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Arizona TIM PALMER FLICKR
Arizona TIM PALMER FLICKR Colorado River at Mile 50. Cover: Salt River. Letter from the President ivers are the great treasury of noted scientists and other experts reviewed the survey design, and biological diversity in the western state-specific experts reviewed the results for each state. RUnited States. As evidence mounts The result is a state-by-state list of more than 250 of the West’s that climate is changing even faster than we outstanding streams, some protected, some still vulnerable. The feared, it becomes essential that we create Great Rivers of the West is a new type of inventory to serve the sanctuaries on our best, most natural rivers modern needs of river conservation—a list that Western Rivers that will harbor viable populations of at-risk Conservancy can use to strategically inform its work. species—not only charismatic species like salmon, but a broad range of aquatic and This is one of 11 state chapters in the report. Also available are a terrestrial species. summary of the entire report, as well as the full report text. That is what we do at Western Rivers Conservancy. We buy land With the right tools in hand, Western Rivers Conservancy is to create sanctuaries along the most outstanding rivers in the West seizing once-in-a-lifetime opportunities to acquire and protect – places where fish, wildlife and people can flourish. precious streamside lands on some of America’s finest rivers. With a talented team in place, combining more than 150 years This is a time when investment in conservation can yield huge of land acquisition experience and offices in Oregon, Colorado, dividends for the future. -
Phoenix Area Homes Include the Circular David Wright House (1952), 5212 East Exeter Blvd., Designed for His Son in North Phoenix (1950), and the H.C
CITY REPORT (Iraq) Opera House (never built), serves as a distinguished gateway to the Tempe campus of Arizona State University. Its president at the time, Grady Gammage, was a good friend of the architect. Wright’s First Christian Church (designed in 1948/built posthumously by the Frank Lloyd Wright Foundation in 1973), 6750 N. Seventh Ave., incorporates desert masonry, as in Taliesin West, and features distinctive spires. Wright’s ten distinguished Phoenix area homes include the circular David Wright House (1952), 5212 East Exeter Blvd., designed for his son in north Phoenix (1950), and the H.C. Price House (1954), 7211 N. Tatum Blvd., with its graceful combination of concrete block, steel and copper in a foothills setting. Wright’s approach continued through his pupils, such as Albert Chase McArthur, who is generally credited with the design of the spectacular Arizona Biltmore Hotel (1928), 24th St. and Missouri Ave. Wright’s influence on the building is clear in both massing and details, including the distinctive concrete Biltmore Blocks, cast onsite to an Emry Kopta design. The hotel was Foundation. Photo by Lara Corcoran, courtesy Frank Lloyd Wright restored after a fire in 1973, and additions were built in 1975 and 1979. Blaine Drake was another student who, with Alden Dow, designed the original Phoenix Art Museum, Theater and Library Complex and East Wing (1959, 1965), 1625 N. Central Ave. (Tod Williams and Billie Tsien Architects, New York, designed additions in 1996 and 2006.) Drake also designed the first addition to the Heard Museum (1929), 22 E. Monte Vista Rd., a PHOENIX: UP FROM THE DESERT Spanish Colonial Revival by H.H. -
The Year's Music
