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A Delicate Balance Negotiating Isolation and Globalization in the Burmese Performing Arts Catherine Diamond
A Delicate Balance Negotiating Isolation and Globalization in the Burmese Performing Arts Catherine Diamond If you walk on and on, you get to your destination. If you question much, you get your information. If you do not sleep and idle, you preserve your life! (Maung Htin Aung 1959:87) So go the three lines of wisdom offered to the lazy student Maung Pauk Khaing in the well- known eponymous folk tale. A group of impoverished village youngsters, led by their teacher Daw Khin Thida, adapted the tale in 2007 in their first attempt to perform a play. From a well-to-do family that does not understand her philanthropic impulses, Khin Thida, an English teacher by profession, works at her free school in Insein, a suburb of Yangon (Rangoon) infamous for its prison. The shy students practiced first in Burmese for their village audience, and then in English for some foreign donors who were coming to visit the school. Khin Thida has also bought land in Bagan (Pagan) and is building a culture center there, hoping to attract the street children who currently pander to tourists at the site’s immense network of temples. TDR: The Drama Review 53:1 (T201) Spring 2009. ©2009 New York University and the Massachusetts Institute of Technology 93 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/dram.2009.53.1.93 by guest on 02 October 2021 I first met Khin Thida in 2005 at NICA (Networking and Initiatives for Culture and the Arts), an independent nonprofit arts center founded in 2003 and run by Singaporean/Malaysian artists Jay Koh and Chu Yuan. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Note: the Following List Is Only a Sampling of the Songs That Best Describe the Joker’S Wild
Note: The following list is only a sampling of the songs that best describe The Joker’s Wild. This is not an all-inclusive listing. The Joker’s Wild welcomes requests and music from a variety of genres. Ain't That A Kick In The Head Jump, Jive, an' Wail All of Me Just a Gigolo/I Ain't Got Nobody All The Way Just One of Those Things Angel Eyes Kansas City Angelina/Zooma-Zooma Kiss To Build a Dream On, A Are You Havin' Any Fun Lady is a Tramp, The As Long As I'm Singin' Let's Call The Whole Thing Off As Time Goes By Let's Fall in Love At Last Like Young Auld Lang Syne L-O-V-E Baby Please Come Home Love is the Tender Trap Banana Split For My Baby Luck Be a Lady Basin Street Blues Mack the Knife Besame Mucho Memories Are Made of This Best Is Yet To Come Moon River Beyond the Sea Moonlight in Vermont Bim Bam Moonlight Serenade Bla Bla Cha Cha Cha More Blue Alert Mustang Sally Buona Sera My Funny Valentine Can't Take That Away From Me New York, New York Cheek to Cheek Night and Day Come Fly With Me A Nightingale Sang in Berkeley Square Come Rain or Come Shine O Sole Mio Comin' Home Baby Oh Marie Crazy Lady Old Devil Moon Dig That Crazy Chick One For My Baby Do Nothin' Till Hear From Me Papa Loves Mambo Don't Get Around Much Anymore Paper Moon Down The Road I Go Pennies From Heaven Duke's Place Please Be Kind East of the Sun, West of the Moon Please Don't Talk About Me When I'm Gone Easy To Love Pop-A-Diddy Fifteen on Fifteen Shadow of Your Smile, The Fine Romance, A Shape in a Drape Five Guys Named Moe Sing, Sing, Sing Five Months, Two Weeks, -
