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Hearing Nostalgia in the Twilight Zone
JPTV 6 (1) pp. 59–80 Intellect Limited 2018 Journal of Popular Television Volume 6 Number 1 © 2018 Intellect Ltd Article. English language. doi: 10.1386/jptv.6.1.59_1 Reba A. Wissner Montclair State University No time like the past: Hearing nostalgia in The Twilight Zone Abstract Keywords One of Rod Serling’s favourite topics of exploration in The Twilight Zone (1959–64) Twilight Zone is nostalgia, which pervaded many of the episodes of the series. Although Serling Rod Serling himself often looked back upon the past wishing to regain it, he did, however, under- nostalgia stand that we often see things looking back that were not there and that the past is CBS often idealized. Like Serling, many ageing characters in The Twilight Zone often sentimentality look back or travel to the past to reclaim what they had lost. While this is a perva- stock music sive theme in the plots, in these episodes the music which accompanies the scores depict the reality of the past, showing that it is not as wonderful as the charac- ter imagined. Often, music from these various situations is reused within the same context, allowing for a stock music collection of music of nostalgia from the series. This article discusses the music of nostalgia in The Twilight Zone and the ways in which the music depicts the reality of the harshness of the past. By feeding into their own longing for the reclamation of the past, the writers and composers of these episodes remind us that what we remember is not always what was there. -
34 34A 34B 33 35 35A 35B 35C 35D
P064-085_Discography2-JUL16_Lr1_qxd_P64-85 7/7/16 12:42 PM Page 64 {}MIKE CURB : 50 Years DISCOGRAPHY “SHAPE OF THINGS TO COME” (FROM THE MOTION PICTURE WILD IN THE STREETS ) ARTIST: MAX FROST AND “STORE STEALING” (FROM THE MOTION PICTURE MARYJANE , STARRING FABIAN) 3T3 HE TROOPERS WRITER: BARRY MANN, CYNTHIA WEIL PUBLISHER: SCREEN GEMS EMI MUSIC INC. TIME: 1:57 3A5 RTIST: THE SIDEWALK SOUNDS WRITERS: MIKE CURB, LAWRENCE BROWN PUBLISH - PRODUCER: MIKE CURB WITH HARLEY HATCHER SPECIAL THANKS: JIM NICHOLSON TOWER 419, 1968 ER: DONNA DIJON MUSIC PUBLICATIONS (BMI) TIME: 1:53 PRODUCERS: MIKE CURB AND LAWRENCE BROWN SIDEWALK DT 5911, 1967 The biggest film ever released by American as a producer and as an engineer of this soundtrack; International Pictures was Wild In The Streets (1968); Jim Hatcher has remained with Curb’s companies since then. “HELLCATS THEME” (FROM THE MOTION PICTURE HELLCATS ) ARTIST: THE Nicholson, president of the company, asked Curb to pro - Max Frost was the name of the lead character in the 3A5RROA WS WRITER: HEMRIC, STYNER PUBLISHER: MIKE CURB MUSIC (BMI) TIME: 2:18 duce the soundtrack. Barry Mann and Cynthia Weil film; The song “Nothing Can Change The Shape Of PRODUCER: MIKE CURB TOWER 5124 ,1967 wrote the songs and Curb produced them. Things To Come” reached number 22 on the Billboard Curb signed Harley Hatcher, just out of the Armed Hot 100 in the fall of 1968. 3“5THEB ME FROM THE HARD RIDE/SWING LOW, SWEET CHARIOT ” Forces, to a songwriting contract, then worked with him ARTIST: SOUNDS OF HARLEY/BILL MEDLEY WRITER: HARLEY HATCHER PUBLISHER: HOME GROWN MUSIC, INC. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
The House I Live in Full Score
Jazz Lines Publications Presents The house i live in recorded by frank sinatra Arranged By myer ‘jeff’ alexander prepared by rob duboff and jeffrey sultanof full score jlp-9863 Words by Abel Meeropol (AKA Lewis Allan) Music by Earl Robinson Copyright © 1942 (Renewed) by Music Sales Corporation (ASCAP) This Arrangement © 2019 Music Sales Corporation (ASCAP) All Rights Reserved. Used by Permission. Frank Sinatra Is Under License from Frank Sinatra Enterprises LLC. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA frank sinatra series the house i live in (1945) The Music: The House I Live In has one of the more interesting pedigrees of all of the many memorable recordings in Frank Sinatra’s long career. It’s one that had tremendous meaning to him for decades after he starred in the RKO short film in 1945 bearing the same name and where his performance of the title track was the film’s centerpiece. Sinatra was at the peak of the first wave of his popularity, having starred in the highly successful earlier 1945 release of Anchors Aweigh in the wake of his continued recording and performing successes. Realizing that he could continue to present himself to an even larger audience by appearing in more popular films, he took on this very unique project with RKO in 1945 at the suggestion of eventual director Mervyn LeRoy. It was planned as a 10-minute short film at a time when attending a movie meant seeing the feature film as well as possible newsreels and special short films such as this. -
Jeff Alexander Television, Radio, and Motion Picture Music Collection, 1943-1970
