The American Festival Project's Untold Stories Linda Frye Burnham
Reaching for the Valley of the Sun The American Festival Project’s Untold Stories Linda Frye Burnham A writer approaching the American Festival Project (AFP) feels like one of the blind men trying to describe the elephant in the old fable: it’s vast, and one has never seen anything like it before. This multicultural alliance of a dozen accomplished artists and performing-arts companies from all over the U.S. is a kind of movable arts feast. For 16 years they have been coming to- gether in different configurations in cities and towns from coast to coast and border to border, producing a different festival in each location. In theatre circles, the AFP is legendary for its lofty and far-reaching mis- sion. Far from a traveling road show, the AFP thinks of itself as a cultural or- ganizing tool, working with each of these communities to create an arts project that will leave lasting social change in its wake. The AFP is worth watching, if only because of the merits of each of its member companies, all of whom bear bona fide community-arts credentials and are vital arts power- houses in their home communities. The combination of these talents can add up to some awesome potential. Wherever the AFP works, it draws many artists into its net, but the “core” companies now include Carpetbag Theatre (Knoxville, TN), Junebug Pro- ductions (New Orleans, LA), Liz Lerman Dance Exchange (Takoma Park, MD), Robbie McCauley and Company (New York, NY), Pregones Theater (Bronx, NY), Roadside Theater (Whitesburg, KY), El Teatro de la Esperanza (San Francisco, CA), A Traveling Jewish Theatre (San Francisco, CA), Urban Bush Women (New York, NY); writer-directors Steven Kent (Los Angeles, CA) and Nayo Watkins (Durham, NC); and producers Caron Atlas (New York, NY) and Theresa Holden (Austin, TX).
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