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fti E Y LAKS MV5IC 1896 juu> S-q. SV- THE YEAR'S MUSIC. PIANOS FOR HIRE Cramer FOR HARVARD COLLEGE LIBRARY Pianos BY All THE BEQUEST OF EVERT JANSEN WENDELL (CLASS OF 1882) OF NEW YORK Makers. 1918 THIS^BQQKJS FOR USE 1 WITHIN THE LIBRARY ONLY 207 & 209, REGENT STREET, REST, E.C. A D VERTISEMENTS. A NOVEL PROGRAMME for a BALLAD CONCERT, OR A Complete Oratorio, Opera Recital, Opera and Operetta in Costume, and Ballad Concert Party. MADAME FANNY MOODY AND MR. CHARLES MANNERS, Prima Donna Soprano and Principal Bass of Royal Italian Opera, Covent Garden, London ; also of 5UI the principal ©ratorio, dJrtlustra, artii Sgmphoiu) Cxmctria of ©wat Jfvitain, Jtmmca anb Canaba, With their Full Party, comprising altogether Five Vocalists and Three Instrumentalists, Are now Booking Engagements for the Coming Season. Suggested Programme for Ballad and Opera (in Costume) Concert. Part I. could consist of Ballads, Scenas, Duets, Violin Solos, &c. Lasting for about an hour and a quarter. Part II. Opera or Operetta in Costume. To play an hour or an hour and a half. Suggested Programme for a Choral Society. Part I. A Small Oratorio work with Chorus. Part II. An Operetta in Costume; or the whole party can be engaged for a whole work (Oratorio or Opera), or Opera in Costume, or Recital. REPERTOIRE. Faust (Gounod), Philemon and Baucis {Gounod) (by arrangement with Sir Augustus Harris), Maritana (Wallace), Bohemian Girl (Balfe), and most of the usual Oratorios, &c. -
Edition Bounces Back at Newmarket Cont
SUNDAY, 12 AUGUST 2018 ALPHA ATTRACTION MAIN EDITION BOUNCES Like the stars of the silver screen alighting on the Cannes Film BACK AT NEWMARKET Festival, the Niarchos Family=s Alpha Centauri (Ire) (Mastercraftsman {Ire}) is the prime head-turner on display in Deauville on Sunday as she bids to extend her summer dominance in the G1 Prix du Haras de Fresnay-le-Buffard Jacques le Marois, a >Win and You=re In= qualifier for the GI Breeders= Cup Mile. Guided to easy wins in the June 22 G1 Coronation S. and July 13 G1 Falmouth S. by Colm O=Donoghue following her breakthrough success in the G1 Irish 1000 Guineas, the homebred >TDN Rising Star> has ground conditions in her favour here and a comfortable cushion on ratings. AI=m looking forward to it, she=s in good form and came out of the Falmouth really well,@ her rider commented. AObviously she=s flying over there for the first time and group ones are never easy to win, but we are going there full of confidence.@ Cont. p5 Main Edition is now four wins from five starts | Racing Post IN TDN AMERICA TODAY ANOTHER BROWN-LETTER DAY IN CHICAGO For the second year in a row, trainer Chad Brown came to Arlington Putting her most recent disappointment in the G2 Duchess of Park and conquerered, leaving with wins in the GI Arlington Million Cambridge S. behind her, Main Edition (Ire) (Zoffany {Ire}) and GI Beverly D. S. Click or tap here to go straight to TDN returned to winning ways by leading at every step of America. -
Reciprocal Sites Membership Program
2015–2016 Frank Lloyd Wright National Reciprocal Sites Membership Program The Frank Lloyd Wright National Reciprocal Sites Program includes 30 historic sites across the United States. FLWR on your membership card indicates that you enjoy the National Reciprocal sites benefit. Benefits vary from site to site. Please check websites listed in this brochure for detailed information on each site. ALABAMA ARIZONA CALIFORNIA FLORIDA 1 Rosenbaum House 2 Taliesin West 3 Hollyhock House 4 Florida Southern College 601 RIVERVIEW DRIVE 12621 N. FRANK LLOYD WRIGHT BLVD BARNSDALL PARK 750 FRANK LLOYD WRIGHT WAY FLORENCE, AL 35630 SCOTTSDALE, AZ 85261-4430 4800 HOLLYWOOD BLVD LAKELAND, FL 33801 256.718.5050 480.860.2700 LOS ANGELES, CA 90027 863.680.4597 ROSENBAUMHOUSE.COM FRANKLLOYDWRIGHT.ORG 323.644.6269 FLSOUTHERN.EDU/FLW WRIGHTINALABAMA.COM FOR UP-TO-DATE INFORMATION BARNSDALL.ORG FOR UP-TO-DATE INFORMATION FOR UP-TO-DATE INFORMATION TOUR HOURS: 9AM–4PM FOR UP-TO-DATE INFORMATION TOUR HOURS: TOUR HOURS: BOOKSHOP HOURS: 8:30AM–6PM TOUR HOURS: THURS–SUN, 11AM–4PM OPEN ALL YEAR, EXCEPT OPEN ALL YEAR, EXCEPT TOUR TICKETS AVAILABLE AT THE THANKSGIVING, CHRISTMAS AND NEW Experience firsthand Frank Lloyd MAJOR HOLIDAYS. HOLLYHOCK HOUSE VISITOR’S CENTER YEAR’S DAY. 10AM–4PM Wright’s brilliant ability to integrate TUES–SAT, 10AM–4PM IN BARNSDALL PARK. VISITOR CENTER & GIFT SHOP HOURS: SUN, 1PM–4PM indoor and outdoor spaces at Taliesin Hollyhock House is Wright’s first 9:30AM–4:30PM West—Wright’s winter home, school The Rosenbaum House is the only Los Angeles project. Built between and studio from 1937-1959, located Discover the largest collection of Frank Lloyd Wright-designed 1919 and 1923, it represents his on 600 acres of dramatic desert. -
