Pet Shop Boys
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Pet Shop Boys Introspective (Introspectivo) Mp3, Flac, Wma
Pet Shop Boys Introspective (Introspectivo) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Introspective (Introspectivo) Country: Ecuador Released: 1988 Style: Synth-pop MP3 version RAR size: 1773 mb FLAC version RAR size: 1773 mb WMA version RAR size: 1819 mb Rating: 4.9 Votes: 443 Other Formats: MP3 MMF ASF ADX AHX AC3 VQF Tracklist Hide Credits Hago Lo Que Se Me Antoja (Left To My Own Devices) A1 Producer – Stephen Lipson, Trevor HornVocals – Sally Bradshaw Quiero Un Perro (I Want A Dog) A2 Mixed By – Frankie Knuckles La Danza Del Dominó (Domino Dancing) A3 Mixed By – Lewis A. Martineé, Mike Couzzi, Rique AlonsoProducer – Lewis A. Martineé No Tengo Miedo (I'm Not Scared) B1 Producer – David Jacob (Siempre En Mi Mente / En Mi Casa) (Always On My Mind / In My House) B2 Producer – Julian MendelsohnWritten-By – Christopher*, James*, Thompson* Está Bien (It's Alright) B3 Producer – Stephen Lipson, Trevor HornWritten-By – Sterling Void Companies, etc. Manufactured By – Ifesa Distributed By – Fonorama Other versions Category Artist Title (Format) Label Category Country Year PCS 7325, 79 Pet Shop Introspective (LP, Parlophone, PCS 7325, 79 UK 1988 0868 1 Boys Album) Parlophone 0868 1 Pet Shop Introspectivo (Cass, 66312 EMI 66312 Argentina 1988 Boys Album, RE) Pet Shop Introspectivo (Cass, 20059 EMI 20059 Argentina 1988 Boys Album) 080 79 0868 Parlophone, 080 79 0868 Pet Shop Introspective (LP, 1, 080 7 EMI, 1, 080 7 Spain Unknown Boys Album) 90868 1 Parlophone, EMI 90868 1 Introspective (CD, Pet Shop Not On Label 13421 Album, -
Pet Shop Boys Discography (The Complete Singles Collection) Mp3, Flac, Wma
Pet Shop Boys Discography (The Complete Singles Collection) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Discography (The Complete Singles Collection) Country: UK Released: 1991 Style: Synth-pop MP3 version RAR size: 1810 mb FLAC version RAR size: 1420 mb WMA version RAR size: 1355 mb Rating: 4.5 Votes: 255 Other Formats: VOC VQF AU WAV MIDI DMF DTS Tracklist Hide Credits West End Girls 1 4:00 Engineer – David JacobProducer – Stephen HagueWritten-By – Tennant / Lowe Love Comes Quickly 2 4:18 Engineer – David JacobProducer – Stephen HagueWritten-By – Hague*, Tennant / Lowe Opportunities (Let's Make Lots Of Money) Producer [Additional Production], Remix – Stephen HagueProducer [New York Overdubs] – 3 3:38 Ron Dean MillerProducer [Original Recording] – J.J. Jeczalik, Nicholas FroomeWritten-By – Tennant / Lowe Suburbia 4 4:04 Producer, Engineer – Julian MendelsohnWritten-By – Tennant / Lowe It's A Sin 5 Mixed By, Producer [Additional] – Stephen HagueProducer, Engineer – Julian 5:01 MendelsohnWritten-By – Tennant / Lowe What Have I Done To Deserve This? 6 Engineer – David JacobMixed By – Julian MendelsohnProducer – Stephen HagueVocals – 4:20 Dusty SpringfieldWritten-By – Willis*, Tennant / Lowe Rent 7 Mixed By – Stephen HagueProducer, Engineer – Julian MendelsohnWritten-By – Tennant / 3:33 Lowe Always On My Mind 8 Producer – Julian Mendelsohn, Pet Shop BoysProducer [Original Track] – David 3:54 JacobWritten-By – Christopher*, James*, Thompson* Heart 9 Engineer – Tony PhillipsProducer – Andy Richards, Pet Shop BoysWritten-By -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Nightlife, Djing, and the Rise of Digital DJ Technologies a Dissertatio
UNIVERSITY OF CALIFORNIA, SAN DIEGO Turning the Tables: Nightlife, DJing, and the Rise of Digital DJ Technologies A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Communication by Kate R. Levitt Committee in Charge: Professor Chandra Mukerji, Chair Professor Fernando Dominguez Rubio Professor Kelly Gates Professor Christo Sims Professor Timothy D. Taylor Professor K. Wayne Yang 2016 Copyright Kate R. Levitt, 2016 All rights reserved The Dissertation of Kate R. Levitt is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ Chair University of California, San Diego 2016 iii DEDICATION For my family iv TABLE OF CONTENTS SIGNATURE PAGE……………………………………………………………….........iii DEDICATION……………………………………………………………………….......iv TABLE OF CONTENTS………………………………………………………………...v LIST OF IMAGES………………………………………………………………….......vii ACKNOWLEDGEMENTS…………………………………………………………….viii VITA……………………………………………………………………………………...xii ABSTRACT OF THE DISSERTATION……………………………………………...xiii Introduction……………………………………………………………………………..1 Methodologies………………………………………………………………….11 On Music, Technology, Culture………………………………………….......17 Overview of Dissertation………………………………………………….......24 Chapter One: The Freaks -
