DOCSLIB.ORG

Dies Irae Bass Drum Part Only Sheet Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dies Irae Bass Drum Part Only Sheet Music Dies Irae Bass Drum Part Only Sheet Music Download dies irae bass drum part only sheet music pdf now available in our library. We give you 2 pages partial preview of dies irae bass drum part only sheet music that you can try for free. This music notes has been read 5303 times and last read at 2021-09-25 04:48:48. In order to continue read the entire sheet music of dies irae bass drum part only you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Choir, Drums, Percussion, Piano Ensemble: Ssaattbb Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music Dies Irae From Mozarts Requiem Orchestral Accompaniment Dies Irae From Mozarts Requiem Orchestral Accompaniment sheet music has been read 3488 times. Dies irae from mozarts requiem orchestral accompaniment arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-24 14:32:16. [ Read More ] Dies Irae From Requiem For 6 Part Trombone Ensemble W Opt Parts Dies Irae From Requiem For 6 Part Trombone Ensemble W Opt Parts sheet music has been read 3180 times. Dies irae from requiem for 6 part trombone ensemble w opt parts arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-24 09:18:37. [ Read More ] Dies Irae From Requiem Mass Full Score Dies Irae From Requiem Mass Full Score sheet music has been read 3125 times. Dies irae from requiem mass full score arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-24 07:17:41. [ Read More ] Dies Irae No 2 Of Three Sacred Songs Dies Irae No 2 Of Three Sacred Songs sheet music has been read 3983 times. Dies irae no 2 of three sacred songs arrangement is for Advanced level. The music notes has 4 preview and last read at 2021-09-23 15:13:49. [ Read More ] Dies Irae From Requiem Dies Irae From Requiem sheet music has been read 3015 times. Dies irae from requiem arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-25 21:37:52. [ Read More ] Dies Irae Dies Irae sheet music has been read 3081 times. Dies irae arrangement is for Intermediate level. The music notes has 3 preview and last read at 2021-09-25 03:47:19. [ Read More ] Dies Irae From Requiem Mass Accompaniment Track Dies Irae From Requiem Mass Accompaniment Track sheet music has been read 3389 times. Dies irae from requiem mass accompaniment track arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-26 15:49:42. [ Read More ] Rhapsody In B Minor Dies Irae Rhapsody In B Minor Dies Irae sheet music has been read 3191 times. Rhapsody in b minor dies irae arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-25 14:30:19. [ Read More ] Pequea Invencin No 11 Dies Irae Da De La Ira Pequea Invencin No 11 Dies Irae Da De La Ira sheet music has been read 2685 times. Pequea invencin no 11 dies irae da de la ira arrangement is for Advanced level. The music notes has 2 preview and last read at 2021-09-25 15:22:48. [ Read More ] Dies Irae From Mozart Requiem In D Minor Dies Irae From Mozart Requiem In D Minor sheet music has been read 3576 times. Dies irae from mozart requiem in d minor arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-26 21:14:37. [ Read More ] Dies Irae Full Score Dies Irae Full Score sheet music has been read 2806 times. Dies irae full score arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-24 23:08:19. [ Read More ] Dies Irae From Requiem Mass Rehearsal Track Dies Irae From Requiem Mass Rehearsal Track sheet music has been read 3235 times. Dies irae from requiem mass rehearsal track arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-26 15:27:08. [ Read More ] Dies Irae Quantus Tremor Sequences From Missa Requiem Cs044 Dies Irae Quantus Tremor Sequences From Missa Requiem Cs044 sheet music has been read 3774 times. Dies irae quantus tremor sequences from missa requiem cs044 arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-23 22:58:07. [ Read More ] Mozart Requiem K 626 Dies Irae Full Orchestra Score Parts Mozart Requiem K 626 Dies Irae Full Orchestra Score Parts sheet music has