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Srl Roll Name Cat1 Cat2 Cat3 Catsel Postsel Post Rank Provnr Forwd Stat Forwd Date Office Remarks 1 2002000406 SUDARSHAN SINGH R
srl roll name cat1 cat2 cat3 catsel postsel post rank provnr forwd_stat forwd_date office remarks 1 2002000406 SUDARSHAN SINGH RAWAT 9 0 9 T Auditor in Offices under C&AG SL\III\28 * DOSSIER WILL BE SENT IN DUE COURSE 2 2002002523 UMAKANT SHARMA 9 0 9 T Auditor in Offices under C&AG SL\III\658 FORWARDED 05.05.2015 O/o THE C&AG, NEW DELHI 3 2002003065 AKSHAY RUDOLA 9 0 9 T Auditor in Offices under C&AG SL\III\236 FORWARDED 05.05.2015 O/o THE C&AG, NEW DELHI 4 2002005678 LAXMAN SINGH 3 3 T Auditor in Offices under C&AG SL\III\7928 * DOCUMENT VERIFICATION REQUIRED 5 2002006911 ANADI SHUKLA 9 3 3 T Auditor in Offices under C&AG SL\III\7459 FORWARDED 05.05.2015 O/o THE C&AG, NEW DELHI 6 2002009004 VIKAS BARTHWAL 9 0 9 T Auditor in Offices under C&AG SL\III\402 FORWARDED 05.05.2015 O/o THE C&AG, NEW DELHI 7 2002009345 RAVINDRA 1 0 1 T Auditor in Offices under C&AG SL\III\6492 FORWARDED 05.05.2015 O/o THE C&AG, NEW DELHI 8 2002010427 DEVENDRA KUMAR DIWAKAR 1 0 1 T Auditor in Offices under C&AG SL\III\6561 FORWARDED 05.05.2015 O/o THE C&AG, NEW DELHI 9 2002010502 DIPAK SAHA 9 0 9 T Auditor in Offices under C&AG SL\III\67 FORWARDED 05.05.2015 O/o THE C&AG, NEW DELHI 10 2002013548 BIJENDER SINGH 6 0 5 5 T Auditor in Offices under C&AG SL\III\9044 * DOSSIER WILL BE SENT IN DUE COURSE 11 2002013632 RAJINDER KUMAR 6 3 3 T Auditor in Offices under C&AG SL\III\8197 * DOCUMENT VERIFICATION REQUIRED 12 2002017089 MUKESH KUMAR 1 0 1 T Auditor in Offices under C&AG SL\III\6312 FORWARDED 05.05.2015 O/o THE C&AG, NEW DELHI 13 2002018106 RAVINDER KUMAR JAYANT
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Université De Montréal /7 //F Ç /1 L7iq/5-( Dancing Heroines: Sexual Respectability in the Hindi Cinema Ofthe 1990S Par Tania
/7 //f Ç /1 l7Iq/5-( Université de Montréal Dancing Heroines: Sexual Respectability in the Hindi Cinema ofthe 1990s par Tania Ahmad Département d’anthropologie Faculté des arts et sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade de M.Sc. en programme de la maîtrise août 2003 © Tania Ahrnad 2003 n q Université (1111 de Montréal Direction des bibliothèques AVIS L’auteur a autorisé l’Université de Montréal à reproduire et diffuser, en totalité ou en partie, par quelque moyen que ce soit et sur quelque support que ce soit, et exclusivement à des fins non lucratives d’enseignement et de recherche, des copies de ce mémoire ou de cette thèse. L’auteur et les coauteurs le cas échéant conservent la propriété du droit d’auteur et des droits moraux qui protègent ce document. Ni la thèse ou le mémoire, ni des extraits substantiels de ce document, ne doivent être imprimés ou autrement reproduits sans l’autorisation de l’auteur. Afin de se conformer à la Loi canadienne sur la protection des renseignements personnels, quelques formulaires secondaires, coordonnées ou signatures intégrées au texte ont pu être enlevés de ce document. Bien que cela ait pu affecter la pagination, il n’y a aucun contenu manquant. NOTICE The author of this thesis or dissertation has granted a nonexclusive license allowing Université de Montréal to reproduce and publish the document, in part or in whole, and in any format, solely for noncommercial educational and research purposes. The author and co-authors if applicable retain copyright ownership and moral rights in this document.
