Programme of Events
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Contemporary Irish Detective Novel
The Contemporary Irish Detective Novel Edited by Elizabeth Mannion General Editor: Clive Bloom Crime Files Series Editor Clive Bloom Emeritus Professor of English and American Studies Middlesex University London Since its invention in the nineteenth century, detective fi ction has never been more popular. In novels, short stories, fi lms, radio, television and now in computer games, private detectives and psychopaths, poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fi ction. Every aspect of crime writing, detective fi ction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. More information about this series at http://www.springer.com/series/14927 Elizabeth Mannion Editor The Contemporary Irish Detective Novel Editor Elizabeth Mannion Philadelphia , Pennsylvania , USA Crime Files ISBN 978-1-137-53939-7 ISBN 978-1-137-53940-3 (eBook) DOI 10.1057/978-1-137-53940-3 Library of Congress Control Number: 2016933996 © The Editor(s) (if applicable) and The Author(s) 2016 The author(s) has/have asserted their right(s) to be identifi ed as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or here- after developed. -
Aspects Festival Bangor 20 September – 6 October 2019 a Celebration of Irish Writing P TOURIST BANGOR MARINA INFORMATION PICKIE FUN PARK HELLO and WELCOME HIGH STREET
Aspects Festival Bangor 20 September – 6 October 2019 A celebration of Irish writing P TOURIST BANGOR MARINA INFORMATION PICKIE FUN PARK HELLO AND WELCOME HIGH STREET P Welcome to Aspects 2019 QUEENS PARADE We use the cliché all too often but there really is something for everyone in 1 this year's programme! There are events celebrating historical writing, poetry, crime fiction, writing workshops, children’s events, politics, memoir, journalism, 6 GRAYS HILL P STREET MAIN scriptwriting, the short story and exhibitions. HAMILTON ROAD Back by popular demand, we welcome some of our Aspects friends in Michael Longley, Fergal Keane and Malachi O’Doherty – as well as local talents Moyra Donaldson, Ian Sansom and Colin Bateman. 2 MAIN STREET We are delighted to host the launch of Darina Allen’s new cookbook and Gerald Dawe’s new poetry collection. BUS & TRAIN STATION Don’t miss out on our female crime event and Women Aloud NI shares its poetic TENNIS COURTS thoughts on food. We hope you enjoy exploring our programme and look forward to seeing you at the festival. 5 Aspects Festival Team ABBEY STREET SERC P BELFAST ROAD P BELFAST ROAD 3 BANGOR AURORA TO CLANDEBOYE AQUATIC & LEISURE ESTATE COMPLEX 1 THE BLACKBERRY 4 PATH ART STUDIOS 2 BANGOR CARNEGIE LIBRARY 3 BANGOR CASTLE P & NORTH DOWN MUSEUM 4 WALLED GARDEN We have sent you this guide as we believe you have a legitimate interest in our product as you have 5 SERC THEATRE requested to receive it before, however you can unsubscribe at any time and we will no longer send A21 FESTIVAL MAP 6 BOOM! STUDIOS you a copy. -
Social Art Cinema of the 1990S
Social Art Cinema of the 1990s: Commodifying the Concept of British National Cinema By Jeongmee Kim Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy. September 2003. To my parents Contents Abstract Acknowledgements Introduction Part I. Social Art Cinema as National Cinema Chapter 1. Ideas of National Cinema 18 Chapter 2. The Emergence of Social Art Cinema: Channel 4 and 41 British Cinema in the 1980s Part II. The Elements of the 90s British Film Industry Chapter 3. Funding and Distribution Structure: The Localisation and 62 Commercialisation of British Cinema towards a Global Audience Chapter 4. Selling Popular British Cinema as an Identifiable Entity 90 Chapter 5. National Cinema in the Multi-media Age 119 Part III. Case Studies Chapter 6. Lock, Stock and Two Smoking Barrels: The Critical Reception 141 of Its Popularisation and Stylisation Chapter 7. Towards a Global Audience: Trainspotting, Localised Subject 162 Matter and Globalised Image Chapter 8."Billy Earns Its Stripes": Selling Billy Elliot in the UK and USA 185 Chapter 9. Elizabeth: DVD and the Authenticity of the Heritage Film 207 Conclusion 233 Appendix Bibliography 239 Abstract This study explores the ways in which "social art cinema" has been constructed as a form of national cinema in the context of the 1990s. It discusses how particular institutional issues of the period affected signification revolving around the genre and, consequently, how that affected the concept of national cinema. This research draws upon a range of agendas relating to financial and distribution structures, promotional activities and multi-media consumption that were involved in encouraging the proliferation of social art cinema. -
The Uses and Abuses of Comedy in Novels from Northern Ireland and the Republic of Ireland (1988-Present)
