APPENDIX: CONTEMPORARY IRISH DETECTIVE SERIES

Vincent Banville. Private detective John Blaine series, set in Dublin (series premieres 1993): Death by Design , Death the Pale Rider , Sad Song , Cannon Law , An Accident Waiting to Happen . Alex Barclay. Joe Lucchesi series (2005): Darkhouse , The Caller . FBI Ren Bryce series (2008): Blood Runs Cold , Time of Death , Blood Loss , Harm ’ s Reach , Killing Ways . . Private detective series (1995): , Of Wee Sweetie Mice and Men , Turbulent Priests , Shooting Sean , The Horse with My Name , Driving Big Davie , Belfast Confi dential , Nine Inches , Fire and Brimstone , The Dead Pass . Police detective Jimmie Murphy series, set in London (2002): Murphy ’ s Law , Murphy ’ s Revenge . Mystery Man series, set in Belfast (2009): Mystery Man , The Day of the Jack Russell , Dr. Yes , The Prisoner of Brenda . Benjamin Black (John Banville). Pathologist Quirke series, set in 1950s Dublin (2006): Christine Falls , The Silver Swan , The Lemur , Elegy for April , A Death in Summer , Vengeance , Holy Orders . Philip Marlowe reboot for the Raymond Chandler estate. Ingrid Black (Eilis O’Hanlon and Ian McConnel). Saxon and Fitzgerald (2003): The Dead , The Dark Eye , The Judas Heart , Circle of the Dead . Rhys Bowen (Janet Quin-Harkin). Molly Murphy series set in fi n - de - siècle New York City (2001): Murphy ’ s Law , Death of Riley , For the Love of Mike , In Like Flynn , Oh Danny Boy , In Dublin ’ s Fair City , Tell Me ,

© The Editor(s) (if applicable) and The Author(s) 2016 149 E. Mannion (ed.), The Contemporary Irish Detective Novel, DOI 10.1057/978-1-137-53940-3 150 APPENDIX: CONTEMPORARY IRISH DETECTIVE SERIES

Pretty Maiden , In a Gilded Cage , The Last Illusion , Bless the Bride , Hush Now , Don ’ t You Cry , The Family Way , City of Darkness and Light , The Edge of Dreams , Time of Fog and Fire . Conor Brady. Detective Sgt. Joe Swallow series, set in 1880s Dublin (2012): A June of Ordinary Murders , The Eloquence of the Dead . John Brady. Inspector Sgt. Matt Minogue series, set in Dublin (2002): A Stone of the Heart , Unholy Ground , Kaddish in Dublin , All Souls , The Good Life , A Carra King , Wonderland , Islandbridge , Going Rate , The Coast Road . Ken Bruen. Private investigator Jack Taylor series, set in Galway (2001): The Guards , The Killing of the Tinkers , The Magdalen Martyrs , The Dramatist , Priest , Cross , Sanctuary , The Devil , Headstone , Purgatory , Green Hell . The Brant-Roberts series (1998): A White Arrest , Taming the Alien , The McDead , Blitz , Vixen , Calibre , Ammunition . The Fisher- Petrakos series (2006): Bust , Slide , The Max . Declan Burke. Harry Rigby series, set in Sligo (2003): Eightball Boogie , Slaughter ’ s Hound . Jane Casey. Det. Constable Maeve Kerrigan series, set in London (2010): The Burning , The Reckoning , The Last Girl , The Stranger You Know , Left for Dead (e-novella), The Kill , After the Fire . Paul Charles. Det. Inspector Christy Kennedy series, set in London (1997): Last Boat to Camden Town , I Love the Sound of Breaking Glass , Fountain of Sorrow , The Ballad of Sean and Wilko , The Hissing of the Silent Lonely Room , I ’ ve Heard the Banshee Sing , The Justice Factory , Sweetwater , The Beautiful Sound of Silence , A Pleasure to Do Death with You . Inspector Starrett series, set in Donegal (2007): The Dust of Death , Family Life . John Connolly. Private detective Charlie Parker series, set in the United States (1999): Every Dead Thing , Dark Hollow , The Killing Kind , The White Road , The Refl ecting Eye (novella), The Black Angel , The Unquiet , The Reapers , The Lovers , The Whisperers , The Burning Soul , The Wrath of Angels , The Wolf in Winter , A Song of Shadows . John Creed (Eoin McNamee). Intelligence Offi cer Jack Valentine series, set in Northern Ireland and elsewhere (2002): The Sirius Crossing , The Day of the Dead , Black Cat Black Dog . Ruth Dudley Edwards. The Robert Amiss Mysteries, set in London and elsewhere (1981): Corridors of Death , The St. Valentine ’ s Day Murders , The English School of Murder , Clubbed to Death , Matricide at St. Martha ’ s . The Robert Amiss/Baroness Jack Troutbeck Mysteries: Ten Lords A - Leaping , Murder in a Cathedral , Publish and Be Murdered , The APPENDIX: CONTEMPORARY IRISH DETECTIVE SERIES 151

