Mythology and Us Loudon Fall 2011
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Sleepy Hollow Forest Management Project on the Colville Reservationo Ferry County, Wa.Shington
DEPARTMENT OF THE INTERIOR Bureau of Indian Affairs Final Environmental Assessment for the proposed Sleepy Hollow Forest Management Project on the Colville Reservationo Ferry County, Wa.shington AGENCY: Bureau of Indian Affairs ACTION: Notice of Availability SUMMARY: This notice is to advise interested parties that the Bureau of Indian Affirirs (BIA) as lead federal agency, with the Confederated Tribes of the Colville Reservation, has prepared a final Environmental Assessment (EA) and Finding of No Significant Impact (FONSD for the proposed Sleepy Hollow Forest Management Projeot on the Colville Reservation, Feny County, Washington. This not:ice also announces the EA and FONI'SI are now available in hard copy at the address below. ADDRESSES: You may request a hard copy of the EA arrd FONSI by writing the BIA Colville Agency, PO Box 150, Nespelem, Washington, 99155, ancl the Colville Tribe, PO Box 111, Nespelem, Washington, 991 55. FOR FURTHER INF'ORMATION CONTACT: Debra Wulff, BIA Colville Agency Superintendent, at (509) 534-2316, and Chasity Swan, Cotville Integrated Resource Management Plan (IRMP) Coordinalor, at (509) 634-2323. SUPPLEMENTAL II\FORMATION: The Colville Tritre, through contractual obligations to the BIA, has proposed the Sleepy Hollow Forest Managernent Project. The activities under the agency proposed action are to harvest approximately 19.5 MMBF of timber from approximatel'y 2,360 acres of Tribal land on the Inchelium District of the Colville Reservation in Fen'y County, Washington. The actirrities will occur under guidelines in the IRMP and associated Environmental Impact Statement. AUTHORITY: This rLotice is published pursuant to 43 C.FR 46.305 of the Department of Interior Reguiations (43 CFR 46 et seq.), the proceclural requirements of the National Environmental Policy Act of 1969, as amended (42 U.S.C. -
Damsel in Distress Or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2020-12-09 Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Education Commons BYU ScholarsArchive Citation Carling, Rylee, "Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency" (2020). Theses and Dissertations. 8758. https://scholarsarchive.byu.edu/etd/8758 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Paul Ricks, Chair Terrell Young Dawan Coombs Stefinee Pinnegar Department of Teacher Education Brigham Young University Copyright © 2020 Rylee Carling All Rights Reserved ABSTRACT Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling Department of Teacher Education, BYU Master of Arts Retellings of classic fairy tales have become increasingly popular in the past decade, but little research has been done on the novelizations written for a young adult (YA) audience. -
To Whom the Shoe Fits: Cinderella As a Cultural Phenomenon in the Czech and Norwegian Context
Masaryk University Faculty of Arts Department of Germanic, Nordic and Dutch Studies To Whom the Shoe Fits: Cinderella as a Cultural Phenomenon in the Czech and Norwegian Context 2020 Mgr. Adéla Ficová Masaryk University Faculty of Arts Department of Germanic, Nordic and Dutch Studies Norwegian Language and Literature Mgr. Adéla Ficová To Whom the Shoe Fits: Cinderella as a Cultural Phenomenon in the Czech and Norwegian Context M.A. Thesis Supervisor: Mgr. Karolína Stehlíková, Ph.D. 2020 2 Statutory Declaration I hereby declare that I have written the submitted Master Thesis To Whom the Shoe Fits: Cinderella as a Cultural Phenomenon in the Czech and Norwegian Context independently. All the sources used for the purpose of finishing this thesis have been adequately referenced and are listed in the Bibliography. In Brno, 12 May 2020 ....................................... Mgr. Adéla Ficová 3 Acknowledgements I would like to express my sincere gratitude to my supervisor Mgr. Karolína Stehlíková, Ph.D., for her helpful guidance and valuable advices and shared enthusiasm for the topic. I also thank my parents and my friends for their encouragement and support. 4 Table of contents 1 Introduction ..................................................................................................................................... 6 1.1 Literature review ..................................................................................................................... 8 2 Historical genesis of the Cinderella fairy tale ................................................................................ -
