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Prose Supplement 7 (2011) [Click for Pdf]
PS edited by Raymond Friel and Richard Price number 7 Ten Richard Price It’s ten years since I started Painted, spoken. Looking back over the issues of the magazine, two of the central patterns were there from the word go. They’re plain as day in the title: the fluid yet directing edge poetry shares with the visual arts, and, somewhere so far in the other direction it’s almost the same thing, the porous edge poetry shares with sound or performance, so porous you can hear it in its hollows. Although the magazine grew out of serial offences in little magazineship, the first impulse was to be quite different formally from Gairfish, Verse, and Southfields, each of which had placed a premium on explanation, on prose engagement, and on the analysis of the cultural traditions from which the poems they published either appeared to emerge or through which, whatever their actual origins, they could be understood. Painted, spoken would be much more tight-lipped, a gallery without the instant contextualisation demanded by an educational agenda (perhaps rightly in a public situation, but a mixed model is surely better than a constant ‘tell-us-what-to-think’ approach and the public isn’t always best served by conventional teaching). Instead, poems in Painted, spoken would take their bearings from what individual readers brought to the texts ‘themselves’ - because readers are never really alone - and also from the association of texts with each other, in a particular issue and across issues. The magazine went on its laconic way for several years until a different perspective began to open up, a crystal started to solidify, whatever metaphor you’d care to use for time-lapse comprehension (oh there’s another one): in management-speak, significant change impressed on the strategy and the strategy needed to change. -
Summary Register of Occasional Licences
ORKNEY ISLANDS AREA LICENSING BOARD OCCASIONAL LICENCES – from 1 JANUARY 2012 Licence Address of Premises Name of Licenceholder Period Licence Times alcohol Nature of Event Number has effect Sold 1/2012 Eday Community School Eday Community 28 January 2012 6.30pm – Burns Night Supper Hall, Eday, KW17 2AA Association 12 midnight 2/2012 Sandwick Community Orkney West Mainland 11/12 February 8pm – 1am West Mainland Centre, Sandwick Agricultural Society 2012 Ploughing Match Prize Reading and Dance 3/2012 North Ronaldsay Community North Ronaldsay 21/22 January 7pm – 1am Burns Supper and Dance Centre, North Ronaldsay, Community Association 2012 KW17 2BE 4/2012 Birsay Community Hall, David R Davidson 4/5 February 8pm – 1am Birsay Ploughing Match Birsay 2012 Prize Reading and Dance 5/2012 Westray Community Hall, Alison M Drever 4 February 2012 6.30pm – Concert and Dance Pierowall, Westray 12 midnight 6/2012 Rendall Community Hall, Rendall Football Club 24 February 2012 7.30pm – Quiz Night Rendall 12 midnight 7/2012 Community Hall, Longhope South Walls & Brims 10/11 February 7.30pm – 1am Burns Supper and Dance Community Association 2012 8/2012 Stenness Community Hall, Lorraine A Pilkington-Tait 3/4 February 7pm – 1am 50th Birthday Party Stenness 2012 9/2012 Overblikk Training Anne C L Hill 14 & 16 February 6.30pm – St Valentines Dinner on Restaurant, Orkney College, 2012 10.30pm two evenings East Road, Kirkwall, KW15 1LX 10/2012 Deerness Community Gareth L Crichton 3/4 March 2012 8pm – 1am Concert and Dance Centre, Deerness, KW17 2QH 11/2012 Orphir -
Summary Register of Occasional Licences from 1 January 2011 to 20