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Now, One More Sez Wants to Withdraw from Gujarat 0
e-Paper Indian Premier League 2016 T RENDING# VVIP chopper scam Vijay Mallya IPL 2016 Uttarakhand West Bengal elections 2016 NOW, ONE MORE SEZ WANTS TO WITHDRAW FROM GUJARAT 0 0 0 0 JIT ENDRA DAVE | HIMANSH DHOMSE | Fri, 15 Jul 2011-02:55pm , Ahmedabad , dna After struggling for four years to develop an engineering special economic zone (SEZ) at Rajoda near Changodar in Ahmedabad district, city-based developer NG Realty has now finally decided to abandon the plan and de-notify its Gallpos SEZ. The SEZ had got formal approval in May 2007. Four years on, the company wants to de-notify it and is now planning to convert it into an industrial park. With this, Gallops becomes sixth SEZ to be withdrawn in Gujarat. After investing Rs350 crore in this project, including Rs100 crore in development and Rs250 crore in acquiring land, NG Realty has sent a request to Board of Approval of SEZs for de-notification of its SEZ at Rajoda. In the request, the firm has cited unstable SEZ policy and imposition of minimum alternate tax (MAT) as reasons for shelving the project. The SEZ, spread in around 230 hectares, got notified over an area of 217.14 hectares. With many ups and downs, the developer was left with no other choice but to de-notify it. NG Patel, chairman of NG Realty, confirmed that they are mulling to de-notify their engineering SEZ and said that the SEZs are not viable anymore due to change in the government policy. "The government has withdrawn majority of the benefits and only certain benefits like relaxations in income tax are available.
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OVIES OCT 05 - 11, 2015 ET Monday Tuesday Wednesday Thursday Friday Saturday Sunday PT 5-Oct 6-Oct 7-Oct 8-Oct 9-Oct 10-Oct 11-Oct
ATN B4U MOVIES OCT 05 - 11, 2015 ET Monday Tuesday Wednesday Thursday Friday Saturday Sunday PT 5-Oct 6-Oct 7-Oct 8-Oct 9-Oct 10-Oct 11-Oct 0:00 AAWARA PAGAL 21:00 SHAITAN ENGLISH VINGLISH DEEWANA AAN - MEN AT WORK SOOPER SE OOPER 0:30 (Kalki Koechlin, (Sridevi,Adil ONE 2 KA 4 AGENT VINOD (Akshay Kumar, 21:30 (Shatrughan Sinha, (Vir Das,Kirti Rajiv Khandelwal)- Hussain,Mehdi (Shahrukh Khan, Juhi (Saif Ali Khan, Sunil Shetty, Aftab Akshay Kumar, Jackie Kulhari)- ENGLISH 1:00 ENGLISH Nebbou)- ENGLISH Chawla) Kareena Kapoor) Shivdasani)- 22:00 Shroff) SUBTITLED SUBTITLED SUBTITLED ENGLISH 1:30 SUBTITLED 22:30 ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE 2:00 RAHAT FATEH ALI RAHAT FATEH ALI OGAAN FASHION NEETI DREAM & BOLLYWOOD POWER OF INDIA 23:00 TRILLIUM DIWALI 1 KHAN SPL 1 KHAN SPL 2 SHOW DANCE 1 HOLLYWOOD GALA PERCUSSION 1 ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE 2:30 INTERVIEW - ALIYA INTERVIEW - INTERVIEW WITH INTERVIEW WITH RAFI KE YAAD MEIN RAFI KE YAAD MEIN POWER OF INDIA 23:30 SHARAFI KULWINDER GILL JAZ DHAMI NICK DHAMMU 1 2 PERCUSSION 1 ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE 3:00 SWAMI DIPANKAR SWAMI DIPANKAR 0:00 SWAMI DIPANKAR 3 RAMAYANA 1 RAMAYANA 2 SA HERITAGE 1 SA HERITAGE 2 1 2 ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE ASIAN MAGAZINE 3:30 RADHEY KRISHNA RADHEY KRISHNA RADHEY KRISHNA RADHEY
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Rs 100 Crore Ever, Making Rs 110 Crore in the of Bollywood Who Sports He Kills Aditya Pancholi
