Victory Dance

Total Page:16

File Type:pdf, Size:1020Kb

Victory Dance ® A NEW 42ND STREET ® PROJECT Lois Greenfield, Francois Leloup-Collet, Paula Lobo, MattShow Art: Murphy, Slaughter, Tom Daniel Roberts, Illustrations: Jacob Katie Sutton, Diamond, Kenn Tam Photos: Whitney Brown, Julieta Cervantes, Joe Conzo, Christopher Duggan, ® INSIDE EN ROUTE DANCE © THE NEW© 42ND THE NEWSTREET, 42ND INC. STREET, INC. 1 ® welcome INSIDE EN ROUTE DANCE NEW VICTORY® SCHOOL TOOLTM RESOURCE GUIDES Available to Education Partners for every show in our season, NEW VICTORY SCHOOL TOOL THE NEW VICTORY THEATER Resource Guides provide educators with The New Victory Theater is New York City’s first full-time performing comprehensive materials that explore the arts theater for kids, their families and classmates. Since it opened in 1995, artistry and key themes of each production. The New Victory has quickly become an integral part of the cultural Filled with practical, ready-to-implement landscape in New York City, presenting a full season of adventurous activities that allow any teacher to incorporate multidisciplinary works from around the globe and close to home. The New Victory into their classroom, the The New Vic seeks out sophisticated, thought-provoking, professional NEW VICTORY SCHOOL TOOL Resource Guides productions that are as artistically rich as they are entertaining. are designed to enrich the performance experience before, during and after the students’ trip to the theater. The international productions on NEW VICTORY stages inform and inspire the work of the award-winning NEW VICTORY Education Program through a dynamic combination of school and public programs. Our school programs THE NEW VICTORY THEATER serve over 34,000 Pre-K through 12th grade students and teachers each 209 W 42ND STREET season at almost no cost to the kids or their schools. Many of our partners NEW YORK, NY 10036 are NYC-area Title I schools, with a high percentage of students who would be unable to experience live theater if it weren’t for The New Victory. The CONTACT INFORMATION enthusiastic young people who greet you on your way into the theater are [email protected] part of the New Vic Usher Corps, a 3-year program that provides 27,000 646.223.3090 hours of paid employment for 75-80 high school and college-age youth each season. Families who attend the New Vic together combine their theater-going with NEW VICTORY Family Workshops, as well as free in-theater engagement activities. Together, these nationally-recognized programs MAKING CONNECTIONS exemplify the organization’s long-standing commitment to the intrinsic TO LEARNING STANDARDS value of cultural participation in the lives of young people and families. NEW VICTORY SCHOOL TOOL Resource Guides align with the Common Core State Standards, New York State Learning Standards and New York City NEW VICTORY EDUCATION PARTNERSHIP Blueprint for Teaching and Learning in the Arts. We believe that these standards support both the The NEW VICTORY Education Department is committed to building high quality instruction and deep engagement impactful and long-lasting relationships with schools and after-school that The New Victory Theater strives to achieve in programs. We believe that creating strong and meaningful partnerships its arts education practice. between schools and arts organizations allows school communities to deeply enrich their arts programs and infuse creativity across the curriculum. By annually enrolling in the unique and award-winning Please be advised that the unauthorized reproduction or NEW VICTORY Education Partnership Program, schools take advantage distribution of NEW VICTORY SCHOOL TOOL Resource Guides for any purpose other than educational, such as for commercial of $2 tickets to NEW VICTORY school-time and after-school performances, or monetary gain, may constitute copyright infringement free classroom workshops led by highly skilled teaching artists, in-depth and