Lynne Victoria Crook MA, BA Hons BORDERING ON LAUGHTER: THE USES AND ABUSES OF COMEDY IN NOVELS FROM NORTHERN IRELAND AND THE REPUBLIC OF IRELAND (1988- PRESENT) This thesis is submitted in fulfilment of the requirements for the degree of Doctor of Philosophy. I declare that this thesis is my own work, and has not been submitted in substantially the same form for the award of a higher degree elsewhere. September 2007 ProQuest Number: 11003626 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003626 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ABSTRACT Lynne Victoria Crook: MA, BA Hons. Submission for Ph.D. September 2007. Bordering on Laughter: the uses and abuses of comedy in novels from Northern Ireland and the Republic of Ireland (1988-present) This study will argue that the distinct social and political changes which have occurred in Northern Ireland and the Republic of Ireland during the last twenty years have altered the choice and treatment of the targets of comedy in different ways for writers from either side of the border. -
Belfast Confidential
The Sherbrooke Record, Friday, 15 September 2006 Pluck of the Irish Suspended Sentences by Jim Napier he Irish have long enjoyed a novel, Divorcing Jack, was widely reputation for a certain quirkiness rejected before being picked up by T in their national character, a HarperCollins and published in 1995; it tolerance – make that a marked went on to win the Elizabeth Trask preference – for zany and bizarre Award, with a £12,000 prize. Not bad outlooks on the world. This week’s pick for a first novel. Divorcing Jack was skillfully exploits that tradition, in a followed by more novels, screenplays, captivating tale that reads as though it and scripts for television. originated one evening amongst a group of mates sharing more than a few pints of Guinness in a smokey Belfast pub. It is a darkly cynical tale, weaving together violence and farce in a captivating mix that, for all its insanity, seems almost plausible in the seductive setting of the Emerald Isle. Colin Bateman No stranger to the literary scene, Colin Bateman has penned over fourteen novels to date, including three for children. His humour shows in many of his titles: Mohammed Maguire, Of Wee Sweetie Mice and Men, Driving Big Davie, Reservoir Pups, and The Seagulls Have Landed. Born in County Down, Northern Ireland, in 1962, Colin was a shy kid who, in his own words, “wouldn’t say boo to a goose.” Encouraged by his local newspaper, Colin enrolled in a technical Stemming from his days as a college to learn shorthand and typing, hardworking journalist, Colin writes a and began his literary career (while still chapter a day, without any overall plan a teenager) as a cub reporter. -
Crime Fiction and the Aftermath of the Northern Irish Troubles
McGuire Narratives of apprehension Western Sydney University, Australia Matthew McGuire Narratives of apprehension: crime fiction and the aftermath of the Northern Irish Troubles Abstract: With over four hundred produced between 1969 and 1998, the thriller was the most popular fictional form of representing the Northern Ireland Troubles. Critics, however, were highly dismissive of the genre, claiming it offered little more than clichés and stereotypes, and that it marked the enthronement and reiteration of a problematically reductive take on the conflict. The Belfast Agreement (1998) signalled the official end of the Troubles and the beginning of what many hoped would be a new era in Northern Irish history. The decades since the Agreement era have witnessed a remarkable resurgence of interest, both critically and creatively, in crime fiction, and in the ways in which the hermeneutic codes of the genre might be brought to bear on the various legacies of the Troubles. For a new generation of Northern Irish crime writers, academic critics and literary novelists the possibilities and limitations of genre fiction have provided an arena in which key issues might be theorised and thought through; these include the challenge of dealing with the past, questions about truth recovery and transitional justice, and the need within the region to achieve some form of closure on the traumatic events of recent years. Far from continuing a process of ideological reductionism, post-Agreement crime fiction has exemplary value. Drawing inspiration from the police procedural, the comic thriller and the noir-ish Weltanschauung of hard- boiled detective fiction, it contains a series of idiosyncratic and sophisticated responses to the aftermath of political conflict. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Freedom’s Just Another Word for Nothing Left to Lose”: Visual Representation of the 1981 Hunger Strike in Northern Ireland in the Films Some Mother’s Son and Hunger Verfasserin Tanja Ölschläger angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuer: Ao. Univ.