6 Stops in Washington Irving's Sleepy Hollow
Built in 1913, Kykuit was the home of oil tycoon 6 STOPS IN WASHINGTON John D. Rockefeller. Depending on which Kykuit tour you choose, you’ll want to set aside 1.5 to 3 hours IRVING’S SLEEPY HOLLOW (includes a shuttle bus to the location). Book on the Historic Hudson Valley website. • Philipsburg Manor • Sculpture of the Headless Horseman Sculpture of the Headless Horseman • The Headless Horseman Bridge 362 Broadway, Sleepy Hollow, New York • The Old Dutch Church and Burying Ground After purchasing the guidebook Tales of The Old • Sleepy Hollow Cemetery Dutch Burying Ground from Philipsburg Manor, walk • Sunnyside towards the Old Dutch Burying Ground. There are _______________________ several photo opportunities along the way. Approximately 300 feet (100 metres) up the road Notes you’ll find the sculpture of the Headless Horseman. Double-check opening times before you travel to Sleepy Hollow. At the time of writing, locations like Sunnyside and This sculpture was created for those visiting Sleepy Philipsburg Manor are open Wednesday to Sunday, May to Hollow to help us explore and relive the town’s rich early November. heritage, keeping the legend alive. Looking for public restrooms along the way? Plan for stops at Philipsburg Manor,Tarrytown station and Sunnyside. The Headless Horseman Bridge _______________________ “Over a deep black part of the stream, not far from the church, was formerly thrown a wooden bridge; the road Take the CROTON-HARMON STATION bound Metro- that led to it, and the bridge itself, were thickly shaded by North Train from Grand Central Terminal and get off overhanging trees, which cast a gloom about it, even in the daytime; but occasioned a fearful darkness at night. -
Analysis of Cinderella Motifs, Italian and Japanese
Analysis of Cinderella Motifs, Italian and Japanese By C h ie k o I r ie M u lh e r n University of Illinois at Urbana—Champaign I ntroduction The Japanese Cinderella cycle is a unique phenomenon. It is found in the medieval literary genre known as otogizoshi 御 伽 草 子 (popular short stories that proliferated from the 14th to the mid-17th centuries). These are literary works which are distinguished from transcribed folk tales by their substantial length and scope; sophistication in plot struc ture, characterization, and style; gorgeous appearance in binding and illustration; and wide circulation. The origin, date, authorship, reader ship, means of circulation, and geographic distribution of the otogizoshi tales, which include some four hundred,remains largely nebulous. Particularly elusive among them is the Cinderella cycle, which has no traceable predecessors or apparent progeny within the indigenous or Oriental literary traditions. In my own previous article, ‘‘ Cinderella and the Jesuits ” (1979), I have established a hypothesis based on analysis of the tales and a com parative study of the Western Cinderella cycle. Its salient points are as follows: 1 . The Japanese tales show an overwhelming affinity to the Italian cycle. 2. The Western influence is traced to the Japanese-speaking Italian Jesuits stationed in Japan during the heyday of their missionary activity between 1570 and 1614; and actual authorship is attributable to Japa nese Brothers who were active in the Jesuit publication of Japanese- language religious and secular texts. 3. Their primary motive in writing the Cinderella tales seems to have been to proselytize Christianity and to glorify examplary Japanese Asian Folklore Studiest V ol.44,1985, 1-37. -