Anglo - Irish Murders , Carnage on the Committee , Murdering Americans , Killing the Emperors . Tana French. Dublin Murder Squad (2007): In the Woods , The Likeness , Faithful Place , Broken Harbour , The Secret Place . Cora Harrison. The Burren mysteries, featuring Brehon detective Mara, set in medieval Ireland (2007). My Lady Judge , Michaelmas Tribute , Sting of Justice , Writ in Stone , Eye of the Law , Scales of Retribution , Deed of Murder , Laws in Confl ict , Chain of Evidence , Cross of Vengence , Verdict of the Court , Condemned to Death . Erin Hart. Nora Gavin–Cormac Maguire series, set in Galway (2005): Haunted Ground , Lake of Sorrows , False Mermaid , The Book of Killowen . Declan Hughes. Private investigator Ed Loy series, set in Dublin and Los Angeles (2006): The Wrong Kind of Blood , The Colour of Blood , The Price of Blood , All the Dead Voices , City of Lost Girls . Arlene Hunt. QuicK Investigations series, set in Dublin (2005): False Intentions , Black Sheep , Missing Presumed Dead , Undertow , Blood Money . Jim Lusby. DI Carl McCadden series, set in Waterford (1995): Making the Cut , Flashback , Kneeling at the Altar . Kevin McCarthy. Sgt. Sean O’Keefe series, set in 1920s Dublin (2010): Peeler , Irregulars . Eugene McEldowney. The Superintendent Cecil Megarry series, set in Belfast (1994): A Kind of Homecoming , A Stone of the Heart , The Sad Case of Harpo Higgins . Brian McGilloway. Inspector Benedict Devlin series, set in the borderlands (2007): Borderlands , Gallows Lane , Bleed a River Deep , The Rising , The Nameless Dead . Detective Sgt. Lucy Black series, set in the borderlands (2011): Little Girl Lost , Hurt /Someone You Know , Preserve the Dead . Claire McGowan. Forensic psychologist Paula Maguire series, set in the borderlands (2013): The Lost , The Dead Ground . Adrian McKinty. Michael Forsythe trilogy (2003): Dead I Well May Be , The Dead Yard , The Bloomsday Dead . Det. Sean Duffy trilogy, set in Northern Ireland (2012): The Cold , Cold Ground , I Hear the Sirens in the Street , In the Morning I’ ll Be Gone , Gun Street Girl . Cormac Millar. Seamus Joyce series, set in Dublin (2004): An Irish Solution , The Grounds . Sam Millar. Private investigator Karl Kane series, set in Dublin (2008): Bloodstorm , The Dark Place , Dead of Winter . Stuart Neville. Jack Lennon series, set in Belfast (2009): The Twelve /Ghosts of Belfast , Collusion , Stolen Souls , The Final Silence . 152 APPENDIX: CONTEMPORARY IRISH DETECTIVE SERIES

Eilís Ní Dhuibhne. Saoirse Ní Ghallchóir and Garda Máirtín Ó Flaithearta series, set in Kerry (2000): Dúnmharú sa Daingean (Murder in Dingle ), Dún an Airgid ( Close Money ). Niamh O’Connor. Police detective Jo Birmingham series, set in Dublin (2010): If I Never See You Again , Taken , Too Close for Comfort , Blink . Julie Parsons. Inspector Michael McLoughlin series, set in Dublin (1998): Mary , Mary , I Saw You . Louise Phillips. Criminal psychologist Dr. Kate Pearson series, set in Dublin (2012): Red Ribbons , The Doll ’ s House , Last Kiss . Michael Russell. Det. Inspector Stefan Gillespie series, set in 1930s–1940s Dublin environs and other war-torn cities (2012): The City of Shadows , The City of Strangers , The City in Darkness . Peter Tremayne (Peter Berresford Ellis). Sister Fidelma series, set in seventh-century Ireland (1994): Absolution by Murder , Shroud for the Archbishop , Suffer Little Children , The Subtle Serpent , The Spider ’ s Web , Valley of the Shadow , The Monk Who Vanished , Act of Mercy , Our Lady of Darkness , Hemlock at Vespers (short stories), Smoke in the Wind, The Haunted Abbot , Badger ’ s Moon , Whispers of the Dead (short stories), The Leper ’ s Bell , Master of Souls , A Prayer for the Damned , Dancing with Demons , The Council of the Cursed , The Dove of Death , The Chalice of Blood , Behold A Pale Horse , The Seventh Trumpet , Atonement of Blood , The Devil ’ s Seal , The Second Death , The Second Death . BIBLIOGRAPHY

Ashley, Mike. ‘Seeking the Evidence.’ The Notting Hill Mystery by Charles Warren Adams. London: The British Library, 2012. Auden, W.H. ‘The Guilty Vicarage: Notes on the Detective Story, by an Addict.’ Harper’s Magazine May 1948: 406–12. Beckett, Samuel. Molloy . New York: Grove Press, 1994. Black, Benjamin. Christine Falls . New York: Henry Holt/Picador, 2006. —— Elegy for April . New York: Henry Holt, 2010. —— The Silver Swan . New York: Henry Holt, 2008. Blamires, Harry. The New Bloomsday Book: A Guide through Ulysses . London: Routledge, 2005. Bloch, Ernst. The Principle of Hope . Cambridge: MIT Press, 1986. Borde, Raymond and Etienne Chaumeton. A Panorama of American Film Noir . San Francisco: City Lights, 1995. Bourke, Angela. The Burning of Bridget Cleary . New York: Penguin, 2000. ‘Brehon law.’ An tSiérbhis Chúrteanna (Courts Service) Ireland. http://www. courts.ie (home page), date accessed 21 March 2015. Browne, Noel. Against the Tide . Dublin: Gill and Macmillan, 2012. Bruen, Ken. The Devil . Dublin: Transworld Ireland, 2010. —— The Guards . New York: Minotaur Books, 2004. —— The Killing of the Tinkers . New York: Minotaur Books, 2005. —— The Magdalen Martyrs . New York: Minotaur Books, 2006. —— Purgatory . New York: The Mysterious Press, 2013. —— Sanctuary . New York: Minotaur Books, 2008.

© The Editor(s) (if applicable) and The Author(s) 2016 153 E. Mannion (ed.), The Contemporary Irish Detective Novel, DOI 10.1057/978-1-137-53940-3 154 BIBLIOGRAPHY