http://oac.cdlib.org/findaid/ark:/13030/tf5f59p0qh No online items Finding Aid for the Jeff Alexander Television, Radio, and Motion Picture Music Collection, 1943-1970 Processed by Performing Arts Special Collections staff. University of California, Library Special Collections UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 95175 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm ©2011 The Regents of the University of California. All rights reserved. 42-M 1 Descriptive Summary Title: Jeff Alexander Television, Radio, and Motion Picture Music Collection, Date (inclusive): 1943-1970 Collection number: 42-M Creator: Alexander, Jeff Repository: University of California, Los Angeles. Library. University of California, Library Special Collections Los Angeles, California 90095-1490 Abstract: The collection consists of holographs and/or ozalid copies of musical sketches for TV commercials, radio programs; television shows, and various television specials, and holographs or copies of motion picture scores. Also included are additional manuscript scores, framed tributes, awards, letters of recognition, photographs with personalities, drawings, and sound recordings. Preferred Citation [Identification of item], Jeff Alexander Television, Radio, and Motion Picture Music Collection, 42-M, University of California, Library Special Collections, University of California, Los Angeles. Biography -
CUESTA COLLEGE NEWS SPRING 2019 a Letter from Our Superintendent/President JILL STEARNS
CUESTA COLLEGE NEWS SPRING 2019 A Letter From Our Superintendent/President JILL STEARNS Dear Cuesta community, I am amazed at how quickly Cuesta College began to feel like Student Profile: David Perlis home and how quickly the first nine months have passed! Each day I learn something new about this amazing institution and my appreciation deepens for the longstanding reputation for from DRAMATICS excellence held by Cuesta College. I continue to enjoy the stories of the college’s early history, which often focus on cows and barracks, and the incredibly informal interviews and job offers to that brought the first employees on board. These early educators CERAMICS set a high standard for excellence that remains firmly in place today maintaining Cuesta College as an institution of excellence. don't offer such as mixing glazes, which is David is now looking to see which direction a critical part of ceramics. I was already his found passion will lead him. As he Today, the impact of the two-year Cuesta College Promise Three signs led David Perlis to study impressed with that.” continues to build his portfolio, he sees Scholarship is still to be fully determined. The opportunity ceramics at Cuesta College. grad school, residencies, or apprenticeships of fee-free education for San Luis Obispo County high school David first discovered ceramics while as possibilities before eventually opening graduates provides access to higher education for all local He encountered his first sign while he taking an extracurricular class at Louisiana his own studio. graduates, including those completing adult education programs. was pursuing screenwriting in Los Angeles. -
Table of Contents
AN INTERPRETIVE PHENOMENOLOGICAL INQUIRY INTO FULFILLMENT OF CHOICE THEORY’S FOUR BASIC PSYCHOLOGICAL NEEDS THROUGH CONSOLE VIDEO GAME ENGAGEMENT A dissertation submitted to the Kent State University College and Graduate School of Education, Health, and Human Services in partial fulfillment of the requirements for the degree of Doctor of Philosophy By Joseph R. Alexander May 2015 © Copyright, 2015 by Joseph R. Alexander All Rights Reserved ii A dissertation written by Joseph R. Alexander B.A., Ohio University, 2007 M.A., Kent State University, 2010 Ph.D., Kent State University, 2015 Approved by ___________________________, Co-director, Doctoral Dissertation Committee Betsy Page ___________________________, Co-director, Doctoral Dissertation Committee Steve Rainey ___________________________, Member, Doctoral Dissertation Committee Alicia R. Crowe Accepted by ___________________________, Director, School of Lifespan Development and Mary M. Dellmann-Jenkins Educational Sciences ___________________________, Dean, College Education, Health, and Human Daniel F. Mahony Services iii ALEXANDER, JOSEPH R., May 2015 Counseling and Human Development Services AN INTERPRETIVE PHENOMENOLOGICAL INQUIRY INTO FULFILLMENT OF CHOICE THEORY’S FOUR BASIC PSYCHOLOGICAL NEEDS THROUGH CONSOLE VIDEO GAME ENGAGEMENT (219 pp.) Co-Directors of Dissertation: Steve Rainey, Ph.D. Betsy Page, Ed.D. This study sought to understand how people satisfy needs by engaging in console-based video games and ultimately help counselors understand clients’ need fulfillment by video games. Data has been collected on the players’ experiences and thoughts on how console-based video games meet the four basic psychological needs of choice theory. After reviewing the participants’ data, patterns and themes have been generated and reported from the dialog of the participants. These patterns and themes were used to inform professional counselor readers how to assist video game playing clients understand their basic psychological needs more efficiently. -
Chicago Symphony Orchestra Riccardo Muti December 2017/January 2018
CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI DECEMBER 2017/JANUARY 2018 CSO_Wrap3_C1_Dec17Jan18.indd 1 11/17/17 4:31 PM ABOVE ALL ELSE SEEK BEAUTY 74 stories of uncompromising commitment to the art of living, designed by Helmut Jahn with interiors by Kara Mann. EXTRAORDINARY MICHIGAN AVENUE CONDOMINIUM RESIDENCES CALL FOR A PRIVATE SHOWING 312-781-7510 1000SOUTHMICHIGAN.COM @1000MCHICAGO FB.ME/1000MCHICAGO 1000M is developed by 1000 South Michigan Equities LLC and is exclusively marketed by @properties. All information, including exterior façade, prices, dimensions, square footage, features, amenities, finishes, floor plans and availability are subject to change without notice. Developer License Number 2496464. Full_Page_Template.indd 1 11/16/17 1:47 PM Full_Page_Template.indd 1 11/16/17 1:48 PM CONTENTS CHICAGO SYMPHONY ORCHESTRA A Welcome Letter Program Book Production 4 Frances Atkins From Board of Trustees Chair Helen Zell and Chicago Content Director Phillip Huscher Symphony Orchestra Association President Jeff Alexander Program Annotator Gerald Virgil Meet the Musicians: Chicago Symphony Orchestra Senior Content Editor 6 Laura Emerick The latest in a series of profiles featuring the renowned Laura Sauer Content Editors members of the CSO Kristin Tobin Designer 8 Chicago Symphony Orchestra at Wheaton College CRAIN’S CHICAGO BUSINESS The CSO returns to Wheaton for a second season of Founder and editor in chief: subscription concerts. Rance Crain Crain’s Custom Media, a division of 10 Negaunee Music Institute at the Chicago Crain’s Chicago Business, serves as the publisher for the Chicago Symphony Symphony Orchestra Orchestra program books. Crain’s Learn how the Civic Fellowship program fosters the Custom Media provides production, printing, and media sales services for burgeoning careers of civically engaged and talented the CSO program books. -
ASCAP/BMI Comment
Stuart Rosen Senior Vice President General Counsel November 20, 2015 Chief, Litigation III Section Antitrust Division U.S. Department of Justice 450 5th Street NW, Suite 4000 Washington, DC 20001 Re: Justice Department Review of the BMI and ASCAP Consent Decrees To the Chief of the Litigation III Section: BMI recently alerted its community of affiliated songwriters, composers and publishers to the profound impact 100% licensing would have on their careers, both creatively and financially, if it were to be mandated by the U.S. Department of Justice. In a call to action, BMI provided a letter, one for songwriters and one for publishers, to which their signatures could be added. The response was overwhelming. BMI received nearly 13,000 signatures from writers, composers and publishers of all genres of music, at all levels in their careers. Some of the industry's most well- known songwriters added their names, including Stephen Stills, Cynthia Weil, Steve Cropper, Ester Dean, Dean Pitchford, Congressman John Hall, Trini Lopez, John Cafferty, Gunnar Nelson, Lori McKenna, Shannon Rubicam and Don Brewer, among many others. Enclosed you will find the letters, with signatures attached. On behalf of BMI, I strongly urge you to consider the voices of thousands of songwriters and copyright owners reflected here before making a decision that will adversely affect both the creators, and the ongoing creation of, one ofAmerica's most important cultural and economic resources. Vert truly yours, Stuart Rosen 7 World Trade Center, 250 Greenwich Street, New York, NY 10007-0030 (212) 220-3153 Fax: (212) 220-4482 E-Mail: [email protected] ® A Registered Trademark of Broadcast Music, Inc. -
POEMS of COLOR ELECTIONS INSPIRE TUNESMITHS Music Views the COVER "\T7TTH the Election Campaigns T N 1912 a Tune Called "You Oct., 1956 Voi
POEMS OF COLOR ELECTIONS INSPIRE TUNESMITHS Music Views THE COVER "\T7TTH the election campaigns T N 1912 a tune called "You Oct., 1956 Voi. XIV, No. 8 Frank Sinatra turns conductor v v swinging into high gear, Gotta Quit Kickin’ My Dawg on his newest Capitol album, Jim Walsh, a writer with a long "Tone Poems Of Color." Pack Aroun’ ” cropped up in the V IC ROWLAND Editor age contains original composi memory and an inexhaustible Democratic camp for reason Associate Editors: Merrilyn Hammond, tions by well known composers, amount of reference material, be which is rather obscure today. Dorothy Lambert. inspired by a group of twelve gan to dig around for facts about 1916 saw the presentation of poems dealing with the signifi campaign songs and recordings a tune called "We Take Hats cance of various colors. Titles of prior years. The results of his GORDON R. FRASER Publisher Off to You, Mr. Wilson,” and of the works are, "White," ferreting appeared in a recent another, "I Think We’ve Got "Green," "Purple," "Yellow," issue of Weekly Variety, an en Published Monthly By "Gray," "Gold," "Orange," Another Washington and Wilson tertainment industry newspaper, Is His Name.” With votes for CAPITOL PUBLICATIONS, INC. "Black," "Silver" "Blue," in an article which produced the "Brown" and "Red." For further women being a big issue that Hollywood & Vine, Hollywood 28, Calif. details see pages 5, 6 and 7 following facts: year, a tune came out titled, Printed in U.S.A. of this issue. In 1896 (when there were just "She’s Good Enough to be Your $1.00 per year.