Attempting to Break the Comic Book Code
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Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
The Complete Peanuts Volume I by Charles M. Schulz
NACAE National Association of Comics Art Educators STUDY GUIDE: THE COMPLETE PEANUTS by Charles M. Schulz Volume One: 1950-1952 Study guide written by Art Baxter Introduction America was in the throes of post-war transition in 1950. Soldiers had returned home, started families and abandoned the cities for the sprawling green lawns of newly constructed suburbia. They had sacrificed during the Great Depression and subsequent war effort and this was their reward. Television was beginning to replace the picture-less radio not to mention live theater, supper clubs and dance halls, as Americans stayed home and raised families. Despite all this “progress” an empty feeling still resided in the pit of the American soul. Psychology, that new science that had recently gone mainstream, tried to explain why. Then, Charles M. Schulz’s little filler comic strip, Peanuts, appeared in the funny pages. Schulz was born in 1922, the solitary child of a barber and his wife, in St. Paul, Minnesota. Sparky, his lifelong nickname, was given to him when he was an infant, by an uncle, after the comic strip character Barney Google’s racehorse Spark Plug. Schulz had an early love and talent for drawing. He enjoyed famous comic strips like Roy Crane’s Wash Tubbs/Captain Easy (1924- 1943), the prototype of the adventure strip; E. C. Segar’s Thimble Theater (1919-1938), and its diverse cast of colorful characters going in and out rollicking adventures; and Percy Crosby’s Skippy (1925-1945) with its wise-for-his-age perceptive child protagonist. Schulz was a bright student and skipped several grades, making him the youngest and smallest in his class. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
April 2020 Free Monthly Home
A P R I L 2 0 2 0 FREE MONTHLY HOME EDUCATION RESOURCE P A G E 2 Calendar Dates April 2020 11th– National Safe Motherhood day/ Na- tional Pet day/ National Submarine day/ Na- Mo Tue We Th Fri Sat Su tional Support Teen Literature day 1 2 3 4 5 12th– Easter Sunday/ Big Wind day/ Rus- 6 7 8 9 10 11 12 sian Cosmonaut day/ Walk on your Wild Side day 13 14 15 16 17 18 19 13th– Dyngus day/ International Plant Ap- 20 21 22 23 24 25 26 preciation day/ Scrabble day/ Thomas Jef- 27 28 29 30 ferson's Birthday 14th– National Look Up at the Sky day/ Na- 1st– April Fools day/ Sourdough day tional Dolphin Day 2nd– Autism Awareness day 15th– Titanic Remembrance day/ World Art day 3rd– National Find a Rainbow day/ Tweed day 16th– Mushroom day/ Save the Elephants day 4th– International Mine Awareness/ Na- tional Ferret day/ National Peanut Butter 17th– World Haemophilia day/ Bat Appreci- and Jelly day ation day/ International Haiku Poetry day 5th– Ching Ming Festival in Japan/ Na- 18th– World Heritage day/ International Jug- tional Read a Road Map day/ National glers day Nebraska day/ International Maritime 19th– National Garlic day day/ Palm Sunday 20th– Chinese Language day/ Volunteer 6th– National Tartan day Recognition day 7th- World Health day/ International Bea- 21st– National Civil Service day/ World crea- ver day/ International Reflection on tivity and innovation day/ Fish Migration day Rwanda Genocide 22nd– World Earth day/ St Georges day 8th– Draw a picture of a bird day/ Zoo lovers day/ Passover/ International Rom- 23rd– -
Cryptocurrency and Your Retirement Plan: What's in Your (Crypto) Wallet?
