DOCSLIB.ORG

SUICIDE SILENCE Release Date Pre-Order Start Price Code: CD04 NE 3804-2 CD Suicide Silence Uu 24/02/2017 Uu 13/01/2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SUICIDE SILENCE Release Date Pre-Order Start Price Code: CD04 NE 3804-2 CD Suicide Silence Uu 24/02/2017 Uu 13/01/2017 New Release Information uu February SUICIDE SILENCE Release Date Pre-Order Start Price Code: CD04 NE 3804-2 CD Suicide Silence uu 24/02/2017 uu 13/01/2017 uu 2-LP BLACK VINYL in Gatefold available April 21st uu Advertising in all important music magazines JAN/FEB 2017 uu Album reviews, interviews in all important Metal magazines in Price Code: LP17 Europe’s JAN/FEB 2017 issues NE 3804-1 2LP uu Song placements in European magazine compilations black in gatefold uu Spotify playlists in all European territories uu Retail marketing uu Video Teaser on YouTube uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search Territory: World and display networks, bing ads and gmail ads (tbc) uu Banner advertising on more than 60 most important Metal & Rock uu Tracklists: websites all over Europe uu Additional booked ads on Metal Hammer Germany and UK, and in CD the Fixion network (mainly Blabbermouth) 01. Doris 02. Silence uu Video and pre-roll ads on You tube 03. Listen uu Ad campaigns on iPhones for iTunes and Google Play for Androids 04. Dying In A Red Room uu Banners, featured items at the shop, header images and a back- 05. Hold Me Up, Hold Me Down ground on nuclearblast.de and nuclearblast.com 06. Run uu Features and banners in newsletters, as well as special mailings 07. The Zero to targeted audiences in support of the release 08. Conformity 09. Don’t Be Careful You Might Hurt Yourself “Intimate, brutal and so powerful . Suicide Silence’s fifth album will “Suicide Silence’s new album is a full range emotional spectrum 2LP (140g, 45 rpm) punch you straight in the face!“ squeezing out the bestial fury of deathcore, the sweet despair of Side A MY ROCK (FR) early Deftones and a free approach to songwriting that won’t dis- 01. Doris appoint the die-hard fans of Korn, Converge and Tool. A completely 02. Silence “American modern butchers shed their skin and bring you a larger Side B unexpected masterpiece!“ variety of influences, mixing their deathcore with nu-metal and 01. Listen grunge, for an explosive metal cocktail!” ROCK HARD (IT) 02. Dying In A Red Room Side C OUI FM 01. Hold Me Up, Hold Me Down 02. Run 03. The Zero The result is a record that’s simultaneously Side D 01. Conformity raw and intimate, brutal and powerful 02. Don’t Be Careful You Might Hurt Yourself Imagine a high-speed bullet train in the throes of a 275 mph run as it sudden- The result is a record that’s simultaneously raw and intimate, brutal and powerful, ly makes a sharp turn without a single second to slow down. That’s the sound of from the ripper attack of album opener “Doris,” with a jarring sound that puts the lis- SUICIDE SILENCE. tener right inside the room with Robinson and the band, to the haunting melancholy of “Conformity” and the soul searching, epic adventure of “Silence” and “The Zero.” Suicide Silence is an aggressive mainstay and fierce attraction at Vans Warped Tour, extreme metal festivals like Ozzfest Meets Knotfest and Rockstar Mayhem, and The band’s continued legacy cemented and secure with their previous four records, hard rock radio gatherings like Rock On The Range and Aftershock, bridging the Suicide Silence have endeavored to leave their mark on heavy metal with a diverse gap between the subcultural adherents of the band’s bludgeoning ferocity and the catalog demonstrative of the totality of who they are as people. Album five is their generation of youth desperate for a supportive community to help them overcome most victorious triumph by far, but it’s by no means their only jaw-dropping accom- life’s struggles. plishment. On their fifth and arguably most