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May • June 2013 Jazz Issue 348
may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher. -
May-June 293-WEB
May-June 2007 Issue 293 jazz Free &blues report www.jazz-blues.com now in our 33rd year KOKO TAYLOR KOKO TAYLOR Old School Published by Martin Wahl A New CD... Communications On Tour... Editor & Founder Bill Wahl & Appearing at the Chicago Blues Festival Layout & Design Bill Wahl The last time I saw Koko Taylor Operations Jim Martin she was a member of the audience at Pilar Martin Buddy Guy’s Legends in Chicago. It’s Contributors been about 15 years now, and while I Michael Braxton, Mark Cole, no longer remember who was on Kelly Ferjutz, Dewey Forward, stage that night – I will never forget Chris Hovan, Nancy Ann Lee, Koko sitting at a table surrounded by Peanuts, Wanda Simpson, Mark fans standing about hoping to get an Smith, Dave Sunde, Duane Verh, autograph...or at least say hello. The Emily Wahl and Ron Weinstock. Queen of the Blues was in the house that night...and there was absolutely Check out our costantly updated no question as to who it was, or where website. Now you can search for CD Reviews by artists, titles, record she was sitting. Having seen her elec- labels, keyword or JBR Writers. 15 trifying live performances several years of reviews are up and we’ll be times, combined with her many fine going all the way back to 1974. Alligator releases, it was easy to un- derstand why she was engulfed by so Koko at the 2006 Pocono Blues Festival. Address all Correspondence to.... many devotees. Still trying, but I still Jazz & Blues Report Photo by Ron Weinstock. -
Fall 2015 Uchicago Arts Guide
UCHICAGO ARTS FALL 2015 EVENT & EXHIBITION HIGHLIGHTS IN THIS ISSUE The Renaissance Society Centennial UChicago in the Chicago Architecture Biennial CinéVardaExpo.Agnès Varda in Chicago arts.uchicago.edu BerlinFullPage.pdf 1 8/21/15 12:27 PM 2015 Randy L. and Melvin R. BERLIN FAMILY LECTURES CONTENTS 5 Exhibitions & Visual Arts 42 Youth & Family 12 Five Things You (Probably) Didn’t 44 Arts Map Know About the Renaissance Society 46 Info 17 Film 20 CinéVardaExpo.Agnès Varda in Chicago 23 Design & Architecture Icon Key 25 Literature Chicago Architecture Biennial event 28 Multidisciplinary CinéVardaExpo event C M 31 Music UChicago 125th Anniversary event Y 39 Theater, Dance & Performance UChicago student event CM MY AMITAV GHOSH The University of Chicago is a destination where ON THE COVER CY artists, scholars, students, and audiences converge Daniel Buren, Intersecting Axes: A Work In Situ, installation view, CMY T G D and create. Explore our theaters, performance The Renaissance Society, Apr 10–May 4, 1983 K spaces, museums and galleries, academic | arts.uchicago.edu F, H, P A programs, cultural initiatives, and more. Photo credits: (page 5) Attributed to Wassily Kandinsky, Composition, 1914, oil on canvas, Smart Museum of Art, the University of Chicago, Gift of Dolores and Donn Shapiro in honor of Jory Shapiro, 2012.51.; Jessica Stockholder, detail of Rose’s Inclination, 2015, site-specific installation commissioned by the Smart Museum of Art;page ( 6) William G W Butler Yeats (1865–1939), Poems, London: published by T. Fisher Unwin; Boston: Copeland and Day, 1895, promised Gift of Deborah Wachs Barnes, Sharon Wachs Hirsch, Judith Pieprz, and Joel Wachs, AB’92; Justin Kern, Harper Memorial Reading Room, 2015, photo courtesy the artist; page( 7) Gate of Xerxes, Guardian Man-Bulls of the eastern doorway, from Erich F. -
Frisco Cricket Published by the San Francisco Traditional Jazz Foundation Fall 2013 INTERNATIONAL = NATIONAL = LOCAL by William Carter