ORKNEY ISLANDS AREA LICENSING BOARD OCCASIONAL LICENCES – from 1 JANUARY 2011 Licence Address of Premises Name of Licenceholder Period Licence Times alcohol Nature of Event Number has effect Sold 1/2011 Shapinsay Community Colin Leslie 29/30 January 6pm – 1am RNLI Ceilidh and Dance Centre 2011 Balfour Village, Shapinsay, KW17 2DY 2/2011 Rendall Community Hall, Norma E Garriock 15/16 January 6pm – 1.30am Wedding Dance Rendall 2011 3/2011 Stenness Community Hall, David R Davidson 15/16 January 7pm – 1am 18th Birthday Party Stenness 2011 4/2011 Birsay Community Hall, David R Davidson 5/6 February 8pm – 1am Birsay Ploughing Match Birsay 2011 Prize Reading & Dance 5/2011 North Ronaldsay Community North Ronaldsay 29/30 January 7.30pm – 1am Burns Supper Centre, North Ronaldsay Community Association 2011 6/2011 Sanday Community Hall, Sanday Community 21/22 January 7pm – 1am Burns Supper Sanday, KW17 2AY Association 2011 7/2011 Rousay Community Hall, Rousay Community 4/5 February 7.30pm – 1am Burns Supper Dinner Sourin, Rousay, KW17 2PR Association 2011 Dance 8/2011 Harray Community Centre, Orkney West Mainland 21/22 January 7pm – 1am West Mainland Farmers Harray Agricultural Society 2011 Ball and Presentation of Trophies 9/2011 Birsay Community Centre, Orkney West Mainland 12/13 February 8pm – 1am West Mainland Birsay Agricultural Society 2011 Ploughing Match Dance and Presentation of Trophies 10/2011 Gable End Theatre, Old Hoy and Walls 14/15 and 15/16 7pm – 1am Pantomime “The Spanish North Walls School, Lyness, Entertainment Group January 2011 -
Representations of Scotland in Edwin Morgan's Poetry
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 Representations of Scotland in Edwin Morgan's poetry Theresa Fernandez Mendoza-Kovich Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Literature in English, British Isles Commons Recommended Citation Mendoza-Kovich, Theresa Fernandez, "Representations of Scotland in Edwin Morgan's poetry" (2002). Theses Digitization Project. 2157. https://scholarworks.lib.csusb.edu/etd-project/2157 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. REPRESENTATIONS OF SCOTLAND IN EDWIN MORGAN'S POETRY A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Theresa Fernandez Mendoza-Kovich September 2002 REPRESENTATIONS OF SCOTLAND IN EDWIN MORGAN'S POETRY A Thesis Presented to the Faculty of California State University, San Bernardino by Theresa Fernandez Mendoza-Kovich September 2002 Approved by: Renee PrqSon, Chair, English Date Margarep Doane Cyrrchia Cotter ABSTRACT This thesis is an examination of the poetry of Edwin Morgan. It is a cultural analysis of Morgan's poetry as representation of the Scottish people. ' Morgan's poetry represents the Scottish people as determined and persistent in dealing with life's adversities while maintaining hope in a better future This hope, according to Morgan, is largely associated with the advent of technology and the more modern landscape of his native Glasgow. -
Brown, George Mackay (1921–1996)
George Mackay Brown in Facts on File Companion to British Poetry 1900 to the Present BROWN, GEORGE MACKAY (1921–1996) To understand George Mackay Brown’s art, the reader must appreciate its deep rootedness in the poet’s place of birth. Orkney looms large in all of his writings, its lore, language, history, and myth, providing Brown with most of the material he used in his 50 years as a professional writer. Brown was born and lived all his life in Stromness, a small town on Mainland, the larg- est of the Orkney Islands, situated off the northern coast of Scotland. Except for his student years at New- battle Abbey and Edinburgh University, as a protégé of EDWIN MUIR, Brown rarely left Orkney. He returned time and again to the matter of Orkney as inspiration for his work, often evoking its Viking heritage and the influence of the mysterious Neolithic settlers who pre- dated the Norsemen. The other abiding influence on his work is his Roman Catholicism—he converted at the age of 40, after years of reflection. Brown’s background was poor. His father, John Brown, was a postman, and his mother, Mhairi Mackay Brown, worked in a hotel. Brown attended the local school, Stromness Academy, where he discovered his talent for writing in the weekly “compositions” set by his English teacher. A bout of tuberculosis ended his schooling and led to his becoming a writer, since he was scarcely fit for a regular job. From the early 1940s, he earned a living as a professional writer, often publishing his work in the local newspaper, for which he continued to write until a week before his death. -