important album, Chris Garza (guitar), Mark He- Produced by Steve Evetts (The Dillinger Escape Plan, Every Time I Die, Sepultura) and ylmun (guitar), Dan Kenny (bass), Alex Lopez (drums) and Eddie Hermida (vocals) mixed by Zeuss (Rob Zombie, Queensrÿche, Hatebreed), 2011’s The Black Crown unapologetically attack the next chapter of their creative expression together with was the full realization of everything Suicide Silence stood for and vehemently stood vigorous purpose, complacency-smashing courage, and fearless decisiveness. against. In this effort, Suicide Silence enlisted producer Ross Robinson, who similarly helped summon career-defining albums by Slipknot, Korn, At The Drive-In, Sepultura, Glass- TOU R 2017 jaw, and From First To Last. Joe Barresi, best known for his work with Tool, Queens 19. - 21.05. USA Columbus, OH .......................................... Rock On The Range Of The Stone Age, Slipknot, Fu Manchu, Kyuss, and Bad Religion, expertly mixed 02. - 04.06. D Nürburgring ....................................................... Rock am Ring Suicide Silence. 02. - 04.06. D Nuremberg ......................................................... Rock im Park 08. - 10.06. CH Interlaken .................................................... Greenfield Festival 14. - 17.06. A Nickelsdorf ............................................................ Nova Rock ALSO AVAILABLE: (World) To be continued Price Code: CD01 Price Code: CD04 Price Code: LP03 uuLine up: NB 3031-0 CD-Digi + DVD NB 3031-2 CD NB 3031-1 LP Eddie Hermida l vocals Chris Garza l guitar Mark Heylmun l guitar Dan Kenny l bass You Can’t Stop Me You Can’t Stop Me You Can’t Stop Me BLACK VINYL Alex Lopez l drums www.suicidesilence.net · www.facebook.com/SuicideSilence · www.nuclearblast.de/suicidesilence Style: Extreme Metal NUCLEAR BLAST GMBH · OESCHSTRASSE 40 · D-73072 DONZDORF · GERMANY · PHONE +49-7162-9280-13 / -20 / -25 · FAX +49-7162-24554 uu www.facebook.com/nuclearblasteurope · www.twitter.com/nuclearblasteu uu LINKS: uu Nuclear Blast Video Clips · Nuclear Blast Bands on Tour · Nuclear Blast albums in the Charts · New Songs on Spotify uu www.nuclearblast.de.
Load more

Recommended publications
  • Pulverizing New Album from Austr-Alien Deathcore
    New Release Information uu Januar AVERSIONS CROWN Release Date Pre-Order Start Xenocide uu 20/01/2017 uu 25/11/2016 Price Code: CD04 uu CD Jewelcase available NE 3480-2 CD uu Watch out ads in all important music magazines DEC 2016 uu Advertising in many important music magazines JAN 2017 uu Album reviews, interviews in all important Metal magazines in Europe’s DEC/JAN 2017 issues uu Song placements in European magazine compilations uu Spotify playlists in all European territories Territory: World uu Retail marketing campaigns uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search uu Tracklist: and display networks, bing ads and g-mail ads (tbc) CD: uu Banner advertising on more than 60 of the most important Metal 01. Void & Rock websites all over Europe 02. Prismatic Abyss uu Additional booked ads on Metal Hammer Germany and UK, and in 03. The Soulless Acolyte 04. Hybridization the Fixion network (mainly Blabbermouth) 05. Erebus uu Video and pre-roll ads on YouTube 06. Ophiophagy uu Ad campaigns on iPhones for iTunes and Google Play for Androids 07. The Oracles Of Existence uu Banners, featured items at the shop, header images and a back- 08. Cynical Entity 09. Stillborn Existence ground on nuclearblast.de and nuclearblast.com 10. Cycles Of Haruspex uu Features and banners in newsletters, as well as special mailings 11. Misery to targeted audiences in support of the release 12. Odium PULVERIZING NEW ALBUM FROM AUSTR-ALIEN DEATHCORE CRUSHERS AVERSIONS CROWN Like a cataclysmic storm making landfall, the brand new album Xenocide from crushing Brisbane outfit Aversions Crown is here to destroy everything in its path.