Issues in Administration, Design, Funding, and Compliance Volume 26 • Number 4 • Summer 2019 Cryptocurrency and Your Retirement Plan: What’s in 1 Your (Crypto) Wallet? By Gary Blachman and Justin Steffen There are transaction, security, and regulatory risks, in addition to a volatile market price involved with cryptocurrency that should raise concerns for retirement plan fiduciaries. This article gives a brief explanation of virtual currency and highlights the risks that retirement plan fiduciaries should consider when deciding whether to invest in cryptocurrency. Gary Blachman is a partner in the employee benefits and executive or years, crypto industry insiders have speculated compensation group at Ice Miller LLP in Chicago, IL. His practice as to what great tech advances would unleash the focuses on mergers and acquisitions, executive compensation, and Finstitutional money that was seemingly content the fiduciary and legal compliance requirements under ERISA. to sit on the sidelines. Advances in custody solutions and Exchange Traded Fund (ETF) applications receive Justin Steffen is a partner in the litigation and financial services significant press—like a crypto holy grail. However, groups at Ice Miller LLP in Chicago, IL. His practice focuses it was Morgan Creek Digital’s recent announcement on the legal and regulatory issues with financial and emerging that two pension funds for the Virginia Fairfax County technologies. police officers would become anchor investors in their Copyright © 2019 CCH Incorporated. All Rights Reserved. 2 JOURNAL OF PENSION BENEFITS new $40 million, crypto-focused venture fund that Bitcoins are tracked on the Bitcoin blockchain, was both significant for the tech industry and even a large, decentralized ledger—similar to an excel more surprising for the retirement plan industry. -
Eastern Progress Eastern Progress 1965-1966
Eastern Progress Eastern Progress 1965-1966 Eastern Kentucky University Year 1966 Eastern Progress - 22 Apr 1966 Eastern Kentucky University This paper is posted at Encompass. http://encompass.eku.edu/progress 1965-66/26 5«9a NEW CAMPUS HISTORIC GRIPE HAZARD SESSION PAGE 2 PAGE 6 €(XSt€R OQRZSS 'Setting The Pace In ^4 Progressive Era' Friday, April 22, 1966 '» 43rd Year No. 26 Student Publication of Eastern Kentucky University. Richmond (Effective July I) Al Capp Demonstrates Junior-Senior Prom Highlights Wit And Intelligence Crowning Of King, Queen Tonight BARBARA DONNKIX the planning of the dance. This The music at the prom will By Frank Louden guards nnd want to run the in- be provided by Peter Palmer :.tituticn at Berkley they do!" Progress Staff Writer Junior committee Is in cnarge of Program Staff Writer scenery, chaperons, publicity, Voices and Orchestra. The Question: What do you think One of the highlights of the and the coronation of the King group consists of featured male Al Capp. renowned cartoonist- of student opinion? Eastern school year, the Junior- and Queen at the dance. soloist, Clay Randel, a four satirist and creative'artist, de- Answer: "I think students Senior Prom, will take place to- The committee consists of member vocal group, and a monstrated his keen wit and in- should have opinions on whit night in the Student Union Bill McDowell, Clara Black- twelve member orchestra. They telligence Tuesday night before they know most a'oout ---hubcaps Cafeteria. The dance will be- burn, Jerry Mitchell, Phil will play from 9 until 1. a capacity crowd in Hiram and puberty." gin at 9 p.m. -
THE COMIX BOOK LIFE of DENIS KITCHEN Spring 2014 • the New Voice of the Comics Medium • Number 5 Table of Contents
THE COMIX BOOK LIFE OF DENIS KITCHEN 0 2 1 82658 97073 4 in theUSA $ 8.95 ADULTS ONLY! A TwoMorrows Publication TwoMorrows Cover art byDenisKitchen No. 5,Spring2014 ™ Spring 2014 • The New Voice of the Comics Medium • Number 5 TABLE OF CONTENTS HIPPIE W©©DY Ye Ed’s Rant: Talking up Kitchen, Wild Bill, Cruse, and upcoming CBC changes ............ 2 CBC mascot by J.D. KING ©2014 J.D. King. COMICS CHATTER About Our Bob Fingerman: The cartoonist is slaving for his monthly Minimum Wage .................. 3 Cover Incoming: Neal Adams and CBC’s editor take a sound thrashing from readers ............. 8 Art by DENIS KITCHEN The Good Stuff: Jorge Khoury on artist Frank Espinosa’s latest triumph ..................... 12 Color by BR YANT PAUL Hembeck’s Dateline: Our Man Fred recalls his Kitchen Sink contributions ................ 