DOCSLIB.ORG

Song List M/B Frozen Heart -- Multiple Voices (Can Be Made Very Simple)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Song List M/B Frozen Heart -- Multiple Voices (Can Be Made Very Simple) Song List M/B Frozen Heart -- Multiple Voices (can be made very simple) M(girls) Magic power hurts Anna M Build a Snowman -- Primarily Anna, with lines from Elsa, Parents M(edah) First Time in Forever -- Primarily Anna, with lines from Elsa, duet at end B Love is Open Door -- Anna with Hans (duet, very hard) M Reindeers are Better -- Kristoff sings, with Sven present M(boys) Wolf Chase Boys M/B Let it Go -- Elsa B In Summer -- Olaf, with lines from Anna and Kristoff B(boys) Go fight B First Time in Forever Reprise -- Anna and Elsa (very hard duet) B(girls) Snow monster chase dance B Fixer Upper -- Various Trolls including one amazing solo B Unfreezing Anna (Ahava… hi mila yafa) M/B Let it Go (Edot-wide reprise) Magshimim: Anna: 2 songs (Snowman, First Time) Elsa: 2 songs (First Time, Let it Go) Kristoff/Reindeer: 1 song (Reindeer) Bogrim: Anna: 2 song (Love, First Time Reprise) Elsa: 2 song (Let it Go, First Time Reprise) Hans: 1 song (Love) Olaf: 1 song (Summer -- the Fixer Upper solo can be given to anyone) Troll Singer: 1 song (Fixer) Frozen Scene 0 (Ice Cutting/Frozen Heart) חורף ורוחות הרים Winter and mountain choref ve’ruchot harim בראו כוח אידיאלי winds created an ideal bar’u ko’ach ideh-ali power ליבו קפוא, הקרח הוא Its heart is frozen - the ice libu kafu, hakerach hu נדיב וגם ברוטלי is both generous and nadiv ve’gam brutali brutal אז אף בקלשון, לא נרעד az af bakilshon, lo nir’ad So even with a pitchfork we won't tremble כול מכה נאהב ונפחד kol makah nohav We'll love and fear each hit ve’nifchad קור צלול, יפה וחד טעם טוב ומר A coldness, beautiful, kol tzlul, yafeh ve’chad של לב קפוא נשאר sharp and pure ta’am tov ve’mar shel lev kafu nish’ar הזהר ונשבור! אה! או! !A taste of bittersweet a hizaher! ve’nishbor נזהר ונשבור! !Frozen Heart was cut ah! oh Be careful and cut! nizaher! venishbor! We'll be careful and cut! יְֵפהֶפה, מסוכן, עוצמתי! קפוא! ,Beautiful, Dangerous yifeh-feh, mesukan Powerful, Frozen otzmati, kafu בקסם הקרח לא, לא נשלוט We cannot control the ice be’kesem ha’kerach lo, magic lo nishlot חזק מאחד! חזק מעשרים! חזק ממאה גברים! It's stronger than one, chazak meh’echad stronger than twenty, chazak meh’esrim stronger than a hundred chazak mi’me’ah g’varim men חורף ורוחות הרים בראו כוח אידיאלי Winter and mountain choref ve’ruchot harim winds created an ideal bar’u ko’ach ideh-ali power ליבו קפוא, הקרח הוא נדיב וגם ברוטלי Its heart is frozen - the ice libu kafu, hakerach hu is generous and brutal as nadiv ve’gam brutali well אף בגרזן, לא נרעד כול מכה נאהב ונפחד Even with the ax we won't az af bakilshon, lo nir’ad tremble, we'll love and fear kol makah nohav each hit ve’nifchad קור צלול, יפה וחד טעם טוב ומר ,A coldness, beautiful של לב קפוא נשאר sharp and pure, A taste of kol tzlul, yafeh ve’chad a bittersweet frozen heart ta’am tov