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Sun Devil Legends
SUN DEVIL LEGENDS over North Carolina. Local sports historians point to that game as the introduction of Arizona State Frank Kush football to the national scene. Five years later, the Sun Devils again capped an undefeated season by ASU Coach, 1958-1979 downing Nebraska, 17-14. The win gave ASU a No. In 1955, Hall of Fame coach Dan Devine hired 2 national ranking for the year, and ushered ASU Frank Kush as one of his assistants at Arizona into the elite of college football programs. State. It was his first coaching job. Just three years • The success of Arizona State University football later, Kush succeeded Devine as head coach. On under Frank Kush led to increased exposure for the December 12, 1995 he joined his mentor and friend university through national and regional television in the College Football Hall of Fame. appearances. Evidence of this can be traced to the Before he went on to become a top coach, Frank fact that Arizona State’s enrollment increased from Kush was an outstanding player. He was a guard, 10,000 in 1958 (Kush’s first season) to 37,122 playing both ways for Clarence “Biggie” Munn at in 1979 (Kush’s final season), an increase of over Michigan State. He was small for a guard; 5-9, 175, 300%. but he played big. State went 26-1 during Kush’s Recollections of Frank Kush: • One hundred twenty-eight ASU football student- college days and in 1952 he was named to the “The first three years that I was a head coach, athletes coached by Kush were drafted by teams in Look Magazine All-America team. -
Miriam Elman CV
MIRIAM F. ELMAN, Ph.D. Associate Professor of Political Science Inaugural Robert D. McClure Professor of Teaching Excellence Maxwell School of Citizenship & Public Affairs Syracuse University SYRACUSE UNIVERSITY POSITIONS: ■ Research Director: Program for the Advancement of Research on Conflict and Collaboration (PARCC) ■ Member of the Advisory Board and Steering Committee: Jewish Studies Program (JSP) | Middle Eastern Studies Program (MESP) ■ Faculty Affiliate: Institute for National Security and Counterterrorism (INSCT) PREVIOUS POSITIONS: Associate & Assistant Professor Department of Political Science, Arizona State University (1996-2008) Faculty Affiliate Jewish Studies Program, Arizona State University (1996-2008) Instructor Department of Political Science, Arizona State University (1995-1996) Research Fellow Belfer Center for Science and International Affairs, John F. Kennedy School of Government, Harvard University (1995-1996 and 1998-2000) Sergeant, Air Force, Israel Defense Forces (1983-1985) CONTACT INFORMATION: 400G Eggers Hall Syracuse, New York, 13244-1020 Tel: 315-443-7404 Fax: 315-443-9082 Email: [email protected] SOCIAL MEDIA: Webpage Twitter Facebook Columns at Legal Insurrection 2 EDUCATION 1996 Ph.D. Columbia University Political Science 1993 M.Phil. Columbia University Political Science 1990 M.A. Degree Studies Hebrew University International Relations of Jerusalem, Israel 1989 Secondary School Hebrew University Teaching Certificate of Jerusalem, Israel 1988 B.A. (cum laude) Hebrew University International Relations -
FROM BULLDOGS to SUN DEVILS the EARLY YEARS ASU BASEBALL 1907-1958 Year ...Record
THE TRADITION CONTINUES ASUBASEBALL 2005 2005 SUN DEVIL BASEBALL 2 There comes a time in a little boy’s life when baseball is introduced to him. Thus begins the long journey for those meant to play the game at a higher level, for those who love the game so much they strive to be a part of its history. Sun Devil Baseball! NCAA NATIONAL CHAMPIONS: 1965, 1967, 1969, 1977, 1981 2005 SUN DEVIL BASEBALL 3 ASU AND THE GOLDEN SPIKES AWARD > For the past 26 years, USA Baseball has honored the top amateur baseball player in the country with the Golden Spikes Award. (See winners box.) The award is presented each year to the player who exhibits exceptional athletic ability and exemplary sportsmanship. Past winners of this