been read 8801 times. Mozart requiem k 626 dies irae full orchestra score parts arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-26 11:30:34. [ Read More ] Dies Irae From Requiem By G Verdi Dies Irae From Requiem By G Verdi sheet music has been read 8713 times. Dies irae from requiem by g verdi arrangement is for Early Intermediate level. The music notes has 6 preview and last read at 2021-09-27 04:35:00. [ Read More ] Dies Irae From Requiem By W A Mozart Dies Irae From Requiem By W A Mozart sheet music has been read 3587 times. Dies irae from requiem by w a mozart arrangement is for Early Intermediate level. The music notes has 6 preview and last read at 2021-09-27 03:30:19. [ Read More ] Dies Irae Text From The Requiem Mass Roman Missal Ssa Dies Irae Text From The Requiem Mass Roman Missal Ssa sheet music has been read 3664 times. Dies irae text from the requiem mass roman missal ssa arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-25 13:54:32. [ Read More ] Dies Irae Text From The Requiem Mass Roman Missal Sab Dies Irae Text From The Requiem Mass Roman Missal Sab sheet music has been read 3499 times. Dies irae text from the requiem mass roman missal sab arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-27 05:15:45. [ Read More ] Dies Irae For Satb And Organ Dies Irae For Satb And Organ sheet music has been read 4071 times. Dies irae for satb and organ arrangement is for Intermediate level. The music notes has 4 preview and last read at 2021-09-26 19:33:45. [ Read More ] Dies Irae Text From The Requiem Mass Roman Missal Piano Accompaniment Track Dies Irae Text From The Requiem Mass Roman Missal Piano Accompaniment Track sheet music has been read 3015 times. Dies irae text from the requiem mass roman missal piano accompaniment track arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-24 13:21:39. [ Read More ] Dies Irae Text From The Requiem Mass Roman Missal Ssa Piano Accompaniment Track Dies Irae Text From The Requiem Mass Roman Missal Ssa Piano Accompaniment Track sheet music has been read 3356 times. Dies irae text from the requiem mass roman missal ssa piano accompaniment track arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-26 15:12:28. [ Read More ] Dies Irae Organ Dies Irae Organ sheet music has been read 4478 times. Dies irae organ arrangement is for Advanced level. The music notes has 2 preview and last read at 2021-09-27 05:02:29. [ Read More ] Requiem Dies Irae Verdi Piano Solo Original Version Requiem Dies Irae Verdi Piano Solo Original Version sheet music has been read 4676 times. Requiem dies irae verdi piano solo original version arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-27 00:28:43. [ Read More ] Theme From Dies Irae Easy Piano C Version W A Mozart Theme From Dies Irae Easy Piano C Version W A Mozart sheet music has been read 4313 times. Theme from dies irae easy piano c version w a mozart arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-24 09:00:30. [ Read More ] Dies Irae For Violin Solo Dies Irae For Violin Solo sheet music has been read 2905 times. Dies irae for violin solo arrangement is for Advanced level. The music notes has 4 preview and last read at 2021-09-25 18:59:27. [ Read More ] Firebird Bmi Work 17075594 Bass Part Firebird Bmi Work 17075594 Bass Part sheet music has been read 3642 times. Firebird bmi work 17075594 bass part arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-27 01:41:00. [ Read More ] Friendship March Bass Drum Part Friendship March Bass Drum Part sheet music has been read 2949 times. Friendship march bass drum part arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-26 09:34:08. [ Read More ] Tomorrow Never Dies From The Motion Picture Tomorrow Never Dies Tomorrow Never Dies From The Motion Picture Tomorrow Never Dies sheet music has been read 4170 times. Tomorrow never dies from the motion picture tomorrow never dies arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-26 18:03:37. [ Read More ] Celtic Arms Bass Drum Part Celtic Arms Bass Drum Part sheet music has been read 3609 times.
