DOCSLIB.ORG

The Look of Love Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

FREE THE LOOK OF LOVE PDF Bella Andre | 379 pages | 28 May 2013 | Mira Books | 9780778315568 | English | Don Mills, Ont., United States The Look of Love (ABC song) - Wikipedia It became Krall's first album to top the Canadian Albums Chart. Even her substantial piano interludes take on the appearance of drifting mists, through the mix of orchestral timbres. With an emphasis on her sultry vocal interpretations, the latest album reaches out to a broad, popular music audience. Nothing wrong with that. It's just that jazz fans usually want the improvised licks along with their melodies By interpreting classic love songs, Krall's latest album turns toward romantic interests. The clutter of a large string orchestra, however, obscures The Look of Love total picture". John Kreicbergs of PopMatters added "Simply said, her piano chops are more than adequate to back up her incredible voice. Yet this is exactly what makes The Look of Love so maddening. Krall's piano work is practically nonexistent on most of the tracks, save for a few perfunctory solos that often The Look of Love into in a sea of overly lush string and orchestral arrangements". The arrangements and performances enhance them. It is at a high level. Her new CD is a touch too polished, too clean, but never kitsch, as one might The Look of Love feared, since the album was recorded together with the London Symphony Orchestra. But the special, sometimes rough-edged character of her previous recordings is missing". Credits adapted from the liner notes of The Look of Love. From Wikipedia, the free encyclopedia. Diana Krall. January 22—27, [a] March 9—11, [b] June The Look of Love, [c]. George Gershwin Ira Gershwin. Victor Young Edward Heyman. Johnny Mercer Victor Schertzinger. Tom Adair Matt Dennis. Howard Dietz Arthur Schwartz. Hoagy Carmichael Jane Brown Thompson. Burt Bacharach Hal David. Rube Bloom Sammy Gallop. Peggy Lee The Look of Love Schluger. Diana Krall — piano, vocals all tracks Dori Caymmi — guitar track 1 Christian McBride — bass all tracks Jeff Hamilton — drums tracks 1, 3, 5 Paulinho da Costa — percussion tracks 1, 3, 5 Los Angeles Session Orchestra — orchestra tracks 1, 3, 5 Russell Malone — guitar tracks 2, 4, 6, 8, 10 Peter Erskine — drums tracks 2, 4, The Look of Love London Symphony Orchestra — orchestra tracks 2, 4, 6—10 John Pisano — guitar tracks 3, 5 Romero Lubambo — guitar tracks 7, 9 Luis Conte — percussion tracks 7, 9 Claus Ogerman — orchestra arrangement, conducting. Tommy LiPuma — production Al Schmitt — recording, mixing Aya Takemura — engineering assistance tracks The Look of Love, 4, 6—10 Chris Clark — The Look of Love assistance tracks 2, 4, 6—10 Richard Lancaster — engineering assistance tracks 2, 4, 6—10 John Hendrickson — engineering assistance tracks 1, 3, 5 ; additional engineering Doug Sax — mastering Robert Hadley — mastering Bill Smith — engineering assistance Nat Peck — contractor for the London Symphony Orchestra Jules Chaikin — contractor for the Los Angeles Session Orchestra. All Media Network. Retrieved April 3, Entertainment Weekly. Retrieved 1 October Retrieved Tom Hull. Retrieved 13 July All About Jazz. Retrieved 18 July Verve Records. Hung Medien. September 24, Retrieved The Look of Love 4, — via National Library of Australia. October 13, Retrieved March 4, — via American Radio History. GfK Entertainment Charts. Retrieved March 4, Archived from the original on February 18, Polish Society of the Phonographic Industry. Official Charts Company. Retrieved The Look of Love 7, Australian Recording Industry Association. December 22, Archived from the original on September 24, Recorded Music NZ. December 29, Retrieved April 3, — via Google Books. Archived from the original on September 25, December 28, December 27, Archived from the original on 10 August IFPI Austria. March 25, Music Canada. October 5, IFPI Denmark. November 9, Archived from the original on March The Look of Love, May 18, Archived from the original on October 13, Bundesverband Musikindustrie. July 14, IFPI Switzerland. British Phonographic Industry. July 22, Select albums in the Format field. Select Gold in the Certification field. The New York Times. Recording Industry Association of America. January 23, International Federation of the Phonographic Industry. Discography Awards and nominations. Live in Paris. The Very Best of Diana Krall. Wallflower World Tour. Juno Award for Album of the Year — Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Jazz bossa nova traditional pop easy listening. When I Look in Your Eyes The Look of Love Live in Paris A— [2]. Robert Christgau. Arthur Hamilton. Gershwin I. Bloom Gallop. The Look of Love (Diana Krall album) - Wikipedia Build up your Halloween Watchlist with our