prestigious award include current Major League Baseball stars J. D. Drew, Pat Burrell, Jason Varitek, Jason Jennings and Mark Prior. > Arizona State’s Bob Horner won the inaugural award in 1978 after hitting .412 with 20 doubles and 25 RBI. Oddibe McDowell (1984) and Mike Kelly (1991) also won the award. > Dustin Pedroia was named one of five finalists for the 2004 Golden Spikes Award. He became the seventh all-time final- ist from ASU, including Horner (1978), McDowell (1984), Kelly (1990), Kelly (1991), Paul Lo Duca (1993) and Jacob Cruz (1994). ODDIBE MCDOWELL > With three Golden Spikes winners, ASU ranks tied for first with Florida State and Cal State Fullerton as the schools with the most players to have earned college baseball’s top honor. BOB HORNER GOLDEN SPIKES AWARD WINNERS 2004 Jered Weaver Long Beach State 2003 Rickie Weeks Southern 2002 Khalil Greene Clemson 2001 Mark Prior Southern California 2000 Kip Bouknight South Carolina 1999 Jason Jennings Baylor 1998 Pat Burrell Miami 1997 J.D. -
UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2009 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-09553 CBS CORPORATION (Exact name of registrant as specified in its charter) DELAWARE 04-2949533 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification Number) 51 W. 52nd Street New York, NY 10019 (212) 975-4321 (Address, including zip code, and telephone number, including area code, of registrant's principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Name of Each Exchange on Title of Each Class Which Registered Class A Common Stock, $0.001 par value New York Stock Exchange Class B Common Stock, $0.001 par value New York Stock Exchange 7.625% Senior Debentures due 2016 American Stock Exchange 7.25% Senior Notes due 2051 New York Stock Exchange 6.75% Senior Notes due 2056 New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None (Title of Class) Indicate by check mark if the registrant is a well-known seasoned issuer (as defined in Rule 405 of the Securities Act of 1933). Yes ☒ No o Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. -
OH-279 NARRATOR: James Yeater INTERVIEWER: Aaron Monson DATE: July 1, 2008
TEMPE HISTORICAL MUSEUM ORAL HISTORY PROJECT INTERVIEW #: OH-279 NARRATOR: James Yeater INTERVIEWER: Aaron Monson DATE: July 1, 2008 JY = James Yeater INT = Interviewer _______ = Unintelligible (Italics) = Transcriber’s notes Side A INT: Today is July 1, 2008. This is the Tempe Historical Museum’s renovation interview with James Yeater, former Theater department head at Arizona State University. Let’s begin. Can you tell me please when you first came to ASU, and what made you choose ASU as an employer? JY: I came in 1958. At that time, I had two choices, I guess. One with a college in northern Michigan, almost to Canada, and the other one was Arizona State College. No particular choice too much, but it seemed like climate-wise, this would be a little better choice. It also seemed . In those days, we did not have interviews. You didn’t go to the campus to be interviewed. You were lucky to get a phone call and learn a little bit about it. And the Theater program here seemed rather similar to one I had had as an undergraduate; that is, with about four or five courses, and it was still called Drama then rather than Theater, and with doing plays with the student body as a whole rather than a part of any professionally-developed system. I was familiar with that, so it seemed like a good choice. But I guess, basically, it was sort of an opportunity. INT: Can you tell me just a little bit about what brought you into the drama and theater career path? What initially sparked your interest in it? JY: Actually, I think I started out in other things, but began to—I’m sure this is the common pattern of many—began to work, to be in plays and dramatic presentations and debate and so forth. -
2020-2021 EEO Annual Public File Report KJZZ-FM and KBAQ-FM, Phoenix
