Two American Families
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Star Shines at Shell
May 24, 2014 Star Shines at Shell PHOTO BY YOSHI JAMES Homage to cult band’s “Third” kicks off Levitt series By Bob Mehr The Levitt Shell’s 2014 summer season opened Friday night, with a teeming crowd of roughly 4,000 who camped out under clear skies to hear the music of Memphis’ greatest cult band Big Star, in a show dedicated to its dark masterpiece, Third. Performed by an all-star troupe of local and national musicians, it was yet another reminder of how the group, critically acclaimed but commercially doomed during their initial run in the early 1970s, has developed into one of the unlikeliest success stories in rock and roll. The Third album — alternately known as Sister Lovers — was originally recorded at Midtown’s Ardent Studios in the mid-’70s, but vexed the music industry at the time, and was given a belated, minor indie-label release at the end of the decade. However, the music and myth of Third would grow exponentially in the decades to come. When it was finally issued on CD in the early ’90s, the record was hailed by Rolling Stone as an “untidy masterpiece ... beautiful and disturbing, pristine and unkempt — and vehemently original.” 1 North Carolina musician Chris Stamey had long been enamored of the record and the idea of recreating the Third album (along with full string arrangements) live on stage. He was close to realizing a version of the show with a reunited, latter- day Big Star lineup, when the band’s camp suffered a series of losses: first, with the passing of Third producer Jim Dickinson in 2009, and then the PHOTO BY YALONDA M. -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
Games , Ctivities to Help Integrate
DOCOIENT RESUME BD 181 667 EC 122 731 , AgTHOR .. Nolucki, Barbara: And Others . TITLE Sttaring the Street: ActivitiesforAllChildren. INSTITUTION . Childran's'Television 114kshop,New York, N.Y. _ SP014 AGENCY Office of Education (DHEw),. Washington'D.C. PUB' DATE 4 78 . CONTRACT' 300-77-0027 ',---- Port 107%).. AVAILABLE FROM Chil ren's Television workshop,Community Eilucation. Serirdces Division, DepartsentAu 1- Lincoln Plaza, Nei . fork', NV. 10023 ($2.00, S1.60. for- 25 or ore) , . .-,- EDRS PRICE MF01 Plus Postage. pc Not,Availablefrom EDRS. DESCRIPTORS :Early Childhood 2ducation;*Games: )0Hamdicapped Childrenf. *Learning Activities:*Mainstreaming ABSTRACT \-7 c Written for, teachers andparents with little or no knowledge'of special education,the book provide* informationon -games ,r ctivities to help integrateyoung, children with heating or visual,w ,pairments, mental retardation, andother physical and ,e learning disabilities. Each activityincludes ,statesents of the purpose, goals, materials, and_ procedures for 42 aCtivitiesin six categories (sample titles inparentheses): 'Sight (ShadoW Play):sound (Bert and Ernie's String Band) f feel, (Oscar'sVibrating Trash Can): Afigipt/feel (Rig Bird Decorates HisNest)il sight/sound/feel (Sesame ithArf Traffic Jam): andsensitivity (Cookie Mbnster Has problems). .e(CL) -\ C? v. 4! 41********-10***********,*****************************$40i**w***10********** 'AP-, Reproductions supplied by EDRSare the best that can be made * . * , - !rook tha original dominant. .1, * ae******4*************0*****************'*****************.************** , .11 fegt'rfril 1 r ,... , re. .. ,,,"I"orkek,,.1,,,.,..ri,:,..,:,,y,,.,;,,), ; r .4, ,.; - , 1. fiti ! 'mow' 'ilif:Cati ti:II:k1 . kfe.4 Z / k. I4, t.I . Ili i 64111?".. in. nal.": 0,:e. i :i 1 iPr :1.4tr;". ca. ,..9.,,w,rolkow.00!),,,". -
Sesame Street"
International Central Institute for Youth- and Educational Televizion, IZI Special english Issue No. 16/2003/1: "Childrens's Fantasies and Television" Jan-Uwe Rogge Fantasy, emotion and cognition in Germany's "Sesame Street" Notes on the framework stories Children have a magical-fantastical interpretation of reality. They like simple, clear stories featuring fairy-tale elements that they can occupy with their imagination. A reception study on Sesamstrasse in Germany discovered this particularly in the case of the Muppet stories and the character Pepe. In several film inserts the kids felt they had not been taken seriously, however. 1. Max meets Ernie and Bert Max, four and a half, comes to the counselling session with his mother. She seems rather annoyed. Max is excellent at causing his parents chaos at home. Mother (annoyed): "The worst thing is that he says it is not him who makes a mess but Ernie and Bert, who have come to visit him." She looks at me: "Just imagine, Ernie and Bert! He's crazy!" Max: "Not Ernie and Bert, only Ernie, Mum, only Ernie!" Mother: "Stop it!" I intervene and ask Max: "What happens then?" Max (smiling): "They come, pull everything out of the boxes and then disappear without tidying up!" Mother: "Max, please! Stop this nonsense!" Max: "But you say that the one who makes a mess has to tidy up! Only Ernie doesn't bother! He just clears off!" Mother in a shrill voice: "Max! Stop telling stories!" I turn to Max and ask him: "Does that make you angry?" Max nods. "Does that annoy you?" I dig deeper: "Why don't you say anything?" He looks at me, confused. -