    [Show full text]
  • VIPNEWSPREMIUM > VOLUME 169 > JUNE 2014
    4 10 3 19 8 15 VIPNEWS PREMIUM > VOLUME 169 > JUNE 2014 16 4 3 13 7 6 19 12 2 VIPNEWS > JUNE 2014 McGowan’s Musings So – that’s England out of the World Cup very much in the running, and as for Ronni the sector is worth $2.5 billion. It now shows then…who to support now? As far as the VIP Didriksen, I’m not sure what the situation is that the live sector accounts for 34,131 em- team are concerned Peter Briggs is of course with Denmark. I’m usually able to hedge my ployees. This is greater than the 20,439 peo- English, a football fan, and I presume obvious- bets as I also have Irish citizenship and my ple employed in film and video as their main ly devastated at this poor showing; Manfred parents were born in Scotland, but as neither job. Apart from these figures being a great en- Tari, a Dortmund supporter, still has Germany country qualified it would be a bit pointless couragement to the live industry everywhere, to start to shout for either, so it’s all a bit of LPA’s Evelyn Richardson commented that the a quandary (another word I rarely get to use, live performance industry also generated less so that’s one advantage at least!). There’s a tangible benefits such as improved social co- McGowan playing for Australia, but having hesion, lifestyle improvement, diversity and never been there I feel little connection – apart increased creativity, not reflected in economic from friends such as Alia Dann of ILMC fame metrics.
    [Show full text]
  • Piercings and Passports Exploring the Social Mobility of Adelaide’S Metalcore ‘Scene Kids’
    Piercings and passports Exploring the social mobility of Adelaide’s metalcore ‘scene kids’ As young people continue to confront transition issues such as school-to-work pathways, they are concomitantly developing their own social and cultural priorities and responding to them in new and innovative ways. This process warrants a greater focus on young people’s identity work as they navigate their transitions through increasingly fluid social and cultural environments. Drawing on her current PhD research, Paula Rowe focuses attention on Adelaide’s ‘scene kids’, a community of interest based on a subgenre of heavy metal music. She utlises Bauman’s (2000) liquid modernity thesis to parallel the social dynamics of ‘liquid’ metal subgenres with those of the ‘liquid’ modern world. Exploring the social processes of scene kids highlights ways in which socioeconomic circumstances can affect young people’s level of engagement with lifestyle options. This in turn raises questions as to how “scene kid identities” might impact on other life pursuits and social transitions. by Paula Rowe outh transitions have dominated the youth research agenda for several decades, with a continuing focus on structural processes and institutional arrangements that Y shape and constrain young people’s holistic development, particularly in geographic locations characterised by conditions of social and economic disadvantage (Heath et al. 2009). More recently, there has been increasing interest in the ways in which young people’s identity work intersects and influences various social transitions within school, domestic and broader social contexts, and vice versa (Stokes & Wyn 2009). Despite the known social, economic and psychological constraints of marginalisation, young people still manage to find a space in which to express their identity and live a “life of one’s own”, yet not enough is known about the ways in which young people use cultural affiliations and lifestyle choices to express their identity and demonstrate personal agency in their social worlds (Miles 2000; Shildrick 2006).