7 ,the collar dance Dabangg ,he makes up Cover story SALMAN KHAN EASYDANCE << Bodyguard Whether itor is the the bicep belt dance dance of of of Ready steps as he goes along,with a little assistance .“Only he 9 << can do it,”says Farah Khan,who also says that she gets some of his best moves watching him dance at a party ICONIC NAME to Chulbul while he is slightly drunk.“I just copy it the next day.” and Tere Naam, From the romanticWanted hero Prem to the macho Radhey in and now the ironic Lovely Dabangg .His onscreen names Pandey in Bodyguard Singh for reflect his professional transition. >> 5 GIRLIN PERIL No Khan movie is complete without the girl in peril.She << 3 has to be gorgeous.She has to Bone-crunching action, schoolboy humour, chartbusting be in trouble,with her family SIMPLE CLOTHES or a villain,and Khan has to songs and dialogue designed for applause.This Khan’s rescue her from her fate.If << It has to be affordable clothes, she looks like his most recent 10 movies have brought back the hero who can do it all. something anyI tailor wore can a jacket copy. you “In Bigg Boss ex-girlfriend,it helps.There to his are no steamy scenes.The DEADLYSQUINT can make of anBodyguard old suit.”From By Kaveree Bamzai with Nishat Bari and Gunjeet Sra audience can only have one Sizing up his opponent who the boots in is always bigger than him Polo T-shirt,everything is easy sex object at a time.
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1St Filmfare Awards 1953
FILMFARE NOMINEES AND WINNER FILMFARE NOMINEES AND WINNER................................................................................ 1 1st Filmfare Awards 1953.......................................................................................................... 3 2nd Filmfare Awards 1954......................................................................................................... 3 3rd Filmfare Awards 1955 ......................................................................................................... 4 4th Filmfare Awards 1956.......................................................................................................... 5 5th Filmfare Awards 1957.......................................................................................................... 6 6th Filmfare Awards 1958.......................................................................................................... 7 7th Filmfare Awards 1959.......................................................................................................... 9 8th Filmfare Awards 1960........................................................................................................ 11 9th Filmfare Awards 1961........................................................................................................ 13 10th Filmfare Awards 1962...................................................................................................... 15 11st Filmfare Awards 1963.....................................................................................................