may be punishable by law. For more information, resources and professional development that allow teachers to incorporate please contact the NEW VICTORY Education Department the arts into their classrooms. at [email protected]. THE NEW VICTORY® THEATER / NEWVICTORY.ORG/SCHOOLTOOLS © THE NEW 42ND STREET, INC. 2 ® INSIDE EN ROUTE DANCE TABLE OF CONTENTS INSIDE Information and handouts to get you ready for the show 5 HANDOUT: THIS SUMMER ON THE NEW VIC STAGE! · 6 HANDOUT: INSIDE THE ART FORM 7 WHAT DO YOUR STUDENTS KNOW NOW · 8 HANDOUT: BEING YOUR B. E.S.T. · 9 CREATIVITY PAGES: PROGRAM A • PROGRAM B • PROGRAM C EN ROUTE What you need for your trip to The New Victory Theater WHAT IS VICTORY DANCE? The New Victory Theater is thrilled to present VICTORY 16 RESOURCE FOR FAMILIES DANCE, a new series specially curated to introduce younger audiences to the incredible artistry and diversity 17 TRIP GUIDE of dance in New York City. This three-week dance DANCE series will showcase a cross-section of New York-based choreographers and companies. A variety of activities to use individually or as a unit to explore dance with your kids NEW YORK CITY DANCE CAPITAL OF THE WORLD 19 MOVE "New York is home to so many extraordinary dancers, 22 CREATIVITY PAGE: DANCE BANK · choreographers and companies who are thrilled to perform for the young people in their city." 23 CHOREOGRAPH · - Mary Rose Lloyd, Director of Artistic Programming 26 PERFORM 27 CREATIVITY PAGE: MAKE A PROGRAM MAKING CONNECTIONS TO LEARNING STANDARDS NEW VICTORY SCHOOL TOOL Resource Guides align with the Common Core State Standards, New York State Learning Standards and New York City Blueprint for Teaching and Learning in the Arts. We believe that these standards support both the high-quality instruction and deep engagement that The New Victory Theater strives to achieve in its arts education practice. COMMON CORE STANDARDS NEW YORK STATE STANDARDS BLUEPRINT FOR THE ARTS Reading: 9 The Arts: 1; 2; 3; 4 Dance Making; Developing Dance Writing: 5 ELA: 1; 3; 4 Literacy; Making Connections Speaking and Listening: 1; 2; 5 Language: 1; 2; 4; 5 THE NEW VICTORY® THEATER / NEWVICTORY.ORG/SCHOOLTOOLS © THE NEW 42ND STREET, INC. 3 This section is part of a full NEW VICTORY® SCHOOL TOOLTM Resource Guide. For the complete guide, including information about the NEW VICTORY Education Department check out: NEWVICTORY.ORG/SCHOOLTOOLS ® A NEW 42ND STREET ® PROJECT EN ROUTE DANCE INSIDE ® INSIDE THE NEW VICTORY® THEATER / NEWVICTORY.ORG/SCHOOLTOOLS © THE NEW 42ND STREET, INC. 4 ® NEW VICTORY THEATER © THE NEW 42ND STREET, INC. THIS SUMMER ON THE NEW VIC STAGE! PROGRAM A KEIGWIN + COMPANY Renowned for his "zany blend of pop and formalism" (Dance Magazine), Larry Keigwin's choreography exudes wit, playfulness and kinetic energy. FULL CIRCLE SOULJAHS "Powerfully inspired by various forms of street performance, Full Circle Souljahs has brought a complete spectrum of approachable and straight-from-the-heart hip hop culture into theaters" (Osfashland.org). RONALD K. BROWN/EVIDENCE Blending traditional African dance with contemporary choreography, Ronald K. Brown "captures spirituality through a rapturous dance vocabulary" (TheaterMania). PROGRAM B LAVA "A sweetly funky circus of the sort a child might long remember" (The New York Times), LAVA's choreography combines athletic physicality, intellectual rigor and social commentary. MONICA BILL BARNES & COMPANY Celebrating individuality, humor and the innate theatricality of life, the choreography of Monica Bill Barnes exudes "genuine wit and humor" (The New York Times). LIL BUCK Performing a hip hop dialect called Memphis jookin, sneaker-clad Lil Buck is a "tremendous virtuoso, with a lovely, light wit—which, as in Fred Astaire's dancing, makes the virtuosity more impressive" (The New Yorker). BALLET HISPANICO Ballet Hispanico, the nation's leading Latino dance company, presents a "giddy and wildly happy"(DancePulp) fusion of Latin