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Prose Supplement 7 (2011) [Click for Pdf]
PS edited by Raymond Friel and Richard Price number 7 Ten Richard Price It’s ten years since I started Painted, spoken. Looking back over the issues of the magazine, two of the central patterns were there from the word go. They’re plain as day in the title: the fluid yet directing edge poetry shares with the visual arts, and, somewhere so far in the other direction it’s almost the same thing, the porous edge poetry shares with sound or performance, so porous you can hear it in its hollows. Although the magazine grew out of serial offences in little magazineship, the first impulse was to be quite different formally from Gairfish, Verse, and Southfields, each of which had placed a premium on explanation, on prose engagement, and on the analysis of the cultural traditions from which the poems they published either appeared to emerge or through which, whatever their actual origins, they could be understood. Painted, spoken would be much more tight-lipped, a gallery without the instant contextualisation demanded by an educational agenda (perhaps rightly in a public situation, but a mixed model is surely better than a constant ‘tell-us-what-to-think’ approach and the public isn’t always best served by conventional teaching). Instead, poems in Painted, spoken would take their bearings from what individual readers brought to the texts ‘themselves’ - because readers are never really alone - and also from the association of texts with each other, in a particular issue and across issues. The magazine went on its laconic way for several years until a different perspective began to open up, a crystal started to solidify, whatever metaphor you’d care to use for time-lapse comprehension (oh there’s another one): in management-speak, significant change impressed on the strategy and the strategy needed to change. -
Representations of Scotland in Edwin Morgan's Poetry
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 Representations of Scotland in Edwin Morgan's poetry Theresa Fernandez Mendoza-Kovich Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Literature in English, British Isles Commons Recommended Citation Mendoza-Kovich, Theresa Fernandez, "Representations of Scotland in Edwin Morgan's poetry" (2002). Theses Digitization Project. 2157. https://scholarworks.lib.csusb.edu/etd-project/2157 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. REPRESENTATIONS OF SCOTLAND IN EDWIN MORGAN'S POETRY A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Theresa Fernandez Mendoza-Kovich September 2002 REPRESENTATIONS OF SCOTLAND IN EDWIN MORGAN'S POETRY A Thesis Presented to the Faculty of California State University, San Bernardino by Theresa Fernandez Mendoza-Kovich September 2002 Approved by: Renee PrqSon, Chair, English Date Margarep Doane Cyrrchia Cotter ABSTRACT This thesis is an examination of the poetry of Edwin Morgan. It is a cultural analysis of Morgan's poetry as representation of the Scottish people. ' Morgan's poetry represents the Scottish people as determined and persistent in dealing with life's adversities while maintaining hope in a better future This hope, according to Morgan, is largely associated with the advent of technology and the more modern landscape of his native Glasgow. -
Brown, George Mackay (1921–1996)
George Mackay Brown in Facts on File Companion to British Poetry 1900 to the Present BROWN, GEORGE MACKAY (1921–1996) To understand George Mackay Brown’s art, the reader must appreciate its deep rootedness in the poet’s place of birth. Orkney looms large in all of his writings, its lore, language, history, and myth, providing Brown with most of the material he used in his 50 years as a professional writer. Brown was born and lived all his life in Stromness, a small town on Mainland, the larg- est of the Orkney Islands, situated off the northern coast of Scotland. Except for his student years at New- battle Abbey and Edinburgh University, as a protégé of EDWIN MUIR, Brown rarely left Orkney. He returned time and again to the matter of Orkney as inspiration for his work, often evoking its Viking heritage and the influence of the mysterious Neolithic settlers who pre- dated the Norsemen. The other abiding influence on his work is his Roman Catholicism—he converted at the age of 40, after years of reflection. Brown’s background was poor. His father, John Brown, was a postman, and his mother, Mhairi Mackay Brown, worked in a hotel. Brown attended the local school, Stromness Academy, where he discovered his talent for writing in the weekly “compositions” set by his English teacher. A bout of tuberculosis ended his schooling and led to his becoming a writer, since he was scarcely fit for a regular job. From the early 1940s, he earned a living as a professional writer, often publishing his work in the local newspaper, for which he continued to write until a week before his death. -