Load more

Recommended publications
  • PROGRAM NOTES Wolfgang Mozart Clarinet Concerto in a Major, K
    PROGRAM NOTES by Phillip Huscher Wolfgang Mozart Born January 27, 1756, Salzburg, Austria. Died December 5, 1791, Vienna, Austria. Clarinet Concerto in A Major, K. 622 Mozart composed this concerto between the end of September and mid-November 1791, and it apparently was performed in Vienna shortly afterwards. The orchestra consists of two flutes, two bassoons, two horns, and strings. Performance time is approximately twenty-nine minutes. The Chicago Symphony Orchestra’s first performance of Mozart’s Clarinet Concerto was given at the Ravinia Festival on July 25, 1957, with Reginald Kell as soloist and Georg Solti conducting. The Orchestra’s first subscription concert performance was given at Orchestra Hall on May 2, 1963, with Clark Brody as soloist and Walter Hendl conducting. Our most recent subscription concert performances were given on October 11 and 12, 1991, with Larry Combs as soloist and Sir Georg Solti conducting. The Orchestra most recently performed this concerto at the Ravinia Festival on July 15, 2001, with Larry Combs as soloist and Sir Andrew Davis conducting. This concerto is the last important work Mozart finished before his death. He recorded it in his personal catalog without a date, right after The Magic Flute and La clemenza di Tito. The only later entry is the little Masonic Cantata, dated November 15, 1791. The Requiem, as we know, didn’t make it into the list. For decades the history of the Requiem was full of ambiguity, while that of the Clarinet Concerto seemed quite clear. But in recent years, as we learned more about the unfinished Requiem, questions about the concerto began to emerge.
    [Show full text]
  • The Timeliness of Duruflé's Requiem Book Title
    University of California Press Chapter Title: The Timeliness of Duruflé’s Requiem Book Title: Musical Legacy of Wartime France Book Author(s): LESLIE A. SPROUT Published by: University of California Press. (2013) Stable URL: https://www.jstor.org/stable/10.1525/j.ctt3fh2q4.8 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Musical Legacy of Wartime France This content downloaded from 129.74.250.206 on Mon, 03 Sep 2018 02:20:01 UTC All use subject to https://about.jstor.org/terms 4 The Timeliness of Duruflé’s Requiem Plain-chant and polyphony, dominant ninths and the orchestra of Debussy—without the evidence of an actual performance, Duruflé’s Requiem might appear to be a hotch-potch. But it is the absolute unification in a very personal manner of these seemingly disparate elements that constitutes Duruflé’s chief claim to be taken seriously as a composer. felix aprahamian, “Maurice Duruflé and His Requiem” vichy’s symphonic commissions and the music of the catholic church In May 1941 Maurice Duruflé received a commission from Vichy’s Administration of Fine Arts to write a symphonic poem, for which he was offered ten thousand francs, payable upon completion of the work.1 Reversing the program’s steady decline each year since its inception in 1938, the administration provided ample funds—270,000 francs—to grant a total of seventeen commissions between May and August 1941, the first year of commissions granted under the new regime.
    [Show full text]
  • The Inaugural Season 27 Season 2012-2013
    YANNICK October 2012 The Inaugural Season 27 Season 2012-2013 Friday, October 19, at 8:00 Saturday, October 20, at The Philadelphia Orchestra 8:00 Sunday, October 21, at 2:00 Yannick Nézet-Séguin Conductor Marina Poplavskaya Soprano Christine Rice Mezzo-soprano Rolando Villazón Tenor Mikhail Petrenko Bass Westminster Symphonic Choir Joe Miller Director Verdi Requiem I. Requiem (Solo Quartet and Chorus) II. Dies irae: Dies irae (Chorus) Tuba mirum (Bass and Chorus) Liber scriptus (Mezzo-soprano and Chorus) Quid sum miser (Soprano, Mezzo-soprano, and Tenor) Rex tremendae (Solo Quartet and Chorus) Recordare (Soprano and Mezzo-soprano) Ingemisco (Tenor) Confutatis (Bass and Chorus) Lacrymosa (Solo Quartet and Chorus) III. Offertorio (Solo Quartet) IV. Sanctus (Chorus I and II) V. Agnus Dei (Soprano, Mezzo-soprano, and Chorus) VI. Lux aeterna (Mezzo-soprano, Tenor, and Bass) VII. Libera me (Soprano and Chorus) This program runs approximately 1 hour, 30 minutes, and will be performed without an intermission. 228 Story Title The Philadelphia Orchestra Jessica Griffin Renowned for its distinctive vivid world of opera and Orchestra boasts a new sound, beloved for its choral music. partnership with the keen ability to capture the National Centre for the Philadelphia is home and hearts and imaginations Performing Arts in Beijing. the Orchestra nurtures of audiences, and admired The Orchestra annually an important relationship for an unrivaled legacy of performs at Carnegie Hall not only with patrons who “firsts” in music-making, and the Kennedy Center support the main season The Philadelphia Orchestra while also enjoying a at the Kimmel Center for is one of the preeminent three-week residency in the Performing Arts but orchestras in the world.