and contemporary dance powered by theatricality and raw power. PROGRAM C GALLIM DANCE Performing the "voluptuously polyglot choreography" (The New York Times) of Artistic Director and 2014 Guggenheim Fellow Andrea Miller, Gallim Dance's contemporary works embody fearless physicality and pure imagination. MICHELLE DORRANCE Recipient of a 2011 Bessie Award and Founder/Artistic Director of Dorrance Dance/New York, "Michelle Dorrance is dynamite" (The Chicago Tribune). DOUG ELKINS CHOREOGRAPHY, ETC. "Communicative, theatrical and socially subversive," Doug Elkins's choreography fuses contemporary dance, martial arts and hip hop, exemplifying "what's irresistibly attractive" about social dance (The New York Times). BALLET TECH'S KIDS DANCE Under the leadership of choreographer Eliot Feld, Ballet Tech features a student ensemble of "wonderfully natural, sleekly trained performers" (The New York Times). ® NEW VICTORY THEATER © THE NEW 42ND STREET, INC. Here is a brief list of some of the dance styles you and your students INSIDE THE ART FORM might see on the New Vic stage! ACRO DANCE A style of dance that combines acrobatic skill with classical dance technique. Acro Dance is particularly athletic, and integrates displays of human strength and ability within the context of dance. BALLET A centuries-old formal style of dance that consists of a set of intricate positions and techniques and is often characterized by graceful and fluid movements. BALLROOM Social dancing where couples dance together, moving in specific patterns that match the spirit of the song. There are lots of ballroom dance styles, such as tango, waltz, and fox trot. BREAK DANCING A style of dance often seen in hip hop, in which a performer steps away from the group to perform his or her own unique and skillful (sometimes acrobatic) dance moves. When the performer is done, s/he usually ends in a freeze pose. CONTEMPORARY A free and expressive style of dance that came about in response to more structured dance forms, like ballet and tap. It is not bound by rhythms. "CU LTURA L DANCE" A dance derived from ethnic, folk or regional traditions. In VICTORY DANCE, there are demonstrations of African Dance (Ronald K. Brown/Evidence) and Latin Dance (Ballet Hispanico), to name a few.
Recommended publications
  • A Delicate Balance Negotiating Isolation and Globalization in the Burmese Performing Arts Catherine Diamond
    A Delicate Balance Negotiating Isolation and Globalization in the Burmese Performing Arts Catherine Diamond If you walk on and on, you get to your destination. If you question much, you get your information. If you do not sleep and idle, you preserve your life! (Maung Htin Aung 1959:87) So go the three lines of wisdom offered to the lazy student Maung Pauk Khaing in the well- known eponymous folk tale. A group of impoverished village youngsters, led by their teacher Daw Khin Thida, adapted the tale in 2007 in their first attempt to perform a play. From a well-to-do family that does not understand her philanthropic impulses, Khin Thida, an English teacher by profession, works at her free school in Insein, a suburb of Yangon (Rangoon) infamous for its prison. The shy students practiced first in Burmese for their village audience, and then in English for some foreign donors who were coming to visit the school. Khin Thida has also bought land in Bagan (Pagan) and is building a culture center there, hoping to attract the street children who currently pander to tourists at the site’s immense network of temples. TDR: The Drama Review 53:1 (T201) Spring 2009. ©2009 New York University and the Massachusetts Institute of Technology 93 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/dram.2009.53.1.93 by guest on 02 October 2021 I first met Khin Thida in 2005 at NICA (Networking and Initiatives for Culture and the Arts), an independent nonprofit arts center founded in 2003 and run by Singaporean/Malaysian artists Jay Koh and Chu Yuan.