    [Show full text]
  • TRUTH CORRODED BIOGRAPHY 2018 Drums: Jake Sproule, Vocals: Jason North, Guitar
    TRUTH CORRODED BIOGRAPHY 2018 Drums: Jake Sproule, Vocals: Jason North, Guitar: Trent Simpson, Bass: Greg Shaw, Lead Guitar: Chris Walden TRUTH CORRODED are an Australian band with a sound that captures elements of late 80's/early 90's inspired thrash and death metal, shaped by the likes of bands such as SLAYER, OBITUARY, SEPULTURA, KREATOR and EXHORDER, and then later influenced by acts such as MISERY INDEX, BEHEMOTH, NEUROSIS, DECAPITATED and REVOCATION. Taken together the influences have shaped a sound that is as confronting as the subject matter of the bands lyrics and pays homage to the go for the throat savagery of the bands roots. TRUTH CORRODED signed with leading US extreme metal label UNIQUE LEADER RECORDS which led to the release of the album titled 'Bloodlands' which was released in March 2019. Based on themes surrounding war and displacement, the album depicts the state of our times and the social and political impact that is having both in the bands home country Australia and abroad. The title refers to the growth of new conflict from conflicts past, with the suffering it creates spreading its roots. The album was recorded with session drummer Kevin Talley (SUFFOCATION, DYING FETUS, CHIMAIRA) – his third album with the band – and was mixed and mastered by renowned heavy music producer Chris 'ZEUSS' Harris (HATEBREED, SOULFLY, REVOCATION). The album also features guest appearances by Stephen Carpenter of DEFTONES, Terrance Hobbs of SUFFOCATION, Mark Kloeppel of MISERY INDEX and Ryan Knight, ex-THE BLACK DAHLIA MURDER/ARSIS. Artwork for the album is designed by Gary Ronaldson at Bite Radius Designs (MISERY INDEX, BENIGHTED, PIG DESTROYER, THY ART IS MURDER) Commenting on the industry involved, vocalist Jason North offers "When we first set out to write the album we could not have imagined that we would work with the artists that have become involved.
    [Show full text]
  • Ed Sheeran Herausgeber 04 Taylor Swift Aktiv Musik Marketing Gmbh & Co
    GRATIS | JULI / AUGUST 2019 Ausgabe 60 TAYLOR SWIFT LINA MALY RUNRIG BASTILLE XAVIER NAIDOO SLIPKNOT ED ANNE-SOPHIE MUTTER SHEERAN INHALT INHALT EDITION – IMPRESSUM 03 ED SHEERAN HERAUSGEBER 04 TAYLOR SWIFT AKTIV MUSIK MARKETING GMBH & CO. KG 05 XAVIER NAIDOO | BASTILLE Steintorweg 8, 20099 Hamburg 06 LINA MALY | SITZ: Hamburg, HR A 105205 PUHDYS | FABIAN RÖMER UstID: DE 187995651 07 JÜRGEN TARRACH | ENNO BUNGER | DIE DREI ??? PERSÖNLICH HAFTENDE GESELLSCHAFTERIN: 08 VARIOUS ARTISTS | LLOYD COLE | LIONEL RICHIE AKTIV MUSIK MARKETING 09 BANKS | MABEL | SHERYL CROW VERWALTUNGS GMBH 10 RUNRIG | Steintorweg 8, 20099 Hamburg RACONTEURS | SARA CORREIA SITZ: Hamburg, HR B 100122 11 SLIPKNOT | AC/DC | WOLF PRAYER GESCHÄFTSFÜHRER Marcus-Johannes Heinz 12 ANNE-SOPHIE MUTTER / JOHN WILLIAMS | FON: 040/468 99 28-0 Fax: 040/468 99 28-15 ILDAR ABDRAZAKOV E-MAIL: [email protected] 13 VILLAZÓN/NÉZET-SÉGUIN/VOGT