14 JOHNSON Coming Soon in CBC: Howard Cruse, Vanguard Cartoonist Announcement that Ye Ed’s comprehensive talk with the 2014 MOCCA guest of honor and award-winning author of Stuck Rubber Baby will be coming this fall...... 15 REMEMBERING WILD BILL EVERETT The Last Splash: Blake Bell traces the final, glorious years of Bill Everett and the man’s exquisite final run on Sub-Mariner in a poignant, sober crescendo of life ..... 16 Fish Stories: Separating the facts from myth regarding William Blake Everett ........... 23 Cowan Considered: Part two of Michael Aushenker’s interview with Denys Cowan on the man’s years in cartoon animation and a triumphant return to comics ............ 24 Art ©2014 Denis Kitchen. Dr. Wertham’s Sloppy Seduction: Prof. Carol L. Tilley discusses her findings of DENIS KITCHEN included three shoddy research and falsified evidence inSeduction of the Innocent, the notorious in-jokes on our cover that his observant close friends might book that almost took down the entire comic book industry .................................... -
American Comic Strips in Italy Going Through the Issues of Linus Published in 1967 and 1968: the Selected Cartoonists (E.G
MONOGRÁFICO Estudios de Traducción ISSN: 2174-047X https://dx.doi.org/10.5209/estr.71489 American Comics and Italian Cultural Identity in 1968: Translation Challenges in a Syncretic Text Laura Chiara Spinelli1 Recibido: 11 de septiembre de 2020 / Aceptado: 27 de octubre de 2020 Abstract. Translation supports the construction of a national identity through the selection of foreign texts to be transferred to the target language. Within this framework, the effort made in the 1960s by Italian editors and translators in giving new dignity to comics proves emblematic. This paper aims to reconstruct the reception of American comic strips in Italy going through the issues of Linus published in 1967 and 1968: the selected cartoonists (e.g. Al Capp, Jules Feiffer, and Walt Kelly) participate in the cultural debate of the time discussing politics, war, and civil rights. The analysis of the translation strategies adopted will reveal the difficulty of reproducing the polysemy of metaphors, idioms and puns, trying to maintain consistency between the visual and the verbal code, but primarily the need to create a purely Italian cultural discourse. Keywords: comics; translation; culture; visual code. [es] Cómics americanos e identidad cultural italiana en 1968: dificultades de traducción en un texto sincrético Resumen. La traducción contribuye a crear la identidad cultural de un país, con la decisión de traducir o no un texto extranjero a la lengua meta. En este contexto es remarcable el intento de los editores y traductores italianos de los años sesenta de dar una nueva dignidad al cómic. Este artículo tiene como objetivo reconstruir la recepción de las tiras cómicas de prensa americanas en Italia, con particular atención a los años 1967 y 1968 de la revista Linus: los autores (Al Capp, Jules Feiffer, Walt Kelly) participaron en el debate cultural de la época discutiendo sobre política, guerra, y de derechos civiles. -
Západočeská Univerzita V Plzni Fakulta Pedagogická
Západočeská univerzita v Plzni Fakulta pedagogická Bakalářská práce VZESTUP AMERICKÉHO KOMIKSU DO POZICE SERIÓZNÍHO UMĚNÍ Jiří Linda Plzeň 2012 University of West Bohemia Faculty of Education Undergraduate Thesis THE RISE OF THE AMERICAN COMIC INTO THE ROLE OF SERIOUS ART Jiří Linda Plzeň 2012 Tato stránka bude ve svázané práci Váš původní formulář Zadáni bak. práce (k vyzvednutí u sekretářky KAN) Prohlašuji, že jsem práci vypracoval/a samostatně s použitím uvedené literatury a zdrojů informací. V Plzni dne 19. června 2012 ……………………………. Jiří Linda ACKNOWLEDGMENTS I would like to thank to my supervisor Brad Vice, Ph.D., for his help, opinions and suggestions. My thanks also belong to my loved ones for their support and patience. ABSTRACT Linda, Jiří. University of West Bohemia. May, 2012. The Rise of the American Comic into the Role of Serious Art. Supervisor: Brad Vice, Ph.D. The object of this undergraduate thesis is to map the development of sequential art, comics, in the form of respectable art form influencing contemporary other artistic areas. Modern comics were developed between the World Wars primarily in the United States of America and therefore became a typical part of American culture. The thesis is divided into three major parts. The first part called Sequential Art as a Medium discusses in brief the history of sequential art, which dates back to ancient world. The chapter continues with two sections analyzing the comic medium from the theoretical point of view. The second part inquires the origin of the comic book industry, its cultural environment, and consequently the birth of modern comic book. -