    [Show full text]
  • Hip Hop America Pdf, Epub, Ebook
    HIP HOP AMERICA PDF, EPUB, EBOOK Nelson George | 256 pages | 31 May 2005 | Penguin Putnam Inc | 9780143035152 | English | New York, NY, United States Hip HOP America PDF Book Kool Herc -- lay the foundation of the hip-hop movement. Stylistically, southern rap relies on exuberant production and direct lyrics typically about the southern lifestyle, trends, attitudes. Hill's brilliant songwriting flourished from song to song, whether she was grappling with spirituality "Final Hour," "Forgive Them, Father" or stroking sexuality without exploiting it "Nothing Even Matters". According to a TIME magazine article, Wrangler was set to launch a collection called "Wrapid Transit," and Van Doren Rubber was putting out a special version of its Vans wrestling shoe designed especially for breaking [source: Koepp ]. Another key element that's helping spread the hip-hop word is the Internet. Late Edition East Coast. Most hip-hop historians speak of four elements of hip-hop: tagging graffiti , b-boying break dancing , emceeing MCing and rapping. Taking Hip-Hop Seriously. Related Content " ". Regardless, the Bay Area has enjoyed a measurable amount of success with their brainchild. And then, in the mid to late s, there was a resurgence in the popularity of breaking in the United States, and it has stayed within sight ever since. Depending on how old you are, when someone says "hip-hop dance," you could picture the boogaloo, locking, popping, freestyle, uprocking, floor- or downrocking, grinding, the running man, gangsta walking, krumping, the Harlem shake or chicken noodle soup. Another thing to clear up is this: If you think hip-hop and rap are synonymous, you're a little off the mark.
    [Show full text]
  • Experience It All
    World Dance Challenge – Experience It All World Dance Challenge is an exciting international dance event specifically for dance schools and studios from all over the world. A complete dance experience in an Olympic style dancers village for dancers of all different standards. COMPETE in multiple rounds against dancers and groups from dance schools all over the world. LEARN and improve your skills by taking various Masterclasses, Workshops and more with leading dance experts. ENJOY traveling to a new destination, opening ceremony, DJ parties, day tours, leisure time and fun with your dance friends and family. How does it work? . Qualify with your dance school/studio either at your Live Country Qualifier, Online Video Qualifier or through a Dance World Cup live qualifier. Dancers who qualified wishing to compete at the World Championships are then required to select one of the affordable dancer’s packages. There are optional packages for supporters as well. The packages include accommodation, tickets, workshops, team jackets, photos and videos of your performances and much more. (See Packages Information Document) . Travel with your dance school/studio and family to Portugal where the WDC World Championships will be held from 3 to 8 April 2020 at a breath-taking resort turned into a dancers village in the Algarve. Spend some optional extra time after the event during Easter weekend in Portugal exploring this beautiful country. Compete in the first round, the Challenger round. If you receive a top placing, you move through to the Finals round. The top 25 routines from the Finals round move on to the Grand World Champion round where massive cash prize and awards are up for grabs.
    [Show full text]
  • Acro Vs. Gymnastics: What's the Difference?
    Acro vs. Gymnastics: What’s the Difference? The simple answer is, there are LOTS of differences! If you’ve ever watched a gymnastics floor routine, you’ll notice the hard-hitting, advanced tumbling lines, executed with power and precision. Gymnasts focus on “sticking the landing”, because every fall, wobble, or off-step is a deduction to their overall score and can be the difference between winning and losing. Acro Dance is an art form specifically designed for dancers. Acro has softer, more lyrical-looking lines, with emphasis on lengthening “through” the tricks and holding beautiful balances with interesting variations. The focus is on seamlessly blending acrobatics with dance, and avoiding obvious preparations before each trick. In short, Gymnastics is a sport; Acro Dance is an art form. Gymnasts train on a sprung-floor, with actual springs built into the mats: a forgiving surface to repeatedly practice advanced tumbling passes on over and over again. Acro Dancers perform on a hard stage, and must train the body to withstand the impact of the floor. Dancers don’t get the “rebound” action out of a hard floor like gymnasts do out of a spring-floor. Therefore, dancers train to get the necessary lift from their bodies, and emphasis on a strong “hub” (hips, glutes, core) is a must. Gymnastics tricks are usually performed in a “hollow-body” position (think: laying down on the back in a “banana” position with the arms and legs hovering off the ground; chin tucked; pulling in through the core). Acro tricks are usually performed in an “open-body” position (think: laying down on the stomach in a “superman” position with the arms and legs lengthening and hovering off the ground; chin open and looking past the fingertips).