Maricopa County Community College District (KJZZ and KBAQ) 2020-2021 EEO Annual Public File Report KJZZ-FM and KBAQ-FM, Phoenix, Arizona (Station Employment Unit) LICENSEE: Maricopa County Community College District Period: 06/01/2020 to 05/31/2021 This EEO Annual Public File Report is filed in compliance with Section 73.2080 (c)(6) of the FCC's EEO Rule. This report has been prepared on behalf of the station employment unit that consists of NCE stations KJZZ-FM and KBAQ-FM in Phoenix, Arizona and the translators for these stations. The stations are a community service of Rio Salado College and the Maricopa County Community College District (MCCCD) is the licensee of KJZZ and co-licensee (with the Arizona Board of Regents on behalf of Arizona State University) of KBAQ. Rio Salado College and MCCCD are equal opportunity employers, which value a diverse workforce and provide broad outreach regarding job vacancies. Employee recruitment and hiring for the stations is handled primarily through Rio Salado College and MCCCD human resources departments, which support equal employment opportunities and work against discrimination in employment. Organizations that wish to receive information concerning vacancies at the stations should contact John Sage, Associate Vice President at 480-834-5627; visit the MCCCD Human Resources Department at maricopa.edu/about?jobs or the station web sites at kjzz.org and kbaq.org. Please note the following with respect to recruitment sources and job referral organizations used to fill vacant positions: The MCCCD and Rio Salado College human resources departments provide notices of all job vacancies within the MCCCD system-including job vacancies within the Station Employment Unit-to a variety of local and national job referral organizations. -
Marginalia Spring 08.Indd
THE MAGAZINE OF THE PIPER CENTER FOR CREATIVE WRITING | COLLEGE OF LIBERAL ARTS AND SCIENCES ON PLACE WRITERS IN THE WORLD AIMEE NEZHUKUMATATHIL ON THIS WRITER’S LIFE PREVIEW: 2008 WRITERS CONFERENCE PROFILES OF LOUISE GLÜCK C.D. WRIGHT SPECIAL REPORT: MFA STUDENTS VISIT CHINA ALSOINSIDE DENISEDUHAMEL | DINTYWMOORE | LAURATOHE IN THIS ISSUE VOL 3, ISS 1 SPRING 2008 FEATURES EDITOR CONVERGING VOICES ..............................................................................................................4 Beth Staples Brian Diamond previews the 2008 Desert Nights, Rising Stars converence. COPYEDITOR DISCOVERING “MANY INDIAS” ..............................................................................................6 Veronica Lucero Liz Wimberly reflects on her trip to India. CONTRIBUTORS THE REAL WORLD ....................................................................................................................9 Aimée Baker Dinty W. Moore Charles Jensen explains why the work of Louise Glück matters. Matthew Brennan Aimee Nezhukumatathil Katie Cortese Arijit Sen Denise Duhamel AREA CODE ............................................................................................................................ 11 Leah Soderburg Robby Taylor considers what it means to write from the Southwest. Brian Diamond Rose Swartz Charles Jensen Robby Taylor Brian Lee Dinh Vong CREATIVE WRITING GOES TO CHINA .................................................................................. 17 Beth Staples travels from Tempe to Tibet. Nadine -
A Critical Ideological Analysis of Mass Mediated Language