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Merit List - General Category Sl.No Admit Card No Name of the Candidate Score Master Rank General Rank 1 ND05U11213 NIDHI MODANI 175 1 1 2 LU01U06927 SIDDHARTHA BASU 175 3 2 3 CD01U02165 CHETNA KUMAR 173 4 3 4 KL01U05836 PAROMA MITRA 173 5 4 5 JD01U04536 SIDDHARTH SINGH SHEKHAWAT 173 7 5 6 PA01U12262 VISHAV GUPTA 172 8 6 7 GN01U03481 MIRANI SHREYE MAHESH 171 9 7 8 BA01U00034 SAKSHI 171 10 8 9 JD02U04941 APURV TYAGI 171 11 9 10 CH01U02827 RAMYAA V 169 13 10 11 BA01U00009 VINODINI SRINIVASAN 169 14 11 12 CH01U02967 A SNEHA 169 15 12 13 CC01U03158 N RAMOLA 169 16 13 14 JD01U04455 JYOTI MAHESHWARI 169 17 14 15 LU01U07119 ABHISHEK KUMAR SINGH 169 18 15 16 CH01U03028 VARSHA SRINIVASAN 169 19 16 17 ND03U09847 DHEER KUMAR BHATNAGAR 169 20 17 18 BA01U00706 AMSHULA 169 21 18 19 CH01U02962 SUSHIL DUTT 169 22 19 20 LU02U07738 NAMRATA ADLAKHA 168 23 20 21 CD01U02274 TRISHEE GOYAL 168 24 21 22 BA01U00109 SAMPADA S BANNURMATH 168 25 22 23 PT01U12430 RICHA SINGH 168 26 23 24 ND03U09756 ANUBHUTI SINHA 168 27 24 25 JD01U04336 JAYA CHATURVEDI 168 29 25 26 MM01U08361 NIYATI SAMIR GANDHI 168 30 26 27 ND03U09966 SUVENI BHAGAT 167 32 27 28 CC02U03388 SIDDHARTH V ANAND 167 33 28 29 ND03U09874 TUSHAAR TALWAR 167 34 29 30 HD01U03887 HARI PRIYA 167 35 30 31 CD01U02137 JASRAJ SINGH 167 36 31 32 JD01U04352 NEERAJ VYAS 167 37 32 33 ND03U10103 ABHINAV SEKHRI 167 38 33 34 BA01U00464 MOLSHREE SHRIVASTAVA 167 39 34 35 CD01U02467 KARTIKEYA PANWAR 166 41 35 36 KL01U05850 SHOURYA SENGUPTA 166 42 36 37 HD01U03903 KUSHANK SINDHU 166 43 37 38 MM01U08491 ARCHANA SUBRAMANIAN
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Artist Index
Artist Index A Asha Parekh (1950s, 1960s, 1970s) Bharati (1960s) A.K. Hangal (1970s, 1980s) Asha Potdar (1970s) Bharti (1970s) Aamir Khan (1970s, 1980s) Asha Sachdev (1970s) Bhola (1970s) Aarti (1970s) Ashish Vidyarthi (1990s) Bhudo Advani (1950s, 1960s, 1970s) Abhi Bhattacharya (1950s, 1960s, Ashok Kumar (1930s, 1940s, 1950s, Bhupinder Singh (1960s) 1970s) 1960s, 1970s) Bhushan Tiwari (1970s) Achala Sachdev (1950s, 1960s, Ashoo (1970s, 1980s) Bibbo (1940s) 1970s) Asit Sen (1950s, 1960s, 1970s) Bihari (1970s) Aditya Pancholi (1980s) Aspi Irani- director (1950s) Bikram Kapoor (1960s) Agha (1940s, 1950s, 1960s, 1970s) Asrani (1970s) Bina Rai (1950s, 1960s) Ahmed- dancer (1950s) Avtar Gill (1990s) Bindu (1960s, 1970s) Ajay Devgan (1990s) Azad (1960s) Bipin Gupta (1940s, 1960s, 1970s) Ajit (1950s, 1960s, 1970s, 1980s) Azim (1950s, 1960s) Bir Sakhuja (1950s, 1960s) Alan Figueiredo- musician, dancer Azra (1960s, 1970s) Birbal (1970s) (1960s) Bismillah (1930s) Alankar (Master) (1970s) B Bittoo (Master) (1970s) Alka (1970s) B.M. Vyas (1960s) Biswajeet (1960s) Amar (1940s, 1960s) B. Nandrekar (1930s) Bob Christo (1980s, 1990s) Amarnath (1950s, 1960s) Babita (1960s, 1970s) Brahm Bhardwaj (1960s, 1970s) Ameerbai Karnataki (1940s, 1960s) Baburao Pendharkar (1930s, 1940s) Ameeta (1950s, 1960s) Baby Farida (see Farida) C Amitabh Bachchan (1970s, 1980s, Baby Leela (see Leela) C.S. Dubey (1970s, 1980s) 1990s) Baby Madhuri (see Madhuri) Chaman Puri (1970s) Amjad Khan (1950s, 1980s) Baby Naaz (see Kumari Naaz) Chandramohan (1930s, 1940s) Amol Palekar (1970s)
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Delhi Times, the Times of India 3