Sesame Street Combining Education and Entertainment to Bring Early Childhood Education to Children Around the World
SESAME STREET COMBINING EDUCATION AND ENTERTAINMENT TO BRING EARLY CHILDHOOD EDUCATION TO CHILDREN AROUND THE WORLD Christina Kwauk, Daniela Petrova, and Jenny Perlman Robinson SESAME STREET COMBINING EDUCATION AND ENTERTAINMENT TO Sincere gratitude and appreciation to Priyanka Varma, research assistant, who has been instrumental BRING EARLY CHILDHOOD in the production of the Sesame Street case study. EDUCATION TO CHILDREN We are also thankful to a wide-range of colleagues who generously shared their knowledge and AROUND THE WORLD feedback on the Sesame Street case study, including: Sashwati Banerjee, Jorge Baxter, Ellen Buchwalter, Charlotte Cole, Nada Elattar, June Lee, Shari Rosenfeld, Stephen Sobhani, Anita Stewart, and Rosemarie Truglio. Lastly, we would like to extend a special thank you to the following: our copy-editor, Alfred Imhoff, our designer, blossoming.it, and our colleagues, Kathryn Norris and Jennifer Tyre. The Brookings Institution is a nonprofit organization devoted to independent research and policy solutions. Its mission is to conduct high-quality, independent research and, based on that research, to provide innovative, practical recommendations for policymakers and the public. The conclusions and recommendations of any Brookings publication are solely those of its author(s) and do not reflect the views of the Institution, its management, or its other scholars. Support for this publication and research effort was generously provided by the John D. and Catherine T. MacArthur Foundation and The MasterCard Foundation. The authors also wish to acknowledge the broader programmatic support of the William and Flora Hewlett Foundation, the LEGO Foundation, and the Government of Norway. Brookings recognizes that the value it provides is in its absolute commitment to quality, independence, and impact. -
Stockholm Cinema Studies 11
ACTA UNIVERSITATIS STOCKHOLMIENSIS Stockholm Cinema Studies 11 Imagining Safe Space The Politics of Queer, Feminist and Lesbian Pornography Ingrid Ryberg This is a print on demand publication distributed by Stockholm University Library www.sub.su.se First issue printed by US-AB 2012 ©Ingrid Ryberg and Acta Universitatis Stockholmiensis 2012 ISSN 1653-4859 ISBN 978-91-86071-83-7 Publisher: Acta Universitatis Stockholmiensis, Stockholm Distributor: Stockholm University Library, Sweden Printed 2012 by US-AB Cover image: Still from Phone Fuck (Ingrid Ryberg, 2009) Contents 1. Introduction ................................................................................................... 13 Research aims and questions .................................................................................... 13 Queer, feminist and lesbian porn film culture: central debates.................................... 19 Feminism and/vs. pornography ............................................................................. 20 What is queer, feminist and lesbian pornography?................................................ 25 The sexualized public sphere................................................................................ 27 Interpretive community as a key concept and theoretical framework.......................... 30 Spectatorial practices and historical context.......................................................... 33 Porn studies .......................................................................................................... 35 Embodied -
January 2015