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2006 Democracy, Hegemony, and Consent: A Critical Ideological Analysis of Mass Mediated Language Michael Alan Glassco Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Mass Communication Commons Recommended Citation Glassco, Michael Alan, "Democracy, Hegemony, and Consent: A Critical Ideological Analysis of Mass Mediated Language" (2006). Master's Theses. 4187. https://scholarworks.wmich.edu/masters_theses/4187 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. DEMOCRACY, HEGEMONY, AND CONSENT: A CRITICAL IDEOLOGICAL ANALYSIS OF MASS MEDIA TED LANGUAGE by Michael Alan Glassco A Thesis Submitted to the Faculty of the Graduate College in partial fulfillment'of the requirements for the Degreeof Master of Arts School of Communication WesternMichigan University Kalamazoo, Michigan August 2006 © 2006 Michael Alan Glassco· DEMOCRACY,HEGEMONY, AND CONSENT: A CRITICAL IDEOLOGICAL ANALYSIS OF MASS MEDIATED LANGUAGE Michael Alan Glassco, M.A. WesternMichigan University, 2006 Accepting and incorporating mediated political discourse into our everyday lives without conscious attention to the language used perpetuates the underlying ideological assumptions of power guiding such discourse. The consequences of such overreaching power are manifestin the public sphere as a hegemonic system in which freemarket capitalism is portrayed as democratic and necessaryto serve the needs of the public. This thesis focusesspecifically on two versions of the Society of ProfessionalJournalist Codes of Ethics 1987 and 1996, thought to influencethe output of news organizations. -
Your Future Campus
Published October 2016. XX. Photo credit: Scott Troyanos. 2694 Troyanos. Scott credit: Photo XX. 2016. October Published alternative formats, contact Admission Services at 480-965-7788 or fax 480-965-3610. 480-965-3610. fax or 480-965-7788 at Services Admission contact formats, alternative Information is subject to change. © 2014 ABOR for ASU. To request this publication in in publication this request To ASU. for ABOR 2014 © change. to subject is Information @FutureSunDevils @FutureSunDevils instagram.com download the ASU app ASU the download @FutureSunDevils /FutureSunDevils twitter.com facebook.com Connect with us: us: with Connect Tempe campus | Self-guided tour Self-guided | campus Tempe asu.edu/apply asu.edu/mydegree campus Apply for admission admission for Apply degrees Explore Sun Devil journey journey Devil Sun future Your Take the next step on your your on step next the Take Join us Join ASU has emerged as a leader in higher education. Nationally recognized by The Wall Street Journal for preparing the most-qualified college graduates, it consistently ranks as the top ASU rankings school in Arizona for innovation, affordability, quality of students and academic programs. title source AZ ranking U.S. ranking best bang for the buck Washington Monthly 1 24 best-qualified graduates The Wall Street Journal 1 5 top scholars Fulbright Scholar Awards 1 5 most innovative U.S. News & World Report 1 1 public good Washington Monthly 1 34 best colleges for the money Fox Business 1 Top 10 international choice Institute of International Education 1 4 best graduate education school U.S. News & World Report 1 14 best colleges for veterans College Factual 1 2 1st St Welcome to Arizona State University’se Tempe campus v A Rio Salado Pwky Maple 2nd St 1 College Ave. -
Joseph Wytko Saxophone Quartet Joseph Wytko Chapman University
Chapman University Chapman University Digital Commons Printed Performance Programs (PDF Format) Music Performances 9-28-2010 Joseph Wytko Saxophone Quartet Joseph Wytko Chapman University Anna Marie Wytko Chapman University Matthew aP tnode Chapman University Kevin Gorman Chapman University Follow this and additional works at: http://digitalcommons.chapman.edu/music_programs Recommended Citation Wytko, Joseph; Wytko, Anna Marie; Patnode, Matthew; and Gorman, Kevin, "Joseph Wytko Saxophone Quartet" (2010). Printed Performance Programs (PDF Format). Paper 613. http://digitalcommons.chapman.edu/music_programs/613 This Guest Recital is brought to you for free and open access by the Music Performances at Chapman University Digital Commons. It has been accepted for inclusion in Printed Performance Programs (PDF Format) by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. •• CHAPMAN•• UNIVERSITY COLLEGE OF PERFORMING ARTS CHAPMAN UNIVERSITY Fall 2010 Event Highlights Conservatory ofMusic THEATRE: Godspell by Stephen Schwartz and John-Michael Tebelak ... Sept. 30-0ct. 2, 6-9 presents the If All the Sky Were Paper (World Premiere) by Andrew Carroll.............................................................. Nov. 11-13, 18-20 MUSIC: Chapman University Wind Symphony................................................. Oct. 16 Opera Chapman presents: "If Music Be the Food of Love" ...... Oct. 22-31 JOSEPH WYTKO SAXOPHONE QUARTET University Chofrs in Concert ................................................................ -