1950S Playlist
1/10/2005 MONTH YEAR TITLE ARTIST Jan 1950 RAG MOP AMES BROTHERS Jan 1950 WITH MY EYES WIDE OPEN I'M DREAMING PATTI PAGE Jan 1950 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) GUY LOMBARDO Jan 1950 I ALMOST LOST MY MIND IVORY JOE HUNTER Jan 1950 THE WEDDING SAMBA EDMUNDO ROS Jan 1950 I SAID MY PAJAMAS (AND PUT ON MY PRAY'RS) TONY MARTIN/FRAN WARREN Jan 1950 SENTIMENTAL ME AMES BROTHERS Jan 1950 QUICKSILVER BING CROSBY/ANDREWS SISTERS Jan 1950 CHATTANOOGIE SHOE SHINE BOY RED FOLEY Jan 1950 BIBBIDI-BOBBIDI-BOO PERRY COMO Feb 1950 IT ISN'T FAIR SAMMY KAYE/DON CORNELL Feb 1950 RAG MOP LIONEL HAMPTON Feb 1950 THE THIRD MAN THEME ANTON KARAS Feb 1950 MY FOOLISH HEART GORDON JENKINS Feb 1950 THE CRY OF THE WILD GOOSE FRANKIE LAINE Feb 1950 THE FAT MAN FATS DOMINO Feb 1950 DADDY'S LITTLE GIRL MILLS BROTHERS Feb 1950 MUSIC MUSIC MUSIC TERESA BREWER Mar 1950 THE THIRD MAN THEME GUY LOMBARDO Mar 1950 CANDY AND CAKE MINDY CARSON Mar 1950 MY FOOLISH HEART BILLY ECKSTINE Mar 1950 IF I KNEW YOU WERE COMIN' I'D'VE BAKED A CAKE EILEEN BARTON Mar 1950 WANDERIN' SAMMY KAYE Mar 1950 DEARIE GUY LOMBARDO Apr 1950 COUNT EVERY STAR HUGO WINTERHALTER Apr 1950 HOOP-DEE-DOO PERRY COMO Apr 1950 BEWITCHED BILL SNYDER Apr 1950 PETER COTTONTAIL GENE AUTRY Apr 1950 ARE YOU LONESOME TONIGHT BLUE BARRON May 1950 THE OLD PIANO ROLL BLUES HOAGY CARMICHAEL/CASS DALEY May 1950 BEWITCHED DORIS DAY May 1950 VALENCIA TONY MARTIN May 1950 I DON'T CARE IF THE SUN DON'T SHINE PATTI PAGE May 1950 I WANNA BE LOVED ANDREWS SISTERS May 1950 BONAPARTE'S RETREAT KAY STARR Jun 1950 MONA -
Experience It All
World Dance Challenge – Experience It All World Dance Challenge is an exciting international dance event specifically for dance schools and studios from all over the world. A complete dance experience in an Olympic style dancers village for dancers of all different standards. COMPETE in multiple rounds against dancers and groups from dance schools all over the world. LEARN and improve your skills by taking various Masterclasses, Workshops and more with leading dance experts. ENJOY traveling to a new destination, opening ceremony, DJ parties, day tours, leisure time and fun with your dance friends and family. How does it work? . Qualify with your dance school/studio either at your Live Country Qualifier, Online Video Qualifier or through a Dance World Cup live qualifier. Dancers who qualified wishing to compete at the World Championships are then required to select one of the affordable dancer’s packages. There are optional packages for supporters as well. The packages include accommodation, tickets, workshops, team jackets, photos and videos of your performances and much more. (See Packages Information Document) . Travel with your dance school/studio and family to Portugal where the WDC World Championships will be held from 3 to 8 April 2020 at a breath-taking resort turned into a dancers village in the Algarve. Spend some optional extra time after the event during Easter weekend in Portugal exploring this beautiful country. Compete in the first round, the Challenger round. If you receive a top placing, you move through to the Finals round. The top 25 routines from the Finals round move on to the Grand World Champion round where massive cash prize and awards are up for grabs. -
Acro Vs. Gymnastics: What's the Difference?