Frisco Cricket Published By The San Francisco Traditional Jazz Foundation Fall 2013 INTERNATIONAL = NATIONAL = LOCAL by William Carter We’re reminded, once again, of the perma- spent decades in Europe and South America. nent power of jazz to syncopate itself across time Our media-savvy correspondent Dave Ra- zones. From the earliest years, Storyville’s “ragtime” dlauer has rendered future jazz historians a service and “jazz” bands quickly reproduced themselves on by painstakingly tracking the elusive career of this San Francisco’s Barbary Coast, then in Los Angeles, peripatetic reedman (and sometime trumpeter). After Chicago, New York, Paris... Seeking jobs -- even on you peruse the Goodie story in this issue, be sure to ocean liners -- jazzmen tune your digital device joined the flood of their to his streaming site, recordings in seamlessly jazzhotbigstep.com for blanketing the planet more info and sound with a music that would recordings. come to be recognized as Another ex- America’s great cultural ample of the increas- gift to the world. ingly two-way com- Yet jazz also merce between national remains, a century later, and local events have firmly anchored to its been the appearances hometown venues. This of Loren Schoenberg in issue of your Cricket the South Bay. Once a celebrates the little- year for three years, this known career of Frank Director of the National “Big Boy” Goodie. His Jazz Museum in Harlem compelling life story has been presenting begins in Creole New fascinating free public Orleans and ends (like lectures at Stanford that of many another University’s Cantor classic jazz pioneer: Museum. -
May 2001 03 Jazz Ed
ALL ABOUT JAZZ monthly edition — may 2001 03 Jazz Ed. 04 Pat Metheny: New Approaches 09 The Genius Guide to Jazz: Prelude EDITOR-IN-CHIEF: Aaron Wrixon 14 The Fantasy Catalog: Tres Joses ASSOCIATE EDITOR: Michael Martino 18 Larry Carlton and Steve Lukather: Guitar Giants CONTRIBUTORS: 28 The Blue Note Catalog: All Blue Glenn Astarita, Mathew Bahl, Jeff Fitzgerald, Chris Hovan, Allen Huotari, Nils Jacobson, Todd S. Jenkins, Joel Roberts, Chris M. Slawecki, Derek Taylor, Don Williamson, 32 Joel Dorn: Jazz Classics Aaron Wrixon. ON THE COVER: Pat Metheny 42 Dena DeRose: No Detour Ahead PUBLISHER: 48 CD Reviews Michael Ricci Contents © 2001 All About Jazz, Wrixon Media Ventures, and contributors. Letters to the editor and manuscripts welcome. Visit www.allaboutjazz.com for contact information. Unsolicited mailed manuscripts will not be returned. Welcome to the May issue of All About Jazz, Pogo Pogo, or Joe Bat’s Arm, Newfoundland Monthly Edition! (my grandfather is rolling over in his grave at This month, we’re proud to announce a new the indignity I have just committed against columnist, Jeff Fitzgerald, and his new, er, him) — or WHEREVER you’ve been hiding column: The Genius Guide to Jazz. under a rock all this while — and check some Jeff, it seems, is blessed by genius and — of Metheny’s records out of the library. as is the case with many graced by voluminous The man is a guitar god, and it’s an intellect — he’s not afraid to share that fact honour and a privilege to have Allen Huotari’s with us. -
And the Future of Jazz!
gram JAZZ PROMOTING AND NURTURING JAZZ IN CHICAGO NOVEMBER 2019 WWW.JAZZINCHICAGO.ORG MUHAL'S JAZZ PROGENY CELEBRATE HIS LEGACY - AND THE FUTURE OF JAZZ! JAZZCITY 2019: A JOURNEY THROUGH JAZZ - PLAY IT FORWARD NOVEMBER 1 AT 7PM Hamilton Park | 513 W. 72nd St. KEYBOARDIST JUSTIN DILLARD STUDIED with Muhal Richard Abrams, one of the dedicatees of JazzCity’s Nov. 1 show at Hamilton Park for only a short time. And the lessons that Dillard learned from the late avant-gardist and AACM legend can't always be easily detected in his handsome mainstream sound. But when you're around an artist and educator of Abrams’ stature, you absorb more than you may think, whatever stylistic direction you choose. “He was a very quiet, humble cat,” said Dillard. “Sometimes, he could be very particular in pointing things out. At other times, he could be quite aloof. But whenever you were in his presence, you couldn’t help but be inspired to reach higher.” Having played with such stellar AACM ensembles as Nicole Mitchell’s Black Earth Ensemble, Ernest Dawkins’ Chicago 12 and the Kahil El’Zabar Quartet, Dillard is Foster James by Photo Justin Dillard. right at home with the AACM’s untethered, "roots to the future" approach. That will be evident at Hamilton Park, Marvel Comics character Loki: "Freedom is life’s great where he will lead an ensemble stacked with notables lie. Once you accept that, in your heart, you will know from that South Side institution: Edwin Daugherty on peace." alto saxophone, Steve Berry on trombone, Junius Paul Ultimately, of course, it is the freedom to filter all on bass and Vincent Davis on drums. -
Palm Garden. DH Says B^/Was Fourteen Then, That the Year Was 192 0 F ^0^ [?]