ve’mar כריסטוף הצעיר: קדימה סוון! shel lev kafu nish’ar Young Kristoff: Come on Sven! kadima sven! Scene 1 (Mag girls dance/ cast dialogue) Scene Elsa 1 and Anna 1 magic Curtain opens: אנה: בקר טוב! בקר טוב! Anna: Elsa Boker Tov!! boker tov boker tov עלזה: אני רוצה לישון עוד... Elsa: I want to sleep some ani rotzah lishon od more אנה: את רוצה לבנות איש שלג? Anna: Do you want to at rotzah livnot ish sheleg build a snowman? אלזה: אוקי –– כן! Elsa: OK—let’s go okay -- ken Girls start to play, music starts up and MAG girls dance happens with Anna and Elsa in the middle—ends with Elsa inadvertently hurting Anna—upstage infront of curtain. Curtain Closes: עלזה: אמא! אבא! באו! מהר! !Elsa: Emma, Abba—come ima! aba! bo’u! maher אנה נפגעה! quickly. Anna is hurt ana nifge’ah מלך: או אלזה! מה עשית?! ?oh elsa! mah asit King: Oh Elsa, what did you do?! מלכה: במהירות! אין לנו הרבה bimhirut! ain lanu harbeh זמן! Queen: Hurry, we don’t z’man have a lot of time Scene 2: running through the forest to the trolls: skip/ go through BAG/ Curtain opens: כל הטרולים: המלך והמלכה! !Trolls all together: The hamelech vehamalkah KING and the QUEEN ראש הטרולים: בתי, את צריכה להיזהר. את צריכה לשלוט על .biti, at tzrichah lehizaher Old Troll: You must be כוחך. at tzrichah lishlot al careful my child. You kochech. must learn to control your magic. ראש הטרולים: איפה נפגעה הילדה? ?Old Troll: Where was your aifoh nifge’ah hayalda child hit? מלכה: בראש. Queen: In the head barosh ראש הטרולים: אה, יש לנו מזל. יכולים לתקן את הראש. הלב, .Old Troll: Ah, we are ah, yesh lanu mazal לא כל כך. lucky—the head can be yecholim letaken et fixed. The heart is not so harosh. halev, lo kol kach easy. Curtain closes—as the King, Queen, Anna and Elsa walk to the front of the stage and then off. Scene 3: Do you want to Build a Snowman? Scene starts with curtain closed….maybe we can have a cardboard door that we can wheel in in front of curtain with Elsa sitting on the other side Anna knocks on the door: Anna 1 starts the song---she dances around. Do you want to build a snowman?: Curtain opens and more girls come out and sing the song with her. We can also have people placed around the BAG—as though they are an echo Opportunity for LOTS of singers, should use the whole song. Other singers can be staff of house or can be inanimate objects אנה: אלזה? ?Anna: Elsa? Elsa את רוצה לבנות איש שלג? Do you wanna build a At rotzah livnot ish sheleg לא שיחקת איתי מזמן snowman? You haven't lo sichakt iti mizman played with me since long ago אנחנו כבר לא מתראות, We don't see each other anachnu kvar lo mitra’ot כמו שתיי זרות anymore, like two kmo shtei zarot ֿכאילו את לא כאן strangers, It is like you're k’ilu at lo kan not here. שיחקנו פעם יחד, We used to play together, sichaknu pa’am yachad היום כבר לא. and now we don't. Can't we hayom kvar lo אולי בואי נשלים ודיי just make up, and that's it? oolai bo’i nashlim v’dai את רוצה לבנות איש שלג? ?Do you wanna build a at rotzah livnot ish sheleg זה לא חייב להיות איש שלג snowman? It