Brunsdale, Mitzi M. ‘Fidelma of Cashel: The Plight of the Learned Lady.’ The Sister Fidelma Mysteries: Essays on the Historical Novels of Peter Tremayne . Ed. Edward J. Rielly and David Robert Wooten. Jefferson, NC: McFarland, 2012. 109–17. Buelens, Gert, Sam Durrant, and Robert Eaglestone, eds. The Future of Trauma Theory: Contemporary Literary and Cultural Criticism . New York: Routledge, 2014. Burke, Declan. ‘Jane Says.’ Sunday Business Post 24 June 2012, reprinted on the blog Crime Always Pays http://crimealwayspays.blogspot.ie (home page), date accessed 21 February 2015. Cahalen, James M. Great Hatred, Little Room: The Irish Historical Novel . Syracuse: Syracuse University Press, 1983. Camus, Albert. The Outsider . London: Penguin, 2010. Caruth, Cathy. Unclaimed Experience: Trauma, Narrative and History. Baltimore: Johns Hopkins University Press, 1996. Casey, Jane. After the Fire . London: Ebury Press, 2015. —— The Burning . 2010. New York: Minotaur Books, 2012. —— The Kill. London: Ebury Press, 2014(a). —— The Last Girl. 2012. New York: Minotaur Books, 2014(b). —— Left for Dead: A Maeve Kerrigan Novella (e-book). 2013. New York: Minotaur Books, 2014(c). —— The Reckoning . 2012. New York: Minotaur Books, 2013. —— The Stranger You Know . 2013. New York: Minotaur Books, 2014(d). Casey, Moira. ‘“Built on Nothing but Bullshit and Good PR”: Crime, Class Mobility, and the Irish Economy in the Novels of Tana French.’ Clues: A Journal of Detection 32.1 (Spring 2014): 92–102. Chandler, Raymond. The Big Sleep . 1939. New York: Vintage, 1976. —— The Big Sleep . 1939. New York: Vintage Crime/Black Lizard, 1992. —— ‘The Simple Art of Murder.’ Atlantic Monthly December 1944: 53–9. —— ‘The Simple Art of Murder’ in Raymond Chandler: Later Novels and Other Writings . 1950. New York: Library of America, 1995. 977–93. Clark, David. ‘Emerald Noir ?: Contemporary Irish Crime Fiction.’ East Meets West . Ed. Reiko Aiura and J. Derrick McClure. Cambridge: Cambridge Scholars Publishing, 2014. Cleary, Joseph. ‘Modernization and Aesthetic Ideology in Contemporary Irish Culture.’ Writing in the Irish Republic: Literature, Culture, Politics 1949–1999 . Ed. Ray Ryan. London: Macmillan, 2000. 105–29. Connolly, John. ‘Author Introduction.’ Dark Hollow , reprint edition. New York: Emily Bestler/Atria, 2015(a). xi–xvi. —— Bad Men . New York: Atria, 2004. —— The Black Angel . New York: Atria, 2005. —— The Burning Soul . New York: Atria, 2011(a). BIBLIOGRAPHY 155

—— ‘Charlie Parker.’ The Lineup: The World’s Greatest Crime Writers Tell the Inside Story of Their Greatest Detectives . Ed. Otto Penzler. London: Quercus, 2010(a). 63–79. —— Dark Hollow . New York: Simon & Schuster, 2001. —— Every Dead Thing . New York: Simon & Schuster, 1999. —— I Live Here . Dublin: Bad Dog Books, 2013. (Expanded and republished in Night Music .) —— ‘Introduction.’ The Wrath of Angels reprint edition. London: Hodder & Stoughton, 2015(b). —— The Killing Kind . New York: Atria, 2002. —— The Lovers . New York: Atria, 2009. —— Night Music: Nocturnes 2 . London: Hodder & Stoughton, 2015(c). —— ‘No Blacks, No Dogs, No Crime Writers: Ireland and the Mystery Genre.’ Down These Green Streets: Irish Crime Writing in the 21st Century . Ed. Declan Burke. Dublin: Liberties Press, 2011(b). 39–57. —— The Reapers . New York: Atria, 2008. —— The Refl ecting Eye: A Charlie Parker Novella . Dublin: Bad Dog Books, 2012. (An earlier version was published in the story collection Nocturnes (London: Hodder & Stoughton, 2004)). —— A Song of Shadows . New York: Emily Bestler/Atria, 2015(d). —— A Time of Torment . New York: Emily Bestler/Atria, 2016. —— The Unquiet . New York: Atria, 2007. —— The Whisperers . New York: Atria, 2010(b). —— The White Road . New York: Atria, 2003. —— The Wolf in Winter . New York: Emily Bestler/Atria, 2014. —— The Wrath of Angels . New York: Emily Bestler/Atria, 2013. Conrad, Kathryn A. Locked in the Family Cell: Gender, Sexuality, and Political Agency in Irish National Discourse . Madison: University of Wisconsin Press, 2004. Corkery, Daniel. ‘from: Synge and Irish Literature ’. 1931. The Field Day Anthology of Irish Literature , Vol. 2. Ed. Seamus Deane. Derry: Field Day, 1991–2002. 1010–11. Corrigan, Maureen. ‘Tana French’s “The Secret Place”: The Dublin Murder Squad Takes on the Mean Girls.’ The Washington Post 14 September 2014. http://www.washingtonpost.com (home page), date accessed 11 June 2015. Coughlan, Claire. ‘Paper Tiger: An Interview with Tana French.’ Down These Green Streets: Irish Crime Writing in the 21st Century . Ed. Declan Burke. Dublin: Liberties Press, 2011. 335–44. Curran, John. ‘Happy Innocence: Playing Games in Golden Age Detective Fiction, 1920–1945.’ PhD dissertation, Trinity College Dublin, 2014. Cuthbertson, Sarah. ‘“The Fascination for Sister Fidelma”: An Interview of Peter Tremayne.’ Solander 15 (2004), Historical Novel Society, https://historical- novelsociety.org (home page), date accessed 15 May 2015. 156 BIBLIOGRAPHY