Arizona Fishing Regulations 3 Fishing License Fees Getting Started
2019 & 2020 Fishing Regulations for your boat for your boat See how much you could savegeico.com on boat | 1-800-865-4846insurance. | Local Offi ce geico.com | 1-800-865-4846 | Local Offi ce See how much you could save on boat insurance. Some discounts, coverages, payment plans and features are not available in all states or all GEICO companies. Boat and PWC coverages are underwritten by GEICO Marine Insurance Company. GEICO is a registered service mark of Government Employees Insurance Company, Washington, D.C. 20076; a Berkshire Hathaway Inc. subsidiary. TowBoatU.S. is the preferred towing service provider for GEICO Marine Insurance. The GEICO Gecko Image © 1999-2017. © 2017 GEICO AdPages2019.indd 2 12/4/2018 1:14:48 PM AdPages2019.indd 3 12/4/2018 1:17:19 PM Table of Contents Getting Started License Information and Fees ..........................................3 Douglas A. Ducey Governor Regulation Changes ...........................................................4 ARIZONA GAME AND FISH COMMISSION How to Use This Booklet ...................................................5 JAMES S. ZIELER, CHAIR — St. Johns ERIC S. SPARKS — Tucson General Statewide Fishing Regulations KURT R. DAVIS — Phoenix LELAND S. “BILL” BRAKE — Elgin Bag and Possession Limits ................................................6 JAMES R. AMMONS — Yuma Statewide Fishing Regulations ..........................................7 ARIZONA GAME AND FISH DEPARTMENT Common Violations ...........................................................8 5000 W. Carefree Highway Live Baitfish -
Artists Is Unsurpassed
A MESSAGE FROM The Governor Welcome! It is my great honor to join Arizona Citizens for the Arts and the Arizona Commission on the Arts in this wonderful celebration -- this year in a truly fitting setting that carries important historical and cultural significance. Arizona’s arts and culture community reflects the creative diversity and remarkable talents of the people who comprise one of our state’s great treasures. For 29 years, the Governor’s Arts Awards have recognized its outstanding achievements and contributions to our state’s economic vitality and quality of life. Particularly during these very difficult economic times, arts and culture provide us the opportunity to be inspired by what Arizonans have to offer across our broad and beautiful state, to be engaged and swept up in the arts experience and to recharge and refocus on what makes Arizona unique. Please allow me to offer my personal congratulations to all of the honorees and nominees being recognized this evening, and thank each of you for joining us. Sincerely, Janice K. Brewer Governor of Arizona eveningEVENING programPROGRAM 29th Annual Governor’s Arts Awards Monday, April 19, 2010 Orpheum Theatre 5:30 p.m. Celebration of Arts in Education Reception sponsored by SRP 7:00 p.m. Welcome Honorary Chair, Governor Janice K. Brewer Awards Program sponsored by Boeing Celebrity Emcee, Heidi Foglesong Introduction of Honored Guests Presentation of Awards “Shelley Award” presented to Shirley Chann by Gerry Murphy Business Award presented by Boeing, 2009 Honoree Individual Award presented by Jessica Andrews, 2008 Honoree Community Award presented by Ben’s Bells Project, 2009 Honoree Arts in Education Award presented by Phoenix Art Museum, 2009 Honoree Artist Award presented by Michael Barnard, 2009 Honoree 8:00 p.m. -
High Performance Stallions Standing Abroad