Acro vs. Gymnastics: What’s the Difference? The simple answer is, there are LOTS of differences! If you’ve ever watched a gymnastics floor routine, you’ll notice the hard-hitting, advanced tumbling lines, executed with power and precision. Gymnasts focus on “sticking the landing”, because every fall, wobble, or off-step is a deduction to their overall score and can be the difference between winning and losing. Acro Dance is an art form specifically designed for dancers. Acro has softer, more lyrical-looking lines, with emphasis on lengthening “through” the tricks and holding beautiful balances with interesting variations. The focus is on seamlessly blending acrobatics with dance, and avoiding obvious preparations before each trick. In short, Gymnastics is a sport; Acro Dance is an art form. Gymnasts train on a sprung-floor, with actual springs built into the mats: a forgiving surface to repeatedly practice advanced tumbling passes on over and over again. Acro Dancers perform on a hard stage, and must train the body to withstand the impact of the floor. Dancers don’t get the “rebound” action out of a hard floor like gymnasts do out of a spring-floor. Therefore, dancers train to get the necessary lift from their bodies, and emphasis on a strong “hub” (hips, glutes, core) is a must. Gymnastics tricks are usually performed in a “hollow-body” position (think: laying down on the back in a “banana” position with the arms and legs hovering off the ground; chin tucked; pulling in through the core). Acro tricks are usually performed in an “open-body” position (think: laying down on the stomach in a “superman” position with the arms and legs lengthening and hovering off the ground; chin open and looking past the fingertips). -
Dance Music Visual Arts
2021-2022 Aberdeen Recreation and Cultural Center ARCC ARCC ARCC Dpg.4-9ance Visualpg.10 Arts Musicpg.11 REGISTRATION // CLASS SCHEDULES // IMPORTANT DATES General Information REGISTRATION Registration begins Tuesday, August 3, 2021 from 7am-5pm and will continue weekdays 8am-5pm until the start of classes. Register in person Register over the phone Register online* 225 3rd Ave SE, Aberdeen (605) 626-7081 https://webtracaberdeensd.us *Only available through Sept. 9th TUITION & BILLING ACTIVITY ASSISTANCE AVAILABLE Reduced fee tuition is available for youth 17 years of Tuition for classes and lessons is an annual fee for age and under from qualified low-income families. a set number of classes or lessons that is paid Youth who are eligible to participate in the program in monthly installments. Sales tax will be added may sign up for any department activity, class or at the time of payment. Scheduled days off are youth season pass at a 70% discount. factored into the calendar. For more information contact the Parks, Recreation MONTHLY INSTALLMENT and Forestry office at626-7015 . This discount may PAYMENT SCHEDULE not be combined with other discounts. Payments G-I are added to accounts in late January – early February for your convenience. Due dates remain as listed below. Payment A: Upon Registration ARCC PROGRAM POLICIES Payment B: September 20th For the complete ARCC program policies, please Payment C: October 20th see the Information and Registration Handbooks. Payment D: November 20th Copies are available at registration, the ARCC desk -
Alberta House News
Alberta House News Volume 2011 Issue 3 March 2011 Alberta house arts center Website: http://www.saultarts.org e-mail: [email protected] 217 ferris street sault ste. marie, mi 49783 906-635-1312 MARCH EVENTS Inside this issue: EVENTS 1 to 5 Tuesday 1 — WHITNEY JUSTIN will speak about her Peace Corps SHOP NEWS experience in Gambia during National Peace Corps Week. 7 p.m. at WORKSHOPS 10 the Bayliss Library. HONORS & 11 Wednesday 2 — THE LE SAULT ARTISTS GUILD MEETS in Al- ACCOLADES berta House at noon. Members are to bring their completed juried ARTISTIC 11 & show project to be photographed in digital format and put on a