Dawson, Graham. ‘The Ulster–Irish Border, Protestant Imaginative Geography and Cultural Memory in the Irish Troubles.’ Sites of Exchange: European Crossroads and Faultlines . Ed. Maurizio Ascari and Adriana Corrado. Amsterdam and New York: Rodopi, 2006. 237–50. Deane, Seamus. Strange Country: Modernity and Nationhood in Irish Writing since 1970. Oxford: Oxford University Press, 1990. Delany, Samuel R. Conversation with Elizabeth Mannion. Philadelphia, PA. 20 May 2015. De Lint, Charles. ‘Books to Look For.’ Fantasy & Science Fiction 110.6 (June 2006): 28–9. Dell’Amico, Carol. ‘John Banville and Benjamin Black: The Mundo, Crime, Women.’ Éire-Ireland 49.1–2 (Spring/Summer 2014): 106–20. Dresner, Lisa M. The Female Investigator in Literature, Film, and Popular Culture . Jefferson: McFarland, 2007. Eagleton, Terry. Heathcliff and the Great Hunger . London and New York: Verso, 1995. Evans, Curtis J. Masters of the ‘Humdrum’ Mystery: Cecil John Charles Street, Freeman Wills Crofts, Alfred Walter Stewart and the British Detective Novel, 1920–1961 . Jefferson: McFarland, 2012. Faison, Stephen. Existentialism, Film Noir, and Hard-Boiled Fiction . New York: Cambria Press, 2008. Ferriter, Diarmaid. The Transformation of Ireland 1900–2000 . London: Profi le Books, 2004. Finn, Micky. In My Own Words (Still Running) . Bloomington: AuthorHouse, 2011. Fogle, Sarah D. ‘Unhappily Ever After: Fairy-Tale Motifs in Tana French’s In the Woods .’ Clues: A Journal of Detection 32.1 (Spring 2014): 22–30. Foster, Jordan. ‘The Cost of Violence PW Talks with Stuart Neville.’ Publisher’s Weekly 19 August 2011. http://www.publishersweekly.com (home page), date accessed 8 June 2015. Foster, R.F. Luck and the Irish: A Brief History of Change from 1970. Oxford: Oxford University Press, 2008. Franklin, Benjamin. The Way to Wealth . Carlisle: Applewood Books, 1986. French, Tana. Broken Harbor . New York: Penguin Group, 2011(a). —— Interview by Claire Coughlan. Down These Green Streets: Irish Crime Writing in the 21st Century . Ed. Declan Burke. Dublin: Liberties Press, 2011(b). —— Faithful Place . New York: Penguin, 2010. —— In the Woods . New York: Penguin, 2007. —— The Likeness . New York: Penguin, 2008. —— ‘The Psychology of an Irish Meltdown.’ New York Times Sunday Review 28 July 2013: 5. —— The Secret Place . New York: Penguin, 2014. BIBLIOGRAPHY 157

Freud, Sigmund. ‘Studies in Hysteria.’ 1893–95. Standard Edition , Vol. 2. Ed. and trans. J. Strachey. London: Hogarth Press, 1995. Garratt, Robert F. Trauma and History in the Irish Novel: The Return of the Dead . New York: Palgrave Macmillan, 2011. Gregorek, Jean. ‘Fables of Foreclosure: Tana French’s Police Procedurals of Recessionary Ireland.’ Class and Culture in Crime Fiction: Essays on Works in English since the 1970s . Ed. Julie H. Kim. Jefferson, NC: McFarland, 2014. 149–74. Heaney, Seamus. North . London: Faber and Faber, 1975. Heising, Willetta L. Detecting Women 2: A Reader’s Guide and Checklist for Mystery Series Written by Women . Dearborn: Purple Moon Press, 1996. Herman, Judith. Trauma and Recovery . New York: Basic Books, 1992. Hiney, Tom. Raymond Chandler: A Biography. London: Chatto & Windus, 1997. Hiney, Tom and Frank MacShane, eds. The Raymond Chandler Papers: Selected Letters and Nonfi ction, 1909–1959 . New York: Atlantic Monthly Press, 2000. Hughes, Declan. All the Dead Voices . New York: Harper, 2010. —— City of Lost Girls . New York: Harper, 2011. —— The Colour of Blood. London: John Murray, 2007(a). —— The Price of Blood . New York: Harper, 2009. —— The Wrong Kind of Blood . 2006. New York: Harper, 2007(b). Huyssen, Andreas. Twilight Memories: Marking Time in a Culture of Amnesia . New York: Routledge, 1995. James, M.R. ‘Charles’s Translation of the Book of Enoch. ’ The Classical Review 8.1–2 (February 1894): 41–4. Janet, Pierre. Psychological Healing , Vol. 1. Trans. E. Paul and C. Paul. New York: Macmillan, 1925. Johnsen, Rosemary Erickson. ‘Crime Fiction’s Dublin: Reconstructing Reality in Novels by Dermot Bolger, Gene Kerrigan, and Tana French.’ Eire-Ireland 49.1–2 (Spring/Summer 2014): 121–41. Joyce, James. Dubliners . Ed. Margot Norris. New York: Norton, 2006. —— Ulysses . Ed. Jeri Johnson. New York: Oxford University Press, 1998. Jung, Sandro. ‘Charlotte Brontë’s Jane Eyre , the Female Detective, and the “Crime” of Female Selfhood.’ Brontë Studies 32 (March 2007): 21–30. Kearney, Richard, ed. The Irish Mind: Exploring Intellectual Traditions . Dublin: Wolfhound, 1985. Kelly, Aaron. ‘The Troubles with the Thriller: Northern Ireland, Political Violence and the Peace Process.’ The Edinburgh Companion to Twentieth-century British and American War Literature . Ed. Adam Piette and Mark Rawlinson. Edinburgh: Edinburgh University Press, 2012. 508–15. Kiberd, Declan. The Irish Writer and the World. Cambridge: Cambridge University Press, 2005. 158 BIBLIOGRAPHY

