DOCSLIB.ORG

Albert King the Pinch Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Albert King the Pinch Mp3, Flac, Wma Albert King The Pinch mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Blues Album: The Pinch Country: Germany Released: 1977 Style: Electric Blues, Soul, Funk MP3 version RAR size: 1148 mb FLAC version RAR size: 1264 mb WMA version RAR size: 1660 mb Rating: 4.7 Votes: 274 Other Formats: DMF VQF VOC DXD MMF AHX TTA Tracklist Hide Credits The Blues Don't Change A1 5:34 Written-By – Rice*, Williams* I'm Doing Fine A2 3:50 Written-By – Randle*, Clanton* Nice To Be Nice (Ain't That Nice) A3 2:47 Written-By – Rice*, Ghee* Oh, Pretty Woman A4 4:20 Written-By – Williams* King Of Kings A5 3:25 Written-By – Jones*, Bush* Feel The Need In Me B1 3:29 Written-By – Tilmon*, Allen* Firing Line (I Don't Play With Your Woman, You Don't Play With Mine) B2 3:42 Written-By – Rice* The Pinch Paid Off, Part I B3 3:33 Written-By – Washington*, Ward* The Pinch Paid Off, Part II B4 4:44 Written-By – Washington*, Ward* I Can't Stand The Rain B5 2:48 Written-By – Peebles*, Miller*, Bryant* Ain't It Beautiful B6 3:55 Written-By – Jones*, Smith*, Bush* Companies, etc. Manufactured By – Bellaphon Distributed By – Bellaphon Credits Art Direction – Phil Carroll Backing Vocals [Background Vocals] – Henry Bush, Hot Butter & Soul*, William C. Brown III Bass – Duck Dunn*, Earl Thomas Design – Lucinda Cowell, Phil Carroll Drums – Al Jackson*, Willie Hall Guitar – Albert King, Bobby Manuel, Michael Toles, Vernon Burch Horns – The Memphis Horns Keyboards – Lester Snell, Marvell Thomas, Winston Stewart Photography [Back Photo] – Jim Marshall Photography [Cover Photo] – Phil Bray Producer – Allen Jones*, Henry Bush Vocals – Albert King Notes [A] 1, 3, 5. East/Memphis Corp. - Wild Rice Mus. - MCPS. 2 Jec Mus. 4 East/Memphis Corp. - MCPS. [B] 1. Carlin Mus. Corp. 2. East/Memphis Corp. - Wild Rice Mus. - MCPS. 3, 4, 6. East/Memphis Corp. - MCPS. 5. Burlington Mus. Co. Ltd. Recorded at Stax Studios, Memphis. ℗ 1977 Stax Records. Barcode and Other Identifiers Rights Society: GEMA Label Code: LC 0914 Other versions Category Artist Title (Format) Label Category Country Year Albert STX 41001 The Pinch (LP, Album) Stax STX 41001 France 1977 King STX 4101, Albert The Blues Don't Stax, STX 4101, US 1992 SCD-8570-2 King Change (CD, Album) Stax SCD-8570-2 Albert STX-4101 The Pinch (LP, Album) Stax STX-4101 US 1977 King STX 3001, OC Albert Stax, STX 3001, OC The Pinch (LP, Album) UK 1977 062-60 230 King Stax 062-60 230 The Blues Don't Albert STX-4101 Change (CD, Album, Stax STX-4101 Germany 1992 King RM) Related Music albums to The Pinch by Albert King Grover Washington, Jr. - All The King's Horses Ann Peebles - I Can't Stand The Rain / Part Time Love The Nice - Legendary Nice Little Pinch - Call Him Gary Moore Featuring Albert King - Oh Pretty Woman Albert King - I Wanna Get Funky Silk 'N Soul - Pinch Of Sugar / Real Love Nice Nice - Spring Ohio Express - Pinch Me (Baby, Convince Me) Unknown Human - Pinch-Hit.