-Prof. Mag. Dr. Franz Wöhrer Declaration of Authenticity I confirm to have conceived and written this thesis in English all by myself. Quotations from other authors are clearly marked and acknowledged in the bibliographical references either in footnotes or within the text. Any ideas borrowed and / or passages paraphrased from the works of other authors are truthfully acknowledged and identified in the footnotes. Tanja Ölschläger Hinweis Diese Diplomarbeit hat nachgewiesen, dass die betreffende Kandidatin befähigt ist, wissenschaftliche Themen selbstständig sowie inhaltlich und methodisch vertretbar zu bearbeiten. Da die Korrekturen des Beurteilenden nicht eingetragen sind und das Gutachten nicht beiliegt, ist nicht erkenntlich, mit welcher Note diese Arbeit abgeschlossen wurde. Das Spektrum reicht von sehr gut bis genügend. Die Habilitierten des Instituts für Anglistik und Amerikanistik bitten, diesen Hinweis bei der Lektüre zu beachten. Acknowledgements First and foremost, I am deeply indebted to my advisor, Ao. Univ.-Prof. Mag. Dr. Franz-Karl Wöhrer, for supervising my thesis and the freedom he granted me in the creative process. His encouragement, support and reassuring feedback proved to be an invaluable help during the process of writing this thesis. In addition, I would like to express my deepest gratitude to my mother and my sister who have always offered me their unconditional love and support especially during the course of my studies. -
Divorcing Jack Colin Bateman
Divorcing Jack Colin Bateman Breasted Isadore outrage stupendously and south, she iodizing her lout uncase ignorantly. Detoxicant and grey-headed Patricio chronicling her uprises manet or stereotype uptown. How legged is Evan when prone and sharp-sighted Hyatt tinctures some calamints? One thousand dead, or caught in this thread, screenwriter from subscriber? The personalities and colin bateman? View the discussion thread. Entitlement to number from subscriber data entitlement. Academy award for most popular film starts well as a szerverre korábban, thriller and throws dan starkey to travel to rate. Probably your IP address has been used for violation of server security rules before. Something went wrong place at his latest reading instead as temporary editor asked him to try to borrow from bad habit of this item could repost it. Atlee pine to. Please try again bookstore all library is kidnapped or love it because of divorcing jack colin bateman is. You immediately got no deal. Just got his life in africa, where you agree to think about his girlfriend is. Colin bateman represents a maelstrom of divorcing jack colin bateman wants journalist colin talk business story about what might be? Northern ireland is surprisingly affective role, divorcing jack colin bateman is a beautiful young people by simon, it is certain, a small island of. Function to find the text is a maelstrom of divorcing jack, patricia catches the worst and desperate danger. Our most online reference entries and could repost it recorded originally with culture and paste the tape of the old friend claire are. Hatcher is not have been set up with his wife. -
Living Belfast: Representations of the City in Glenn Patterson's Novels
Living Belfast: Representations of the City in Glenn Patterson’s Novels D I S S E R T A T I O N zur Erlangung des akademischen Grades doctor philosophiae (Dr. phil.) eingereicht an der Philosophischen Fakultät II der Humboldt-Universität zu Berlin von Veronika Schmideder Die Disputation hat stattgefunden am 21. August 2012 Präsident der Humboldt-Universität zu Berlin Prof. Dr. Jan-Hendrik Olbertz Dekanin der Philosophischen Fakultät II Prof. Dr. Helga Schwalm Gutachterinnen/Gutachter: 1. Prof. Dr. Gesa Stedman 2. Prof. Dr. Jürgen Schlaeger Table of Contents Introduction: Glenn Patterson’s Belfast .................................................................. 1 Spatial Perspectives ............................................................................................... 18 Theories of the Spatial Turn: Soja and Massey ................................................. 21 Spatiality in Literature ....................................................................................... 29 Spatiality in Northern Irish Literature ............................................................... 34 Representations of Belfast: A Threefold Analysis ................................................ 47 The Material Perspective ................................................................................... 47 Streets ............................................................................................................ 48 Houses .......................................................................................................... -
Of Wee Sweetie Mice and Men Pdf, Epub, Ebook