ST MAGNUS: an EXPLORATION of HIS SAINTHOOD William P
ST MAGNUS: AN EXPLORATION OF HIS SAINTHOOD William P. L. Thomson When the editors of New Dictionary of National Biography were recently discussing ways in which the new edition is different from the old, they re marked that one of the changes is in the treatment of saints: The lives [of saints] are no longer viewed as straightforward stories with an unfor tunate, but easily discounted, tendency to exaggeration, but may now be valued more for what they reveal about their authors, or about the milieu in which they were written, than for any information they contain about their ostensible subjects (DNB 1998). This is a good note on which to begin the exploration of Magnus's saint hood. We need to concern ourselves with the historical Magnus - and Magnus has a better historical basis than many saints - but equally we need to explore the ways people have perceived his sainthood and often manipulated it for their own purposes. The Divided Earldom The great Earl Thorfinn was dead by I 066 and his earldom was shared by his two sons (fig. I). It was a weakness of the earldom that it was divisible among heirs, and the joint rule of Paul and Erlend gave rise to a split which resulted not just in THOR FINN PAUL I ERLEND Kali I I HAKON MAGNUS Gunnhild m Kol I ,- I Maddad m Margaret HARALD PAUL II ROGNVALD E. of Atholl I HARALD MADDADSSON Ingirid I Harald the Younger Fig. 1. The Earls of Orkney. 46 the martyrdom of Magnus, but in feuds which still continued three and four generations later when Orkneyinga Saga was written (c.1200). -
Recovering the Reformation Heritage in George Mackay Brown's Greenvoe Richard Rankin Russell Baylor University
Studies in Scottish Literature Volume 42 | Issue 1 Article 6 5-31-2016 Recovering the Reformation Heritage in George Mackay Brown's Greenvoe Richard Rankin Russell Baylor University Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation Russell, Richard Rankin (2016) "Recovering the Reformation Heritage in George Mackay Brown's Greenvoe," Studies in Scottish Literature: Vol. 42: Iss. 1, 81–97. Available at: https://scholarcommons.sc.edu/ssl/vol42/iss1/6 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. RECOVERING THE REFORMATION HERITAGE IN GEORGE MACKAY BROWN’S GREENVOE Richard Rankin Russell The Orcadian writer George Mackay Brown posited in his 1970 essay, “The Broken Heraldry,” written while he was drafting his best novel, Greenvoe (1972), that the Reformation shattered irremediably ... the fullness of life of a community, its single interwoven identity. In earlier times the temporal and the eternal, the story and the fable, were not divorced, as they came to be after Knox: they used the same language and imagery, so that the whole of life was illuminated. Crofters and fishermen knew what Christ was talking about ... because they bore the stigmata of labour on their bodies—the net let down into the sea, the sower going forth to sow, the fields white towards harvest.1 This close connection of the Orkney islanders to the land enabled them to fully understand and apply Christ’s often agrarian sayings and stories to their own lives. -
Inventory Acc. 13134 George Mackay Brown
Acc. 13134 October 2013 Inventory Acc. 13134 George Mackay Brown National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland Literary papers, correspondence 1969 – 1996; gathered by Peter and Betty Grant of Aberdeen, relating to George Mackay Brown (1921-1996). Bought 2010 0.36 metres 1-10. Literary Manuscripts & Typescripts 11-15. Correspondence 16. Photographs 17. Audio Cassette 1-10. Literary Manuscripts & Typescripts 1. Greenvoe manuscript fair copy part 1, undated. 2. Greenvoe manuscript fair copy part 2, undated. 3. Greenvoe manuscript fair copy part 3, undated. 4. Greenvoe manuscript fair copy part 4, undated. 5. Greenvoe manuscript fair copy part 5, undated. 6. Greenvoe manuscript fair copy part 6; & miscellaneous notes. Dated “Stromness September 1969 - October 1970.” 7. Hawkfall typescript with George Mackay Brown’s annotations, including the short stories: Hawkfall; the Fires of Christmas; Tithonus (February 1972); the Fight at Greenay; Unpopular Fisherman (published as: the Cinquefoil); the Burning Harp (December 1971); Sealskin (February 1971); the Girl; the Drowned Rose (January 1970); the Tarn and the Rosary (2 drafts); the Interrogator (July 1971) 8. Hawkfall galleys with George Mackay Brown’s annotations, undated. 9. Hawkfall proofs, undated. 10. Manuscript notes for poem Seventeen Forty-Six; review of Carotid Cornucopius by Sydney Goodsir Smith for SLA News, memoir of Edwin Muir, undated. 11-15. Correspondence 11. 3 letters 1988, 1994 & undated, of Hugo Brunner; and an invitation to the Grants to an event marking the publication of Greenvoe, 24th May 1972. -
Scottish Poetry 1974-1976 Alexander Scott