The Desert Aesthetic of Frank Lloyd Wright: a Comparison of Taliesin West and Grady Gammage Auditorium
1 The Desert Aesthetic of Frank Lloyd Wright: A Comparison of Taliesin West and Grady Gammage Auditorium The city of Phoenix Arizona is famously named for the legendary bird that died and was regenerated from its ashes. It is here that Frank Lloyd Wright traveled in February 1928 to assist in the planning of the Biltmore Hotel. Already Wright’s life seemed to parallel the myth of the Phoenix with its tale of fiery death followed by glorious rebirth. In 1914 Wright had endured the destruction by fire of his Wisconsin residence, Taliesin, and the murder of his companion and her children during that same disastrous event. He had weathered a failed first marriage, social ostracism brought on by his subsequent affair with his client ((Mamah Borthwick, the murder victim), another fire in 1925, and professional and financial setbacks. Yet, at over sixty years of age, newly married to a woman thirty years younger than himself, he would begin his encounter with the Arizona desert, a love affair that, like that with Olgivanna, would last the rest of his life. It took ten years for Wright to establish roots near Phoenix and he did so just in time to witness its transformation from a sleepy farming center surrounded by pristine desert to the burgeoning metropolis it showed signs of becoming by the time he died in 1959. When Wright first visited in late 1928, Phoenix had a population of just under 50,000 inhabitants. By 1960, that number had more than doubled and Phoenix was well on its way to status as a major American city. -
February 6, 1999 ) ) MM Docket No. 99-25 BEFORE the FEDERAL COMMUNICATIONS ) COMMISSION, Washington D.C. ) ) TABLE of CONTENTS I
February 6, 1999 ) ) MM Docket No. 99-25 BEFORE THE FEDERAL COMMUNICATIONS ) COMMISSION, Washington D.C. ) ) TABLE OF CONTENTS I. INTRODUCTION VI. SERVICE CHARACTERISTICS 1. An important decision. 38. Local-origination program requirements. 2. We must work together with full-power 39. NEPA and electronic radiation protection. broadcasters. 40. Political broadcasts. 3. The FCC has recognized the need for LPFM. 41. Operating hours. 4. LPFM means diverse programming and 42. License terms. training. 43. Construction permits. 5. LPFM brings radio back to the local 44. Regulatory fees. community. 45. Sale of stations. 6. LP-1000 can work in rural areas where full 46. Emergency Alert System (EAS). facilities are not available. 47. Station identification. II. SPECTRUM CONSIDERATIONS 48. Inspections and public files. 7. We must make 87.5-87.9 available to LPFM. 49. Shut down stations due to impermissible 8. Commercial use of the reserved band by LP- interference. 100 and microstations. VII. APPLICATIONS 9. LP-1000 should be subject to reserved band 50. Electronic filing. restrictions. 51. Mutually exclusive (MX) applications. 10. LPFM access to Auxillary Broadcasting 52. Frequency Coordinators. Services. 53. Filing windows. III. SPECTRUM PRIORITY 54. Auctions. 11. The interference potential. VIII. INTERNATIONAL NOTIFICATION 12. LP-1000 should be primary. 55. Protecting Mexican and Canadian stations. 13. Other LPFM should be secondary. 56. Distance spacing of LPFM stations. IV. OVERVIEW OF THE SERVICES IX. SUMMARY PROPOSED 57. In conclusion. 14. LP-1000 for rural areas only. 15. LP-100 for urban and suburban areas. APPENDIX A – REC NETWORKS’ PROPOSED 16. Rural LP-1000 should protect urban LP- DISTANCE SPACING FOR LPFM STATIONS.