction Charles Dickens (1812-1870) is a creator of realistic novels. The picture which he painted of the English social world is one of the richest in the whole range of literature.