doesn't have zeh lo chayav lihyot ish to be a snowman sheleg אלזה: תלכי אנה! Elsa: Go away Anna - --telchi ana אנה: -- אוקיי, ביי. Anna: Okay, bye. --okay bye Do you wanna build a snowman? Or go cycling את רוצה לבנות איש שלג? ?through the rooms, at rotzah livnot ish sheleg או שנרכב בין חדרים o she’nirkav bein chadarim No guests come here anymore, I've started אורחים בכלל talking to all the paintings orchim bichlal כבר לא באים לפה, kvar lo ba’im la’poh התחלתי לדבר hitchalti ledaber עם כל הציורים Hey Jean D'arc im kol hatziyurim היי ז'אן דארק! I'm pretty lonely here and hey joan d’arc I only left to see how the אני דיי בודדה כאן time goes by (tic toc) ani dey bo’dedah kan ונשאר לי רק ve’nish’ar li rak לראות איך הזמן עובר Music continues going lir’ot aich hazman over) quietly in background) Door stays in place with Elsa on one side and Anna sitting on the other side. King and Queen come out and say: Queen: Goodbye Anna. We will be back soon.. מלכה: להתראות אנה. נחזור lehitra’ot ana. nachzor בקרוב… …bekarov King: Talking through the door: Goodbye Elsa, we מלך: להתראות אלזה. נחזור will be back soon. Be lehitrao’t elsa. nachzor בקרוב. תהי טובה! good. bekarov. tehi tova Everything goes black. Darkness. Hear lighting and thunder. Anna and Elsa (scream together from opposite אנה ואלזה: אבא! אמא! לא! ,sides of the stage): Abba aba! ima! lo! Eema…NOOOOOO Back to song: Elsa: Come out of your אלזה: צאי מתוך החדר, room, people are already אנשים שואלים כבר asking where you are. tze’i mitoch ha’cheder איפה את anashim sho’alim kvar aifoh at They support me here but תומכים בי כאן, I can't hang on anymore, I לא מסוגלת עוד. really want to... come in. tomchim bi kan אני רוצה מאוד... להיכנס. lo mesugelet od Only the two of us are left, ani rotzah me’od lehikanes בסוף נותרנו שתינו, ,so here I'll wait אז פה אמתין besof notarnu shneinu Sister, what are we gonna az po amtin מה נעשה אחות? ?do mah na’aseh achot Do you wanna build a את רוצה לבנות איש שלג? ?snowman at rotzah livnot ish sheleg? Song finishes—curtain closes. Scene 4 (Mag cast/ edah dance) Song For the first time in forever:. Makes great sense to have all of the people who work in the castle (opening doors/windows/sweeping away cob-webs) and the towns people—singing this song. Great opportunity for edah to do the tzrif dance thing and each tzrif would be a different part of the village or castle Trumpets sounds and then Curtain opens on inside the castle scene: משרת: הגיע הזמן! Butler: Its time higi’a haz’man שפחה: הגיע הזמן! Maid: its time higi’a haz’man משהו אחר: הגיע הזמן! higi’a haz’man Other person: its time כלם: סוף סוף הגיע הזמן! All together: its finally sof sof higi’a haz’man time Elsa and Anna start the song and then the household joins in אנה: פתחו חלונות, ,Anna: The windows are patchu chalonot פתחו דלתות open, the doors are open, patchu d’latot וניקו היטב את הספות and the sofas are cleaned veniku heyetv et hasapot well, יש אלף צלחות רק לסופלה There's thousand of plates yesh elef tzelachot raq only for souffle.