ST MAGNUS: an EXPLORATION of HIS SAINTHOOD William P
ST MAGNUS: AN EXPLORATION OF HIS SAINTHOOD William P. L. Thomson When the editors of New Dictionary of National Biography were recently discussing ways in which the new edition is different from the old, they re marked that one of the changes is in the treatment of saints: The lives [of saints] are no longer viewed as straightforward stories with an unfor tunate, but easily discounted, tendency to exaggeration, but may now be valued more for what they reveal about their authors, or about the milieu in which they were written, than for any information they contain about their ostensible subjects (DNB 1998). This is a good note on which to begin the exploration of Magnus's saint hood. We need to concern ourselves with the historical Magnus - and Magnus has a better historical basis than many saints - but equally we need to explore the ways people have perceived his sainthood and often manipulated it for their own purposes. The Divided Earldom The great Earl Thorfinn was dead by I 066 and his earldom was shared by his two sons (fig. I). It was a weakness of the earldom that it was divisible among heirs, and the joint rule of Paul and Erlend gave rise to a split which resulted not just in THOR FINN PAUL I ERLEND Kali I I HAKON MAGNUS Gunnhild m Kol I ,- I Maddad m Margaret HARALD PAUL II ROGNVALD E. of Atholl I HARALD MADDADSSON Ingirid I Harald the Younger Fig. 1. The Earls of Orkney. 46 the martyrdom of Magnus, but in feuds which still continued three and four generations later when Orkneyinga Saga was written (c.1200). -
Dinghy Courses Kirkwall
WORSHIP AT THE CATHEDRAL THIS SUMMER Services are held in St. Magnus Cathedral every Sunday at 11.15 am. Sunday 22nd June. Festival service: music by the Cathedral choir and the Scottish Chamber Orchestra Sunday 3rd August. Celebration of the Sacrament of Holy Communion Sunday 24th August Anniversary service to mark the 850th anniversary of the death of St. Rognvald Sunday 7th September Sacrament of Holy Communion: Science Festival service GRAPEVINE The magazine of St Magnus Cathedral Summer Edition 2008 Minister: Revd. Fraser Macnaughton Tel: 873312 Associate Minister: Revd. Christine Farrington Tel: 871859 Grapevine Editor: Sally Heddle Tel: 731285 EDITORIAL In this year, when we celebrate 850 years since the death of St Rognvald, founder of the Cathedral in which we are privileged to worship, it seems right that this edition of the Grapevine should focus on him, the Cathedral and the St Magnus Centre. Not one of us was around when the Cathedral was built, new members join us each year, and we welcome hundreds of visitors annually to the Cathedral and the Centre. This Grapevine tells some of the story of Rognvald and his building of the Cathedral. It also tells the story of a much later vision - the St Magnus Centre - an enterprise that needed the support of the whole community. I hope, for those of you who have the heard the first story so often and lived the second; that this magazine will still hold something new. For all who come to Orkney to worship with us and marvel at the beauty of our great Cathedral, I hope it offers a glimpse of more than just a marvellous building. -
Recovering the Reformation Heritage in George Mackay Brown's Greenvoe Richard Rankin Russell Baylor University