—— ‘Portrait of the Artist as a Young Hack.’ Christina Murphy Memorial Lecture (shortened version). Irish Times 14 July 1998. Kincaid, Andrew. ‘“Down These Mean Streets”: The City and Critique in Contemporary Irish Noir.’ Eire-Ireland 45.1–2 (2010): 39–55. Kinealy, Christine. ‘Hidden from History: Fidelma of Cashel and Lost Female Values.’ The Sister Fidelma Mysteries: Essays on the Historical Novels of Peter Tremayne . Ed. Edward J. Rielly and David Robert Wooten. Jefferson, NC: McFarland, 2012. 50–9. Kinsman, Margaret. ‘Feminist Crime Fiction.’ The Cambridge Companion to American Crime Fiction . Ed. Catherine Ross Nickerson. Cambridge: Cambridge University Press, 2010. 148–62. Klein, Kathleen G. The Woman Detective: Gender and Genre . Urbana: University of Illinois Press, 1988. —— ‘Habeas Corpus: Feminism and Detective Fiction.’ Feminism in Women’s Detective Fiction . Ed. Glenwood Irons. Toronto: University of Toronto Press, 1995. 171–89. Knight, Stephen. Crime Fiction since 1800: Detection, Death, Diversity , 2nd edn. Basingstoke and New York: Palgrave Macmillan, 2010. Kristeva, Julia. ‘Psychoanalysis and the Polis.’ The Kristeva Reader . Ed. Toril Moi. New York: Columbia University Press, 1986(a). 301–20. —— ‘Women’s Time.’ The Kristeva Reader . Ed. Toril Moi. New York: Columbia University Press, 1986(b). 187–213. Laub, Dori. ‘An Event Without a Witness: Truth, Testimony and Survival.’ Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History . By Shoshana Felman and Dori Laub. New York: Routledge, 1992. 75–92. Le Fanu, Joseph Sheridan. Uncle Silas: A Tale of Bertram-Haugh . 1864. Ed. Victor Sage. New York: Penguin, 2000. Lloyd, David. ‘Colonial Trauma/Postcolonial Recovery?’ Interventions: International Journal of Postcolonial Studies 2.2 (2000): 212–28. Luehrs, Christine W. and Robert B. Luehrs. ‘Peter Tremayne: Sister Fidelma and the Triumph of Truth.’ The Detective as Historian: History and Art in Historical Crime Fiction . Ed. Ray B. Browne and Lawrence A. Kreiser, Jr. Bowling Green, OH: Bowling Green University Popular Press, 2000. 45–59. MacLaughlin, Jim. ‘The Politics of Nation-building in Post-Famine Donegal.’ Donegal History and Society: Interdisciplinary Essays on the History of an Irish County . Ed. William Nolan, Liam Ronayne, and Mairead Dunlevy. Dublin: Geography Publications, 1995. Maxwell, Alexander. ‘National Endogamy and Double-Standards: Sexuality and Nationalism in East-Central Europe During the 19th century.’ Journal of Social History 41.2 (Winter 2007): 413–33. McCarthy, Conor. Modernisation, Crisis and Culture in Ireland , 1969–1992 . Dublin: Four Courts, 2000. BIBLIOGRAPHY 159

McChesney, Anita M. ‘The Female Poetics of Crime in E.T.A. Hoffmann’s Mademoiselle Scuderi. ’ Women in German Yearbook 24 (2008): 1–26. McGilloway, Brian. Bleed a River Deep . London: Pan Books, 2010. —— Borderlands . London: Macmillan, 2007. —— ‘Brian McGilloway’s Top 10 Modern Irish Crime Novels.’ The Guardian 22 April 2009(a). http://www.theguardian.com (home page), date accessed 3 June 2015. —— Gallows Lane . London: Pan Books, 2009(b). —— The Nameless Dead . London: Macmillan, 2012. —— The Rising . London: Pan Books, 2011. McKay, Susan. ‘Northern Ireland’s Peace is Haunted by Ghosts who will not be Silenced.’ The Guardian 4 May 2014. http://www.theguardian.com (home page), date accessed 25 June 2015. McKinty, Adrian. ‘The Psychopathology of Everyday Life: Adrian McKinty’s Blog.’ December 2012. http://adrianmckinty.blogspot.com (home page), date accessed 9 May 2015. McKinty, Adrian and Stuart Neville, eds. Belfast Noir . Brooklyn: Akashic Books, 2014. Meier, William and Ian Campbell Ross. ‘Irish Crime since 1921.’ Éire- Ireland 49.1–2 (Spring/Summer 2014): 7–21. Messent, Peter. ‘The Police Novel.’ A Companion to Crime Fiction . Ed. Charles J. Rzepka and Lee Horsley. Oxford: Wiley-Blackwell, 2010. 175–86. Mittleman, Alan. Hope in a Democratic Age . Oxford: Oxford University Press, 2009. Morales-Ladrón, Marisol. ‘“Troubling” Thrillers: Between Politics and Popular Fiction in the Novels of Benedict Kiely, Brian Moore and Colin Bateman.’ Estudios Irlandeses 1 (2006): 58–66. Muldoon, Paul. To Ireland, I: The Clarendon Lectures . Oxford: Oxford University Press, 2001. Murphy, Paula. ‘“Murderous Mayhem”: Ken Bruen and the New Ireland.’ Clues: A Journal of Detection 24.2 (Winter 2006): 3–16. Neville, Stuart. Collusion . New York: Soho Press, 2010. —— The Final Silence . New York: Soho Press, 2014. —— The Ghosts of Belfast/The Twelve . New York: Soho Press, 2009. —— Ratlines . New York: Soho Press, 2013. —— Stolen Souls . New York: Soho Press, 2011. New Mystery Reader Magazine. ‘Interview with Declan Burke.’ http://www. newmysteryreader.com (home page), date accessed 20 February 2015. Nietzsche, Friedrich. Human, All Too Human: A Book for Free Spirits , rev. edn. Trans. Marion Faber. Cambridge: Cambridge University Press, 1996. Oler, Tammy. ‘Safe as Houses.’ The Slate Book Review 7 October 2014 . http:// www.slate.com (home page), date accessed 11 June 2015. 160 BIBLIOGRAPHY