    [Show full text]
  • Dance Music Visual Arts
    2021-2022 Aberdeen Recreation and Cultural Center ARCC ARCC ARCC Dpg.4-9ance Visualpg.10 Arts Musicpg.11 REGISTRATION // CLASS SCHEDULES // IMPORTANT DATES General Information REGISTRATION Registration begins Tuesday, August 3, 2021 from 7am-5pm and will continue weekdays 8am-5pm until the start of classes. Register in person Register over the phone Register online* 225 3rd Ave SE, Aberdeen (605) 626-7081 https://webtracaberdeensd.us *Only available through Sept. 9th TUITION & BILLING ACTIVITY ASSISTANCE AVAILABLE Reduced fee tuition is available for youth 17 years of Tuition for classes and lessons is an annual fee for age and under from qualified low-income families. a set number of classes or lessons that is paid Youth who are eligible to participate in the program in monthly installments. Sales tax will be added may sign up for any department activity, class or at the time of payment. Scheduled days off are youth season pass at a 70% discount. factored into the calendar. For more information contact the Parks, Recreation MONTHLY INSTALLMENT and Forestry office at626-7015 . This discount may PAYMENT SCHEDULE not be combined with other discounts. Payments G-I are added to accounts in late January – early February for your convenience. Due dates remain as listed below. Payment A: Upon Registration ARCC PROGRAM POLICIES Payment B: September 20th For the complete ARCC program policies, please Payment C: October 20th see the Information and Registration Handbooks. Payment D: November 20th Copies are available at registration, the ARCC desk
    [Show full text]
  • Dayton-Results-2021.Pdf
    Dayton, OH Hollywood Mini/Junior VIP List 1 Comic Strip Encore Performing Arts 2 Big Noise Mpower Dance Company 3 Reach Out Encore Performing Arts 4 Selah Mpower Dance Company 5 That's How We Do Encore Performing Arts 6 Yaow Mpower Dance Company 7 Rescue Mpower Dance Company 8 Nerd Alert Cole Academy 9 Me And The Devil Movement Emporium 10 Ms. Jackson Cole Academy Hollywood Teen/Senior VIP List 1 My Way Planet Dance Cincinnati 2 Adios Rapture Dance Company 3 Open Hands Next Generation Dance 4 Let's Go Planet Dance Cincinnati 5 I Did Something Bad Mpower Dance Company 6 Everything You Meant To Me Rapture Dance Company 7 Horizon Planet Dance Cincinnati 8 Lonesome Town Movement Emporium 9 Feel It Still Next Generation Dance 10 L.o.v.e. Cole Academy Best Hollywood Studio Mpower Dance Company Broadway Mini/Junior VIP List 1 What You Want Encore Performing Arts 2 You Are Not Alone Encore Performing Arts 3 A Cover Is Not A Book Encore Performing Arts 4 Save A Horse Encore Performing Arts 5 Step In Time Fit 4 Kidz 6 Who Says Encore Performing Arts 7 I Get To Love You Barbara Ann's School of Dance/Creative Edge 8 Somewhere Encore Performing Arts 9 A Little Wicked Bella Rosa Dance Academy 10 Jump Barbara Ann's School of Dance/Creative Edge Broadway Teen/Senior VIP List 1 Someone In The Crowd Encore Performing Arts 2 Lovely Day Wilmington Performing Arts Studio 3 At The End Of The Day Rapture Dance Company 4 I Stand Fit 4 Kidz 5 Where's Waldo Encore Performing Arts 6 What's Going On Transitions School of Dance 7 Mission Impossible Encore Performing