CD. OPPORTUNITIES 12 SHADOWS OF THE MIND FILM FESTIVAL BEGINS: FEATURED 12 to ARTIST 14 Xing. Two pairs of best friends meet on a lonely stretch of north- ern Ontario highway. Grand Theater, 6 p.m. NEWS & NOTES 16 & 17 Nowhere Boy at the Grand Theater in Sault, Ont. Gala admis SUBSCRIPTION 18 sion 7 p.m. General admission 8:15 p.m. Single tickets $8; 5 INFORMATION packs $35. Opening night gala tickets $25. Box office open 11 to 2 and 4 to 7 behind Galaxy Theater kiosk. See ad, p. 6. www.shadowsfilmfest.com or 705-759-0458, ext. 223. Katmai Bay, an oil painting by Mary Demroske, on ex- FAMILY LIFE DINNER THEATER: The Affections of May, by hibit during March as part Norm Foster, directed by Michael Hennessy. Great Northern Hotel of the O.C. Gallery’s and Conference Center in Sault, Ont. Doors open at 5:45; dinner at Permanent Collection 6; show at 8 p.m. -
Victory Dance
® A NEW 42ND STREET ® PROJECT Lois Greenfield, Francois Leloup-Collet, Paula Lobo, MattShow Art: Murphy, Slaughter, Tom Daniel Roberts, Illustrations: Jacob Katie Sutton, Diamond, Kenn Tam Photos: Whitney Brown, Julieta Cervantes, Joe Conzo, Christopher Duggan, ® INSIDE EN ROUTE DANCE © THE NEW© 42ND THE NEWSTREET, 42ND INC. STREET, INC. 1 ® welcome INSIDE EN ROUTE DANCE NEW VICTORY® SCHOOL TOOLTM RESOURCE GUIDES Available to Education Partners for every show in our season, NEW VICTORY SCHOOL TOOL THE NEW VICTORY THEATER Resource Guides provide educators with The New Victory Theater is New York City’s first full-time performing comprehensive materials that explore the arts theater for kids, their families and classmates. Since it opened in 1995, artistry and key themes of each production. The New Victory has quickly become an integral part of the cultural Filled with practical, ready-to-implement landscape in New York City, presenting a full season of adventurous activities that allow any teacher to incorporate multidisciplinary works from around the globe and close to home. The New Victory into their classroom, the The New Vic seeks out sophisticated, thought-provoking, professional NEW VICTORY SCHOOL TOOL Resource Guides productions that are as artistically rich as they are entertaining. are designed to enrich the performance experience before, during and after the students’ trip to the theater. The international productions on NEW VICTORY stages inform and inspire the work of the award-winning NEW VICTORY Education Program through a dynamic combination of school and public programs. Our school programs THE NEW VICTORY THEATER serve over 34,000 Pre-K through 12th grade students and teachers each 209 W 42ND STREET season at almost no cost to the kids or their schools. -
ICTM Abstracts Final2
ABSTRACTS FOR THE 45th ICTM WORLD CONFERENCE BANGKOK, 11–17 JULY 2019 THURSDAY, 11 JULY 2019 IA KEYNOTE ADDRESS Jarernchai Chonpairot (Mahasarakham UnIversIty). Transborder TheorIes and ParadIgms In EthnomusIcological StudIes of Folk MusIc: VIsIons for Mo Lam in Mainland Southeast Asia ThIs talk explores the nature and IdentIty of tradItIonal musIc, prIncIpally khaen musIc and lam performIng arts In northeastern ThaIland (Isan) and Laos. Mo lam refers to an expert of lam singIng who Is routInely accompanIed by a mo khaen, a skIlled player of the bamboo panpIpe. DurIng 1972 and 1973, Dr. ChonpaIrot conducted fIeld studIes on Mo lam in northeast Thailand and Laos with Dr. Terry E. Miller. For many generatIons, LaotIan and Thai villagers have crossed the natIonal border constItuted by the Mekong RIver to visit relatIves and to partIcipate In regular festivals. However, ChonpaIrot and Miller’s fieldwork took place durIng the fInal stages of the VIetnam War which had begun more than a decade earlIer. DurIng theIr fIeldwork they collected cassette recordings of lam singIng from LaotIan radIo statIons In VIentIane and Savannakhet. ChonpaIrot also conducted fieldwork among Laotian artists living in Thai refugee camps. After the VIetnam War ended, many more Laotians who had worked for the AmerIcans fled to ThaI refugee camps. ChonpaIrot delIneated Mo lam regIonal melodIes coupled to specIfic IdentItIes In each locality of the music’s origin. He chose Lam Khon Savan from southern Laos for hIs dIssertation topIc, and also collected data from senIor Laotian mo lam tradItion-bearers then resIdent In the United States and France. These became his main informants. -