Studies in Scottish Literature Volume 13 | Issue 1 Article 19 1978 Scottish Poetry 1974-1976 Alexander Scott Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Scott, Alexander (1978) "Scottish Poetry 1974-1976," Studies in Scottish Literature: Vol. 13: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol13/iss1/19 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Alexander Scott Scottish Poetry 1974-1976 For poetry in English, the major event of the period, in 1974, was the publication by Secker and Warburg, London, of the Com plete Poems of Andrew Young (1885-1971), arranged and intro duced by Leonard Clark. Although Young had lived in England since the end of the First World War, and had so identified himself with that country as to exchange his Presbyterian min istry for the Anglican priesthood in 1939, his links with Scotland where he was born (in Elgin) and educated (in Edin burg) were never broken, and he retained "the habit of mind that created Scottish philosophy, obsessed with problems of perception, with interaction between the 'I' and the 'Thou' and the 'I' and the 'It,."l Often, too, that "it" was derived from his loving observation of the Scottish landscape, to which he never tired of returning. Scarcely aware of any of this, Mr. Clark's introduction places Young in the English (or Anglo-American) tradition, in "the field company of John Clare, Robert Frost, Thomas Hardy, Edward Thomas and Edmund Blunden ••• Tennyson and Browning may have been greater influences." Such a comment overlooks one of the most distinctive qualities of Young's nature poetry, the metaphysical wit that has affinities with those seven teenth-century poets whose cast of mind was inevitably moulded by their religion. -
Media and the Formation of Scottish Parliament
Brigham Young University BYU ScholarsArchive Undergraduate Honors Theses 2019-12-19 Media and the Formation of Scottish Parliament Emily Ashcraft Follow this and additional works at: https://scholarsarchive.byu.edu/studentpub_uht BYU ScholarsArchive Citation Ashcraft, Emily, "Media and the Formation of Scottish Parliament" (2019). Undergraduate Honors Theses. 99. https://scholarsarchive.byu.edu/studentpub_uht/99 This Honors Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Honors Thesis MEDIA AND THE FORMATION OF SCOTTISH PARLIAMENT by Emily J. Ashcraft Submitted to Brigham Young University in partial fulfillment of graduation requirements for University Honors School of Communications Brigham Young University December 2019 Advisor: Joel Campbell Honors Coordinator: Clark Callahan ABSTRACT MEDIA AND THE FORMATION OF SCOTTISH PARLIAMENT Emily J. Ashcraft School of Communications Bachelor of Arts The thesis explored how media interacts with politics, specifically the Scottish Parliament, by considering the representation of the Scottish Parliament in newspapers from the time the Scots voted for a parliament (1997) through the years following the beginning of the Scottish Parliament (1999-2003). It compared various newspapers from Scotland and the United Kingdom during this time and examined their reporting on the parliament. It also evaluated specific differences between the UK and Scottish Parliaments, where they originated and how newspapers and other media were involved in the conversation. This research found that press representation and media framing is important in the formation of government, the Scottish press discussed what the new Parliament could look like and facilitated discussion about the future of the Parliament. -
Under Equality's Sun: George Mackay Brown and Socialism from the Margins of Society
MacBeath, Stuart (2018) Under Equality's Sun: George Mackay Brown and socialism from the margins of society. MPhil(R) thesis. https://theses.gla.ac.uk/8871/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Under Equality’s Sun George Mackay Brown and Socialism from the Margins of Society Stuart MacBeath, B.A. (Hons), PGDE A thesis submitted in fulfilment of the requirements of the degree of Master of Philosophy (Research) Scottish Literature School of Critical Studies College of Arts University of Glasgow October 2017 1 Contents Acknowledgements 3 Abstract 4 Abbreviations 5 Introduction 6 Chapter One 13 ‘Grief by the Shrouded Nets’ –Brown’s Orcadian, British and Universal Background Chapter Two 33 ‘The Tillers of Cold Horizons’: Brown’s Early Political Journalism Chapter Three 58 ‘Puffing Red Sails’ – The Progression of Brown’s Journalism Chapter Four 79 ‘All Things Wear Now to a Common Soiling’ – Placing Brown’s Politics Within His Short Fiction Conclusion 105 ‘Save that Day for Him’: Old Ways of Living in New Times – Further Explorations of Brown’s Politics Appendices Appendix One - ‘Why Toryism Must Fail’ 117 Appendix Two - ‘Think Before You Vote’ 118 Appendix Three – ‘July 26th in Stromness’ 119 Appendix Four - The Uncollected Early Journalism of George Mackay Brown 120 2 Bibliography 136 3 Acknowledgments I would first like to thank my supervisor, Professor Kirsteen McCue, for her guidance, support and enthusiasm throughout the construction of this project. -