list of the most popular horror titles on Netflix in October. See the list. After the untimely death of his daughter, Paul Raymond reflects on his life. Rising from a mind-reading act, Raymond grew to have a hugely successful career as an erotica magnate which would make him the wealthiest man in Britain. Yet for all his material success, Paul's appetites mess up his personal life. Even as Paul challenged society's sexual mores, his relationship with his daughter proved troubling and problematic. Written by Kenneth Chisholm kchishol rogers. Charming, witty, intelligent. Had to have it all, but at what cost? One is almost tempted to pronounce The Look of Love Raymond's story as predictable. Rags to riches story, got corrupted and suffered the consequences. Yet there is something different about Paul Raymond, who came to London from Liverpool with nothing and reached the very top. By different I don't mean just the The Look of Love that he was probably the first entrepreneur to acquire wealth almost exclusively from the "adult entertainment" industry but he founded it since his peak coincided with the beginning of secularisation of Britain and he introduced a very daring sort of entertainment in a highly puritanical society. Being spirited as he were, neither the criticisms or the bad press affected his stamina; he just marched on conquering bigger heights. With the above in mind, it does not become too challenging to picture an audacious, notorious individual. Or so Steve Cogan aimed to have us believe. I could not envisage an actor better suited for the part. Ultra cool and a charmer, Steve Coogan was Paul Raymond. Mr Raymond was apparently so charming that his shared his extramarital bravados with his wife and for the 's The Look of Love so this is spectacular. The movie places us inside his life and we follow his ups and downs, although we soon become aware that he is a man in mourning. Perhaps a side effect of the poverty he came from, his no limits lifestyle and the way he indulged it to his beloved daughter obviously must have played a part. It might go down as just another bio of a sale made man, but this film had an added dose of personality that undoubtedly The Look of Love its central character and the flamboyance he exhumed. One of the better recent British films. Looking for something to watch? Choose an adventure below and discover your next favorite movie or TV show. Visit our What to The Look of Love page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release The Look of Love. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. The life of Paul Raymond, the controversial entrepreneur who became Britain's richest man. Director: Michael Winterbottom. Added to Watchlist. From metacritic. The Look of Love Best Horror Movies on Netflix. All the World's a Stage. Filmovi gledani u Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Jennifer Ellis Fawn Steve Coogan Paul Raymond Nick Hopper Charles the Chauffeur Paul Popplewell Journalist No. Debbie Raymond Anna Friel Jean Raymond Jim Clubb Liam Turner Sarah Lou Liam Girl No. Barrister Raymond Waring Reporter No. Jimmy Humphries Shirley Henderson Rusty Humphries Frankie Thomson Baby Debbie Jennifer Gardiner Edit Storyline After the untimely death of his daughter, Paul Raymond reflects on his The Look of Love. Taglines: Inhe broke a few rules. Byhe was Britain's richest man. Edit Did You Know? Goofs While discussing the role of a reporter for 'Men Only' magazine the Fiona Richmond character Tamsin Egerton refers The Look of Love female genitalia as "pussy". This term would not have been in use in the s when the film is set. Later in the film the correct English term "fanny" is used. Was this review helpful to you? Yes No Report this. Add the first question. Country: UK. Language: English. Filming Locations: UK. Runtime: min. Sound Mix: Dolby Digital. Color: Color Black and White. Edit page. October Streaming Picks. Back to School Picks. Clear your history. Paul Raymond. Debbie Raymond. Jean Raymond. The Look of Love ( song) - Wikipedia It was the band's highest charting hit in the UK, peaking at No. It was included on their debut studio albumThe Lexicon of Love. Released as a single and as a 12" remix, it went to No. Part One is the standard album version, Part Two is an instrumental version, Part Three is a vocal version without the orchestral overdubs and Part Four is a short acoustic instrumental part of the song, containing strings and horns, as well as occasional harp plucks and xylophone. The '82 US remix dub version was not widely available after its initial release, but the track remained much in demand by club DJs and fans alike and copies of the original 12" version fetched high prices.
Recommended publications
  • Rock Album Discography Last Up-Date: September 27Th, 2021