    [Show full text]
  • Shakespeare Requiem' Receives Its First Performance, by PATRIC STANDFORD, YORKSHIRE POST
    Judith Bingham's 'Shakespeare Requiem' receives its first performance, by PATRIC STANDFORD, YORKSHIRE POST The long awaited première of Judith Bingham's Shakespeare Requiem took place in Leeds Town Hall, UK, on 29 November 2008. The opening of the newly built town hall in 1858 was celebrated with the formation of a grand choral society -- the Leeds Festival Chorus -- and its first musical director, William Sterndale Bennett, initiated a tradition of first performances in the autumn of that year by directing the first performance of his own cantata The May Queen. The tradition of bringing new works to Leeds has remained with the Festival Chorus throughout its century and a half lifetime. A succession of distinguished directors maintained the tradition by commissioning new choral works, and the chorus have brought to life a fine inventory of great choral premiers including Sullivan's Golden Legend and Dvorák's St Ludmilla in 1886 and Elgar's Caractacus in 1898 through to Walton's Belshazzar's Feast, the memorable commission of 1931, and Michael Berkeley's The Red Macula of 1989. For this year's 150th Anniversary celebration, Judith Bingham could hardly be a more ideal choice. A student of both composition and singing in her time at London's Royal Academy of Music, she joined the BBC Singers in 1983 and spent twelve years as a full time member, becoming closely involved from the inside in the many challenges of both new and old music that such a renowned professional group of singers would undertake on a weekly basis. As may be expected, there is a large amount of choral music in her considerable output -- her catalogue has recently been taken up by Peters Edition, London -- and yet the new work for Leeds is her largest choral and orchestral undertaking to date.
    [Show full text]
  • Berlioz Requiem Alto Road
    BERLIOZ: Grand Messe des Morts Alto Road Map I. Requiem and Kyrie (Introit) •First entrance at rehearsal B: sing tenor I part, stop singing at 7 measures after rehearsal C. •Re-enter at 13 measures after rehearsal C: sing soprano (II) part here. •Switch to tenor part at 6 measures after rehearsal E. •Switch to soprano II part 5 measures after rehearsal F. •Sing tenor part 10th-14th measures after rehearsal F. •Switch back to soprano II 4 measures before rehearsal G. •Sing soprano II part until end of movement, II. Dies irae •First entrance: sing tenor part 5 measures after rehearsal B. •Switch to soprano II 5 measures after rehearsal C. •Hum tenor part 4 measures before rehearsal D •Stay humming tenor part until 9 measures before rehearsal E—switch to soprano II here. •Switch to tenor I part at 17 measures after rehearsal F. •Do not sing at 9 measures before rehearsal K. •Re-enter on tenor I part 7 measures after rehearsal L •Tacet from 3 measures before rehearsal M to 4 measures before rehearsal P. •Re-enter at 4 measures before rehearsal P on soprano part. •Switch to tenor I at rehearsal Q. •Switch to soprano II at rehearsal R to end of movement. III. Quid sum miser •Hum tenor I line at throughout, IV. Rex tremendae •Begin with soprano II part. •Tacet from rehearsal B to rehearsal C. •Re-enter at rehearsal C with soprano II part. •Remain on sropano II part except sing tenor I for the four measures before rehearsal E. •Return to soprano II from rehearsal E to 6 measures after rehearsal E, •Switch to tenor I at 7 measures after rehearsal E.