O’Loughlin Fox, Vanessa. ‘Jane Casey Interview: Waterford Writer’s Weekend.’ YouTube 28 March 2014. https://www.youtube.com (home page), date accessed 20 February 2015. O’Toole, Fintan. ‘From Chandler and the “Playboy” to the Contemporary Crime Wave.’ Down These Green Streets: Irish Crime Writing in the 21st Century . Ed. Declan Burke. Dublin: Liberties Press, 2011. 358–61. Pearlstein, Steven. ‘Can Ireland’s Celtic Tiger Roar Again?’ The Washington Post 16 August 2013. Pelaschiar, Laura. ‘Rev. of The Twelve.’ Estudios Irlandeses 5 (2010): 195. —— Writing the North: The Contemporary Novel in Northern Ireland . Trieste: Edizioni Parnaso, 1998. Pennell, Jane C. ‘The Female Detective: Pre- and Post-Women’s Lib.’ Clues: A Journal of Detection 6.2 (Fall/Winter 1985): 85–98. Peterson, Shirley. ‘Homicide and Home-icide: Exhuming Ireland’s Past in the Detective Novels of Tana French.’ Clues: A Journal of Detection 30.2 (Fall 2012): 97–108. Phillips, Bill. ‘Irish Noir.’ Estudios Irlandeses 9 (2014): 169–77. Pine, Emilie. ‘The Homeward Journey: The Returning Emigrant in Recent Irish Theatre.’ Irish University Review 38.2 (Autumn–Winter 2008): 310–24. Porfi rio, R. ‘No Way Out: Existential Motifs in the Film Noir.’ 1976. Film Noir Reader . New York: Limelight Editions, 1996. 77–95. Porteous, J. Douglas and Sandra E. Smith. Domicide : The Global Destruction of Home . Montreal and Kingston: McGill-Queen’s University Press, 2001. Priestman, Martin. Crime Fiction from Poe to the Present , 2nd edn. Tavistock: Northcote, 2013. Reddy, Maureen T. ‘Authority and Irish Cultural Memory in Faithful Place and Broken Harbor .’ Clues: A Journal of Detection 32.1 (Spring 2014): 81–91. Rielly, Edward J. ‘Sister Fidelma: A Woman for All Seasons.’ The Sister Fidelma Mysteries: Essays on the Historical Novels of Peter Tremayne . Ed. Edward J. Rielly and David Robert Wooten. Jefferson, NC: McFarland, 2012. 5–19. Robinson, Holly. ‘Why We Love Mystery Novels: Murder, Mayhem, and Cultural Mirrors.’ The Huffi ngton Post 13 November 2012. http://www.huffi ngton- post.com (home page), date accessed 5 June 2015. Ross, Ian Campbell. ‘Introduction.’ Down These Green Streets: Irish Crime Writing in the 21st Century . Ed. Declan Burke. Dublin: Liberties Press, 2011. Rzepka, Charles J. Detective Fiction . Cambridge: Polity Press, 2005. Scaggs, John. Crime Fiction . London: Routledge, 2005. —— ‘The Impact of Sister Fidelma on Irish Crime Fiction.’ The Sister Fidelma Mysteries: Essays on the Historical Novels of Peter Tremayne . Ed. Edward J. Rielly and David Robert Wooten. Jefferson, NC: McFarland, 2012. 28–32. Schaffer, Rachel. ‘Tana French: Archaeologist of Crime.’ Clues: A Journal of Detection 32.1 (Spring 2014): 31–9. BIBLIOGRAPHY 161

Schwarzbach, F.S. ‘Newgate Novel to Detective Fiction.’ A Companion to the Victorian Novel . Ed. Patrick Brantlinger and William B. Thesing. Oxford and Malden, MA: Blackwell, 2002. 227–43. Shakespeare, William. The Rape of Lucrece in The Complete Works of William Shakespeare. Ware: Wordsworth Royal Series, 1997. 1207–25. Silver, Alain and James Ursini. Film Noir Reader . New York: Limelight Editions, 2004. Simpson, Philip. ‘Noir and the Psycho Thriller.’ A Companion to Crime Fiction . Ed. Charles J. Rzepka and Lee Horsley. Oxford: Wiley-Blackwell, 2010. 187–97. Sjöwall, Maj and Per Wahlöö. Roseanna . London: Harper Perennial, 2006. Sophocles. Ajax . Arlington, VA: Richer Resources, 2010. Stafford, Fiona. Local Attachments: The Province of Poetry . Oxford: Oxford University Press, 2010. Stasio, Marilyn. ‘Mind over Murder.’ Rev. of City of Lost Girls. New York Times Sunday Book Review Online 22 April 2010. http://www.nytimes.com (home page), date accessed 30 May 2015. Taylor, T.J. ‘A Singular Dislocation: An Interview with Junot Diaz.’ Paradoxa 26 (2015): 97–104. Teel, John. ‘Blurring the Genre Borderlines: Tana French’s Haunted Detectives.’ Clues: A Journal of Detection 32.1 (Spring 2014): 13–21. Tomc, Sandra. ‘Questing Women: The Feminist Mystery after Feminism.’ Feminism in Women’s Detective Fiction . Ed. Glenwood Irons. Toronto: University of Toronto Press, 1995. 46–63. Tremayne, Peter. Absolution by Murder . 1993. New York: Signet, 1997. —— Atonement of Blood . 2013. New York: St. Martin’s, 2014. —— Badger’s Moon . 2003. New York: St. Martin’s, 2005. —— The Chalice of Blood . 2010. London: Headline, 2012(a). —— The Leper’s Bell . 2004. New York: St. Martin’s, 2006(a). —— Master of Souls . 2005. New York: St. Martin’s, 2006(b). —— The Seventh Trumpet . New York: St. Martin’s, 2012(b). —— Shroud for the Archbishop . 1995. New York: Signet, 1998. —— ‘Sister Fidelma’s World.’ Absolution by Murder . New York: Signet, 1997. v–xvi. —— The Subtle Serpent . 1996. New York: Signet, 1999. Van der Kolk, Bessel, Onno van der Hart, and Charles R. Marmar. ‘Dissociation and Information Processing in Posttraumatic Stress Disorder.’ Traumatic Stress: The Effects of Overwhelming Experience . Ed. Bessel A. van der Kolk, Alexander C. McFarlane, and Lars Weisaeth. New York: Guilford Press, 1996. 303–27. Walter, Katharina. ‘From aisling to chora : Female Allegories of the Nation in Contemporary Irish Women’s Poetry.’ Irish Studies Review 21.3 (2013): 313–25. 162 BIBLIOGRAPHY

Whitehead, Tom. ‘The Disappeared was one of the Worst Chapters of the Troubles.’ The Telegraph 1 May 2014. http://www.telegraph.co.uk (home page), date accessed 6 July 2015. Wiener, Jon. ‘I Hate Genre: An Interview with John Banville/Benjamin Black.’ Los Angeles Review of Books 14 March 2014. https://lareviewofbooks.org (home page), date accessed 20 March 2014. Wilson, Laura. ‘Rev. of The Secret Place : Tana French Brings Murder to Private School.’ The Guardian 6 September 2014. http://www.theguardian.com (home page), date accessed 11 June 2015. Zuber, Devin P. ‘Swedenborg and the Disintegration of Language in Sheridan Le Fanu’s Sensation Fiction.’ Victorian Sensations: Essays on a Scandalous Genre . Ed. Kimberly Harrison and Richard Fantina. Columbus: Ohio State University Press, 2006.

