Questioning and Answering Skills in School Children. PUB DATE 75 304P.; Some Parts May Be Marginallylegible Due to NOTE
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The Bill & Melinda Gates Foundation Tax Return Was E-Filed with The
The Bill & Melinda Gates Foundation tax return was e-filed with the Internal Revenue Service. The tax return and accompanying attachments posted on our website are presented as a view of the electronically filed data. Please note for ease of navigating the tax return we have bookmarked the various sections of the return. efile GRAPHIC print - DO NOT PROCESS ORIGINAL DATA - EIN: 562618866 Return of Private Foundation OMB No. 1545-0052 Form 990-PF or Section 4947(a)(1) Nonexempt Charitable Trust Treated as a Private Foundation 2007 Department of the Treasury Note: The foundation may be able to use a copy of this return to satisfy state reporting requirements. Internal Revenue Service For calendar year 2007 , or tax year beginning 01-01-2007 and ending 12-31-2007 G Check all that apply: Initial return Final return Amended return Address change Name change Name of foundation A Employer identification number Use the IRS BILL & MELINDA GATES FOUNDATION label. 56-2618866 Otherwise, B Telephone number (see page 10 of the instructions) print Number and street (or P.O. box number if mail is not delivered to street address) Room/ suite or type. 1551 EASTLAKE AVENUE EAST (206) 709-3100 See Specific Instructions. City or town, state, and ZIP code C If exemption application is pending, check here SEATTLE, WA 98102 D 1. Foreign organizations, check here . H Check type of organization: Section 501(c)(3) exempt private foundation 2. Foreign organizations meeting the 85% test, check here and attach computation Section 4947(a)(1) nonexempt charitable trust Other taxable private foundation E If private foundation status was terminated I Fair market value of all assets at end J Accounting method: Cash Accrual under section 507(b)(1)(A), check here of year (from Part II, col. -
Annual Report
annual report How to find ASIC Business Centres Newcastle http://www.asic.gov.au Incorporation, document Telephone 02 4929 4555 lodgement, searches & fees Facsimile 02 4929 1759 Infoline Adelaide Perth Information for consumers and Telephone 08 8202 8500 Telephone 08 9261 4200 complaints about financial services Facsimile 08 8202 8510 Facsimile 08 9261 4210 and products (except lending), Brisbane Sydney investors’ rights, companies, Telephone 07 3867 4900 Telephone 02 9911 2500 company directors, auditors & Facsimile 07 3867 4930 Facsimile 02 9911 2550 liquidators, company administration, Canberra Townsville policy & procedures Telephone 02 6250 3850 Telephone 07 4721 3885 1300 300 630 Facsimile 02 6250 3888 Facsimile 07 4721 3803 Darwin National Offices Telephone 08 8943 0950 Information Processing Centre Facsimile 08 8943 0960 Company annual returns, penalty Policy and coordination notices, deregistration and rein- Melbourne Geelong statement Sydney Telephone 03 5229 2966 Facsimile 03 5229 2940 Traralgon,VIC Regional Offices Gold Coast Telephone 03 5177 3700 Telephone 07 5528 1960 Corporate regulation and Facsimile 03 5177 3999 Facsimile 07 5528 1968 investigations Hobart Australian Capital Territory Telephone 03 6235 6850 New South Wales Facsimile 03 6235 6860 Northern Territory Melbourne Queensland Telephone 03 9280 3500 South Australia Facsimile 03 9280 3550 Tasmania Victoria Western Australia until 30 June 1998 the Australian Securities Commission Contents Highlights 1 ASIC at a glance 2 1997-98 summary of results 3 Key results -
The Face of AIDS – 25 Years Later Kathi's Story, P.6-7 Inside This Issue Letter from the Executive Director