THE TIMES OF INDIA I FRIDAY, MAY 7, 2010 SOUTH MATINEE MASALA Shilpa loved to dance as a kid Pg 8 OF INDIA BACK BEAT DELHI IS TALKING ABOUT Arshad has Aditya Pancholi was sleepless nights spotted with a new babe Prathamesh Bandekar Pg 12 Pg 3 Ranjit Kumar BBUUZZZZSSTTOOPP ANOTHER RECORD! Sachin posts his pic SACHIN TENDULKAR took less than 24 hours to accumulate 79,124 followers when DOUBLE DHAMAKA: Shabana Azmi and Gurinder Chadha he joined Twitter, and the number is grow- ing at the rate of almost 4500 per hour. That easily outdid Shah Rukh Khan who scooped up 23,333 followers on the second day of his entry.The man who convinced the Little Master to start the account, Atul Kabhi khushi, Kasbekar, said, “Sachin has been a dear friend for 20 years and I’d been trying to get him to set up an account. It was disturbing to find fake Tendulkars. You can imperson- ate anybody but not Tendulkar – it’s not kabhi fun just cricket.” Joseph Koraith SUBHASH K JHA them. Shabana put my nerves to ACTING DAYS Times News Network rest. We went eating jalebis and MADHUR BHANDARKAR talking about feminism, relation- (L-R) Abhit Sud, MD, Three Graces, Mugdha Godse and Kunal Kapoor are seen spending a luxurious and rejuvenating will do a special appearance t’s A Wonderful Afterlife, and ships, politics and love. Gurinder afternoon at Three Graces, Delhi’s new destination for holistic health, wellness and beauty services. The Three Graces in Rahul Dholakia’s Society, its crackling desi version, Hai linked arms with me on this jour- I chain of beauty and wellness destinations – which comes from the creators of the popular Amatrra Spa that and the filmmaker agreed to Marjawaan, (both releasing ney and I’m ever so grateful.” revolutionised the spa industry in India – is being unveiled tonight in a chic black carpeted event especially put together act on producer Smita today) are about a marriageable Comedy, especially for female for the crème de la crème of Delhi with celebrities from across the country.
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Switzerland As Seen Through the Lens of Over a Century of Foreign Cinema Fr Backdrop Switzerland Expo/Gstaad
BACKDROP SWITZERLAND EXPO/GSTAAD SWITZERLAND AS SEEN THROUGH THE LENS OF OVER A CENTURY OF FOREIGN CINEMA FR BACKDROP SWITZERLAND EXPO/GSTAAD En venant dans l’Oberland Bernois, Backdrop Switzerland Expo est dans son élément naturel. En effet, la région a été le lieu de tournage de films mythiques commeSherlock Holmes (USA, 1922) d’Albert Parker, Secret Agent (UK, 1936) d’Alfred Hitchcock, La Symphonie pastorale (FR, 1946) de Jean Delannoy, White Cradle Inn (UK, 1947) de Harold French et bien sûr le mythique The Return of the Pink Panther (UK, 1975) de Blake Edwards, qui était également résident à Gstaad avec son épouse Julie Andrews. Evidemment il faut ajouter à cette liste les nombreuses productions Bollywoodiennes notamment Dilwale Dulhania Le Jayenge (India, 1995) d’Aditya Chopra, un des plus grand succès de l’histoire du cinéma indien qui a contribué à faire de la Suisse un des lieux de villégiature préféré des in- diens, mais aussi des cinéastes de Bollywood qui ont tourné de nombreux films dans la région. A la télévision, on notera les séries Archer (USA, 2011) et Chuck (USA, 2007), avec des épisodes se passant à Gstaad. Mais il faut tout de même mentionner The Bells Of Hell Go Ting-A-Ling (UK, 1966) de David Mil- ler avec Gregory Peck et Ian McKellen. Le tournage de ce film au budget ambitieux qui devait profiter de la vague deThe Sound of Music, sera finalement abandonné après 5 semaines de tournage en raison d’un été de pluie, et de neige… Le focus sur l’Oberland Bernois présenté au Gstaad Palace cet été fait partie d’une recherche sur toute la Suisse en tant que décor dans le cinéma étranger de 1900 à nos jours, qui a pris la forme de l’ouvrage Backdrop Switzerland (Age d’Homme, 2016).