The Great NPC Revolt
½ Prince Volume 6: The Great NPC Revolt http://www.princerevolution.org ½ Prince Volume 5: A Prince No More http://www.princerevolution.org SYNOPSIS: The conference of the conquerors of the five continents has begun – come, come, the discussion table has been readied. Infinite City has been decorated for the occasion, and the lord of Infinite City must also be dressed grandly for the occasion. That way, this conference will be formal and solemn, right? “The Dictator of Life” – who is that? I’ve never heard of him before! Oh, so he… 1. Is the ultimate boss of Second Life, 2. Is an unmatched AI, in control of the whole of Second Life, so you could call him the God of Second Life, 3. Has developed free will, and… 4. Intends to rebel against humans by kicking out all the players from Second Life Shit, if we can’t kill the Dictator of Life within twenty-one days, Second Life will be destroyed by the company and disappear forever…! Will Kenshin and Sunshine also disappear together with the game? Within twenty-one days, the final plan to save Second Life by “launching our counterattack on the Northern Continent and killing the Dictator of Life” must be carried out! ABOUT THE AUTHOR: Yu Wo: Who am I? Sometimes I am like a warrior, wielding a sword on the battlefield with limitless passion and energy. At other times, I resemble a mage, with a mind devoted to research, completely absorbed in the things I like. Or I might be like a thief, leading a free and easy life, letting fate lead me to distant and unfamiliar lands. -
CYCLOPEDIA of BIBLICAL, THEOLOGICAL and ECCLESIASTICAL LITERATURE G - Izquierdo, Sebastiano by James Strong & John Mcclintock
THE AGES DIGITAL LIBRARY REFERENCE CYCLOPEDIA of BIBLICAL, THEOLOGICAL and ECCLESIASTICAL LITERATURE G - Izquierdo, Sebastiano by James Strong & John McClintock To the Students of the Words, Works and Ways of God: Welcome to the AGES Digital Library. We trust your experience with this and other volumes in the Library fulfills our motto and vision which is our commitment to you: MAKING THE WORDS OF THE WISE AVAILABLE TO ALL — INEXPENSIVELY. AGES Software Rio, WI USA Version 1.0 © 2000 2 G Gabata (or Gabbatha) Picture for Gabata properly a bowl; hence a pensile lamp of similar form, for a church, made of different metals-gold, silver, brass, and electrum. These lamps were frequently embossed, or decorated in bass-relief, and ornamented with lilies, heads of gryphons or lions, or even fashioned in the form of these animals. Like the corone used for lighting, they very often had crosses. attached to them. Gabbai, Isaac ibn- a Jewish writer, who flourished at Leghorn at the beginning of the 17th century, is the author of tjn ãk or, a commentary on the Mishna (Venice, 1614, and often). See Furst, Bibl. Jud. 1:311; Jocher, Allgemeines Gelehrten-Lexikon, s.v. B.P.) Gabbai, Meir ibn- a Jewish writer of Italy, in the 16th century, is the author of, hnwma ˆrd , a cabalistic work, which treats of the ten sephiroth (Iadua, 1563; latest edition, by Goldberg, Berlin, 1850): çdqh tdb[, also µyhla twarm, a cabalisticophilosophical work (Mantua, 1545): — bq[y t[lwt, cabalistic explanations of the Jewish prayers (Constantinople, 1560). See De' Rossi, Dizionario Storico (Germ. -
A Survey of Slovenian Women Fairy Tale Writers
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 15 (2013) Issue 1 Article 3 A Survey of Slovenian Women Fairy Tale Writers Milena Mileva Blazić University of Ljubljana Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Other English Language and Literature Commons, and the Women's Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Blazić, Milena Mileva "A Survey of Slovenian Women Fairy Tale Writers." CLCWeb: Comparative Literature and Culture 15.1 (2013): <https://doi.org/10.7771/1481-4374.2064> This text has been double-blind peer reviewed by 2+1 experts in the field. -
Who Is Cinderella,...Or Cinderfella?