    [Show full text]
  • Love Heals All Wounds
    FOR IMMEDIATE RELEASE CAP UCLA presents 2018–19 Season Addition Jon Boogz & Lil Buck/Movement Art Is Love Heals All Wounds Tickets on Sale Today, February 11 May 23 at Royce Hall Watch the trailer HERE ​ “The work deals with these prickly issues head-on and still comes away with a message of peace and brotherly love — and it carries it off in a genuine and thoroughly honest manner. Love Heals All Wounds could be the return of hip-hop as political theater.” — Palm Beach Daily News UCLA’s Center for the Art of Performance (CAP UCLA) announces Movement Art Is (MAI), co-founded by street-dance icons Jon Boogz and Lil Buck, in their first evening-length dance performance Love Heals All Wounds at Royce Hall on Thursday, ​ ​ May 23 at 8 p.m. A new addition to CAP UCLA’s 2018-19 season, members and subscribers may add tickets to this performance onto any subscription or Create Your Own series before tickets go on sale. Single tickets for $29 - $99 are now available to the general public ​ ​ today, Feb. 11 online at cap.ucla.edu, by phone 310-825-2101, and at Royce Hall box ​ office. Hip-hop dance sensations and MAI co-founders Jon Boogz and Lil Buck bring their joint project Love Heals All Wounds to Los Angeles where dynamic street dance ​ ​ choreography takes center stage for the evening. MAI’s Love Heals All Wounds uses ​ ​ movement and spoken word to address the social issues we face as a global community; including mass incarceration, immigration, and the destruction of the environment.
    [Show full text]
  • Alberta House News
    Alberta House News Volume 2011 Issue 3 March 2011 Alberta house arts center Website: http://www.saultarts.org e-mail: [email protected] 217 ferris street sault ste. marie, mi 49783 906-635-1312 MARCH EVENTS Inside this issue: EVENTS 1 to 5 Tuesday 1 — WHITNEY JUSTIN will speak about her Peace Corps SHOP NEWS experience in Gambia during National Peace Corps Week. 7 p.m. at WORKSHOPS 10 the Bayliss Library. HONORS & 11 Wednesday 2 — THE LE SAULT ARTISTS GUILD MEETS in Al- ACCOLADES berta House at noon. Members are to bring their completed juried ARTISTIC 11 & show project to be photographed in digital format and put on a CD. OPPORTUNITIES 12 SHADOWS OF THE MIND FILM FESTIVAL BEGINS: FEATURED 12 to ARTIST 14 Xing. Two pairs of best friends meet on a lonely stretch of north- ern Ontario highway. Grand Theater, 6 p.m. NEWS & NOTES 16 & 17 Nowhere Boy at the Grand Theater in Sault, Ont. Gala admis SUBSCRIPTION 18 sion 7 p.m. General admission 8:15 p.m. Single tickets $8; 5 INFORMATION packs $35. Opening night gala tickets $25. Box office open 11 to 2 and 4 to 7 behind Galaxy Theater kiosk. See ad, p. 6. www.shadowsfilmfest.com or 705-759-0458, ext. 223. Katmai Bay, an oil painting by Mary Demroske, on ex- FAMILY LIFE DINNER THEATER: The Affections of May, by hibit during March as part Norm Foster, directed by Michael Hennessy. Great Northern Hotel of the O.C. Gallery’s and Conference Center in Sault, Ont. Doors open at 5:45; dinner at Permanent Collection 6; show at 8 p.m.