    Rock Album Discography Last Up-Date: September 27Th, 2021

    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
  • Instructor Manual for Joe Stuessy & Scott Lipscomb's Rock and Roll

    Instructor Manual for Joe Stuessy & Scott Lipscomb's Rock and Roll

    Instructor Manual for Joe Stuessy & Scott Lipscomb’s Rock and roll: Its history and stylistic development (edited for use with the 7th edition text) Jay Dorfman Boston University Natalie Zelensky Colby College Scott D. Lipscomb University of Minnesota Dorfman, Zelensky, & Lipscomb Instructor Manual Rock and roll: Its history and stylistic development Stuessy & Lipscomb © 2012 by Pearson Education, Inc. p. ii Dorfman, Zelensky, & Lipscomb Instructor Manual Rock and roll: Its history and stylistic development Stuessy & Lipscomb Preface The purpose of this Instructor Manual is to facilitate the process of designing and teaching a rock history course using the text Rock music: Its history and stylistic development (7th edition, Prentice-Hall). In addition, the following pages provide significant food for thought, both for beginning instructors and for those who are quite experienced in teaching such a course. The following pages provide much more than a simple synopsis of the textbook content, though that forms an important component of the material. Rather, the Instructor Manual contains many innovative ideas to stimulate students – both inside and outside the classroom – and to help them develop an intimate understanding of the genre of music that, arguably, has had the greatest musical, cultural, and sociological impact during the twentieth and twenty- first century. With the exception of the Introduction, which provides a general set of teaching tips and suggests a means of structuring the course content, each chapter of the present text is subdivided into a consistent set of sections. The chapter overview provides a detailed outline of the content of each chapter, highlighting some of the most significant points addressed and, at times, providing supplemental information that will be of interest to students and instructors.
  • Martin Fry / ABC Biography 2015

    Martin Fry / ABC Biography 2015

    Martin Fry / ABC Biography 2015 “ABC’s Martin Fry is a revelation, a soul man supreme, belting out pristine Vegas glitter pop and uptown House in his electric blue lounge suit. An ageless performer, Fry is the missing link between Bryan Ferry and Jarvis Cocker. For the inevitable encore of ‘The Look of Love’ he returns dipped in sparkly gold lame, a self-ironising pop genius on top form.” Stephen Dalton NME ABC has enjoyed a glittering career to date. Very definitely one of a number of groups who came along and kick-started the Eighties with their own brand of pop for a ‘new decade’. On its release in May 1982, their debut album ‘The Lexicon of Love’ crashed straight into the UK album charts at number one. Showcasing the hits songs ‘Tears Are Not Enough’, ‘Poison Arrow’, ‘The Look of Love’ and ‘All Of My Heart’. A ground-breaking collection of modern love songs. With a majestic production from the legendary Trevor Horn it remains a classic to this day. Voted by many as the best British album of the decade. ABC’s second album ‘Beauty Stab’ was a very different proposition to the polished beauty of ‘The Lexicon of Love’ and spawned the hits ‘That Was Then But This Is Now’ and ‘SOS’. It developed a much rawer, hard-edged sound. These were protest songs from a band that was constantly evolving. Next came the 1984 album ‘How To Be A Zillionaire’. ABC again conquered American audiences with a series of devastating club mixes and pre Gorillaz animated cartoons.
  • Questioning and Answering Skills in School Children. PUB DATE 75 304P.; Some Parts May Be Marginallylegible Due to NOTE

    Questioning and Answering Skills in School Children. PUB DATE 75 304P.; Some Parts May Be Marginallylegible Due to NOTE