High Performance Stallions Standing Abroad High Performance Stallions Standing Abroad An extract from the Irish Sport Horse Studbook Stallion Book The Irish Sport Horse Studbook is maintained by Horse Sport Ireland and the Northern Ireland Horse Board Horse Sport Ireland First Floor, Beech House, Millennium Park, Osberstown, Naas, Co. Kildare, Ireland Telephone: 045 850800. Int: +353 45 850800 Fax: 045 850850. Int: +353 45 850850 Email: [email protected] Website: www.horsesportireland.ie Northern Ireland Horse Board Office Suite, Meadows Equestrian Centre Embankment Road, Lurgan Co. Armagh, BT66 6NE, Northern Ireland Telephone: 028 38 343355 Fax: 028 38 325332 Email: [email protected] Website: www.nihorseboard.org Copyright © Horse Sport Ireland 2015 HIGH PERFORMANCE STALLIONS STANDING ABROAD INDEX OF APPROVED STALLIONS BY BREED HIGH PERFORMANCE RECOGNISED FOREIGN BREED STALLIONS & STALLIONS STALLIONS STANDING ABROAD & ACANTUS GK....................................4 APPROVED THROUGH AI ACTION BREAKER.............................4 BALLOON [GBR] .............................10 KROONGRAAF............................... 62 AIR JORDAN Z.................................. 5 CANABIS Z......................................18 LAGON DE L'ABBAYE..................... 63 ALLIGATOR FONTAINE..................... 6 CANTURO.......................................19 LANDJUWEEL ST. HUBERT ............ 64 AMARETTO DARCO ......................... 7 CASALL LA SILLA.............................22 LARINO.......................................... 66 -
Download This
NPS Form 10-900 \ ____^——^"~""^ \ OMB No. 1024-0018 (Oct. 1990) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking V in the appropriate box or by entering the information requested. If an item does not apply to the property being nominated, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property historic name McNair. Jonas. House other name/site number 2. Location street & number: 5919 W. Myrtle Avenue N/A not for publication city/town: Glendale____________ N/A vicinity state: Arizona code: AZ county: Maricopa code: 013 zip code: 85301 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that thisjfjiornination D request for determination of eligibility meets the documentation standards for registering properties in the National Registep-cffHistoric Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property oPRM^ts D does not meet the National Register criteria. I recommend that this property be considered significant (D nationally D statewide)^MOcally. -
One Man's Quest to Photograph Every Frank Lloyd Wright Structure Ever Built
One Man's Quest to Photograph Every Frank Lloyd Wright Structure Ever Built architecturaldigest.com /story/frank-lloyd-wright-photographer-andrew-pielage Chris Malloy There are 532 Frank Lloyd Wright structures standing in the world. Phoenix-based photographer Andrew Pielage is on a mission to shoot every one of them. The 39-year-old is the unofficial photographer of the Frank Lloyd Wright Foundation. So far, he has shot about 50 Wright structures. His quest to shoot Wright’s oeuvre began in 2011, when he first toured Taliesin West, Wright’s former winter home and studio outside Phoenix. Photography wasn’t allowed on that tour. But later a friend connected Pielage with the folks at Taliesin West, and for them Pielage shot the sprawling stone-and-wood compound. The Frank Lloyd Wright Foundation loved his work, and he became its unofficial photographer. Since then, Pielage has shot Wright’s Hollyhock House (Los Angeles), Unity Temple (Illinois), Taliesin (Wisconsin), and Fallingwater (Pennsylvania), where he did a three-week residence. “When you have that much time to shoot a property, you get to know the ins and outs,” he says. What impressed him was how, against the grain of the bright shots one typically sees of the house, Fallingwater, on cloudy days, “turns gray so that the building’s personality changes with the environment.” The spirit of Wright’s organic style, of structures inspired by and seamlessly integrated into the natural world, whether desert or city or forest, has challenged Pielage. How can one properly capture this architectural titan’s work? Pielage has developed tricks. -