Load more

Recommended publications
  • The Roots Music Magazine Including Rock'n'roll, R&B, Soul, Jazz, Folk
    www.tftw.org.uk £1/19/11d - £2.00 - €3.00 - $3.75 The Roots Music Magazine including Rock'n'Roll, R&B, soul, jazz, folk, The Roots Music Networking Group country and 58 much more ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK The sound of Robb Davis’s double bass being slapped as Brian ‘Bunter’ Clark’s drums whacked the offbeat, Claire Hamlin from the Alabama Slammers, her fingers pounding the keyboards, and John Spencely’s guitar starting to riff as the House Band kicked off ‘Tales From The Woods’ rock party at the ‘Inn On The Green’ in Portobello, W11. The beginning of a real night of fifties Rock’n'Roll with many singers sitting in throughout the evening including Cliff Edmunds (the Avengers), a perfect rendering of ‘Move It’ and ‘Brand New Cadillac’; Pete Stockton ‘Girl Of My Best Friend’; Dave Sampson (the Hunters) sang ‘Love Me’; Danny Rivers, ‘Can’t You Hear My Heart’ plus Ray Lee (Dream Lover) and of course Rockin' Gerry Champion of the 2i’s coffee bar, rocked ‘I Go Ape’. Everybody was here not only to celebrate Keith’s birthday but also to thank him for all his great efforts in keeping the faith and attracting musicians from that magic time, way back when I was really young and played or jived the night away in Soho town. We even had a Skiffle group and Allan Bailey, (Soho Leg-ends) sang ‘Rock Island Line’. A friend shouted in my ear that “No tea chest bass sounded as good as the ones made for PG Tips!” In fact Ken Major had brought his original one from back in 1956.
    [Show full text]
  • Steve Cropper | Primary Wave Music
    STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band.
    [Show full text]
  • Porretta Soul Festival 23° Anno
    Giovedì 22 Luglio Ore 21 (Ingresso Libero) 24 Luglio Ore 12 Bononia Sound Machine, The Sweethearts Rufus Thomas Café (Australia), Fun Opera (The Opera meets Otis Enzo Gentile presenta “Jimi Santo subito” Redding). 25 Luglio ore 11 Venerdì 23 Luglio Ore 21 Concerto Gospel - Porretta Terme, Thelma Jones, Chick Rodgers & The Soul Chiesa dei Padri Cappuccini Village, The Memphis All Star Rhythm & Blues Band Special guest Rodney Ellis, Rare Groove 25 Luglio ore 12 Orchestra. ”Sweet Soul Music” con Dave ”Daddy Cool” Booth, Detlev Hoegen della Bear Family Sabato 24 Luglio Ore 20 e il “British Ambassador of Soul” David Lavelle White, Clay Hammond, Green Brothers, Nathan. Conduce Ernesto De Pascale. McKinley Moore, Bruce James, The Memphis Porretta T., Hotel Helvetia All Star Rhythm & Blues Band, Tribute To Willie Mitchell with Groove City - Feat. Charlie 25 Luglio ore 15.30 Wood, Sax Gordon, Bobby Manuel. Jimi Hendrix – filmati rari e inediti a cura di Enzo Gentile. BAM (Old Prison) Domenica 25 Luglio Ore 20 Memphis Soul Night Revue with The Memphis 23 years of soul music in Porretta All Star Rhythm & Blues Band (feat. Chick Porretta Terme, BAM Museum Rodgers, Thelma Jones, Green Brothers, Clay Info Hammond, Lavelle White, McKinley Moore, www.porrettasoul.it Bruce James), Fred Wesley and The New JB’s. 0534 22021 335 7214996 Concerti gratuiti e manifestazioni collaterali Prevendite www.vivaticket.it 23/25 Luglio dalle 11 alle 19 www.boxol.it Soul Food/Rufus Thomas Café Stage Porretta Terme, Piazza della Libertà. Prezzi Italian Rhythm & Blues Explosion. Abbonamento Euro 65 Una serata Euro 25 19 Luglio Ore 21 The Sweethearts Ufficio Stampa Vergato, Piazza Capitani della Montagna 20 Luglio Ore 19 La Musica nell’Anima, The Sweethearts & guest Porretta Terme, Garden dell’Hotel Helvetia, Party Inaugurale di Beneficenza.