U. A. | WIENER PHILHARMONIKER/DUDAMEL REDAKTIONS- UND ANZEIGENLEITUNG 14 WYNTON MARSALIS | CÉLINE RUDOLPH | Daniel Ahrweiler (da) (verantwortlich für den Inhalt) INGE BRANDENBURG | ABDULLAH IBRAHIM 15 PLATTENLADEN DES MONATS | PLATTENLÄDEN MITARBEITER DIESER AUSGABE 16 CHARTS Marcel Anders (ma), Helmut Blecher (hb), Dagmar Leischow (dl), Helmut Peters (hpe), Bleibe auf dem Laufenden und bestelle unseren Newsletter auf Steffen Rüth (sr), Anja Wegner, Nadine Wenzlick (nw) WWW.PLATTENLADENTIPPS.DE/NEWSLETTER FOTOGRAFEN DIESER AUSGABE Mark Surridge (1, 3 Ed Sheeran), Universal Music AUF TOUR (4 Taylor Swift, 5 Bastille, 9 Sheryl Crow, 9 Mabel), Sony Music (5 Xavier Naidoo), Mightkillya (6 Lina Maly), Dennis Dirksen (7 Enno Bunger), Steph Wilson (9 Banks), Andrew King (10 Runrig), Alexandria Crahan-Conway (11 Slipknot), Prashant Gupta (12 Anne-Sophie Mutter), Andrea Kremper (13 Rolando Villazón & Yannick Nézet-Séguin) SCHLUSSREDAKTION Katrin Zabel GRAFIK & LAYOUT JOHN ILLSLEY & HIS BAND werkstatt no.8 - designkonzepte John Illsley kennt man als Bassist der Dire Straits, der wn8.de heute 70-Jährige war Gründungsmitglied der legen- DRUCK & VERTRIEB dären Formation.
    [Show full text]
  • Metal Musician Nick Oliveri Mutes the Manic for Solo Album : News : G
    Metal musician Nick Oliveri mutes the manic for solo album : News : G... http://www.gomemphis.com/news/2010/jan/28/bassist-takes-acoustic-bre... Login Home commercialappeal.com Contact Us Site Map SEARCH MEMPHIS music movies dining arts nightlife tv books games travel Web Search powered by YAHOO! SEARCH Reviews | Listen Up | Venues | Bands Metal musician Nick Oliveri mutes the manic for solo album By Mark Jordan Thursday, January 28, 2010 As bass player for such celebrated metal outfits as Kyuss, Queens of the Stone Age, and Mondo Generator, Nick Oliveri has made his name and reputation by rocking fast, loud, and furious. His latest project, however, finds the California native strapping on an acoustic guitar for his first solo album, Death Acoustic , and a tour that stops at the Hi-Tone Saturday night. But Oliveri, who has always brought a jolt of punk energy -- as well as, frequently, a splash of on-stage nudity -- to whatever endeavor he undertakes, is not turning into a folkie. MOST EMAILED MOST DISCUSSED Show horse and workhorse Borgnine star in movie that shoots in Memphis Stage Review: 'Jersey Boys' gets standing ovation for "I do songs that I think are fun and made me want to play music,'' says Nick Oliveri, who plays acoustic guitar for his first feel-good evening solo album. ''And if they're covers and songs that I thought would be challenging to transpose into acoustic, that's fine.''Rob Meet the chef: Duncan Aiken Hunt Theater Review: Circuit Playhouse exits with incisive 'Trouble in Mind' STORY TOOLS Now Hear This! Ben Nichols E-mail story 'Plug In' expo helps Memphis performers navigate music iPod friendly business Printer friendly More Music News Beyonce takes 6 Grammys; Booker T.