THE NOV '10- JAN '11 Vol. 21 • No. 4 www.ocasf.org VOICEa publication of AIDS Services Foundation Orange County The Face of AIDS – 25 Years Later Kathi's Story, p.6-7 Inside this issue Letter from the Executive Director FEATURES Ride for a Reason – Orange County Ride for AIDS ................ 5 The Face of AIDS: 25 Years Later ..................................................... 6-7 BOARD OF DIRECTORS The Red Ball1985: Officers Advisory Board A Night of Celebration and Remembrance ............................ 8-9 Maria Marquez, M.F.T. The Honorable President The Dorothy’s: Another Hauntingly Good Time ............ 12-13 Marilyn C. Brewer, Chair Barbara Venezia State Assembly, Vice President Retired DEPARTMENTS Mark Guillod, C.P.A. Tammie J. Arnold Letter from the Executive Director .................................................... 3 Treasurer Managing Director, PIMCO Mark Gonzales Around ASF ..................................................................................................... 4 Secretary Barbara Boxer U.S. Senator HIV in the News .......................................................................................... 10 Members Dean Corey Patron's Council .......................................................................................... 11 Executive Director, Brian Bates, C.P.A. O.C. Philharmonic Soc. Memorials & Tributes .............................................................................. 14 David W. Bennett, Ron Davies Grants & Save the Dates ....................................................................... -
Grand Staircase-Escalante National Monument Antiquates the Antiquities Act
The Straw that Broke the Camel's Back? Grand Staircase-Escalante National Monument Antiquates the Antiquities Act ERIC C. RUSNAK* The public lands of the United States have always provided the arena in which we Americans have struggled to fulfill our dreams. Even today dreams of wealth, adventure, and escape are still being acted out on these far flung lands. These lands and the dreams-fulfilled and unfulfilled-which they foster are a part of our national destiny. They belong to all Americans. 1 I. INTRODUCTION For some Americans, public lands are majestic territories for exploration, recreation, preservation, or study. Others depend on public lands as a source of income and livelihood. And while a number of Americans lack awareness regarding the opportunities to explore their public lands, all Americans attain benefits from these common properties. Public land affect all Americans. Because of the importance of these lands, heated debates inevitably arise regarding their use or nonuse. The United States Constitution grants to Congress the "[p]ower to dispose of and make all needful Rules and Regulations respecting the... Property belonging to the United States." 2 Accordingly, Congress, the body representing the populace, determines the various uses of our public lands. While the Constitution purportedly bestows upon Congress sole discretion to manage public lands, the congressionally-enacted Antiquities Act conveys some of this power to the president, effectively giving rise to a concurrent power with Congress to govern public lands. On September 18, 1996, President William Jefferson Clinton issued Proclamation 69203 under the expansive powers granted to the president by the Antiquities Act4 ("the Act") establishing, in the State of Utah, the Grand * B.A., Wittenberg University, 2000; J.D., The Ohio State University Moritz College of Law, 2003 (expected). -
Nov 1973, Vector Vol. 09 No. 10
NOVEMBER 1973 “Whatapieceofworkismui!” $1.00 HEADV AT¥«EIÆ S -4, TO HAM F o r ^ 3 1 0 . 0 0 • D eparture ■ D ecem ber % ID 'S'* e s c o r t e d b y - PE:TER BESSttL ITINERARY: Depart San Francisco via United A ir Lines at 2:00PM. Arrive Los Angeles at 3:08 PM. Motor- Friday. December 7 coach transfer provided to THE BILTMORE HOTEL. Evening performance o f CA VALLERIA RUSTICANA by Mascogni and I PAGLIACCI by Leoncavallo. Depart Los Angeles by motorcoach at 11:00AM fo r Long Beach and visit to Saturday, December 8 Three hours o f leisure to browse and shop. Return to your hotel a t approximately 4.00 PM. Evening performance o f IL BARBIERE d i SEVIGLIA by Rossini. Sunday, December 9 Morning at leisure. Matinee performance o f MANON by Massenet. Evening performance o f / PURITANI by Bellini with Beverly Sills. Mondav December 10 Motorcoach transfer provided to the airport in time to depart Los Angles via United A irU n ^ Monday. December w ^an Francisco at 11:00 AM. An earlier return flight may be arranged for those who so desire. INCLUDED IN PRICE: ROUND-TRIP JET TRANSPORTATION SAN ^ R^NCISCO/LOS ANGELES/SAN F^^^^ MOTORCOACH TRANSFERS BETWEEN AIRPORT/HOTEL/AIRPORT FOR ABOVE m o t V^r c o a c h % a n s f e r s b e t w e e n h o t e l / o p e r a h o u s e / h o t e l f o r a l l PERFORMANCES. -