    [Show full text]
  • Maurice Duruflé Requiem Joseph Jongen Mass
    Joseph Jongen Mass Maurice Duruflé Requiem San Francisco Lyric Chorus Robert Gurney, Music Director Jonathan Dimmock, Organ Saturday, August 23 & Sunday, August 24, 2014 Mission Dolores Basilica San Francisco, California San Francisco Lyric Chorus Robert Gurney, Music Director Board of Directors Helene Whitson, President Julia Bergman, Director Karen Stella, Secretary Jim Bishop, Director Bill Whitson, Treasurer Nora Klebow, Director Welcome to the Summer 2014 Concert of the San Francisco Lyric Chorus. Since its formation in 1995, the Chorus has offered diverse and innovative music to the community through a gathering of singers who believe in a commonality of spirit and sharing. The début concert featured music by Gabriel Fauré and Louis Vierne. The Chorus has been involved in several premieres, including Bay Area composer Brad Osness’ Lamentations, Ohio composer Robert Witt’s Four Motets to the Blessed Virgin Mary (West Coast premiere), New York composer William Hawley’s The Snow That Never Drifts (San Francisco premiere), San Francisco composer Kirke Mechem’s Christmas the Morn, Blessed Are They, To Music (San Francisco premieres), and selections from his operas, John Brown and The Newport Rivals, our 10th Anniversary Commission work, the World Premiere of Illinois composer Lee R. Kesselman’s This Grand Show Is Eternal, Robert Train Adams’ It Will Be Summer—Eventually and Music Expresses (West Coast premieres), as well as the Fall 2009 World Premiere of Dr. Adams’ Christmas Fantasy. Please sign our mailing list, located in the foyer. The San Francisco Lyric Chorus is a member of Chorus America. We are recording this concert for archival purposes Please turn off all cell phones, pagers, and other electronic devices before the concert Please, no photography or audio/video taping during the performance Please, no children under 5 Please help us to maintain a distraction-free environment.
    [Show full text]
  • Berlioz's Orchestration Treatise
    Berlioz’s Orchestration Treatise A Translation and Commentary HUGH MACDONALD published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarc´on 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2002 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2002 Printed in the United Kingdom at the University Press, Cambridge Typeface New Baskerville 11/13 pt. System LATEX2ε [TB] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Berlioz, Hector, 1803–1869. [Grand trait´e d’instrumentation et d’orchestration modernes. English] Berlioz’s orchestration treatise: a translation and commentary/[translation, commentary by] Hugh Macdonald. p. cm. – (Cambridge musical texts and monographs) Includes bibliographical references and index. ISBN 0 521 23953 2 1. Instrumentation and orchestration. 2. Conducting. I. Macdonald, Hugh, 1940– II. Title. III. Series. MT70 .B4813 2002 781.374–dc21 2001052619 ISBN 0 521 23953 2 hardback Contents List of illustrations
    [Show full text]
  • The Grande Messe Des Morts (Requiem), Op. 5 by Hector Berlioz
    THE GRANDE MESSE DES MORTS (REQUIEM), OP. 5 BY HECTOR BERLIOZ: A CONDUCTOR’S GUIDE TO THE HISTORICAL BACKGROUND, ORCHESTRATION, RHETORICAL/DRAMA-LITURGICAL PROJECTION AND FORMAL/STRUCTURAL ANALYSIS BY KRISTOFER J. SANCHACK Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2015 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Jan Harrington, Research Director ______________________________________ Jan Harrington, Chair ______________________________________ Betsy Burleigh ______________________________________ Dominick DiOrio ______________________________________ Frank Samarotto 30 November 2015 ii Copyright © 2015 Kristofer J. Sanchack iii Dedicated to my parents and grandparents who have supported me through a very long process iv Acknowledgements There are so many people to whom I am extremely grateful. First I would like to thank my family. My parents, grandparents, sister and niece have continued each and every day to encourage me to finish this paper. Without their support, I doubt this project would have been completed. I also want to thank my partner, who throughout the process was supportive, helpful, understanding and caring. I would like to thank Dr. Carmen-Helena Téllez who began with me on this odyssey, and my mentor, friend and research chair Dr. Jan Harrington, who believed and continued to be a pillar of strength to me throughout this endeavor. I am also indebted to Dr. Betsy Burleigh, Dr. Dominick DiOrio and Dr. Frank Samarotto, who graciously agreed to serve on the committee for this paper.