    [Show full text]
  • Subjectivity in American Popular Metal: Contemporary Gothic, the Body, the Grotesque, and the Child
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Glasgow Theses Service Subjectivity In American Popular Metal: Contemporary Gothic, The Body, The Grotesque, and The Child. Sara Ann Thomas MA (Hons) Submitted in fulfilment for the Degree of Doctor of Philosophy Faculty of Arts University of Glasgow January 2009 © Sara Thomas 2009 Abstract This thesis examines the subject in Popular American Metal music and culture during the period 1994-2004, concentrating on key artists of the period: Korn, Slipknot, Marilyn Manson, Nine Inch Nails, Tura Satana and My Ruin. Starting from the premise that the subject is consistently portrayed as being at a time of crisis, the thesis draws on textual analysis as an under appreciated approach to popular music, supplemented by theories of stardom in order to examine subjectivity. The study is situated in the context of the growing area of the contemporary gothic, and produces a model of subjectivity specific to this period: the contemporary gothic subject. This model is then used throughout to explore recurrent themes and richly symbolic elements of the music and culture: the body, pain and violence, the grotesque and the monstrous, and the figure of the child, representing a usage of the contemporary gothic that has not previously been attempted. Attention is also paid throughout to the specific late capitalist American cultural context in which the work of these artists is situated, and gives attention to the contradictions inherent in a musical form which is couched in commodity culture but which is highly invested in notions of the ‘Alternative’. In the first chapter I propose the model of the contemporary gothic subject for application to the work of Popular Metal artists of the period, drawing on established theories of the contemporary gothic and Michel Foucault’s theory of confession.
    [Show full text]
  • Gesamtübersicht
    Gesamtübersicht: INTERPRET TITEL ACCEPT BLOOD OF THE NATIONS ACCEPT RISE OF CHAOS,THE ALTER BRIDGE AB III AMITY AFFLICTION,THE THIS COULD BE HEARTBREAK AMORPHIS UNDER THE RED CLOUD ANNIHILATOR ALICE IN HELL ANNIHILATOR NEVER,NEVERLAND DIE APOKALYPTISCHEN REITER DER ROTE REITER ASKING ALEXANDRIA ASKING ALEXANDRIA AVATARIUM HURRICANES AND HALOS AVENGED SEVENFOLD HAIL TO THE KING BEHEMOTH THE SATANIST BELPHEGOR BLOOD MAGICK NECROMANCE BETONTOD 1000XLIVE BIFFY CLYRO ONLY REVOLUTIONS BIFFY CLYRO OPPOSITES BILLY TALENT AFRAID OF HEIGHTS BLACKBERRY SMOKE LIKE AN ARROW BLINK-182 CALIFORNIA BLUES PILLS LADY IN GOLD BOLT THROWER REALM OF CHAOS BONFIRE PEARLS BROKEN TEETH HC AT PEACE AMONGST CHAOS CAVE,NICK&THE BAD SEEDS LOVELY CREATURES-THE BEST OF CELLAR DARLING THIS IS THE SOUND CELTIC FROST INNOCENCE AND WRATH (BEST OF) CELTIC FROST INTO THE PANDEMONIUM (DELUXE E CELTIC FROST TO MEGA THERION (DELUXE EDITIO CELTRIC FROST MORBID TALES (DELUXE EDITION) CHILDREN OF BODOM HALO OF BLOOD DEFTONES GORE DESTRUCTION UNDER ATTACK DIABLO BLVD ZERO HOUR DIMMU BORGIR DEATH CULT ARMAGEDDON DISTURBED DISTURBED-LIVE AT RED ROCKS DISTURBED IMMORTALIZED DISTURBED INDESTRUCTIBLE THE DOOMSDAY KINGDOM THE DOOMSDAY KINGDOM DORO STRONG AND PROUD DREAM THEATER THE ASTONISHING ENSLAVED E EPICA THE QUANTUM ENIGMA FISCHER-Z BUILDING BRIDGES GOJIRA L‘ENFANT SAUVAGE HALESTORM INTO THE WILD LIFE (DELUXE) HATEBREED THE CONCRETE CONFESSIONAL INTERPRET TITEL IN FLAMES BATTLES IN THIS MOMENT BLACK WIDOW IRON MAIDEN DEATH ON THE ROAD (LIVE) IRON MAIDEN FEAR OF THE DARK IRON MAIDEN