    [Show full text]
  • Country Christmas ...2 Rhythm
    1 Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 10. Ja nuar macht De cem ber 23rd to Ja nuary 10th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 10. Janu ar 2005 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. day 10th, 2004. We would like to thank all our custo - Bei die ser Ge le gen heit be dan ken wir uns für die gute mers for their co-opera ti on in 2004. It has been a Zu sam men ar beit im ver gan ge nen Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY CHRISTMAS ..........2 BEAT, 60s/70s ..................86 COUNTRY .........................8 SURF .............................92 AMERICANA/ROOTS/ALT. .............25 REVIVAL/NEO ROCKABILLY ............93 OUTLAWS/SINGER-SONGWRITER .......25 PSYCHOBILLY ......................97 WESTERN..........................31 BRITISH R&R ........................98 WESTERN SWING....................32 SKIFFLE ...........................100 TRUCKS & TRAINS ...................32 INSTRUMENTAL R&R/BEAT .............100 C&W SOUNDTRACKS.................33 C&W SPECIAL COLLECTIONS...........33 POP.............................102 COUNTRY CANADA..................33 POP INSTRUMENTAL .................108 COUNTRY
    [Show full text]
  • Isaac Hayes Chocolate Chip Mp3, Flac, Wma
    Isaac Hayes Chocolate Chip mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Chocolate Chip Country: Venezuela Released: 1975 MP3 version RAR size: 1512 mb FLAC version RAR size: 1100 mb WMA version RAR size: 1923 mb Rating: 4.5 Votes: 194 Other Formats: APE AAC MP4 MP1 MP2 RA AHX Tracklist Hide Credits That Loving Feeling A1 6:36 Alto Saxophone, Soloist – Bill Easley Body Language A2 5:31 Backing Vocals – Masqueraders* Chocolate Chip A3 5:30 Backing Vocals – Masqueraders* B1 Chocolate Chip (Instrumental) 5:32 B2 I Want To Make Love To You So Bad 4:17 B3 Come Live With Me 6:35 B4 I Can't Turn Around 6:32 Companies, etc. Distributed By – EMIAL Manufactured By – Columbia Gramophone Company Greece Ltd. Made By – Columbia Gramophone Company Greece Ltd. Pressed By – Columbia, Athens – 3620 Printed By – Columbia Gramophone Company Greece Ltd. Credits Alto Saxophone, Flute – Bill Easley, Emerson Able Baritone Saxophone, Flute – Floyd Newman Bass Guitar – Erroll Thomas* Congas – Jimmy "Congalou" Thompson* Design [Album], Art Direction – Martin Donald Drums, Tambourine – Willie Cole, Willie Hall Electric Piano [Fender Rhodes], Keyboards [Rmi Keyboard] – Lester Snell Engineer – Roosevelt "Head" Green* Engineer [Remix] – Dave Purple, Isaac Hayes Guitar – Charles "Skip" Pitts, William "Boots" Vaughn* Mastered By – Lanky Linstrot Photography By – Fred Valentine Piano [Acoustic], Electric Piano [Fender Rhodes], Keyboards [Rmi Keyboard], Computer, Bells [Concert] – Isaac Hayes Producer, Arranged By – Isaac Hayes Tenor Saxophone, Flute – Darnell Smith, Lewis Collins , Tommy William* Trombone – Jack Hale, Sr., Jackie Thomas Trumpet – Ben Cauley, Mickey "Shine" Gregory*, William "Nookie" Taylor* Notes Made in Greece.
    [Show full text]
  • Storie Di Blues. La Rappresentazione Della Musica Blues Nel Cinema Americano
    Storie di Blues. La rappresentazione della musica blues nel cinema americano Facoltà di Lettere e Filosofia Dipartimento di Storia Antropologia Religioni Arte Spettacolo Corso di laurea in Spettacolo, Moda e Arti Digitali Stefano Palma Matricola 1697098 Relatore Correlatore Damiano Garofalo Emanuele Senici A.A. 2020-2021 INDICE Storie di Blues. La rappresentazione della musica blues nel cinema americano 3 INTRODUZIONE CAPITOLO I Breve storia del blues 11 Il blues nelle piantagioni. La voce nera degli schiavi. 13 I ministrel show. Prime forme di spettacolo 14 Una nuova apparente condizione sociale. Il viaggio ed i medicine show. 15 I luoghi del blues ed i suoi principali interpreti CAPITOLO II La musica blues nel cinema di finizione americano 41 The Blues Brothers 51 The Blues Brothers: Il Mito Continua 55 Mississippi Adventures 60 Black Snake Moan 63 Cadillac Records CAPITOLO III The Blues. Una serie di sette documentari prodotta da Martin Scorsese 72 Dal Mali Al Mississippi 76 L’Anima Di Un Uomo 82 The Road To Memphis 85 Warming By The Devil’s Fire 88 Godfathers and Sons 94 Red, White And Blues 100 Piano Blues 104 Conclusioni 107 Bibliografia 110 Filmografia 111 Sitografia 112 Discografia INTRODUZIONE In questo lavoro di tesi, ho voluto prendere in analisi il modo in cui il cinema americano ha trasferito sullo schermo le tematiche della musica blues. E’ stato scelto di prendere in considerazione solamente alcuni film e alcuni documentari di produzione statunitense, questo per avere una maggiore coerenza semantica con il genere musicale nato appunto negli Stati Uniti come forma musicale popolare e poi sviluppatosi fino ad arrivare in Europa.