    [Show full text]
  • Mozart: Requiem
    LSO Live Mozart Requiem Sir Colin Davis Marie Arnet Anna Stéphany Andrew Kennedy Darren Jeffery London Symphony Chorus London Symphony Orchestra Mozart Requiem, K626 (1791) Page Index Marie Arnet soprano 3 Track listing Anna Stéphany alto 4 English notes Andrew Kennedy tenor 5 French notes Darren Jeffery bass 6 German notes 7 Composer biography Sir Colin Davis conductor 8 Text London Symphony Orchestra 10 Conductor biography London Symphony Chorus 11 Artist biographies 13 Orchestra and Chorus personnel lists 14 LSO biography James Mallinson producer Daniele Quilleri casting consultant Classic Sound Ltd recording, editing and mastering facilities Jonathan Stokes and Neil Hutchinson for Classic Sound Ltd balance engineers Ian Watson and Jenni Whiteside for Classic Sound Ltd editors A high density DSD (Direct Stream Digital) recording Recorded live at the Barbican, London 30 September and 3 October 2007 © 2008 London Symphony Orchestra, London UK P 2008 London Symphony Orchestra, London UK 2 Track listing Introitus and Kyrie 1 No 1 Requiem and Kyrie (chorus, soprano) 7’12’’ p8 Sequence 2 No 2 Dies irae (chorus) 1’44’’ p8 3 No 3 Tuba mirum (soprano, alto, tenor, bass) 3’38’’ p8 4 No 4 Rex tremendae (chorus) 2’13’’ p8 5 No 5 Recordare (soprano, alto, tenor, bass) 6’03’’ p8 6 No 6 Confutatis maledictis (chorus) 2’44’’ p8 7 No 7 Lacrimosa (chorus) 2’59’’ p8 Offertorium 8 No 8 Domine Jesu (chorus, soprano, alto, tenor, bass) 4’16’’ p8 9 No 9 Hostias (chorus) 4’36’’ p9 Sanctus 10 No 10 Sanctus (chorus) 1’47’’ p9 Benedictus 11 No 11 Benedictus (chorus, soprano, alto, tenor, bass) 4’29’’ p9 Agnus Dei and Communio 12 No 12 Agnus Dei (chorus, soprano) 8’46’’ p9 TOTAL 50’35’’ 3 Wolfgang Amadeus Mozart (1756–91) Jesu’ and the ’Hostias’ were written separately.
    [Show full text]
  • English Translation of Mozart's Requiem
    English Translation of Mozart's Requiem I. Introit: Requiem Requiem aeternam dona eis, Grant them eternal rest, Lord, Domine, and let perpetual light shine on et lux perpetua luceat eis. them. Te decet hymnus, Deus, in Sion, You are praised, God, in Zion, et tibi reddetur votum in and homage will be paid to You in Jerusalem. Jerusalem. Exaudi orationem meam, Hear my prayer, ad te omnis care veniet. to You all flesh will come. Requiem aeternam dona eis, Grant them eternal rest, Lord, Domine, and let perpetual light shine on et lux perpetua luceat eis. them. II. Kyrie Kyrie, eleison. Lord, have mercy on us. Christe, eleison. Christ, have mercy on us. Kyrie, eleison. Lord, have mercy on us. III. Sequence 1. Dies irae Day of wrath, day of anger Dies irae, dies illa will dissolve the world in ashes, Solvet saeclum in favilla, as foretold by David and the Sibyl. teste David cum Sibylla. Great trembling there will be Quantus tremor est futurus, when the Judge descends from quando judex est venturus, heaven cuncta stricte discussurus! to examine all things closely. 2. Tuba mirum The trumpet will send its wondrous Tuba mirum spargens sonum sound per sepulcra regionum, throughout earth's sepulchres coget omnes ante thronum. and gather all before the throne. Mors stupebit et natura, Death and nature will be cum resurget creatura, astounded, judicanti responsura. when all creation rises again, Liber scriptus proferetur, to answer the judgement. in quo totum continetur, A book will be brought forth, unde mundus judicetur. in which all will be written, by which the world will be judged.