    [Show full text]
  • The Recording Academy® Producers & Engineers Wing® to Present Grammy® Soundtable— “Sonic Imprints: Songs That Changed My Life” at 129Th Aes Convention
    ® The Recording Academy Producers & Engineers Wing 3030 Olympic Boulevard • Santa Monica, CA 90404 E-mail: p&[email protected] THE RECORDING ACADEMY® PRODUCERS & ENGINEERS WING® TO PRESENT GRAMMY® SOUNDTABLE— “SONIC IMPRINTS: SONGS THAT CHANGED MY LIFE” TH AT 129 AES CONVENTION Diverse Group of High Profile Producer and Engineers Will Gather Saturday Nov. 6 at 2:30PM in Room 134 To Dissect Songs That Have Left An Indelible Mark SANTA MONICA, Calif. (Oct. 15, 2010) — Some songs are hits, some we just love, and some have changed our lives. For the GRAMMY SoundTable titled “Sonic Imprints: Songs That Changed My Life,” on Saturday, Nov. 6 at 2:30PM in Room 134, a select group of producer/engineers will break down the DNA of their favorite tracks and explain what moved them, what grabbed them, and why these songs left a life long impression. Moderated by Sylvia Massy, (Prince, Johnny Cash, Sublime) and featuring panelists Joe Barresi (Bad Religion, Queens of the Stone Age, Tool), Jimmy Douglass (Justin Timberlake, Jay Z, John Legend), Nathaniel Kunkel (Lyle Lovett, Everclear, James Taylor) and others, this event is sure to be lively, fun, and inspirational.. More Participant Information (other panelists TBA): Sylvia Massy broke into the big time with 1993's “Undertow” by Los Angeles rock band Tool, and went on to engineer for a diverse group of artists including Aerosmith, Babyface, Big Daddy Kane, The Black Crowes, Bobby Brown, Prince, Julio Iglesias, Seal, Skunk Anansie, and Paula Abdul, among many others. Massy also engineered and mixed projects with producer Rick Rubin, including Johnny Cash's “Unchained” album which won a GRAMMY award for Best Country Album.
    [Show full text]
  • Concert History of the Allen County War Memorial Coliseum
    Historical Concert List updated December 9, 2020 Sorted by Artist Sorted by Chronological Order .38 Special 3/27/1981 Casting Crowns 9/29/2020 .38 Special 10/5/1986 Mitchell Tenpenny 9/25/2020 .38 Special 5/17/1984 Jordan Davis 9/25/2020 .38 Special 5/16/1982 Chris Janson 9/25/2020 3 Doors Down 7/9/2003 Newsboys United 3/8/2020 4 Him 10/6/2000 Mandisa 3/8/2020 4 Him 10/26/1999 Adam Agee 3/8/2020 4 Him 12/6/1996 Crowder 2/20/2020 5th Dimension 3/10/1972 Hillsong Young & Free 2/20/2020 98 Degrees 4/4/2001 Andy Mineo 2/20/2020 98 Degrees 10/24/1999 Building 429 2/20/2020 A Day To Remember 11/14/2019 RED 2/20/2020 Aaron Carter 3/7/2002 Austin French 2/20/2020 Aaron Jeoffrey 8/13/1999 Newsong 2/20/2020 Aaron Tippin 5/5/1991 Riley Clemmons 2/20/2020 AC/DC 11/21/1990 Ballenger 2/20/2020 AC/DC 5/13/1988 Zauntee 2/20/2020 AC/DC 9/7/1986 KISS 2/16/2020 AC/DC 9/21/1980 David Lee Roth 2/16/2020 AC/DC 7/31/1979 Korn 2/4/2020 AC/DC 10/3/1978 Breaking Benjamin 2/4/2020 AC/DC 12/15/1977 Bones UK 2/4/2020 Adam Agee 3/8/2020 Five Finger Death Punch 12/9/2019 Addison Agen 2/8/2018 Three Days Grace 12/9/2019 Aerosmith 12/2/2002 Bad Wolves 12/9/2019 Aerosmith 11/23/1998 Fire From The Gods 12/9/2019 Aerosmith 5/17/1998 Chris Young 11/21/2019 Aerosmith 6/22/1993 Eli Young Band 11/21/2019 Aerosmith 5/29/1986 Matt Stell 11/21/2019 Aerosmith 10/3/1978 A Day To Remember 11/14/2019 Aerosmith 10/7/1977 I Prevail 11/14/2019 Aerosmith 5/25/1976 Beartooth 11/14/2019 Aerosmith 3/26/1975 Can't Swim 11/14/2019 After Seven 5/19/1991 Luke Bryan 10/23/2019 After The Fire