Wdm Virtual Summer Competition 2021
OFFICIAL RULES AND REGULATIONS PARTICIPANTS: All nationalities are welcome to participate in the WDM Virtual Competition 2021 DATES : § REGISTER ONLINE BY: September 17, 2021 (Midnight PDT) § UPLOAD YOUR VIDEOS BY: September 17, 2021 (Midnight PDT) § WDM VIRTUAL COMPETITION to be broadcast on October 8-9-10, 2021 EARLY BIRD ENTRY REGISTRATION FEES: (Register by September 10, 2021 to receive Early Bird Pricing) § SOLO - $30 § DUO/TRIO/QUARTET : $25 / per dancer § GROUP : $20 / per dancer § FORMATION : $20/ per dancer DanceCompGenie website registration fee: one-time $2 fee per dancer/per event. LATE ENTRY REGISTRATION FEES SEPTEMBER 11-17, 2021: § SOLO - $40 § DUO/TRIO/QUARTET : $35 / per dancer § GROUP : $30/ per dancer § FORMATION : $30/ per dancer DanceCompGenie website registration fee: one-time $2 fee per dancer per event. AWARDS: 1. Cash Prizes for overall competition winners: (*Dance Film category not applicable for cash priZes) § OVERALL BEST FEMALE DANCER: $500 § OVERALL BEST MALE DANCER: $500 § OVERALL BEST DUO/TRIO/QUARTET: $750 § OVERALL BEST SMALL GROUP: $750 § OVERALL BEST FORMATION: $1000 § OVERALL BEST CHOREOGRAPHY: $1000 2. The First, Second and Third place winners in each category and each level will receive an electronic WDM International Virtual Competition ‘Placement Award Certificate’. 3. The First, Second and Third place SOLO winners and the First place DUO/TRIO winners will receive an electronic WDM International Virtual Competition ‘Placement Award Certificate’ and a Dance Scholarship from a prestigious international dance center, university, virtual company or live event. 4. All dancers will receive an electronic WDM International Virtual Competition ‘Certificate of Participation’. Every participant will receive as a gift, the Complete Forster Structural Program-Strength and Flexibility (retail value $29.99). -
Celebrate Dance Workshop
WAYNE CENTER EVENTS FOR THE ARTS WACPAC PRESENTS: THE KING & I JANUARY 4, 10, & 11 AT 7:00 PM / JANUARY 5 & 12 AT 2:00 PM Wayne Center for the Arts Auditorium EXHIBITIONS NEW WORKS CONCERT Wayne Center Ballet presents a Professional Artist Collaboration 2ND ANNUAL WAYNE/HOLMES ARTISTS’ EXHIBITION Choreographers: Ethan Michael Lee, Brian Murphy, Kimberly Payne, Kaitlin Schrekhise, Lauren Stenroos JANUARY 10 - FEBRUARY 7 SUNDAY, FEBRUARY 8 AT 7:00 PM LOONEY & GAULT GALLERIES Wayne Center for the Arts Auditorium Opening Reception Thursday, January 10 5:00-7:00 pm Wayne Center for the Arts presents a juried exhibit with just our local artists in mind. WACPAC PRESENTS: STILL LIFE WITH IRIS JR. HIGH ART EXHIBIT MARCH 6-7 & 13-15 FEBRUARY 18 - MARCH 5 Wayne Center for the Arts Auditorium LOONEY & GAULT GALLERIES Closing Reception Thursday, March 5 7:00-9:00 pm Presented in partnership with local Middle Schools, the annual Jr. High Art Exhibit showcases PERFORMING ARTS SERIES: GREGG KALLOR, PIANO the work of many talented young artists. SATURDAY, MARCH 14 AT 7:00 PM FUNCTIONAL CERAMICS Wayne Center for the Arts Auditorium MARCH 16 - APRIL 18 LOONEY & GAULT GALLERIES Closing Reception A DAY AT HOGWARTS Thursday, April 16 6:00-8:00 pm WORKSHOP SATURDAY, MARCH 21 / 11:00 AM-4:00 PM Friday, April 17 & Saturday, April 18 M $75 / NM $90 Presented in partnership with the Ohio Designer Craftsmen, the Functional Ceramics Exhibition See back inside cover for more information features works of 20 potters from across the nation. HIGH SCHOOL ART EXHIBIT WAYNE CENTER BALLET PRESENTS: OZ: THE LAND OF MAGIC Inspired by ‘The Wizard of Oz’ by Frank L.