1 Who is Cinderella, … or Cinderfella? Donna Rohanna Patterson Elementary School Overview Rationale Objectives Strategies Classroom Activities Annotated Bibliography/Resources Appendices/Standards Overview Folk and fairy tale stories comprise most of the stories children hear from birth to 2nd grade. They are used not only to entertain, but often as teaching stories about the dangers and values of life. These very same stories are shared in many cultures around the world. Although they vary in characters, setting, and texture from one continent to the next, they remain some of the most powerful stories for teaching and learning during the early years. Folk and fairy tales have initiated children into the ways of the world probably from time immemorial. Many have changed over time to homogenize into the variety that we often see and hear today to meet a more generic audience, often leaving behind the tales geographic and social origins. By exposing students to a variety of multicultural renditions of a classic Fairy Tale they can begin to relate to these stories in new ways, leading to a richer literary experience. Fairy Tales written through ethnic eyes also give a great deal of cultural information, which can result in a richer experience for the students and students. We can then appreciate the origins and adaptations as they have migrated through time and space. These stories help to make sense of the world for young children. Folk and fairy tales were not meant only for entertainment, they provide a social identity, and instill values as well as teaching lessons. In my own experience I have found that classrooms are often filled with students that either come from other countries or have families that do. -
Sleepy-Hollow.Pdf
CHAPTER 1 Sleepy Hollow is a small town. It’s in the woods in a valley. It’s a scary place. Some people think it’s cursed by a wizard, others think a German doctor cast a spell there. There is evil magic in Sleepy Hollow. There are lots of stories about Sleepy Hollow. People see ghosts there. The most frightening ghost is the headless horseman. People say he’s a soldier from the war and he’s looking for his head. A cannonball hit him and he lost it. The headless horseman is a ghost. He rules over Sleepy Hollow. He rides in the woods. He rides in the valley. He rides on the roads to Tarry Town. People say he’s buried in the churchyard and he rides out every night to the battlefield to find his head. wood or woods (n) a small forest Spell (n) magic cast a spell (idiom) to influence someone/something by using words thought to be magic evil (adj) very bad, unpleasant frightening (adj) scary, making you feel afraid 6 Sleepy Hollow is a small town. It is in the woods in a valley. 7 The headless horseman is very fast. He only rides at night. He’s always back in his grave by morning. People tell stories about him all over the country. They call him the Headless Horseman of Sleepy Hollow. People in Sleepy Hollow know all about the horseman. They are born with evil magic around them. Newcomers to Sleepy Hollow start to see ghosts. When I visited Sleepy Hollow, I saw the ghosts. -
“I Should Not Have Come to This Place”: Complicating Ichabod‟S Faith
“I SHOULD NOT HAVE COME TO THIS PLACE”: COMPLICATING ICHABOD‟S FAITH IN REASON IN TIM BURTON‟S SLEEPY HOLLOW A Project Paper Submitted to the College of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts In the Department of English University of Saskatchewan Saskatoon By JOEL KENDRICK FONSTAD Keywords: film, adaptation, rationality, reason, belief, myth, folktale, horror, Sir Gawain and the Green Knight, The Pit and the Pendulum, La Maschera del Demonio Copyright Joel Kendrick Fonstad, November 2010. All rights reserved. PERMISSION TO USE In presenting this project in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this project in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my project work or, in their absence, by the Head of the Department or the Dean of the College in which my project work was done. It is understood that any copying or publication or use of this project or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my project. Requests for permission to copy or to make other uses of materials in this project paper in whole or part should be addressed to: Head of the Department of English University of Saskatchewan Saskatoon, Saskatchewan S7N 5A5 Canada OR Dean College of Graduate Studies and Research University of Saskatchewan 107 Administration Place Saskatoon, Saskatchewan S7N 5A2 Canada i ABSTRACT Tim Burton‟s films are largely thought to be exercises in style over content, and film adaptations in general are largely thought to be lesser than their source works. -
The Blooming of Parody in Edo Culture Yasunori Kojima
Laughter Connects the Sacred and the Sexual: The Blooming of Parody in Edo Culture Yasunori Kojima (ICU) 1. Introduction This paper takes a look at the full bloom of parody in Edo culture, especially with respect to laughter, which, I believe, serves as a connection between the sacred and the sexual. Historians tend to follow the golden rule: erase yourself and let the documents speak for themselves. So, in a similar manner, I am letting parody speak for itself. Therefore, this paper does not seek to analyze; rather it merely introduces several examples of parody. Nonetheless, these examples speak eloquently on how people during the Edo period enjoyed an immensely rich and playful culture of parody. As an icebreaker, I begin by introducing a comic book by Ishii Hisaichi, titled Gendai shisô no sonansha-tachi (The Shipwrecked Modern Philosophers). This is an excellent work of parody based on the series Gendai shisô no bôkensha-tachi (The Adventurous Modern Philosophers) published by Kodansha, an introductory series focusing on 34 prominent philosophers (Wittgenstein, Kuhn, Whitehead, Benjamin, Bataille, Barthes, Gadamer, Lacan, Foucault, Arendt, and Derrida among others). The point of this parody is that it took philosophy as its target, instead of politics or literature. The essence of often-abstruse modern philosophy is not only compressed within the four boxes of each comic strip, but is titillated, mocked, and even made the subject of laughter. Of course, the basic thought of each philosopher is outlined next to the comic strip; the gags would not make much sense if the reader were totally lacking knowledge about philosophy.