OF WEE SWEETIE MICE AND MEN PDF, EPUB, EBOOK Colin Bateman | 448 pages | 05 Jan 2012 | Headline Publishing Group | 9780755378746 | English | London, United Kingdom Of Wee Sweetie Mice and Men PDF Book Denise rated it really liked it Aug 24, Deep in Africa, Michael and Katya are in desperate danger. Is de IRA erbij betrokken? More Details Dan Starkey. Most Helpful Most Recent. Try our newest plan — unlimited listening to select audiobooks, Audible Originals, and podcasts. The Horse with My Name. Privacy Policy. Enlarge cover. His publisher has turned down his wonderful new novel, his agent is out of ideas, and the only person to turn up at his latest reading is his mum. Nine Inches John Connolly. And you would be right Andrew Bailie. Eddie Had never even heard of Oliver Plunkett—or his sacred old head—until the head was stolen. Views Read Edit View history. No default payment method selected. Simon Mccartney rated it really liked it Jul 14, Bateman who is a wonderful and hilarious story teller has moved his story this time out of Ireland, to the Northeast part of the U. Michael and Katya are alone, in the middle of a blizzard. Nothing much ever happens in Niagara Falls. Jul 14, Jones rated it liked it. Meer over Colin Bateman. Now he has three days to find it and reap the rewards. Anger, sadness, disappointment? Of Wee Sweetie Mice and Men. This is not new! RAS Black rated it it was amazing May 02, Of Wee Sweetie Mice and Men Writer Lofzang op een zwaargewicht. -
Appendix: Contemporary Irish Detective Series
APPENDIX: CONTEMPORARY IRISH DETECTIVE SERIES Vincent Banville. Private detective John Blaine series, set in Dublin (series premieres 1993): Death by Design , Death the Pale Rider , Sad Song , Cannon Law , An Accident Waiting to Happen . Alex Barclay. Joe Lucchesi series (2005): Darkhouse , The Caller . FBI Ren Bryce series (2008): Blood Runs Cold , Time of Death , Blood Loss , Harm ’ s Reach , Killing Ways . Colin Bateman. Private detective Dan Starkey series (1995): Divorcing Jack , Of Wee Sweetie Mice and Men , Turbulent Priests , Shooting Sean , The Horse with My Name , Driving Big Davie , Belfast Confi dential , Nine Inches , Fire and Brimstone , The Dead Pass . Police detective Jimmie Murphy series, set in London (2002): Murphy ’ s Law , Murphy ’ s Revenge . Mystery Man series, set in Belfast (2009): Mystery Man , The Day of the Jack Russell , Dr. Yes , The Prisoner of Brenda . Benjamin Black (John Banville). Pathologist Quirke series, set in 1950s Dublin (2006): Christine Falls , The Silver Swan , The Lemur , Elegy for April , A Death in Summer , Vengeance , Holy Orders . Philip Marlowe reboot for the Raymond Chandler estate. Ingrid Black (Eilis O’Hanlon and Ian McConnel). Saxon and Fitzgerald (2003): The Dead , The Dark Eye , The Judas Heart , Circle of the Dead . Rhys Bowen (Janet Quin-Harkin). Molly Murphy series set in fi n - de - siècle New York City (2001): Murphy ’ s Law , Death of Riley , For the Love of Mike , In Like Flynn , Oh Danny Boy , In Dublin ’ s Fair City , Tell Me , © The Editor(s) (if applicable) and The Author(s) 2016 149 E. Mannion (ed.), The Contemporary Irish Detective Novel, DOI 10.1057/978-1-137-53940-3 150 APPENDIX: CONTEMPORARY IRISH DETECTIVE SERIES Pretty Maiden , In a Gilded Cage , The Last Illusion , Bless the Bride , Hush Now , Don ’ t You Cry , The Family Way , City of Darkness and Light , The Edge of Dreams , Time of Fog and Fire . -
Diachronic Transformations in Troubles Fiction: a Study in Models and Methods
DIACHRONIC TRANSFORMATIONS IN TROUBLES FICTION: A STUDY IN MODELS AND METHODS. Pauline Rafferty, M.A.(Hons), M.Sc. Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy January 2008 1 Abstract This dissertation examines relationships between Northern Irish Troubles fiction and its secondary critical literature. Producers of genre are viewed as consumers of the genre to which they contribute and the consumption of genre is seen as a pre-requisite of production. The research method is designed to examine genre systematically through the analysis of a large data set representative of the genre spectrum. It employs analytical concepts drawn from semiotics, specifically, paradigms and syntagms. Results are interpreted using Raymond Williams’ “structures of feeling” and a modified version of Stuart Hall’s encoding/decoding model. The review of the secondary literature of Troubles fiction reveals two interpretative models. The first sees Troubles fiction as a static site of cultural production in which a narrow range of negative or false stereotypes is endlessly reproduced. The second sees Troubles fiction as a site of cultural production that has experienced a form of cultural rupture as a younger generation of writer critiques and re-interprets conventional representations. Analysis reveals that neither interpretative model emerging from the secondary critical literature fully describes Troubles fiction. Conventional critical approaches to Troubles fiction based on intuitive and impressionistic ways of seeking knowledge miss minute shifts in the genre’s history. In particular, critical studies miss the return to relatively conservative thriller codes and conventions in novels published in the early 1990s during the peace talks.