Studies in Scottish Literature Volume 42 | Issue 1 Article 6 5-31-2016 Recovering the Reformation Heritage in George Mackay Brown's Greenvoe Richard Rankin Russell Baylor University Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation Russell, Richard Rankin (2016) "Recovering the Reformation Heritage in George Mackay Brown's Greenvoe," Studies in Scottish Literature: Vol. 42: Iss. 1, 81–97. Available at: https://scholarcommons.sc.edu/ssl/vol42/iss1/6 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. RECOVERING THE REFORMATION HERITAGE IN GEORGE MACKAY BROWN’S GREENVOE Richard Rankin Russell The Orcadian writer George Mackay Brown posited in his 1970 essay, “The Broken Heraldry,” written while he was drafting his best novel, Greenvoe (1972), that the Reformation shattered irremediably ... the fullness of life of a community, its single interwoven identity. In earlier times the temporal and the eternal, the story and the fable, were not divorced, as they came to be after Knox: they used the same language and imagery, so that the whole of life was illuminated. Crofters and fishermen knew what Christ was talking about ... because they bore the stigmata of labour on their bodies—the net let down into the sea, the sower going forth to sow, the fields white towards harvest.1 This close connection of the Orkney islanders to the land enabled them to fully understand and apply Christ’s often agrarian sayings and stories to their own lives. -
Inventory Acc. 13134 George Mackay Brown
Acc. 13134 October 2013 Inventory Acc. 13134 George Mackay Brown National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland Literary papers, correspondence 1969 – 1996; gathered by Peter and Betty Grant of Aberdeen, relating to George Mackay Brown (1921-1996). Bought 2010 0.36 metres 1-10. Literary Manuscripts & Typescripts 11-15. Correspondence 16. Photographs 17. Audio Cassette 1-10. Literary Manuscripts & Typescripts 1. Greenvoe manuscript fair copy part 1, undated. 2. Greenvoe manuscript fair copy part 2, undated. 3. Greenvoe manuscript fair copy part 3, undated. 4. Greenvoe manuscript fair copy part 4, undated. 5. Greenvoe manuscript fair copy part 5, undated. 6. Greenvoe manuscript fair copy part 6; & miscellaneous notes. Dated “Stromness September 1969 - October 1970.” 7. Hawkfall typescript with George Mackay Brown’s annotations, including the short stories: Hawkfall; the Fires of Christmas; Tithonus (February 1972); the Fight at Greenay; Unpopular Fisherman (published as: the Cinquefoil); the Burning Harp (December 1971); Sealskin (February 1971); the Girl; the Drowned Rose (January 1970); the Tarn and the Rosary (2 drafts); the Interrogator (July 1971) 8. Hawkfall galleys with George Mackay Brown’s annotations, undated. 9. Hawkfall proofs, undated. 10. Manuscript notes for poem Seventeen Forty-Six; review of Carotid Cornucopius by Sydney Goodsir Smith for SLA News, memoir of Edwin Muir, undated. 11-15. Correspondence 11. 3 letters 1988, 1994 & undated, of Hugo Brunner; and an invitation to the Grants to an event marking the publication of Greenvoe, 24th May 1972. -
Guide to the Records Held in the Orkney Archives
p1 Updated: 31/10/2016 - LG Guide to the Records held in the Orkney Archives CO Records of the Orkney County Council, later Orkney Islands Council CO1 Commissioners of Supply CO1/1 Minutes 1660 - 1678, 1781 - 1929 CO1/2 Register of Commissioners 1879 - 1927 CO1/3 Cash Book 1886 - 1898 CO2 Highway Authorities CO2/1 Orkney Road Trustees 1857 - 1890 CO2/2 Mainland District Roads Committee 1858 - 1883 CO2/3 Stronsay Roads Committee 1873 - 1890 CO2/4 County Road Board 1890 - 1931 CO3 County Clerk’s Department CO3/1 County/Island Council Minutes 1890 - 1993 CO3/2 Mainland District Committee 1890 - 1930 CO3/3 North Isles District Committee 1890 - 1930 CO3/4 South Ronaldsay District Committee 1890 - 1930 CO3/5 Walls District Committee 1899 - 1930 CO3/6 Standing Joint (Police) Committee 1890 - 1928 CO3/7 Local Authority Executive Committee 1900 - 1929 CO3/8 Orkney Insurance Committee 1912 - 1948 CO3/9 Local Pension Committee 1908 - 1931 CO3/10 Emergency Committee 1939 - 1945 CO3/11 County Licensing Committee 1876 - 1894 CO3/12-14 Not Allocated CO3/15 County Clerk’s Letter Books 1904 - 1957 CO3/16-21 Not Allocated CO3/22 A.R.P. Files 1939 - 1945 CO3/23 Miscellaneous Files 1932 - 1952 CO4 Accounting and Rating Records CO4/1 General Ledger 1890 - 1930 CO4/2 Abstracts of Accounts 1890/91 - 1992/93 CO4/3 Assessment/Valuation Rolls (County) 1855/56 - 1883/84 1905/06 - 1988/89 [From 1989/90 commercial properties o nly] CO4/4 Assessment/Valuation Rolls (Kirkwall Burgh) 1855/56 - 1933/34 [Thereafter in County rolls] CO4/5 Electoral Registers 1919 - 2001/02 CO4/6 Revenue Estimates etc. -