    [Show full text]
  • Bullet for My Valentine to Return to U.S. in May in Support of New Album Venom
    BULLET FOR MY VALENTINE TO RETURN TO U.S. IN MAY IN SUPPORT OF NEW ALBUM VENOM (Download Hi-Res Artwork Here) NEW ALBUM, VENOM, OUT NOW ON RCA RECORDS (New York – February 29, 2016) UK metal band Bullet For My Valentine will return to the U.S. for a second invasion in May in support of their recently released album, VENOM. Special guests will include Asking Alexandria and Cane Hill on select dates. The tour will start in Jacksonville, FL on April 30th at Welcome To Rockville festival and will wrap up in San Antonio on May 29th at River City Rockfest. “Attention Army of Noise U.S.! We haven't even left your country yet, but we're super excited to announce that we're coming back to the U.S this May for another run of shows on our Venom World Tour 15/16. We're gonna be hitting a ton of places we couldn't get to this time around so make sure you get yourself our new BFMV App to check and see if we’re coming to a town near you. Thank you and we'll see you all very soon.” – Matt Tuck Bullet For My Valentine Fan Club and VIP pre-sale ticketing will start on Tuesday, March 1st at 10:00AM (local time) and general on sale tickets will be available on March 4th at 10:00AM (local time) at http://www.bulletformyvalentine.com/live/. Fan Club pre-sale tickets will be available exclusively through Bullet For My Valentine’s new App, which is available for download for Android and iOS now at http://bulletformyvalentine.com/app.
    [Show full text]
  • Breaking Benjamin Album Dark Before Dawn Set for Release June 23
    FOR IMMEDIATE RELEASE: BREAKING BENJAMIN ALBUM DARK BEFORE DAWN SET FOR RELEASE JUNE 23 NEW SINGLE “FAILURE” AND ALBUM PRE-ORDER AVAILABLE TODAY BAND HITS THE ROAD FOR FESTIVALS/U.S. TOUR DATES THROUGH JULY March 23, 2015 (Burbank, CA) - BREAKING BENJAMIN’s highly-anticipated fifth studio album, DARK BEFORE DAWN will be released June 23rd. Their first single, “Failure,” written and produced by BREAKING BENJAMIN founder Ben Burnley, was released today and is now available (along with the album pre-order) on iTunes. Within an hour of release, the album skyrocketed to iTunes #1 rock single and rock album positions, and is currently in the Top 5 Albums. The first original music from the platinum-selling band since the release of DEAR AGONY in 2009 (certified Gold), Dark Before Dawn marks a new era for the acclaimed band. Burnley is joined by guitarists Jasen Rauch (Red) and Keith Wallen (Adelitas Way), bassist Aaron Bruch, and drummer Shaun Foist (Picture Me Broken). After a string of sold-out club dates, BREAKING BENJAMIN, will hit the road again in April, headlining U.S. tour dates extending through July with performances at this year’s biggest rock festivals including Rock on The Range, Carolina Rebellion, Rocklahoma! and Welcome to Rockville. ABOUT BREAKING BENJAMIN: Over the past decade BREAKING BENJAMIN has amassed a sizeable and diehard fan base, both through their chart-topping music, as well as their electrifying live performances. Their discography includes 2002’s Saturate, 2004’s We Are Not Alone, 2006’s Phobia, and 2009’s Dear Agony. The second two—We Are Not Alone and Phobia—yielded spectacular results with each being certified Platinum.
    [Show full text]