A Punk Rock Short Film
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-15-2015 For Want Of: A Punk Rock Short Film Jonathan P. Kieran University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Film Production Commons Recommended Citation Kieran, Jonathan P., "For Want Of: A Punk Rock Short Film" (2015). University of New Orleans Theses and Dissertations. 1992. https://scholarworks.uno.edu/td/1992 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. For Want Of: A Punk Rock Short Film A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film Production by Jonathan P. Kieran B.A. Ursinus College, 2007 May, 2015 Dedicated to my mother and sister and to my fellow filmmakers. ii Table of Contents Abstract .............................................................................................................................. -
UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title Making Popular and Solidarity Economies in Dollarized Ecuador: Money, Law, and the Social After Neoliberalism Permalink https://escholarship.org/uc/item/3xx5n43g Author Nelms, Taylor Campbell Nahikian Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Making Popular and Solidarity Economies in Dollarized Ecuador: Money, Law, and the Social After Neoliberalism DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Anthropology by Taylor Campbell Nahikian Nelms Dissertation Committee: Professor Bill Maurer, Chair Associate Professor Julia Elyachar Professor George Marcus 2015 Portion of Chapter 1 © 2015 John Wiley & Sons, Inc. All other materials © 2015 Taylor Campbell Nahikian Nelms TABLE OF CONTENTS Page LIST OF FIGURES iii ACKNOWLEDGEMENTS iv CURRICULUM VITAE vii ABSTRACT OF THE DISSERTATION xi INTRODUCTION 1 CHAPTER 1: “The Problem of Delimitation”: Expertise, Bureaucracy, and the Popular 51 and Solidarity Economy in Theory and Practice CHAPTER 2: Saving Sucres: Money and Memory in Post-Neoliberal Ecuador 91 CHAPTER 3: Dollarization, Denomination, and Difference 139 INTERLUDE: On Trust 176 CHAPTER 4: Trust in the Social 180 CHAPTER 5: Law, Labor, and Exhaustion 216 CHAPTER 6: Negotiable Instruments and the Aesthetics of Debt 256 CHAPTER 7: Interest and Infrastructure 300 WORKS CITED 354 ii LIST OF FIGURES Page Figure 1 Field Sites and Methods 49 Figure 2 Breakdown of Interviewees 50 Figure 3 State Institutions of the Popular and Solidarity Economy in Ecuador 90 Figure 4 A Brief Summary of Four Cajas (and an Association), as of January 2012 215 Figure 5 An Emic Taxonomy of Debt Relations (Bárbara’s Portfolio) 299 iii ACKNOWLEDGEMENTS Every anthropologist seems to have a story like this one. -
Bobby in Movieland Father Francis J
Xavier University Exhibit Father Francis J. Finn, S.J. Books Archives and Library Special Collections 1921 Bobby in Movieland Father Francis J. Finn S.J. Xavier University - Cincinnati Follow this and additional works at: http://www.exhibit.xavier.edu/finn Recommended Citation Finn, Father Francis J. S.J., "Bobby in Movieland" (1921). Father Francis J. Finn, S.J. Books. Book 6. http://www.exhibit.xavier.edu/finn/6 This Book is brought to you for free and open access by the Archives and Library Special Collections at Exhibit. It has been accepted for inclusion in Father Francis J. Finn, S.J. Books by an authorized administrator of Exhibit. For more information, please contact [email protected]. • • • In perfect good faith Bobby stepped forward, passed the dir ector, saying as he went, "Excuse me, sir,'' and ignoring Comp ton and the "lady" and "gentleman," strode over to the bellhop. -Page 69. BOBBY IN MO VI ELAND BY FRANCIS J. FINN, S.J. Author of "Percy Wynn," "Tom Playfair," " Harry Dee," etc. BENZIGER BROTHERS NEw Yonx:, Cmcnrn.ATI, Cmc.AGO BENZIGER BROTHERS CoPYlUGBT, 1921, BY B:n.NZIGEB BnoTHERS Printed i11 the United States of America. CONTENTS CHAPTER 'PAGB I IN WHICH THE FmsT CHAPTER Is WITHIN A LITTLE OF BEING THE LAST 9 II TENDING TO SHOW THAT MISFOR- TUNES NEVER COME SINGLY • 18 III IT NEVER RAINS BUT IT PouRs • 31 IV MRs. VERNON ALL BUT ABANDONS Ho PE 44 v A NEW WAY OF BREAKING INTO THE M~~ ~ VI Bonny ENDEA vo:r:s TO SH ow THE As TONISHED CoMPTON How TO BE- HAVE 72 VII THE END OF A DAY OF SURPRISES 81 VIII BonnY :MEETS AN ENEMY ON THE BOULEVARD AND A FRIEND IN THE LANTRY STUDIO 92 IX SHOWING THAT IMITATION Is NOT AL WAYS THE SINCEREST FLATTERY, AND RETURNING TO THE MISAD- VENTURES OF BonBY's MoTHER. -