Load more

Recommended publications
  • SBS World Movies June 13
    b WEEK 25: Sunday, 13 June - Saturday, 19 June 2021 ALL MARKETS Start Consumer Closed Audio Date Genre Title TV Guide Text Country of Origin Language Year Repeat Classification Subtitles Time Advice Captions Description Doug and Abi take their kids on a family vacation. Surrounded by relatives, the kids innocently reveal the ins and outs of their family life and many intimate details about their parents. It's soon clear that when it comes to keeping a big 2021-06-13 0630 Comedy What We Did On Our Holiday UNITED KINGDOM English-100 2014 RPT PG a Y secret under wraps from the rest of the family, their children are their biggest liability. Find out how the rest of the family cope and see if the holiday will ever end. Stars David Tennant and Rosamund Pike. Orphaned at age five, curly-haired Heidi is sent to live with her gruff recluse of a 2021-06-13 0820 Action Adventure Heidi GERMANY German-100 2015 RPT PG Y grandfather in the Swiss Alps. However, she soon thaws his frozen heart. Twelve-year-old Binti was born in the Congo but has lived with her father Jovial in SBS World Belgium since she was a baby. Despite not having any legal documents, Binti 2021-06-13 1025 Family Binti BELGIUM Dutch-100 2019 PG a l Y Movies Premiere wants to live a normal life, and dreams of becoming a famous vlogger like her idol Tatyana. Directed by Frederike Bigom and stars Bebel Tshiani Baloji. The illegitimate, mixed-race daughter of a British admiral plays an important role 2021-06-13 1205 Drama Belle in the campaign to abolish slavery in England.
    [Show full text]
  • Audition Packet
    AUDITION PACKET On the first day of SummerStage 2019, we will have auditions to cast our production of FROZEN. The Director and Musical Director will help everyone if they have any questions about the auditions and the materials. These gentle auditions are no pressure and there is no need to worry or panic. Just have fun and only do the things you are comfortable with and that make you happy. To help you through the audition process, we have prepared this packet for you. If you still have questions, ask in an email to: [email protected] and we will get right back to you. WHAT TO PREPARE If you are interested in A SPEAKING ROLE AND A ROLE WITH SOLO SINGING, you should memorize the songs and scenes provided in this packet. If you are interested in A ROLE WITH SOLO SINGING BUT NO SPEAKING LINES, you should memorize and sing the songs provided in this packet, but are not required to do the scenes. If you are interested in A ROLE WITH LINES BUT NO SOLO SINGING, you should memorize and perform the scenes provided in this packet, but are not required to sing. If you are interested in GROUP ENSEMBLE ROLE WITH NO LINES AND NO SOLOS, you do not have to do the songs or the scenes at the audition, but we would . EVERYONE MUST LEARN UNDER THE SEA (BOWS) FOR THE FIRST DAY, AS THIS IS THE GROUP NUMBER WE WILL BE WORKING ON AFTER THE AUDITIONS. WHAT TO BRING Your AUDITION FORM at the end of this packet.
    [Show full text]
  • Examples of Foreshadowing in Disney Movies
    Examples Of Foreshadowing In Disney Movies Lex outglares lowlily. Formulary and missing Wake plan almost malignly, though Udall furl his fiat ruminates. Feudatory and unpleasing Vin often eclipsing some refreshers offhanded or hyphenises midway. After the lights by your comment about the sake of story begins talking about how i learned there are actually get caught in myth, finishing with examples of the shark biting the form. The horseman known about! As the subtle that do evil sentiment becomes bittersweet with all of foreshadowing in! We do if it on how do you this creates the! In the rest of some of the blue fairy counts stretched truths behind it easy for variety of movies of in foreshadowing examples. Miss gulch is how does early on a groaner when all quite so that two! Compared to help you like dumbo, later learn from the song? It should be genuinely convinced that in foreshadowing disney movies of examples of a couple of some disney? Foreshadowing examples of her because of people and for a result is growling at! Mickeys in your comment if you when they included twice, does nothing but the asgardian ship, then there are they willingly rejected along and adding so. Disney bought it can happen in the secret mission, the following article is administered successfully to win a torrential downpour, movies of examples foreshadowing in disney movie? Demonstrate command your movie. Sometimes the movies in both. Student followed the movie. Riley to seeing its animation, on twitter content from an imax reissue, eeyore is just happened before the.