    [Show full text]
  • Wattstax: “Black Woodstock” and the Legendary Film It
    Angeles headed by Forest Hamilton, the son of jazz drum- mer Chico Hamilton. Stax West was conceived with a man- WATTSTAX: date that included the promotion and marketing of existing Stax products, the ferreting out of untapped regional talent, and the establishment of Stax within Hollywood’s motion “BLACK picture and television industries. According to John KaSandra, one of Stax’s West Coast– based artists, Wattstax began in March of 1972 WOODSTOCK” when “I came down [to the L.A. office] with an idea that we’d have a black Woodstock.” Seven years earlier, to the chanting of “burn, baby, burn,” a sizable section of the pre- dominantly black Watts neighborhood of Los Angeles had AND THE been destroyed by fire during the first of the 1960s race riots (referred to as “rebellions” within the community). The Watts Summer Festival had been established to commem- LEGENDARY orate the rebellions and raise money for the ailing commu- nity. It was Hamilton’s idea that Stax should be involved in the 1972 festival for promotional purposes, and he had not FILM IT forgotten KaSandra’s “black Woodstock” idea. On August 20, 1972, that notion blossomed into an epic one- day festival at the Los Angeles Coliseum. The day INSPIRED opened with Reverend Jesse Jackson leading the audience in a proclamation of the black litany, “I Am Somebody,” followed by Kim Weston singing the black national anthem, by Rob Bowman “Lift Every Voice and Sing.” It closed with Isaac Hayes as Black Moses embodying the strength, beauty, and spiritu- ality of contemporary black culture.
    [Show full text]
  • The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. 664. https://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr.
    [Show full text]
  • CBS Newsletter November-2017
    November 2017 BLUES NEWS CBS OFFICERS AND BOARD ELECTIONS November 13th, 2017 Cleveland Blues Society 11/10/2017 1 Inside this OCTOBER JAM i s s u e : October Jam Band 2-3 ANTHONY LOVANO’S Blues You Should Know 6-9 SUPERNATURAL BAND By Bob AT THE MUSIC BOX SUPPER CLUB Upcoming Jams 5 Schnuck Announcment 10 Do you have an idea for an article?—email Elaine [email protected] Anthony Lovano on Drums, been hosting jams of his own all around Newsletter town, and for the past three years at Coaches Tim Matson on Guitar, Place every Tuesday. His dad was a big Contributors Art Jenson on Bass and influence, where he gained exposure to John Coltraine, Miles Davis, Elvin Jones, McCoy News Director:...Elaine DeStephano Reginald Redd on Sax Tyner, Stanley Turrentine,and Wayne Shorter Cleveland native and fine drummer, Anthony at a young age. All this led to his current love Layout Editor: ……………….Kris Diehl Lovano, has been blessed with a wonderful for BE BOP JAZZ. Here locally, he points out family background beginning with his dad , Columnists: ……………..…..Bob Frank his guitarist Tim Matson is "his guy" on Tony "Big T " Tony Lovano, who he played guitar. Anthony feels" he is blessed to play Photographers: with right up until his passing in early 1986, music" and it is " his true love". What does he …………………....Elaine DeStephano and his brother, national recording jazz look for when playing and jamming? "A great saxaphone artist Joe Lovano. Anthony has groove!". Currently he has been digging on been a Blues Society member since the the music of Robin Ford.
    [Show full text]
  • Bandworks Song List **Please Circle All Songs You Would Like to Perform in the Next Session**
    BandWorks Song List **Please circle all songs you would like to perform in the next session** After Midnight (Eric Clapton) Break on Through (Doors) Don’t Change Horses [In the Middle A Hard Day’s Night (Beatles) Breathe (Pink Floyd) of a Stream] (Tower of Power) Ain’t That Peculiar (Marvin Gaye) Brick House (Commodores) Don’t Let the Sun Catch You Cryin’ Ain’t Wastin’ Time No More (Allman Bros.) Brown-Eyed Girl (Van Morrison) (Ray Charles) Alison (Elvis Costello) Buddy Holly (Weezer) Don’t Lose Your Cool (Albert Collins) Alive (Pearl Jam) Burning Down the House (Talking Heads) Don’t Speak (No Doubt) All Along the Watchtower (Bob Dylan) Burn to Shine (Ben Harper) Don’t Talk About My Mama All Apologies (Nirvana) By the Way (Red Hot Chili