Scottish Poetry 1974-1976 Alexander Scott
Studies in Scottish Literature Volume 13 | Issue 1 Article 19 1978 Scottish Poetry 1974-1976 Alexander Scott Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Scott, Alexander (1978) "Scottish Poetry 1974-1976," Studies in Scottish Literature: Vol. 13: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol13/iss1/19 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Alexander Scott Scottish Poetry 1974-1976 For poetry in English, the major event of the period, in 1974, was the publication by Secker and Warburg, London, of the Com plete Poems of Andrew Young (1885-1971), arranged and intro duced by Leonard Clark. Although Young had lived in England since the end of the First World War, and had so identified himself with that country as to exchange his Presbyterian min istry for the Anglican priesthood in 1939, his links with Scotland where he was born (in Elgin) and educated (in Edin burg) were never broken, and he retained "the habit of mind that created Scottish philosophy, obsessed with problems of perception, with interaction between the 'I' and the 'Thou' and the 'I' and the 'It,."l Often, too, that "it" was derived from his loving observation of the Scottish landscape, to which he never tired of returning. Scarcely aware of any of this, Mr. Clark's introduction places Young in the English (or Anglo-American) tradition, in "the field company of John Clare, Robert Frost, Thomas Hardy, Edward Thomas and Edmund Blunden ••• Tennyson and Browning may have been greater influences." Such a comment overlooks one of the most distinctive qualities of Young's nature poetry, the metaphysical wit that has affinities with those seven teenth-century poets whose cast of mind was inevitably moulded by their religion. -
Under Equality's Sun: George Mackay Brown and Socialism from the Margins of Society
MacBeath, Stuart (2018) Under Equality's Sun: George Mackay Brown and socialism from the margins of society. MPhil(R) thesis. https://theses.gla.ac.uk/8871/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Under Equality’s Sun George Mackay Brown and Socialism from the Margins of Society Stuart MacBeath, B.A. (Hons), PGDE A thesis submitted in fulfilment of the requirements of the degree of Master of Philosophy (Research) Scottish Literature School of Critical Studies College of Arts University of Glasgow October 2017 1 Contents Acknowledgements 3 Abstract 4 Abbreviations 5 Introduction 6 Chapter One 13 ‘Grief by the Shrouded Nets’ –Brown’s Orcadian, British and Universal Background Chapter Two 33 ‘The Tillers of Cold Horizons’: Brown’s Early Political Journalism Chapter Three 58 ‘Puffing Red Sails’ – The Progression of Brown’s Journalism Chapter Four 79 ‘All Things Wear Now to a Common Soiling’ – Placing Brown’s Politics Within His Short Fiction Conclusion 105 ‘Save that Day for Him’: Old Ways of Living in New Times – Further Explorations of Brown’s Politics Appendices Appendix One - ‘Why Toryism Must Fail’ 117 Appendix Two - ‘Think Before You Vote’ 118 Appendix Three – ‘July 26th in Stromness’ 119 Appendix Four - The Uncollected Early Journalism of George Mackay Brown 120 2 Bibliography 136 3 Acknowledgments I would first like to thank my supervisor, Professor Kirsteen McCue, for her guidance, support and enthusiasm throughout the construction of this project.