January 2015 HDNet Movies delivers the ultimate movie watching experience – uncut - uninterrupted – all in high definition. HDNet Movies showcases a diverse slate of box-office hits, iconic classics and award winners spanning the 1950s to 2000s. HDNet Movies also features kidScene, a daily and Friday Night program block dedicated to both younger movie lovers and the young at heart. For complete movie schedule information, visit www.hdnetmovies.com. Each Month HDNet Movies rolls out the red carpet and shines the spotlight on Hollywood Blockbusters, Award Winners and Memorable Movies th rd Always (Premiere) January 8 at 6:30pm The Missing (Premiere) January 3 at 8:00pm Starring Richard Dreyfuss, Holly Hunter, John Starring Tommy Lee Jones, Cate Blanchett, Evan Goodman, Audrey Hepburn. Directed by Steven Rachel Wood. Directed by Ron Howard. Spielberg. The Quick and the Dead January 3rd at 6:00pm Antwone Fisher (Premiere) January 2nd at 4:35pm Starring Sharon Stone, Gene Hackman, Russell Starring Derek Luke, Denzel Washington, Joy Bryant. Crowe, Leonardo DiCaprio. Directed by Sam Raimi. Directed by Denzel Washington. Tears of the Sun (Premiere) January 10th at th A Few Good Men January 10 at 6:30pm 9:00pm Starring Tom Cruise, Jack Nicholson, Demi Moore, Starring Bruce Willis, Monica Bellucci, Cole Hauser, Kevin Bacon. Directed by Rob Reiner. Tom Skerritt. Directed by Antoine Fuqua. Make kidScene your destination every day from 6:00am to 4:30pm. Check program schedule or www.hdnetmovies.com for all scheduled broadcasts. An American Tale January 1st at 6:00am Lego: The Adventures of Clutch Powers (Premiere) January 4th at 7:30am Featuring voices of: Christopher Plummer, Madeline Kahn, Dom DeLuise. -
Movie Museum MAY 2011 COMING ATTRACTIONS
Movie Museum MAY 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! 2 Hawaii Premieres! BLACK SWAN Mother's Day 2 Hawaii Premieres! SUMO DO, SUMO DON'T LIKE TWO DROPS OF (2010) THE KING'S SPEECH THE ARMY OF CRIME aka Shiko funjatta WATER in widescreen (2010-UK/Australia/US) (2009-France) (1992-Japan) (1963-Netherlands) in widescreen in French/Grman w/ English in Dutch/German with in Japanese with English with Natalie Portman, with Colin Firth, Geoffrey subtitles & in widescreen subtitles & in widescreen English subtitles & widescreen with Simon Abkarian. Directed by Fons Rademakers. Mila Kunis, Vincent Cassel, Rush, Helena Bonham Carter, with Masahiro Motoki, Barbara Hershey, 12:30, 3 & 5:30pm only 12:30 & 3pm only Guy Pearce, Jennifer Ehle, ---------------------------------- Misa Shimizu, Naoto Winona Ryder. Michael Gambon, Derek Jacobi. Takenaka, Akira Emoto. ---------------------------------- LIKE TWO DROPS OF THE ARMY OF CRIME WATER Written and Directed by (2009-France) Directed by Directed by (1963-Netherlands) Masayuki Suo. in French/Grman w/ English Darren Aronofsky. Tom Hooper. in Dutch/German with subtitles & in widescreen English subtitles & widescreen 12:30, 2:30, 4:30, 6:30 with Simon Abkarian. 12:30, 2:30, 4:30, 6:30 12:15, 2:30, 4:45, 7:00 & Directed by Fons Rademakers. & 8:30pm 9:15pm 8pm only & 8:30pm 5 5:30 & 8pm only 6 7 8 9 2 Hawaii Premieres! THE MAGIC HOUR BLUE VALENTINE Hawaii Premiere! 2 Hawaii Premieres! KATALIN VARGA JE VOUS TROUVE (2008-Japan) (2010) THE TIGER BRIGADES TRÈS BEAU aka -
Heel Erg Delijk
RL Rotterdams Dagblad Donderdag 8 april 2004 FC 64 RD080404 C164RLFC 1 Redactie Digi@taal Eindredactie Peter Otte Postbus 1474, 3000 BL Rotterdam [email protected] www.rotterdamsdagblad.nl/digitaal 010-4000622 Rotterdams Dagblad ’Daten’ met Praten tegen je je walkman navigatiesysteem Wie in de toekomst een navigatiesysteem van Medion (o.a. Aldi) aanschaft kan er tegen praten. Samenleving rond muziek ScanSoft, leverancier van spraaktechnologie heeft zijn kennis gekoppeld met de maker van de navigatiesoftware Navigon. Zij maken Mobi- dichter bij elkaar brengen Samen leNavigator voor pda’s (handcomputers) met Navtech- kaarten van meer dan 21 landen in Onderzoekers verzinnen van al- Jeroen, gave muziek man, die wil spelletje doen Europa. De software wordt op de markt gezet les. Het MIT Media lab Europe ik ook!’’ Even op het beeldscherm- in combinatie met het pda-merk Medion. ,,De in het Ierse Dublin heeft nu tu- pje tikken en de mp3-fi le wordt op mobieltje spraakherkenning van ScanSoft zorgt voor nA ontwikkeld, een draadloze overgestuurd. Jij wilt natuurlijk Samen muziek luisteren is vlotte en gemakkelijke toegang tot naviga- en mobiele meeluisterdienst. weten waar die Jeroen naar luis- leuk, in Japan spelen ze samen tiegegevens en laat handen en ogen vrij Muziek uitwisselen tussen hand- terde toen hij instapte. Katie Me- spelletjes op de computer én voor andere belangrijke taken,’’ zo schrijf held-computers. luan. ,,Hip joh, die heb ik nog op het mobieltje. Je ziet bij ScanSoft. Kortom, je noemt een bestem- niet.’’ Jeroen stuurt je de mp3’tjes het spel Mogi op het ming en het navigatiesysteem plant de route. -
Digital Infringements and the Responsibility of Digital Platforms