OARNELL HOWARD 1 I [of 3]-Digest-Re typed April 21, 1957 Also present: Nesuhi Ertegun, Robert Campbell Darnell Howard was born July 25, 1906, in Chicago [Illinois]. NE says Muggsy [Spanier] told him he [also] was born that year, but DH says Muggsy is older. DH was born at 3528 Federal Street (two bloclcs from Armour Institute, which is now Illinois Institute of Technology). DH began studying his first instrument, violin,, at age seven; he studied with the same teacher who gave his father some lessons; his fatlaer played ciolin, comet and piano, and worked in night clubs around Chicago; he was working at [Pony?] Moore's at 21st and Wabash/ when he became il-1. DH says Bob Scobey or Turk [Murphy] told him that NE was a first-rate photographer. DH's father played all kinds of music, as DH has. EH studied violin until he was fourteen years old, when he ran away from home. His violin teacher was anj:,old man named Jol-inson. DH joined the union when he was twelve; h^s was sponsored by Clarence Jones; DH wente to worX [with Jones?] at the Panorama Theater; instumnentation was violin, pianc^ comet and drums. The school board made DH i^uit because of his age. The band played for motion pictures; they read their music. DH made 1-iis musical debut when he was nine years old, playing in a chsrch/ with his mother playing fhe piano. DH was induced to run away from 'home because be couldn't work in Chicago; to went with John Wycliffe's [c£. -
Tuesday, December 9Th, 2014 @ 1:00 Pm
Membership Meeting: Membership Meeting: November/December 2014 Tuesday, November 11th, 2014 Tuesday, December 9th, 2014 Vol. 74 No. 9 @ 1:00 pm @ 1:00 pm Local 10-208 of AFM CHICAGO FEDERATION OF MUSICIANS OFFICERS – DELEGATES 2014-2016 Gary Matts President Terryl Jares Vice-President Leo Murphy Secretary-Treasurer Gary Matts BOARD OF DIRECTORS Terryl Jares President Robert Bauchens Bob Lizik Rich Daniels Janice MacDonald Frank Donaldson Charles Schuchat B.J. Levy BLANK LANDSCAPE CONTRACT DEPARTMENT Meetings, Celebrations and Holiday Ruminations Terryl Jares – Vice-President Nancy Van Aacken Where Did The Summer Go? back in session. Seems unfair that the leaves are falling, ASSISTANTS TO THE the temperatures are dropping and Thanksgiving is just There is a problem with writing an article for Intermezzo. The problem is that PRESIDENT - JURISDICTIONS After the brutal Winter of 2013, each of us waited in around the corner. Let’s hope this Winter waits to arrive the article has to be written about a month in advance of the publication date. Terryl Jares - Vice-President Supervisor - Entire jurisdiction anticipation for Spring. It seemed like Winter would and the groundhog sees his shadow! In addition, if the article is written after a two month edition of Intermezzo, for including theaters never end. Finally we had a thaw sometime in May, example the September/October issue, the article must cover what’s been happening (Cell Phone: 312-310-4100) late for Chicago but not unheard of. The outdoor Best wishes for a wonderful Holiday season. May you since mid-August. As I write this finalIntermezzo column of 2014 in early October Dean Rolando concerts began, baseball was in full force, restaurants and your family have a healthy and prosperous New for the November/December, I find myself in that exact situation. -
Chris Greene Quintet: the Popular, Longstanding Chicago Band on Preparing a Tribute to Eddie Harris
gram JAZZ PROMOTING AND NURTURING JAZZ IN CHICAGO APRIL 2020 WWW.JAZZINCHICAGO.ORG CHRIS GREENE QUINTET: THE POPULAR, LONGSTANDING CHICAGO BAND ON PREPARING A TRIBUTE TO EDDIE HARRIS JAZZCITY 2020 SOUL TO SOUL: A CELEBRATION OF EDDIE HARRIS COMPARED TO WHAT?! (EVENT CANCELED) WHEN THE JAZZ INSTITUTE OF CHICAGO DECIDED to make Eddie Harris the recipient of this year's ongoing JazzCity tribute, one artist and one band were an obvious choice to participate. Who better to capture the slippery, soulful, stylistically restless sound of the late, great tenor saxophonist Chris Greene and his quintet? As suggested by the title of the band's album, Boundary Issues, Greene has never had much use for staying in one place with Chris Greene Ensemble his music. "I don't know my place, I guess, which is why I'm always stepping outside of the so-called boundaries. With the music I like, I just can't help thinking, what would it be like if I did this, or this?" We would have expected to hear Greene and company – keyboardist Damian Espinosa, bassist Marc Piane, trumpeter John Moore and drummer Steve Corley – play popular Harris staples including "Compared to What," "Freedom Jazz Dance" and "Cold Duck Time" at Loyola Park on April 3rd. And if the spirit moved them, the band, which has been together since 2005, might have treated the crowd to one or all of those songs. But having taken a deep dive into Harris' compositions – which in many ways are as notable as his tenor saxophone inventions, something Greene hoped to convey to the audience – the saxophonist is more interested in exposing lesser-heard tunes. -