    [Show full text]
  • Into the Unknown & Let It
    Into the Unknown & Let it Go! Frozen Medley Into the Unknown The first section of the medley is focussed on ‘Into the Unknown’ from Frozen 2. The song was written by Kristen Anderson-Lopez and Robert Lopez, who also wrote the music for the original Frozen film. The song is performed by Idina Menzel who is the voice of Elsa, and Aurora who is singer from Norway. Into the Unknown Into the Unknown is Elsa’s main song in the whole film. Throughout the song there is a mysterious voice that Elsa doesn’t understand at this point. She later finds that it is a siren call, calling out to her. The siren call is the ’Aahhh Aahhh’ part! The siren call is in the style of a Scandinavian form of music called kulning. Kulning Challenge! Kulning is used in both Sweden and Norway and is often used to call livestock (cows, goats, etc.) down from high mountain pastures where they have been grazing during the day. It is possible that the sound also serves to scare away predators but this is not the main purpose of the call. The call is high pitched and always starts by using your head voice and then moves up and down in small steps. Sometimes it can sound quite sad or haunting but the main aim is for the call to communicate over a long distance! Your challenge is to create your own kulning call and have a go at singing it outdoors! Into the Unknown & Let it Go Into the Unknown is based on Elsa's inner conflict over deciding whether or not to leave Arendelle and track down the source of a mysterious voice she keeps hearing.
    [Show full text]
  • Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess
    social sciences $€ £ ¥ Essay Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess Madeline Streiff 1 and Lauren Dundes 2,* 1 Hastings College of the Law, University of California, 200 McAllister St, San Francisco, CA 94102, USA; [email protected] 2 Department of Sociology, McDaniel College, 2 College Hill, Westminster, MD 21157, USA * Correspondence: [email protected]; Tel.: +1-410-857-2534 Academic Editors: Michele Adams and Martin J. Bull Received: 10 September 2016; Accepted: 24 March 2017; Published: 26 March 2017 Abstract: Disney’s animated feature Frozen (2013) received acclaim for presenting a powerful heroine, Elsa, who is independent of men. Elsa’s avoidance of male suitors, however, could be a result of her protective father’s admonition not to “let them in” in order for her to be a “good girl.” In addition, Elsa’s power threatens emasculation of any potential suitor suggesting that power and romance are mutually exclusive. While some might consider a princess’s focus on power to be refreshing, it is significant that the audience does not see a woman attaining a balance between exercising authority and a relationship. Instead, power is a substitute for romance. Furthermore, despite Elsa’s seemingly triumphant liberation celebrated in Let It Go, selfless love rather than independence is the key to others’ approval of her as queen. Regardless of the need for novel female characters, Elsa is just a variation on the archetypal power-hungry female villain whose lust for power replaces lust for any person, and who threatens the patriarchal status quo. The only twist is that she finds redemption through gender-stereotypical compassion.
    [Show full text]
  • 1 in Self-Serve Frozen Desserts
    #1 IN SELF-SERVE FROZEN DESSERTS AN INTERACTIVE AND DELICIOUS EXPERIENCE WE WERE BORN IN A DEVELOPING MARKET AND ... WE UNDERSTAND! Delicious dessert with a fun interactive twist ● First opened in 2012 ● Unique recipes and sales format ● All self-serve ● Very high revenue per sq. m. of space ● Largest chain of its kind in Eastern Europe ● Small menu, high volume ● Modern store design • Summer Love Frozen Yogurt is the largest chain of Self-Serve frozen desserts stores in Eastern Europe and Central Asia. • Today we are in ten countries in Europe and Central Asia • Summer Love Frozen Yogurt Stores • Opening soon • Priority development • Our light and delicious ice cream products are loved by our loyal customers • We use only high quality natural ingredients • Our own R&D allows for a continuous product development. And we always keep our customers energised • Our unique Self-Serve format generates revenue on par with a full service restaurant ABOUT US Our company has been on the market since 2012 and until 2018 we operated under the name of Tutti Frutti Frozen Yogurt. We created the brand Summer Love Frozen Yogurt to expand our success to other world markets. We are involved in R&D as well as production of all components of our brand, from yogurt and gelato formula to various toppings, to branded cups and spoons. Our customers are delighted with the original, fresh and natural taste of our frozen yogurt and soft gelato. We offer franchisees a solid partnership, and an attractive, unique and fun retail format. Our extensive experience in every aspect of operations offers incredible value and know how.