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Popular Indian Cinema in Conversation with Reincarnation: Some Aspects
postScriptum: An Interdisciplinary Journal of Literary Studies Online – Open Access – Peer Reviewed ISSN: 2456-7507 postscriptum.co.in Volume II Number i (January 2017) Gupta, Rajarshee. “Popular Indian Cinema in Conversation with ...” pp. 28-40 Popular Indian Cinema in Conversation with Reincarnation: Some Aspects Rajarshee Gupta Assistant Professor in English, Subhas Chandra Bose Centenary College, Murshidabad The author did his MA and MPhil from University of Calcutta. He served as the Project Fellow of DRS (UGC Special Assistance Programme, Phase III) at the Department of English, University of Calcutta. He currently teaches as Assistant Professor at the Department of English, Subhas Chandra Bose Centenary College, Lalbagh, Murshidabad. Abstract The paper strives to explore various facets of reincarnation as a theme or device in popular Indian cinema. Reincarnation has been a popular theme in Indian cinema since the early days of Indian film industry. The take of Indian cinema on the subject is very different from that of World cinema or Hollywood; its root can be traced back to traditional Indian philosophy professing Karma and the concept of rebirth. The cyclic pattern of birth and death as professed in Indian philosophy is reflected in a number of ways in the reincarnations movies: through the repetitive usage of various tropes of music, image and also by adopting a cyclic narrative structure. Reincarnation as a theme attributes to the scope of retelling love stories and revenge sagas, thus enhancing the melodramatic ‘masala’ nature of popular Indian cinema. The movies largely dwell upon and invest in the concept of immortality of the soul and eternal love between the lovers spanning over births.
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Hindi Film Artists 20S-30S
Hindi Cinema Artists 1980s http://memsaabstory.wordpress.com A.K. Hangal (1982) Aamir Khan (1989) Aditya Pancholi (1989) Ajit (1981) Amitabh Bachchan (1983) Amjad Khan (1981) Amrish Puri (1980) Anita Guha (1981) Anjana Mumtaz (1981) Anuradha Patel (1987) Aruna Irani (1982) Arundhati Roy (1989) Ashoo (1981) Bharat Bhushan (1982) Bob Christo (1982) Chandrashekhar (1989) Colonel Kapoor (1980) C.S. Dubey (1982) All content on this page is for informational purposes only, and has been compiled from movies and other sources in my possession. If any copyright has been infringed, please contact me: memsaabstory [at] gmail [dot] com or leave a comment on my blog at http://memsaabstory.wordpress.com. Hindi Cinema Artists 1980s ~ page 2 http://memsaabstory.wordpress.com Dalip Tahil (1989) Dan Dhanoa (1985) Dara Singh (1985) Deepti Naval (1983) Dev Kumar (1988) Deven Verma (1982) Dina Pathak (1982) Dinesh Hingoo (1986) Farooque Sheikh (1981) Feroz Khan (1981) Gulshan Grover (1989) Habib (1981) Harbans Darshan M. Harish Magon (1983) Heena Kausar (1981) Helen (1980) Hema Malini (1988) Hiralal (1981) Arora (1982) All content on this page is for informational purposes only, and has been compiled from movies and other sources in my possession. If any copyright has been infringed, please contact me: memsaabstory [at] gmail [dot] com or leave a comment on my blog at http://memsaabstory.wordpress.com. Hindi Cinema Artists 1980s ~ page 3 http://memsaabstory.wordpress.com I.S. Johar (1981) Jagdeep (1981) Jagdish Raj (1981) Jankidas (1980) Jeetendra (1981) Johnny Whiskey (1981) Jugal Hansraj (1983) Juhi Chawla (1989) Julian (1981) Jyoti Bakshi (1981) Kabir Bedi (1988) Kader Khan (1988) MKiethshutno CMhuakkhraebrjoere ty Kamal Kapoor (1982) Karan Razdan (1982) Katy Mirza (1981) Kedar Sehgal (1986) Keshav Rana (1981) (1981) All content on this page is for informational purposes only, and has been compiled from movies and other sources in my possession.
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