FURTHER READING Brownson, Charles. The Figure of the Detective: A Literary History and Analysis . Jefferson: McFarland, 2014. Burke, Declan. Crimealwayspays.blogspot.com. Clark, David. ‘Mean Streets, New Lives: The Representations of Non-Irish Immigrants in Recent Irish Crime Fiction.’ Literary Visions of Multicultural Ireland: The Immigrant in Contemporary Irish Literature . Ed. Pilar Villar- Argáiz. Manchester: Manchester University Press, 2013. 255–67. Evans, Curtis J. Masters of the ‘Humdrum’ Mystery: Cecil John Charles Street, Freeman Wills Crofts, Alfred Walter Stewart and the British Detective Novel, 1920–1961 . Jefferson: McFarland, 2012. Flanders, Judith. The Invention of Murder: How the Victorians Revelled in Death and Detection and Created Modern Crime . New York: St. Martin’s, 2013. Garratt, Robert F. Trauma and History in the Irish Novel: The Return of the Dead . New York: Palgrave Macmillan, 2011. Gutkin, Len. ‘The Dandifi ed Dick: Hardboiled Noir and the Wildean Epigram.’ ELH 81.4 (Winter 2014): 1299–326. International Crime Fiction Research Group. http://internationalcrimefi ction. org/. McCormack, W.J. Sheridan Le Fanu and Victorian Ireland , 2nd edn. Dublin: Lilliput Press, 1991. Murphy, Neil. ‘Crimes of Elegance: Benjamin Black’s Impersonation of John Banville.’ Moving Worlds: A Journal of Transcultural Writings 13.1 (2013): 19–32. Murphy, Paula. ‘Ken Bruen’s American Skin and Postmodern Media Culture.’ Americana: The Journal of American Popular Culture (1900–Present) 7.1 (Spring 2008): n.p. BIBLIOGRAPHY 163

—— ‘“Murderous Mayhem”: Ken Bruen and the New Ireland.’ Clues: A Journal of Detection 24.2 (Winter 2006): 3–16. Nolan, Tom. ‘Stuart Neville.’ Mystery Scene 117 (2010): 38–9. Parrinder, Patrick and Andrzej Gąsiorek, eds. The Reinvention of the British and Irish Novel 1880–1940 . Oxford: Oxford University Press, 2011. Rudman, Thomas. ‘“The Place You Don’t Belong”: Border-Crossings and Ambivalence in the Northern Irish Noir-Thriller.’ Border Crossings: Narration, Nation and Imagination in Scots and Irish Literature and Culture . Ed. Colin Younger. Newcastle upon Tyne: Cambridge Scholars, 2013. 249–69. Symons, Julian. Bloody Murder: From the Detective Story to the Crime Novel , rev. edn. New York: Viking, 1985. INDEX

A Black, Benjamin (John Banville), 1, At Swim-Two-Birds (1939) 11, 33, 41n5, 135 (O’Brien), 34 The Black-Eyed Blonde , 1, 33 austerity economics, 4, 9, 11, 61–62, Christine Falls , 1, 135–136, 64, 69 138–9, 143 Elegy for April , 136, 138, 145 The Silver Swan , 136, 138, B 142–5 Banville, John . See Black, Benjamin Bloch, Ernst, 68–9 Bateman, Colin, 2, 12n5, 149 Bodkin, Matthias McDonnell, 6 Beckett, Samuel, 59–60, 63, 68, 128, Bourke, Angela, 39–40, 43n37 133n35 Bowen, Rhys (Janet Quin-Harkin), Company , 59 10, 149 ‘Echo’s Bones’, 128 Bruen, Ken, 11, 33, 41n5, 42n15, Krapp’s Last Tape , 59 57–71, 127, 150 Molloy , 60, 128 The Devil , 63 The Trilogy , 59–60 The Guards , 59, 68–69 Waiting for Godot , 59, 128 Headstone , 59, 63–4 Belfast, 2, 9, 77, 92, 95–6, 99–101, The Killing of the Tinkers , 103, 126–127 59, 63 Belfast/Good Friday Agreement . (See The Magdalen Martyrs , 59 also Post-Agreement North), 83, Purgatory , 61–63, 65, 69 91, 95, 126 Sanctuary , 61–3

Note: Page number followed by “n” refers to footnotes.

© The Editor(s) (if applicable) and The Author(s) 2016 165 E. Mannion (ed.), The Contemporary Irish Detective Novel, DOI 10.1057/978-1-137-53940-3 166 INDEX

Burke, Declan, 3, 11, 150 Nocturnes , 31 Burke, James Lee, 32 The Whisperers , 38 The White Road , 33, 37, 43n37 The Wolf in Winter , 36, 38 C Conrad, Kathryn, 26 Casey, Jane, 2, 6, 9, 121–34, 150 Cozy crime, 10 After the Fire , 121, 127, 130 Crofts, Freeman Wills, 6–7, 13n25 The Burning , 121, 123, 128, 130 The Kill , 121, 126–7 The Last Girl , 121, 130 D Left for Dead , 121 Deane, Seamus, 63–4 The Reckoning , 121, 127, 129 Delany, Samuel R., 2 The Stranger You Know , 121, 123 Díaz, Junot, 3 Catholic Church/Catholicism, 7, domicide , 114–5 14n13, 23–4, 33, 36, 49, 76–7, Doyle, Arthur Conan, 109 81, 85, 93, 96–7, 135–8, 140, Doyle, Roddy, 3 142, 145–6 Dresner, Lisa M., 19 Celtic culture, 17 Dublin, 2, 4–6, 8–11, 38, 45–55, 73, Celtic monasticism, 25 77, 108, 110–14, 135, 138, 142 Celtic Tiger, 3–4, 9, 12n5, 33, 47, Dudley Edwards, Ruth, 10, 150 61–3, 77, 98, 107–8, 110–16 Chandler, Raymond, 1–2, 7–8, 11, 33, 40, 46, 48, 50, 58–9, 62, 123, 149 E The Big Sleep , 7–8, 48, 50, 58, 61, 65 Eagleton, Terry, 4 ‘The Simple Art of Murder’, 59 Ellis, Peter Berresford. See Tremayne, Charles, Paul, 2, 150 Peter Christie, Agatha, 6, 41n4, 52 epigraph usage, 33, 49–50, 59–60, Cleary, Joe, 108, 117n7 64–5, 127–8 Collins, Wilkie, 5 existentialism, 58–63, 69 The Moonstone, 5, 7 exogamy , 26 The Woman in White, 13n19, 45 Connelly, Michael , 9 Connolly, John, 2, 11, 31–44, 41n5 , 150 F A Song of Shadows , 32, 36–38, 40 Faison, Stephen, 58 A Time of Torment , 32 Fallon, Ann C., 10 Bad Men , 31 Ferriter, Diarmaid, 136, 144–146 The Black Angel , 32–3, 35–36, 39 Foster, R. F., 107 The Book of Lost Things , 31 French, Tana, 2, 6, 9, 107–20, The Chronicles of the Invaders (with 117n7, 151 Jennifer Ridyard) , 31 Broken Harbor , 113, 114 Dark Hollow , 37, 42n21 Faithful Place , 112–3 Every Dead Thing , 31, 35–6, 38, 40 In the Woods , 110, 113 The Killing Kind , 35–8, 42n21 The Likeness , 113–4 The Lovers , 33, 36 The Secret Place , 115 Night Music: Nocturnes 2 , 31 INDEX 167