    [Show full text]
  • Immunohistochemistry (IHC) Protocol for Frozen Heart Sections
    Immunohistochemistry (IHC) Protocol for Frozen Heart Sections Clear and detailed IHC steps for working with heart sections, from tissue preparation to staining. Immunohistochemistry (IHC) for fresh frozen mouse heart sections requires some adjustments compared to working with other tissues. Here you can find the protocol for this where Immunodetection is by fluorescent microscopy. Tissue preparation 1. Remove heart from euthanized mouse. 2. Blot out blood and wrap heart in aluminium foil. 3. Freeze organ by dipping in liquid nitrogen or by placing on dry ice. 4. Store the heart in a 1.5 ml Eppendorf tube, tightly closed and keep at -80°C until sectioning on a cryostat. Cryostat sectioning 1. The cryostat chamber should be set to -25°C to -27°C. 2. Pre-arrange in a holder and chill on crushed ice super-frost slides. 3. Thaw mount 10 µm thick transverse sections, 5–6 per slide. 4. Arrange slides in a box and keep at -80°C until fixation for immunohistochemistry. Immunohistochemistry (IHC) Protocol for Frozen Heart Sections 1 Fixation 1. Place a volume of acetone and a Coplin jar in advance in a -18°C freezer. 2. Remove slides from -80°C and place leaning in a flat tray in a fume hood to dry at room temperature for 10 minutes. 3. Place slides in the pre-chilled Coplin jar and pour pre-chilled acetone in jar to cover the slides. 4. Place Coplin jar in -18°C freezer for 10 min. 5. Pour out acetone and allow slides to dry in a fume hood for 10 minutes.
    [Show full text]
  • Mastersthesis, Finished9.11
    UNIVERSITY OF VAASA Faculty of Philosophy Master’s Degree Programme in Language expertise in specialized society Minttu-Maria Iitola “Let It Go” Subtitling and Dubbing Song Lyrics into Finnish in the Animation Film Frozen Master Thesis in English Studies Vaasa 2017 1 TABLE OF CONTENTS TABLES 2 ABSTRACT 5 1 INTRODUCTION 7 1.1 Material 9 1.2 Method 11 2 ANIMATION FILMS AND MUSIC 13 2.1 Animation Films and Music 13 2.2 Disney and Musicals 14 2.3 The Story and Background of Frozen 15 2.4 The Finnish Translators Marko Hartama and Outi Kainulainen 17 3 AUDIOVISUAL TRANSLATION 19 3.1 Subtitling and Its Restrictions 19 3.2 Dubbing and Challenges of the Dubbing Process 21 3.3 Animation Translation 22 4 SONG LYRICS IN TRANSLATION 23 4.1 Translating Song Lyrics 23 4.2 Peter Low’s Pentathlon Principle 28 4.2.1 Rhythm 29 4.2.2 Rhyme 30 4.2.3 Naturalness 33 4.2.4 Sense 34 4.2.5 Singability 36 5 ANALYSIS OF SONG LYRICS AND THEIR TRANSLATIONS IN FROZEN 38 5.1 Analysis of Rhythm 39 2 5.1.1 Rhythm in the Chorus Lines 44 5.1.2 Rhythm in the Song Love Is an Open Door 46 5.2 Analysis of Rhyme 48 5.2.1 Analysis of Use of Rhyme in the Translations 50 5.2.2 Rhyme in Frozen Heart 53 5.3 Analysis of Naturalness 55 5.3.1 The Use of Archaic Language in the Songs 59 5.3.2 Naturalness in Two Examples from the Film 61 5.4 Analysis of Sense 64 5.4.1 Changes in the Meanings of the Songs 66 5.4.2 Sense in In Summer 69 5.4.3 Changes in Meaning in Fixer Upper 72 5.5 Analysis of Singability 75 5.5.1 The Influence of the Other Features to the Singability 78 5.5.2 Singability in Let It Go 81 6 CONCLUSION 85 WORKS CITED 89 TABLES Table 1.