    [Show full text]
  • Belshazzar's Feast
    CONCERT PROGRAM Friday, February 24, 2017 at 8:00PM Saturday, February 25, 2017 at 8:00PM Sir Andrew Davis, conductor John Relyea, bass St. Louis Symphony Chorus Amy Kaiser, director NICOLAI Overture to The Merry Wives of Windsor (1810–1849) (Die lustigen Weiber von Windsor) (1849) ELGAR Falstaff, Symphonic Study in C minor, op. 68 (1913) (1857–1934) Falstaff and Prince Henry – Eastcheap – Gadshill – The Boar’s Head, revelry and sleep Dream Interlude: Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk – Falstaff’s march – The return through Gloucestershire – Interlude: Gloucestershire. Shallow’s orchard – The new king – The hurried ride to London – King Henry V’s progress – The repudiation of Falstaff, and his death INTERMISSION WALTON Belshazzar’s Feast (1931) (1902–1983) Thus spake Isaiah If I forget thee, O Jerusalem – Babylon was a great city In Babylon Belshazzar the King made a great feast – Praise ye, the God of Gold – Thus in Babylon, the mighty city – And in that same hour – Then sing aloud to God our strength The trumpeters and pipers Then sing aloud to God our strength John Relyea, bass St. Louis Symphony Chorus Amy Kaiser, director 23 ACKNOWLEDGMENTS These concerts are part of the Wells Fargo Advisors Orchestral Series. Sir Andrew Davis is the Felix and Eleanor Slatkin Guest Artist. The concert of Friday, February 24, is underwritten in part by a generous gift from Linda and Paul Lee. Pre-Concert Conversations are sponsored by Washington University Physicians. Large print program notes are available through the generosity of The Delmar Gardens Family, and are located at the Customer Service table in the foyer.
    [Show full text]
  • PREPARING a TRUMPET RECITAL by William Matthew Pate a Thesis
    PREPARING A TRUMPET RECITAL by William Matthew Pate A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2018 Approved by ___________________________________ Advisor: Dr. John Schuesselin ___________________________________ Reader: Dr. Thomas Peattie ___________________________________ Reader: Professor Virginia Chavis ©2018 William Matthew Pate ALL RIGHTS RESERVED ii ABSTRACT WILLIAM MATTHEW PATE: Preparing a Trumpet Recital (under the direction of John Schuesselin) The following thesis presents a discussion of the elements that went into preparing a senior solo trumpet recital. This discussion is divided into eleven sections, of which the first five contain general performance challenges and information about the types of pieces performed on the recital and the instruments used to perform those pieces. The remaining six sections discuss why the performer chose to showcase each composer and their compositions, the specific performance challenges he encountered with each piece, and the techniques he used to overcome these challenges. The historical information used to produce this thesis comes from articles written by specialists in each type of piece, instrument, period, style, composer, or composition. The information regarding performance challenges and the techniques used to overcome them comes from journals, notes, and recordings the performer kept while preparing for the recital. The performer found that preparing for, performing, and writing about the recital increased his knowledge of the history and importance of his primary instrument, developed his ability to collaborate, and allowed him to consider how he could teach the techniques he utilized to overcome performance challenges as a future music educator.
    [Show full text]