G Irish Studies, 2, 33–4, 62 Galway, 57, 60–5, 67, 69 Garratt, Robert, 109 Gill, Bartholomew (Mark McGarrity), J 8, 12n5 journalism/journalists, 2, 3, 6, 8, 11, Glynn, Alan, 33 12n5 , 31, 95–6, 121–3 Golden Age of detective fi ction , 4, 6, Joyce, James, 52, 60, 64, 145–6 13n15, 41n4 Dubliners , 60 Good Friday/Belfast Agreement . Ulysses , 135, 141–3, 146 (See also Post-Agreement North), 83, 91, 95, 126 Gothic literature, 4, 59, 75, 113, 116 K Grafton, Sue, 6, 123 Kerrigan, Gene, 33, 117n7, 118n20 Gregorek, Jean, 112–3, 119n40 Keyes, Marian, 3 Kiberd, Declan, 107, 135 Kincaid, Andrew, 108 H Kinealy, Christine, 21 Hammett, Dashiell, 7, 11, 45–6, 48–9, Kinsman, Margaret, 123 52, 58, 62 Klein, Kathleen, 19 The Maltese Falcon , 7, 46, 58 Kristeva, Julia, 18–21 hard-boiled, 1, 6–8, 11, 13n15, 46, 53, 62, 79, 81, 109, 123–4, 130 L Harrison, Cora, 10, 151 Laub, Dori, 109–10 Health Act (1947), 136–7 Le Fanu, Joseph Sheridan, 4–5 Heaney, Seamus, 75, 87, 90n56 Lloyd, David, 108 Herman, Judith, 107, 109–10 Holmes, Sherlock, 19, 21–2, 60, 109 Hughes, Declan, 11, 45–55, 127, 151 M All the Dead Voices , 46, 48, 51 Macdonald, Ross, 32, 35, 38, 43n34, City of Lost Girls , 48, 49, 52, 54 49–50 The Colour of Blood , 49–50 Marriage Equality Bill (2015), 64 Digging for Fire , 47 Maxwell, Alexander, 26 The Price of Blood , 49–50 McCabe, Patrick, 3, 34 Shiver , 47 McCarthy, Conor, 34 The Wrong Kind of Blood , 46, McGilloway, Brian, 2, 9, 48, 73–90, 151 48–50, 52 Bleed a River Deep , 86–7 Hughes, Eamonn, 101 Borderlands , 75, 81 Huyssen, Andreas, 111 Gallows Lane , 75, 83–4 link between Irish literary tradition, 75 I The Nameless Dead , 85, 87 Industrial Schools Act (1868), 137 plots and characterization, 76 Irish Constitution (1937), 136 The Rising , 75, 83 168 INDEX

McKinty, Adrian, 2, 11, 100, 151 S Meier, William, 2 Sayers, Dorothy, 6 Muldoon, Paul, 40 Scaggs, John, 17, 78 Schaffer, Rachel, 111 sensation novel, 4, 13n19 N Sjöwall, Maj, 86 Neville, Stuart, 9, 91–106, 151 social media, 123, 129, 131–2 Collusion , 91–3, 97–9, 101–2 Stafford, Fiona, 77 The Final Silence , 92, 94, 97, 102 stoicism, 67 infrastructure of Troubles, 92 surveillance, 121–22, 124, 128, 131 Stolen Souls , 91–3, 97, 99, 101 The Twelve/The Ghosts of Belfast , 94–5, 96–9 T Newgate novels, 4 Teel, John , 116 Nordic noir, 2 The Third Policeman (1968) The Notting Hill Mystery (1865) (O’Brien), 34 (Felix), 5 Tremayne, Peter (Peter Berresford Ellis), 10, 17–29, 152 Absolution by Murder , 17, 18, 22 O Atonement of Blood , 20 O’Connor, Niamh, 33, 152 Badger’s Moon , 26 O’Toole, Fintan, 108 The Chalice of Blood , 24 ‘Hemlock at Vespers’, 17 The Leper’s Bell , 20, 26 P Master of Souls , 23, 24 Paretsky, Sara, 6, 123 Our Lady of Darkness , 20 Phillips, Bill, 32 The Seventh Trumpet , 20 Poe, Edgar Allan, 60, 109 Shroud for the Archbishop , 18–19, Porfi rio, Robert, 58 21, 24 Post-Agreement North, 4, 9, 91–2, The Subtle Serpent , 20, 23–4 95, 98–9, 101, 104 Troubles, The, 2, 4, 9, 52, 81–5, 87–8, 91–6, 98–101, 103–4, 108, 125–6 Troubles literature/thriller, 95–7, R 101–4 Rankin, Ian, 9 Ridyard, Jennifer, 31 Robton, Bill , 101 W Ross, Ian Campbell, 2, 6, 146 Wahlöö, Per, 86 Royal Ulster Constabulary (RUC), Wilde, Oscar, 7–8, 33, 59 83, 92, 96 Woolf, Virginia, 60