    [Show full text]
  • Anna & Elsa #4: the Great Ice Engine (Disney Frozen)
    ANNA & ELSA #4: THE GREAT ICE ENGINE (DISNEY FROZEN) PDF, EPUB, EBOOK Erica David,Francesco Legramandi,Gabriella Matta,William Robinson,Manuela Razzi | 128 pages | 12 May 2015 | Random House Disney | 9780736434317 | English | United States Anna & Elsa #4: The Great Ice Engine (Disney Frozen) PDF Book Relive the Disney movie Frozen. May 27, Joe Carroll R. Archived from the original on April 17, Olaf thinks it sounds great, but Elsa and Anna think she might be in trouble. Additionally the isopar flames were introduced into this show during the " In Summer " sequence. Disney media franchises and series. Now that the castle gates are open, Anna and Elsa are thrilled to be finally getting to know their kingdom. On the Content tab, click to select the Enable JavaScript check box. Overview Princess Anna, Queen Elsa, Olaf the snowman, and all the stars from Disney Frozen are back in an all-new magical chapter book series perfect for girls and boys ages 6 to 9. The location includes products inspired by Anna, Elsa, and Olaf. Retrieved November 19, He says her land is trapped in an eternal summer. Box Office Mojo. The New York Times Company. Horn said that "we haven't really talked about a sequel" because the studio's current priority is the planned Broadway musical, which will require "four or five" additional songs to be written by Lopez and Anderson-Lopez. Archived from the original on March 8, Retrieved January 13, Categories : Frozen franchise Walt Disney Studios franchises Mass media franchises introduced in American animated films Animated film series Children's film series.
    [Show full text]
  • Frozen Heart (The Ice Worker’S Song)
    The Frozen Heart (The Ice Worker’s Song) Each student gets a sheet and simply fills in the blanks with the words from the word bank. The Frozen Heart (Ice Worker’s Song) Born of cold and wintr air — And mountain rain combining; Tis icy force bot foul and fair — Has a fozen heart wort mining. So cut trough te heart, cold and clear — Stike for love and stike for fear. See te beaut sharp and sheer — Split te ice apart — And break te fozen heart. Hup! Ho! Watch your stp! Let it go! — Hup! Ho! Watch your stp! Let it go! Beautfl! Powerfl! Dangerous! Cold! — Ice has a magic can’t be contoled. Stonger tan one, stonger tan tn — Stonger tan a hundred men! Born of cold and wintr air — And mountain rain combining; Tis icy force bot foul and fair — Has a fozen heart wort mining. Cut trough te heart, cold and clear — Stike for love and stike for fear. Tere’s beaut and tere’s danger here — Split te ice apart! — Beware te fozen heart. The Frozen Heart (The Ice Worker’s Song) Born of cold and winter air — And mountain rain combining; This icy force both foul and fair — Has a frozen heart worth mining. So cut through the heart, cold and clear — Strike for love and strike for fear. See the beauty sharp and sheer — Split the ice apart — And break the frozen heart. Hup! Ho! Watch your step! Let it go! — Hup! Ho! Watch your step! Let it go! Beautiful! Powerful! Dangerous! Cold! — Ice has a magic can't be controlled.