    [Show full text]
  • ICTM Abstracts Final2
    ABSTRACTS FOR THE 45th ICTM WORLD CONFERENCE BANGKOK, 11–17 JULY 2019 THURSDAY, 11 JULY 2019 IA KEYNOTE ADDRESS Jarernchai Chonpairot (Mahasarakham UnIversIty). Transborder TheorIes and ParadIgms In EthnomusIcological StudIes of Folk MusIc: VIsIons for Mo Lam in Mainland Southeast Asia ThIs talk explores the nature and IdentIty of tradItIonal musIc, prIncIpally khaen musIc and lam performIng arts In northeastern ThaIland (Isan) and Laos. Mo lam refers to an expert of lam singIng who Is routInely accompanIed by a mo khaen, a skIlled player of the bamboo panpIpe. DurIng 1972 and 1973, Dr. ChonpaIrot conducted fIeld studIes on Mo lam in northeast Thailand and Laos with Dr. Terry E. Miller. For many generatIons, LaotIan and Thai villagers have crossed the natIonal border constItuted by the Mekong RIver to visit relatIves and to partIcipate In regular festivals. However, ChonpaIrot and Miller’s fieldwork took place durIng the fInal stages of the VIetnam War which had begun more than a decade earlIer. DurIng theIr fIeldwork they collected cassette recordings of lam singIng from LaotIan radIo statIons In VIentIane and Savannakhet. ChonpaIrot also conducted fieldwork among Laotian artists living in Thai refugee camps. After the VIetnam War ended, many more Laotians who had worked for the AmerIcans fled to ThaI refugee camps. ChonpaIrot delIneated Mo lam regIonal melodIes coupled to specIfic IdentItIes In each locality of the music’s origin. He chose Lam Khon Savan from southern Laos for hIs dIssertation topIc, and also collected data from senIor Laotian mo lam tradItion-bearers then resIdent In the United States and France. These became his main informants.
    [Show full text]
  • TAMECA JONES Feel Lucky with 2018’S Best Female Vocalist at the Palm Door This Saturday
    SXSW MVP: TAMECA JONES Feel Lucky With 2018’s Best Female Vocalist at the Palm Door This Saturday PHOTO BY TODD V. WOLFSON GETTING AROUND SXSW ONLINE GUIDES > AUSTINCHRONICLE.COM/SXSW We round up your transporta- tion options, from rideshare PUBLISHER Nick Barbaro EDITORIAL to public transit to pedicabs. EDITOR Kimberley Jones NEWS Chase Hoffberger SXSW FILM VENUES GUIDE ARTS Robert Faires FOOD Jessi Cape Where to go, how to get SCREENS Richard Whittaker MUSIC Raoul Hernandez there, and how to navigate WEB James Renovitch the lines. CHRON EVENTS LISTINGS MANAGER, CLUB LISTINGS Mark Fagan SXSW MUSIC VENUES GUIDE ARTS LISTINGS & MEAL TIMES Wayne Alan The scoop on Austin’s clubs. Brenner SPECIAL SCREENINGS, SHOWTIMES, 2018 & COMMUNITY LISTINGS Josh Kupecki RESTAURANT GUIDE GAY PLACE & CIVICS LISTINGS Sarah Marloff 2,000+ ways to feed your STAFF WRITERS face, searchable by cuisine, Kevin Curtin, Nina Hernandez, Michael King, Mary Tuma location, and price. CONTRIBUTING WRITERS FILM Marjorie Baumgarten THE QUEER GUIDE TO SXSW FAR FLUNG CORRESPONDENCE Emily Beyda DAY TRIPS Gerald E. McLeod A rundown of all things MR. SMARTY PANTS R.U. Steinberg LGBTQIA – official and unoffi- PRODUCTION cial – during the Fest. ART DIRECTOR Jason Stout PRODUCTION MANAGER Chris Linnen WEB DIRECTOR Brian Barry UNOFFICIAL PARTIES DIGITAL STRATEGY Michael Bartnett GRAPHIC DESIGNERS Zeke Barbaro, Jeff Gammill AND FREE SHOWS STAFF PHOTOGRAPHERS John Anderson, Now entering the wristband- Jana Birchum, David Brendan Hall free zone. PROOFREADERS Kat McNevins, Greg Stitt, Danielle White INTERNS Acacia Coronado, Ben Dickerson, VISITORS GUIDE Alyssa Frost, Christina Garcia, Mae Hamilton, Savannah Opre, Mikaila Rushing, Monserrat Fiji mermaids.