Pet Shop Boys&Quot
TV Paraná Turismo - Rádio e Televisão Educativa do Paraná - A dupla bem-sucedida da história do pop "Pet Shop Boys" em Curitiba Notícias Postado em: 19/09/2017 Por mais de 25 anos, os shows do Pet Shop Boys foram considerados os mais inovadores e modernos, pois incorporavam multimídia e elementos teatrais em suas produções. A Live Curitiba recebe, no dia 21 de setembro, a dupla mas bem-sucedida da história do pop, Pet Shop Boy. O duo conquistou ao longo de seus 13 álbuns uma unanimidade pouco comum. Suas músicas rolam no fervo do underground mais secreto, mas também são sucesso nas festas de firma ou no casamento daquela prima careta. São ativistas dos direitos gays desde sempre e sua plateia é formada por héteros e gays que estão pouco ligando para o que vão falar se forem vistos dançando abraçados e cantando hinos como Go West, Domino Dancing, Suburbia, It's a Sin, What Have I Done to Deserve This e tantas outras. Vai ser especialmente incrível se eles tirarem da cartola a faixa Se A Vida É, de 1996, que mostra o amor deles pelo público brasileiro. Os Pet Shop Boys sofisticaram a dance music com seus arranjos, capricharam em letras inteligentes e doses certas de bom humor e leveza. Com isso, conquistaram boa parte do mundo. Um dos maiores sucessos do pop inglês dos anos 80 e 90, o Pet Shop Boys já teve 36 músicas no Top-20 e 22 músicas no Top-10 da Inglaterra em toda sua carreira. Considerada a maior dupla de pop eletrônico pela imprensa britânica, o Pet Shop Boys já recebeu duas indicações ao Grammy Awards: melhor música dance, com "I'm with stupid" e melhor álbum dance/eletrônica com "Fundamental". -
Cue Point Aesthetics: the Performing Disc Jockey In
CUE POINT AESTHETICS: THE PERFORMING DISC JOCKEY IN POSTMODERN DJ CULTURE By Benjamin De Ocampo Andres A Thesis Presented to The Faculty of Humboldt State University In Partial Fulfillment of the Requirements for the Degree Master of Arts in Sociology Committee Membership Dr. Jennifer Eichstedt, Committee Chair Dr. Renee Byrd, Committee Member Dr. Meredith Williams, Committee Member Dr. Meredith Williams, Graduate Coordinator May 2016 ABSTRACT CUE POINT AESTHETICS: THE PERFORMING DISC JOCKEY IN POSTMODERN DJ CULTURE Benjamin De Ocampo Andres This qualitative research explores how social relations and intersections of popular culture, technology, and gender present in performance DJing. The methods used were interviews with performing disc jockeys, observations at various bars, and live music venues. Interviews include both women and men from varying ages and racial/ethnic groups. Cultural studies/popular culture approaches are utilized as the theoretical framework, with the aid of concepts including resistance, hegemony, power, and subcultures. Results show difference of DJ preference between analog and digital formats. Gender differences are evident in performing DJ's experiences on and off the field due to patriarchy in the DJ scene. ii ACKNOWLEDGEMENTS First and Foremost, I would like to thank my parents and immediate family for their unconditional support and love. You guys have always come through in a jam and given up a lot for me, big up. To "the fams" in Humboldt, you know who you are, thank you so much for holding me down when the time came to move to Arcata, and for being brothers from other mothers. A shout out to Burke Zen for all the jokes cracked, and cigarettes smoked, at "Chinatown." You help get me through this and I would have lost it along time ago. -
1-24-21 Sermon