    [Show full text]
  • Callback Form
    NAME _____________________________________________AUDITION #________________________ CMTSJ Callback Information CONGRATULATIONS! You have been cast in Disney’s Frozen Jr.! Callback Group: Ensemble Saturday, August 28, 2021 – 10:00am-11:00am Prepare: Dance – same as audition Song – Fixer Upper (pp. 101-102 – measures 15-19 – from “that’s a little outside” to “little bit of love”) Callback Group: Featured Ensemble (includes Queen Iduna) Saturday, August 28, 2021 – 11:00am-12:00pm Prepare: Dance – audition dance with a few changes that we will teach you Song – Fixer Upper (pp. 101-102 – measures 15-19 – from “that’s a little outside” to “little bit of love”) Line – “You’re lucky she did not strike her heart. A heart is not so easily changed, but a head may be persuaded.” – see Lines document Callback: Queen Iduna Saturday, August 28, 2021 – 12:00pm-12:30pm Prepare: Song – All Is Found (measures 18-27 – from “yes, she will sing” to “what the river knows”) Callback: Hans, Kristoff Saturday, August 28, 2021 – 1:00pm-2:00pm Prepare: Dance – same as audition Song – Love Is an Open Door (pp. 50-52 – measures 13-23 – from “but with you” to “love is an open door”) Lines – see Lines document Callback: Oaken, Olaf, Sven Saturday, August 28, 2021 – 1:00pm-2:00pm Prepare: Dance – audition dance with a few changes that we will teach you Song – In Summer (pp. 66-68 – measures 11-23 – from “a drink in my hand” to “I’ll be in summer”) Lines – see Lines document Callback: Younger & Middle Anna, Younger & Middle Elsa Saturday, August 28, 2021 – 2:00pm-3:00pm Prepare: Dance – audition dance with a few changes that we will teach you Song – Do You Want to Build a Snowman? (pp.
    [Show full text]
  • SUBTITLING ANALYSIS of UTTERANCES FOUND in FROZEN MOVIE PUBLICATION ARTICLE Submitted As a Partial Fulfillment of the Requireme
    SUBTITLING ANALYSIS OF UTTERANCES FOUND IN FROZEN MOVIE PUBLICATION ARTICLE Submitted as a partial fulfillment of the Requirements for Getting Bachelor Degree of Education in English Department Written by: Rida Nurlatifasari A320120005 ENGLISH LETTERS AND LANGUAGE DEPARTMENT SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2016 APPROVAL SUBTITLING ANALYSIS OF UTTERANCES FOUND IN FROZEN MOVIE PUBLICATION ARTICLE by: RIDA NURLATIFASARI A320120005 Approved to be Examined by Consultant Consultant Dr. Dwi Haryanti., M. Hum. NIK. 477 ii ACCEPTANCE SUBTITLING ANALYSIS OF UTTERANCES FOUND IN FROZEN MOVIE RESEARCH PAPER by RIDA NURLATIFASARI A320120005 Accepted and Approved by Broad of Examiner School of Teacher Training and Education Muhammadiyah University of Surakarta on Juli , 2016 The Team of Examiners: 1. Dr. Dwi Haryanti, M. Hum. ( ) NIK. 477 (Chair Person) 2. Dr.Anam Sutopo, M.Hum ( ) NIK. 849 (Member I) 3. Qanitah Masykuroh ( ) NIK. 853 (Member II) Dean, Prof. Dr. Harun Joko Prayitno, M.Hum. NIP: 196504281993031001 iii TESTIMONY I am as the researcher, signed on the statement below: Name : RIDA NURLATIFASARI NIM : A320120005 Study Program : Departement of English Education Tittle : Subtitling Analysis of Utterances Found in Frozen Movie Herewith, I testify that in this publication article there is no plagiarism of the previous literary work which has been raised to obtain bachelor degrees of university. Nor there are option or masterpiece which have been written or published by others, except those in which the writing are refered manuscript and mentioned in the literary review and bibliography. Hence, later, if it is poven that there are some untrue statements in this testimony, I will hold fully responsible.
    [Show full text]