Drummer's DIY Journey Continues to Evolve
INDIE LIFE BARRETT MARTIN Barrett Martin’s recent creative endeavors include a book and a related album. Drummer’s DIY Journey Continues to EVolve any musicians who thrived during known in the rock world for his drumming taught music and theory classes at Antioch Mthe alternative-rock gold rush of on the last two studio albums by Screaming University Seattle. In addition to writing a the 1990s have, by now, hopped Trees and post-grunge supergroup Mad blog for The Huffington Post, he has penned onto the nostalgia circuit to cash in on their Season, the 52-year-old has spent the major- two books—The Singing Earth: Adventures past glories. Others, however, have sought out ity of his life traveling the world, seeking from a World of Music (2017) and the recently new lands and new interests. Henry Bogdan, enlightenment and new musical terrain to released The Way of the Zen Cowboy: Fireside former bassist for neo-metal quartet Helmet, cultivate. Those journeys have included gov- Stories from a Globetrotting Rhythmatist. has carved out a comfortable niche as a gui- ernment-sponsored jaunts to Cuba, explora- (The latter book includes a free download of tarist for traditional Hawaiian music ensem- tions of the Peruvian rainforest and record- the Barrett Martin Group’s new album, Songs bles and old-time jazz groups. And John ings with Brazilian singer Nando Reis and Of The Firebird.) Martin has filtered his ongo- Frusciante, ex-guitarist for Red Hot Chili with tribes in the Arctic National Wildlife ing interest in ethnomusicology, his own per- Peppers, now tests the outer limits of elec- Refuge in Alaska. -
Opinion the Views and Opinions Expressed in This Newsletter Are Those Of
The Dearborn Express Sponsored by the South Loop Referral Group Serving Printers Row and Dearborn Park Al Hippensteel, editor [email protected] March 30, 2015 Vol. 3, No.5 Developer Looking to Purchase Vacant Lot In this Issue from City at 1136 S. Wabash to Build Apart- And it looks Bonnie McGrath is on a mission. like another vacant lot She can’t stand Rahm and will tell in the Sloop you why. Page 4 is getting developed (via Crains): It’s a “double header.” Beth and Vacant lot at 1136 S. Mike are on the same page. Wabash (via Crains) Page 8 Chicago developer Keith Giles plans to build a 24-story apartment tower on South Loop land he would buy from the city for $4.4 million. Greg Borzo reviews the book, Mayor Rahm Emanuel today introduced the po- tential land sale at 1136-40 S. Wabash Ave. to “Escaping Condo Hell.” the City Council, according to a statement re- leased from his office. If the sale is approved, Page 7 and 9 Giles would spend $64 million developing a 280- unit apartment building on the parking lot that now stands on the 19,000-square-foot site, the statement said. INDEX Interestingly enough, it appears that the devel- Jazz Showcase ……………… ……….……….……...….……...………....p 2 oper tried to buy the same lot for $8 million in South Loop Neighbors………..……………….…………….…….…...…p 3 2009. Seems strange that the price would get Bonnies Blog …………...…..…………….……….…...………….….……..p 4 chopped nearly in half given that the real estate market has seemed to improve drastically since Book Review by Greg Borzo …………………………………………..p7,9 2009. -
Istreets] Rampart Street; Then He Went Back to New Orleans University
PRESTON JACKSON Also present: William Russell I [of 2]-Digest-Retyped June 2, 1958 Preston Jackson was born in the Carrollton section of New Orleans on January 3, 1904 at Cherokee and Ann [now Garfield] Istreets] (according to his mother). He went to "pay" school, then to Thorny Lafon [elementary] School, then to New Orleans University (WR says Bunk Johnson went there years before), which was at Valmont and St. Charles. His family are Methodist and Catholic. PJ moved to the Garden District; he attended McDonogh 25 School, on [South] Rampart Street; then he went back to New Orleans University [High s ]t School Division?] . In about 1920 or 1921, PJ told Joe Oliver he was thinking of taking up trombone; Oliver advised him to take clarinet instead, as PJ was a good whistler and should have an instrument more maneuver- able than the tromboneo Having decided on clarinet, PJ was surprised by his mother, wlio secretly bought him a trombone (August, 1920 or 1921) - PJ found but later that William Robertson, his first teacher, and a trombonist, had bought the horn for PJ's mother (Robertson was from Chicago) . PJ studied with Robertson for about six months; when he had had the horn for about nine months, he was good enough to be invited to play in the band at [Quinn's?] Chapel, where he remained four or five months, playing in the church band. Then PJ met some New Orleans friends and acquaintances/ including Al and Omer Simeon (from the "French part of town"), Bernie Young and 1 PRESTON JACKSON 2 I [of 2]-Digest--Retyped June 2.