Und Audiovisuellen Archive As
International Association of Sound and Audiovisual Archives Internationale Vereinigung der Schall- und audiovisuellen Archive Association Internationale d'Archives Sonores et Audiovisuelles (I,_ '._ • e e_ • D iasa journal • Journal of the International Association of Sound and Audiovisual Archives IASA • Organie de I' Association Internationale d'Archives Sonores et Audiovisuelle IASA • Zeitschchrift der Internationalen Vereinigung der Schall- und Audiovisuellen Archive IASA Editor: Chris Clark,The British Library National Sound Archive, 96 Euston Road, London NW I 2DB, UK. Fax 44 (0)20 7412 7413, e-mail [email protected] The IASA Journal is published twice a year and is sent to all members of IASA. Applications for membership of IASA should be sent to the Secretary General (see list of officers below). The annual dues are 25GBP for individual members and IOOGBP for institutional members. Back copies of the IASA Journal from 1971 are available on application. Subscriptions to the current year's issues of the IASA Journal are also available to non-members at a cost of 35GBP I 57Euros. Le IASA Journal est publie deux fois I'an etdistribue a tous les membres. Veuillez envoyer vos demandes d'adhesion au secretaire dont vous trouverez I'adresse ci-dessous. Les cotisations annuelles sont en ce moment de 25GBP pour les membres individuels et 100GBP pour les membres institutionels. Les numeros precedentes (a partir de 1971) du IASA Journal sont disponibles sur demande. Ceux qui ne sont pas membres de I'Association peuvent obtenir un abonnement du IASA Journal pour I'annee courante au coOt de 35GBP I 57 Euro. -
SOCIAL CLASS in AMERICA TRANSCRIPT – FULL Version
PEOPLE LIKE US: SOCIAL CLASS IN AMERICA TRANSCRIPT – FULL Version Photo of man on porch dressed in white tank top and plaid shorts MAN: He looks lower class, definitely. And if he’s not, then he’s certainly trying to look lower class. WOMAN: Um, blue collar, yeah, plaid shorts. MAN: Lower middle class, something about the screen door behind him. WOMAN ON RIGHT, BROWN HAIR: Pitiful! WOMAN ON LEFT, BLOND HAIR, SUNGLASSES: Lower class. BLACK WOMAN, STANDING WITH WHITE MAN IN MALL: I mean, look how high his pants are up–my god! Wait a minute–I’m sorry, no offense. Something he would do. Photo of slightly older couple. Man is dressed in crisp white shirt, woman in sleeveless navy turtle neck with pearl necklace. WOMAN: Upper class. MAN: Yeah, definitely. WOMAN: Oh yeah. WOMAN: He look like he the CEO of some business. OLD WOMAN: The country club set- picture of smugness. GUY ON STREET: The stereotypical “my family was rich, I got the money after they died, now we’re happily ever after.” They don’t really look that happy though. Montage of images: the living situations of different social classes Song: “When you wish upon a star, makes no difference who you are. Anything your heart desires will come to you. If your heart is in your dream, no request is too extreme.” People Like Us – Transcript - page 2 R. COURI HAY, society columnist: It’s basically against the American principle to belong to a class. So, naturally Americans have a really hard time talking about the class system, because they really don’t want to admit that the class system exists. -
Reuters Institute Digital News Report 2020
Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media. -
A Theory of Spatial Acquisition in Twelve-Tone Serial Music
A Theory of Spatial Acquisition in Twelve-Tone Serial Music Ph.D. Dissertation submitted to the University of Cincinnati College-Conservatory of Music in partial fulfillment of the requirements for the degree of Ph.D. in Music Theory by Michael Kelly 1615 Elkton Pl. Cincinnati, OH 45224 [email protected] B.M. in Music Education, the University of Cincinnati College-Conservatory of Music B.M. in Composition, the University of Cincinnati College-Conservatory of Music M.M. in Music Theory, the University of Cincinnati College-Conservatory of Music Committee: Dr. Miguel Roig-Francoli, Dr. David Carson Berry, Dr. Steven Cahn Abstract This study introduces the concept of spatial acquisition and demonstrates its applicability to