SSC 2011 Brochure Concept 4.Indd
Scottish International Storytelling Festival 2011 An Island Odyssey: Scotland and Old Europe 21 October – 30 October Box offi ce: 0131 556 9579 www.scottishstorytellingcentre.co.uk Welcome to the About the programme Scottish International Each event in our programme is categorised to help you decide which to book. The two main strands are for adults, and take place in Edinburgh and Storytelling Festival on tour across Scotland, with an emphasis this year on Scotland’s islands. Welcome to a feast of Thon places hae the uncanny knack o a dh’fhiosraich sinn. Uime sin, Live Storytelling concluding with a fi nale where the island culture – Scottish and makin oor speerits rise an oor thochts èisdibh ri luasgadh nan tonn, Live evening storytelling whole story and its epic themes of Mediterranean. There is bizz wi tales, tunes and dauncin fi t. teudan na clàrsaich agus guth an performances in the Scottish temptation, separation and journey something about islands that We’re aa isalnders at hert, sae harken sgeulaiche fad an deich an latha Storytelling Centre’s stunning, are explored in a grand afternoon catches our imagination, gives noo tae the shush of the sea, the birr seo de chèilidh agus ealainean intimate theatre space and at and evening of unforgettable birth to stories, inspires melody o strings, and the voice o the tellers tradaiseanta. Togaibh an acair The Hub, headquarters of the storytelling. and sometimes sets the foot an the makars. Louse the tows an agus seòlaibh a-mach ann am Edinburgh International Festival. tapping. There is something drift oan a dwamming tide. -
Winners & Runners-Up
WINNERS & RUNNERS-UP 1.SPORTS PHOTOGRAPHER OF THE YEAR Stewart R Attwood Evening Times, The Herald, Sunday Herald WINNER William Murray SNS Group Nick Ponty Herald and Times Jamie Simpson Herald & Evening Times RUNNER UP Sammy Turner SNS Group 2.NEWS PHOTOGRAPHER OF THE YEAR Katielee Arrowsmith South West News Service (SWNS) Michael Gillen The Falkirk Herald Ross Johnston Newsline Media Jeff Mitchell Getty Images WINNER Robert Perry The Daily Mirror, The Scotsman, The Times RUNNER UP Alan Simpson Scottish Daily Mail, Scottish Daily Express 3.CARTOONIST OF THE YEAR Frank Boyle The Sunday Post Steven Camley The Herald RUNNER UP Peter Davidson The Sunday Post Rob Murray The Press & Journal Brian Petrie The Scottish Sun WINNER 4.YOUNG JOURNALIST OF THE YEAR Bryan Copland Evening Telegraph RUNNER UP Darren Hamilton Evening Telegraph WINNER William Lyon Evening Telegraph Findlay Mair Centre Press Agency Sarah Vesty Daily Record 5.WEEKLY NEWSPAPER OF THE YEAR The Falkirk Herald Fife Free Press WINNER Highland News The Inverness Courier Kilmarnock Standard RUNNER UP The Oban Times 6.ARTS/ENTERTAINMENT JOURNALIST OF THE YEAR Brian Beacom The Herald WINNER Barry Didcock Sunday Herald RUNNER UP John Dingwall Daily Record Sean Guthrie Herald and Times Phil Miller The Herald/Sunday Herald Alan Morrison Sunday Herald 7.INTERVIEWER OF THE YEAR Brian Beacom The Herald Claire Black The Scotsman Jennifer Hyland Daily Record Patricia Kane Scottish Mail on Sunday WINNER Peter Ross Scotland on Sunday RUNNER UP 1 8.POLITICAL JOURNALIST OF THE YEAR Mark Aitken -
Scotland One Year After the Snp Election Victory
ROMANIAN JOURNAL OF EUROPEAN AFFAIRS Vol. 8, No. 2, 2008 ON THE THRESHOLD OF INDEPEN DENCE? SCOTLAND ONE YEAR AFTER THE SNP ELECTION VICTORY Eberhard Bort * Abstract: In 2007, marking both the tercentenary of the Anglo-Scottish Union and the tenth anniversary of the successful Devolution Referendum, the May elections caused a political ea rthquake, breaking the nearly five decades of hegemony of Scottish Labour at the national and, even more emphatically, at the local government level and ushering in an SNP (Scottish National Party) minority government at Holyrood. Was this the proof that d evolution did not, as George Robertson had claimed, “kill Nationalism stone dead ”, proof that it was, rather, a stepping stone, or a “staging post ”? If the latter, where to? Just underlining that devolution, pace Ron Davies, was a process rather than an event, 1 part of what Henry McLeish calls the “evolution of devolution ”? Towards greater autonomy or towards regaining Scottish independence as a sovereign nation-state? Key words : Scotland, devolution, Scottish National Party I. Introduction * after the SNP minority government under 1 First Minister Alex Salmond could celebrate Since the elections on 3 May 2007 we its first anniversary in office, a dramatic have seen “a tale of two parties” 2 unfold at parliamentary year ended with a double Holyrood, the seat of the Scottish whammy when, on 28 June 2008, the Labour Parliament: the Scottish National Party on a leader at Holyrood, Wendy Alexander, roll, flying high in the polls, Labour, the main resigned, followed four days later by the Lib opposition party, in disarray.