2018-2019 Human Ities Center Bro Wn Ba G Ser
Beware the Zuvembies: Circumventing Comics Censorship with the Not-Quite Undead Chera Kee, English, Associate Professor of Film & Media Studies Image: Kane, Gil (p) and Frank Giacoia (i), Strange Image: Wein, Len (w), Gene Colan (p), and Frank Giacoia (i), “March of Image: Wein, Len (w), Gene Colan (p), and Frank Giacoia (i), “March of the Tales #171 (Dec. 1973), Marvel Comics Group: cover. the Dead!” Strange Tales #171 (Dec. 1973), Marvel Comics Group: 14. Dead!” Strange Tales #171 (Dec. 1973), Marvel Comics Group: 3. Thursday, January 31, 2019 12:30PM-1:30PM Rm. 2339 Faculty Administration Bldg By the late 1940s, several groups were worried about the impact violence Chera Kee and gore in comics had on children. In response, the industry created the Comics Code Authority in 1954 to self-censor; one of the first things English prohibited was the zombie. However, from the start, comics producers tried to find ways around the Code, and in the early 1970s, the Code was finally Associate Professor of relaxed. It remained firm on zombies, though: as creatures without literary antecedent, zombies were considered too unrefined for comics readers. Film & Media Studies Yet, the zombie was experiencing a renaissance in pop culture, largely due to the cult success of Night of the Living Dead (1968), so Marvel found a new way to circumvent censorship with creatures called “zuvembies.” This presentation traces the history of the living dead in comics—from the 2019 HUMANITIES CENTER BROWN BAG SERIES BAG BROWN CENTER HUMANITIES 2019 horror comics of the 1950s to the zuvembies of the 1970s—to explore how - zombies in comics have consistently pushed the boundaries of acceptability while anticipating later shifts in how the undead have been conceived of in other mediums. -
Microsoft Visual Basic
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Belgian Beer Experiences in Flanders & Brussels
Belgian Beer Experiences IN FLANDERS & BRUSSELS 1 2 INTRODUCTION The combination of a beer tradition stretching back over Interest for Belgian beer and that ‘beer experience’ is high- centuries and the passion displayed by today’s brewers in ly topical, with Tourism VISITFLANDERS regularly receiving their search for the perfect beer have made Belgium the questions and inquiries regarding beer and how it can be home of exceptional beers, unique in character and pro- best experienced. Not wanting to leave these unanswered, duced on the basis of an innovative knowledge of brew- we have compiled a regularly updated ‘trade’ brochure full ing. It therefore comes as no surprise that Belgian brew- of information for tour organisers. We plan to provide fur- ers regularly sweep the board at major international beer ther information in the form of more in-depth texts on competitions. certain subjects. 3 4 In this brochure you will find information on the following subjects: 6 A brief history of Belgian beer ............................. 6 Presentations of Belgian Beers............................. 8 What makes Belgian beers so unique? ................12 Beer and Flanders as a destination ....................14 List of breweries in Flanders and Brussels offering guided tours for groups .......................18 8 12 List of beer museums in Flanders and Brussels offering guided tours .......................................... 36 Pubs ..................................................................... 43 Restaurants .........................................................47 Guided tours ........................................................51 List of the main beer events in Flanders and Brussels ......................................... 58 Facts & Figures .................................................... 62 18 We hope that this brochure helps you in putting together your tours. Anything missing? Any comments? 36 43 Contact your Trade Manager, contact details on back cover.