the analysis of twelve-tone music. This concept was inspired by Krzysztof Penderecki’s dis- tinctly spatial approach to twelve-tone composition in his Passion According to St. Luke. In the most basic terms, the theory of spatial acquisition is based on an understanding of the cycle of twelve pitch classes as contiguous units rather than discrete points. Utilizing this theory, one can track the gradual acquisition of pitch-class space by a twelve-tone row as each of its member pitch classes appears in succession, noting the patterns that the pitch classes exhibit in the pro- cess in terms of directionality, the creation and filling in of gaps, and the like. The first part of this study is an explanation of spatial acquisition theory, while the se- cond part comprises analyses covering portions of seven varied twelve-tone works. The result of these analyses is a deeper understanding of each twelve-tone row’s composition and how each row’s spatial characteristics are manifested on the musical surface. -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Of French and Italian Literature
c b, l m A Journal of French and e Italian Literature r e 5 Volume XVII Number 2 Chimères is a literary journal published each acade- mic semester (Fall and Spring numbers) by the gradu- ate students of the Department of French and Italian at The University of Kansas. The editors welcome the submission of papers written by non-tenured Ph. D's and advanced gradua te s tudents which deal with any aspect of French or Italian language, lite- rature, or culture. We shall consider any critical s tudy, essay, bibliography, or book review. Such material may be submitted in English, French, or Italian. In addition, we encourage the subrnission of poems and short staries written in French or Italian; our language request here applies only to c·rea tive works. Manus crip ts must conform to the MLA Style Sheet and should not exceed 15 pages in length. All subrnis- sions should be double-spaced and be clearly marked with the author's name and address. Please submit all material in duplicate. If return of the mater- ial is desired, please enclose a stamped, self- addressed envelope. The annual subscription rate is $4 for individuals and $10 for institutions and libraries. Single copies: $4. Chimères is published with funds provided in part by the Student Activity Fee through the Graduate Student Council of The University of Kansas. Please direct all manuscripts, subscriptions, and correspondence to the following address: Editor Chimères Department of French and I talian The University of Kansas ISSN 0276-7856 Lawrence KS 66045 PRINTEMPS 1984 C H I M E R E S Vol. -
The Ultimate Webct Handbook
The Ultimate WebCT Handbook A PracticalPractical aandnd PedaPPedagogicaledagogicaical GGuideuiduide ttoo WWebCTebCTCT 1st Edition The Ultimate WebCT™ Handbook A Pedagogical and Practical Guide Written by The Web Resources Staff Division of Distance & Distributed Learning Pullen Library Georgia State University November 2001 The Board of Regents of the University System of Georgia by and on behalf of Georgia State University copyright Division of Distance & Distributed Learning The Ultimate WebCT Handbook Principal Authors and Editorial Staff Stephen D. Rehberg, co-author & Editor-in-Chief Donna M. Ferguson, co-author & Assistant Editor Jeanne M. McQuillan, co-author & Managing Editor Sean A. Winburn, WebCT/Academic Support Specialist Wendy Riley, Web Developer Contributing Authors: Although twice the size, “The Ultimate WebCT Handbook” is based upon an earlier book, the “WebCT Handbook of Tools, Tips and Techniques Or Almost Everything You Wanted to Know About WebCT” that was written and edited by the entire staff of the Web Resources Department of the Division of Distance and Distributed Learning at Georgia State University. The editors and authors of this version are indebted to the authors of the previous version. Without their assiduous contributions, this text would not exist. We would like to offer our sincere gratitude to the many employees of the Web Resources Department of Distance and Distributed Learning who have contributed to this body of work. Eduardo Acevedo Mesele Haile Yuxin Ma Sydney Aron Thomas Hall Adi Rabinerzon