1-24-21 "The Trouble with Mercy" Jonah 3:1-5, 10; 4:1-5 Central Christian Church David A. Shirey The reading began with the words, “The word of the LORD came to Jonah a second time, saying, “Get up, go to Nineveh, that great city, and proclaim to it the message that I tell you.” If this is the “second time” God instructed Jonah to go to Ninevah, what happened the first time? Well, the first time is at the beginning of Chapter 1 when God says, “Arise, go to Ninevah.. and cry against it; for their wickedness has come up before me” (Jonah 1:1, 2). “Go to Ninevah,” God says. Ninevah—capitol city of Assyria. Assyria, the nation that destroyed Israel in 721 B.C. Assyria, the nation that then subjugated and oppressed the southern kingdom of Judah for almost 100 years. Assyria: present-day Iraq. The book of Jonah begins with a prophet called up for duty—drafted to serve in the Persian Gulf as a missionary to his nation’s bitterest foe. Well, Jonah was a draft-dodger. He said, “Go to Ninevah? Nothin’ doin’!” and rather than heading north to Canada, he fled west toward Tarshish. Ninevah was due east by land. Jonah sailed due west by sea. Caught the first ship out of Joppa the next morning and went AWOL from the Lord’s command. Tarshish, many scholars believe, was a coastal city in Spain. Think Acapulco. Maui. Shangri-la. In other words, a much more preferable place to serve God than Ninevah. -
Vestiges of Midsummer Ritual in Motets for John the Baptist
Early Music History (2011) Volume 30. Cambridge University Press doi:10.1017/S0261127911000027 M A A Email: [email protected] FIRE, FOLIAGE AND FURY: VESTIGES OF MIDSUMMER RITUAL IN MOTETS FOR JOHN THE BAPTIST The thirteenth-century motet repertory has been understood on a wide spectrum, with recent scholarship amplifying the relationship between the liturgical tenors and the commentary in the upper voices. This study examines a family of motets based on the tenors IOHANNE and MULIERUM from the feast of the Nativity of John the Baptist (24 June). Several texts within this motet family make references to well-known traditions associated with the pagan festival of Midsummer, the celebration of the summer solstice. Allusions to popular solstitial practices including the lighting of bonfires and the public criticism of authority, in addition to the cultural awareness of the sun’s power on this day, conspicuously surface in these motets, particularly when viewed through the lens of the tenor. The study suggests the further obfuscation of sacred and secular poles in the motet through attentiveness to images of popular, pre-Christian rituals that survive in these polyphonic works. In the northern French village of Jumièges from the late Middle Ages to the middle of the nineteenth century, a peculiar fraternal ritual took place. Each year on the evening of the twenty-third of June, the Brotherhood of the Green Wolf chose its new chief. Arrayed in a brimless green hat in the shape of a cone, the elected master led the men to a priest and choir; Portions of this study were read at the Medieval and Renaissance Conference at the Institut für Musikwissenschaft, University of Vienna, 8–11 August 2007 and at the University of Chicago’s Medieval Workshop on 19 May 2006. -
Overexposure to and of the Media in Kenneth Goldsmith's Work
Aji Page 1 10/13/09 Hélène Aji Université du Maine « The Weather [to]Day » Overexposure to and of the Media in Kenneth Goldsmith’s Work “All the News that’s Fit to Print” The New York Times Late Edition New York: Today, mostly cloudy, high 83. Tonight, warm and muggy, low 73. Tomorrow, cloudy with a few showers, high 80. Yesterday, high 83, low 7. Weather map is on Page A20. (Day 11) A couple of breaks of sunshine over the next couple of hours, what little sunshine there is left. Remember, this is the shortest day of the year. Looks like the clear skies hold off till later on tonight. It will be brisk and cold, low temperatures will range from twenty-nine in some suburbs to thirty-eight in midtown. Not a bad shopping day tomorrow, sunshine to start, then increasing clouds, still breezy, with a high near fifty. (The Weather 3) Over the span of nine books and some fifteen years, Kenneth Goldsmith, now in his forties, living in New York and working in Philadelphia, unfolds what he calls in turn a poetics of uncreativity and a poetics of boredom. Each text draws from the quotidian in its most minute details to produce text that is either borrowed and collaged or simply transcribed. In Day (2003), he types down the September 1, 2000 issue of the New York Times from the top left of the front page to the bottom right of the last page, thus producing an impressive volume of highly tedious thus hardly legible text of 836 pages.