OH-279 NARRATOR: James Yeater INTERVIEWER: Aaron Monson DATE: July 1, 2008
TEMPE HISTORICAL MUSEUM ORAL HISTORY PROJECT INTERVIEW #: OH-279 NARRATOR: James Yeater INTERVIEWER: Aaron Monson DATE: July 1, 2008 JY = James Yeater INT = Interviewer _______ = Unintelligible (Italics) = Transcriber’s notes Side A INT: Today is July 1, 2008. This is the Tempe Historical Museum’s renovation interview with James Yeater, former Theater department head at Arizona State University. Let’s begin. Can you tell me please when you first came to ASU, and what made you choose ASU as an employer? JY: I came in 1958. At that time, I had two choices, I guess. One with a college in northern Michigan, almost to Canada, and the other one was Arizona State College. No particular choice too much, but it seemed like climate-wise, this would be a little better choice. It also seemed . In those days, we did not have interviews. You didn’t go to the campus to be interviewed. You were lucky to get a phone call and learn a little bit about it. And the Theater program here seemed rather similar to one I had had as an undergraduate; that is, with about four or five courses, and it was still called Drama then rather than Theater, and with doing plays with the student body as a whole rather than a part of any professionally-developed system. I was familiar with that, so it seemed like a good choice. But I guess, basically, it was sort of an opportunity. INT: Can you tell me just a little bit about what brought you into the drama and theater career path? What initially sparked your interest in it? JY: Actually, I think I started out in other things, but began to—I’m sure this is the common pattern of many—began to work, to be in plays and dramatic presentations and debate and so forth. -
ED439719.Pdf
DOCUMENT RESUME ED 439 719 IR 057 813 AUTHOR McCleary, Linda C., Ed. TITLE Read from Sea to Shining Sea. Arizona Reading Program. Program Manual. INSTITUTION Arizona Humanities Council, Phoenix.; Arizona State Dept. of Library, Archives and Public Records, Phoenix. PUB DATE 2000-00-00 NOTE 414p. PUB TYPE Guides - Classroom Teacher (052) EDRS PRICE MF01/PC17 Plus Postage. DESCRIPTORS Cooperative Programs; Games; Learning Activities; *Library Planning; Library Services; *Reading Motivation; *Reading Programs; State Programs; Youth Programs IDENTIFIERS *Arizona ABSTRACT This year is the first for the collaborative effort between the Arizona Department of Library, Archives and Public Records, and Arizona Humanities Council and the members of the Arizona Reads Committee. This Arizona Reading Program manual contains information on program planning and development, along with crafts, activity sheets, fingerplays, songs, games and puzzles, and bibliographies grouped in age specific sections for preschool children through young adults, including a section for those with special needs. The manual is divided into the following sections: Introductory Materials; Goals, Objectives and Evaluation; Getting Started; Common Program Structures; Planning Timeline; Publicity and Promotion; Awards and Incentives; Parents/Family Involvement; Programs for Preschoolers; Programs for School Age Children; Programs for Young Adults; Special Needs; Selected Bibliography; Resources; Resource People; and Miscellaneous materials.(AEF) Reproductions supplied by EDRS are the best that can be made from the original document. rn C21 Read from Sea to Shining Sea Arizona Reading Program Program Manual By Linda C. McCleary, Ed. U.S. DEPARTMENT OF EDUCATION PERMISSION TO REPRODUCE AND Office of Educational Research and Improvement DISSEMINATE THIS MATERIAL HAS EDUCATIONAL RESOURCES INFORMATION BEEN GRANTED BY CENTER (ERIC) This document has been reproduced as received from the person or organization Ann-Mary Johnson originating it.