    DCCUMENT EESUME ED 143418 PS 009 339 AUTHOR Robinson, W. P.;" Rackstraw, Susan J. TITLE Questioning and Answering Skills in School Children. PUB DATE 75 304p.; Some parts may be marginallylegible due to NOTE . print quality of original EDRS PRICE, MF-$0.83 HC-$16.73 Elus Postage. DESCRIPTORS Age Differences; Classroom Research;Communication Skills; *Elementary Education; ElementarySchool Students; Foreign Countries; *InformationSeeking; *Inquiry Training; Inservice TeacherEducation; *Intellectual Development; LanguageDevelopment; Parent Role; Problem Solving;*Questioning Techniques; Socioeconomic Background;Teacher Role; *Teaching Techniques IDENTIFIERS Australia al ABSTRACT Thisepaper describes the development ofchildren's ability to pose and answer questions anddiscusses the teacher's role in enhancing these probleM-solvingskills. Several chapters review theoretical and empirlal work related tothese issues: models of man, general intellect eldevelopment, the mother's role in children's intellectual development and questioningand answering abilities, and the effe t of social class onintellectual development. Research an, theory relatedspecifically to the development of questioning skills arediscussed. Later chapters describe a variety of investigations ofquestioning and answering abilities of'8- through19-year-old children carried out in `several schools in Australia. Procedures,materials and results are reported in detail. Suggestions are\made forclassroom applications of information based on the results ofthese and other studies. A specific example of enhancing questioningskills is presented. Final chapters discuss the importance of inserviceteacher training to provide teachers with the interest,information and skills necessary both to carry out teacher-based actionresearch in their classrooms and to utilize the results of'suchstudies_in_their _everyday teaching techniqu-es-;- (BD) **********************************************************************# Documents acquired, byERIt include maAT informal unpublished * materials not availablefroi other sources.
  • The 80S Tunes Played by Ken Mccarthy on WIT Vibe Contents

    The 80S Tunes Played by Ken Mccarthy on WIT Vibe Contents

    Back To The 80s tunes played by Ken McCarthy on WIT Vibe Contents 1 Geno (song) 1 1.1 Personnel ............................................... 1 1.2 Composition ............................................. 1 1.3 Release and reception ......................................... 1 1.4 References .............................................. 1 1.4.1 Footnotes ........................................... 1 1.4.2 Sources ............................................ 2 2 Smalltown Boy 3 2.1 Song meaning ............................................. 3 2.2 Music video .............................................. 3 2.3 Track listings and formats ....................................... 3 2.4 Charts ................................................. 3 2.4.1 Weekly charts ......................................... 3 2.4.2 Chart precessions and successions .............................. 3 2.5 Cover versions ............................................. 3 2.6 References ............................................... 4 2.7 External links ............................................. 5 3 Under Pressure 6 3.1 Creation ................................................ 6 3.2 Music video .............................................. 6 3.3 Track listing .............................................. 7 3.4 Personnel ............................................... 7 3.5 Reception ............................................... 7 3.6 Live performances .......................................... 7 3.6.1 Live recordings .......................................
  • Dance and Immersive Performance: a Multicase Study Of

    Dance and Immersive Performance: a Multicase Study Of

    DANCE AND IMMERSIVE PERFORMANCE: A MULTICASE STUDY OF THREE INTERNATIONAL IMMERSIVE PRODUCTIONS A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN’S UNIVERSITY DEPARTMENT OF DANCE COLLEGE OF ARTS AND SCIENCES BY JULIA M. RITTER DENTON, TEXAS DECEMBER 2016 DEDICATION For dance and all its devotees. iii ACKNOWLEDGMENTS I gratefully acknowledge the many individuals who have supported me throughout my doctoral studies. I thank my committee chair, Dr. Rosemary Candelario, whose expertise and guidance was instrumental in shaping my thinking as I worked through large sets of data and interdisciplinary concerns. My thanks also to Dr. Linda Caldwell and Professor Jordan Fuchs for their knowledge, time, and service as members of my dissertation committee. I thank Dr. Penelope Hanstein for inspiring me to pursue my doctoral degree and for her encouragement throughout the process. I am very grateful to my fellow cohort members for inspiring me with their excellent scholarship while modeling generosity and jocosity. Dr. George Stauffer, dean of Mason Gross School of the Arts, has been a staunch advocate of my doctoral studies, and I am thankful for his support as I balanced my research with serving the Dance Department as chair and artistic director. Many thanks to my colleague and friend Dr. Jeffrey Friedman for sharing his expertise on interviewing techniques. I am grateful to Dr. Hervé Guay, editor of Revue Tangence, for emboldening my investigations of dance and immersive performance. My deepest thanks to my family and friends for their patience and understanding.