Peppers) (Mem Shanon) All For You (Sister Hazel) Cabron (Red Hot Chili Peppers) Don’t Throw That Mojo on Me All My Love (Led Zeppelin) Caldonia (Bb King) (Wynona Judd) All You Need Is Love (Beatles) Caledonia Mission (The Band) Do Your Thing (Lyn Collins) All Your Love (Otis Rush) California (Lenny Kravitz) Down Payment Blues (AC/DC) Alone (Susan Tedeschi) Callin’ San Francisco (Tommy Castro) Dreams (Fleetwood Mac) American Girl (Tom Petty) Call Me the Breeze (Lynyrd Skynyrd) Dr. Feelgood (Aretha Franklin) American Idiot (Green Day) Can’t Find My Way Home (Blind Faith) Drive South (John Hiatt) And It Stoned Me (Van Morrison) Can’t Get Next to You (Al Green) Drops of Jupiter (Train) And She Was (Talking Heads) Canteloupe Island (Herbie Hancock) Elevation (U2) Angel (Jimi Hendrix) Caravan (Van Morrison)
    [Show full text]
  • October 1987
    Cover Photo by Ebet Roberts EDUCATION IN THE STUDIO Roberts An Introduction 42 Ebet by Craig Krampf by ROCK 'N' JAZZ CLINIC Emphasizing Beats Photo by Rod Morgenstein 44 TEACHERS' FORUM Motivation by Ron Jordan 48 JAZZ DRUMMERS' WORKSHOP Basic Independence by Peter Erskine 72 ELECTRONIC INSIGHTS Marching To The MIDI Drummer by Bruce Nazarian 82 ROCK PERSPECTIVES Ringo Starr: The Early Period by Kenny Aronoff 102 ROCK CHARTS Ian Paice: "Perfect Strangers" by James Morton 106 CONCEPTS Listening NARADA MICHAEL by Roy Burns 120 CLUB SCENE WALDEN Selling Yourself On Tape In recent months, he has had great success as a producer for by Rick Van Horn 122 such artists as Whitney Houston and Aretha Franklin, but EQUIPMENT Narada Michael Walden isn't about to abandon his SHOP TALK drumming, and here he tells why. Snare Drum Options by Rick Mattingly 16 by John Clarke 76 PRODUCT CLOSE-UP More New Cymbals AL JACKSON by Rick Van Horn and Rick Until his untimely death, Al Jackson provided the backbeat Mattingly 126 for classic Memphis recordings by Booker T. & The MGs, Al ELECTRONIC REVIEW Greene, Sam & Dave, Otis Redding, and all the artists on Stax Pearl SC-40 Syncussion-X records. He is remembered by such friends and colleagues as by Bob Saydlowski, Jr. 128 Steve Cropper, Duck Dunn, Al Greene, and Jim Keltner. JUST DRUMS 132 by T. Bruce Wittet 22 REVIEWS PRINTED PAGE 104 PAUL LEIM PROFILES Since moving to L.A. from Dallas, Paul Leim has recorded PORTRAITS with an impressive array of artists, including Lionel Richie, Sherman Ferguson: Fire, Groove, Peter Cetera, and Kenny Rogers.
    [Show full text]
  • The Foundations of the Blues’ the Foundations of the Blues LESSON PLAN TEMPLATE
    The official ‘The Foundations of the Blues’ The Foundations of the Blues LESSON PLAN TEMPLATE St. Louis Blues Studies Lesson Plans Template Designed by Musician and Fine Arts Educator Richard Hunt Title:………………………………. TEACHER: SUBJECT: : Lesson One LESSON OBJECTIVES (Describe what students are expected to know, or demonstrate.) INSTRUCTIONAL OBJECTIVE(S) (Briefly describe the “enabling knowledge” or “sub-skill” to be learned by the student..) KEY LESSON CONCEPT AND VOCABULARY AND TERMINOLOGIES REQUIRED LESSON MATERIALS INSTRUCTIONAL STRATEGIES & LEARNING ACTIVITIES (Briefly describe each.) EVALUATION (Briefly describe what students will have to say, write, and/or do to demonstrate meeting the “lesson’s” objective. Do not merely compile a list of activities.) LESSON RESOURCES AND REFERENCES ( list internet site, books, museums) Primary search tool; bing.com St. Louis Blues Studies Lesson Plans Template Designed by Musician and Fine Arts Educator Richard Hunt LESSON RESOURCES AND REFERENCES ( list internet site, books, museums) Primary search tool; bing.com Primary Supportive Lesson Concepts • The most prevalent concept is simply that Blues like every other human arts endeavor is the results of a complexity of components and the most essential components of the blues musical art forms are all straight out of the African Diaspora; not that simple explanation of a sole Mississippi Delta creation. You must also keep in mind that like every other arts movement, American Blues music has consequentially branched off to a variety of related musical formats, some more popular than others, and the Delta Blues variations are the most popular Blues styles giving rise to Rock and Roll, Rhythm and Blues and Hip Hop.
    [Show full text]