COPENHAGEN BUSINESS SCHOOL Digital Infringements and the Responsibility of Digital Platforms by Christian Skettrup A master’s thesis written for the degree of Master of Business Administration and E-business Student ID: 117547 – Character count: 145.888 Supervisor: Nanna Bonde Thylstrup 15.05.2020 1 Abstract Private companies with digital platforms such as Facebook, are using discursive work and strategical positioning to situate themselves in a favorable position in the eyes of their users, advertisers, legislators and the general public. Despite repeatedly facilitating the distribution of some of the worst content that humanity has to offer, the society fails to hold them responsible for their part in the illegal activities. This is partly because most digital platforms are surrounded by a legal framework that exempt them from legal liability when their users conduct illegal activity, and partly because of secretive and opaque practices that makes it difficult to decipher the dynamics of commercial content moderation. With a grounded theory approach, this paper will show how digital platforms are not just neutral technological intermediaries that exist in a vacuum, but rather socio-technical objects that exist in complex political, economical and technological environments, from where they afford their users certain things. In practice they gain a quasi-legislative role, from which they can shape their users’ ability to exercise their fundamental rights. The Umbrella case provides a rare glimpse into the opaque and secretive regulation and moderation practices conducted by Facebook. Practices that makes it possible for digital platforms to implement their self-defined regulation through technical measures. 2 Contents Abstract ............................................................................................................................................................ -
The Rust Belt Abandoned Chrysler Engine Plant Redevelopment
Urban Design Competition 01: The Rust Belt Abandoned Chrysler Engine Plant Redevelopment March 1 - August 1, 2015 About the Competition The aim of this International competition is to design a new urban area that will act as a catalyst in the heart of Kenosha, WI. The architecture and design of this new area should reflect contemporary design tendencies. The proposal must not only attend to the specific site but the design should also take into consideration the surrounding urban fabric and the impact your new design will have on on the sites surrounding and the entire Kenosha area as a whole. Competition Structure This is a single stage Competition with the aim of identifying the most appropriate proposal, which best satisfies the objective of the contest. Program and Design Criteria There is no specific program or design criteria. Even though the use is open ended all designs should address 4 aspects (History of the Site and City, The Sites Surrounding Urban Fabric, Industries of Kenosha, and Transportation Options) Competition Project Disclaimer This is an open international competition hosted by UD4U to generate progressive contemporary urban design ideas. There are no plans for any of the winners or participants projects to be built. Those Eligible to Participate Architects, Architecture Graduated, Engineers and Students. Interdisciplinary teams are also encouraged to enter the competition. Employees, staff, consultants, agents or family members of UD4U personnel, as well as employees, partners, friends, family, personnel, office practice or studios associated with any of the jurors are not allowed to participate in this competition. Restrictions There are no restrictions for this international competition. -
Newsletter 14/12 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 14/12 DIGITAL EDITION Nr. 318 - August 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 14/12 (Nr. 318) August 2012 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Mit ein paar Impressionen von der Premiere des Kinofilms DIE KIR- CHE BLEIBT IM DORF, zu der wir am vergangenen Mittwoch ein- geladen waren, möchten wir uns in den Sommerurlaub verabschieden. S ist wie fast jedes Jahr: erst wenn alle Anderen ihren Urlaub schon absolviert haben, sind wir dran. Aber so ein richtiger Urlaub ist das eigentlich gar nicht. Nichts von we- gen faul am Strand liegen und sich Filme in HD auf dem Smartphone reinziehen! Das Fantasy Filmfest Fotos (c) 2012 by Wolfram Hannemann steht bereits vor der Tür und wird uns wieder eine ganze Woche lang von morgens bis spät in die Nacht hinein mit aktueller Filmware ver- sorgen. Wie immer werden wir be- müht sein, möglichst viele der prä- sentierten Filme auch tatsächlich zu sehen. Schließlich wird eine Groß- zahl der Produktionen bereits kurze Zeit nach Ende des Festivals auf DVD und BD verfügbar sein. Und da möchte man natürlich schon vor- her wissen, ob sich ein Kauf lohnen wird. Nach unserer Sommerpause werden wir in einem der Newsletter wieder ein Resümee des Festivals ziehen. Es wird sich also lohnen weiter am Ball zu blei- ben. Ab Montag, den 17.