    [Show full text]
  • THE INNOVATORS ISSUE Starring Lil Buck and Joan Smalls Dr
    THE INNOVATORS ISSUE starring lil buck and joan smalls dr. dre and jimmy iovine sou fujimoto • nicolas ghesquiÈre rené redzepi • reshma saujani kara walker THE INNOVATORS ISSUE starring lil buck and joan smalls dr. dre and jimmy iovine sou fujimoto • nicolas ghesquiÈre rené redzepi • reshma saujani kara walker H® AC CO 4 01 ©2 Coach Dreamers Banks/ Musician Ranger in red currant Zoë Kravitz/ Actress and Musician Rhyder 24 in gunmetal Coach proudly supports the High Line. coach.com ©2014 Cartier Explore and Shop www.cartier.us-1-800-cartier Panthère de Ca rtier New Co llection Louis Vuitton and Cindy Sherman celebrate the Monogram 2014, Six Iconoclasts, One Icon: CHRISTIAN LOUBOUTIN, CINDY SHERMAN, FRANK GEHRY, KARL LAGERFELD, MARC NEWSON and REI KAWAKUBO take inspiration from the iconic LOUIS VUITTON Monogram. #CelebratingMonogram RALPH LAUREN Eyewear AVAILABLE AT RALPH LAUREN STORES, RALPHLAUREN.COM AND THE FINEST EYEWEAR AND SUNGLASS BOUTIQUES nston, Inc. #HWSECRETS Wi ©2014-2015 Harry NEW YORK BEVERLY HILLS LAS VEGAS CHICAGO DALLAS HONOLuLu BAL HARBOuR SOuTH COAST PLAZA 800 988 4110 HARRYWINSTON.COM © 2014 Estée Lauder Inc. esteelauder.com BE AN INSPIRATION BEST NEW FRAGRANCE #modernmuse Reine de Naples Collection in everywoman is aqueen BREGUET BOUTIQUES –NEW YORK 646 692-6469 –BEVERLY HILLS 3 10860-9911 BAL HARBOUR 305 866-10 61 –LAS VEGAS 70273 3 -7435 – TOLL FREE 877-891-1272 –WWW.BREGUET.COM The Original Discov er the whisky that CHANGED history. 1963 Following in the footsteps of his pioneering family, Sandy Gordon was the first to actively promote our Glenfiddich Straight Malt beyond the UK, effectively starting the entire single malt category.
    [Show full text]
  • Apollo Theater Presents Breakin' Convention Festival In
    Apollo Theater Presents The Critically Acclaimed Global Hip-Hop Dance Theatre Festival Breakin’ Convention Festival In Collaboration with London’s Sadler’s Wells Theatre Headline programming includes groundbreaking works from internationally renowned dance crews, a special performance by popping icon Popin’ Pete, and appearance by Hip-Hop Legend and Co-Host Biz Markie Festival Expands to Week-long Celebration to Include: Artist Talks, Workshops, Dance Master Class with Jon Boogz and Lil Buck, a Unique Art Exhibition Created by Internationally Celebrated Sculptor/Painter Carlos “Mare139” Rodriguez, and Much More October 20 – 28, 2017 (Harlem, NY – October 12, 2017) – The Apollo Theater presents the return of London’s Sadler’s Wells’ critically acclaimed international hip-hop dance theatre festival—Breakin’ Convention, one of the world’s greatest celebrations of hip-hop culture. The festival, a collaboration with London’s Sadler’s Wells and now in its third year at the Apollo, provides a platform for the Theater to celebrate its hip-hop legacy and to highlight the global impact of contemporary hip-hop culture through both mainstream and experimental dance. This year’s festival will directly address several pressing issues that are part of America’s current sociopolitical landscape through performances and accompanying events, with highlights including an artist talk with dancers Jon Boogz and Lil Buck centered on dance as a tool for social justice and prison reform. Curated and hosted by nationally recognized U.K. hip-hop emcee and theater pioneer Jonzi D, Breakin’ Convention will take over the entire Apollo building and will include performances by world renowned dance companies and local crews.
    [Show full text]