Wolfgang Muthspiel Large Ensemble Feat
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Jazz & World Ottobre
I dischi scelti fra Novità Ottobre le novità del mese ART ENSEMBLE OF CHICAGO The Art Ensemble of Chicago and Associated Ensembles Cofanetto celebrativo del 50° anniversario, registrazioni del periodo 1978-2015, booklet di 300 pagine, Limited Edition box - Data di uscita 26 Ottobre 2018 Roscoe Mitchell, Joseph Jarman, Lester Bowie, Malachi Favors Maghostut, Famoudou Don Moye, Jack DeJohnette e altri THE ART ENSEMBLE OF CHICAGO AND ASSOCIATED ENSEMBLES è un cofanetto di 21 CD ECM 2630 21CD in edizione limitata per celebrare il 50 anniversario di questo straordinario gruppo. Il Economico ¶|xGACFGHy920892z primo album uscito per ECM, l’acclamato Nice Guys, l’Art Ensemble of Chicago, gruppo rivoluzionario e polistilistico, lluminato anche dalla visione produttiva di Manfred Eicher, è solo il primo di molti altri. Il cofanetto include gli album Full Force, Urban Bushmen, e The Third Decade con il classico quintetto dell’AEC di cui facevano parte Roscoe Mitchell , Joseph Jarman, Lester Bowie, Malachi Favors Moghostut e Famoudou Don Moye. Sono raccolte qui anche tutte le registrazioni per ECM di Bowie e di Mitchell. Il carismatico trombettista Lester Bowie è qui con il suo Brass Fantasy Group con Wadada Leo Smith e con Jack DeJohnette. Roscoe Mitchell appare qui con la sua Note Factory Band, con il Transatlantic Art Ensemble co-fondato con Evan Parker, e con il suo storico trio registrato al Chicago’s Museum of Contemporary Art. Numerosi musicisti creativi fanno la loro apparizione in questo cofanetto - la lunga lista include Muhal Richard Abrams, Henry Threadgill, Craig Taborn, Vijay Iyer, Matthew Shipp, Tyshawn Sorey, Fontella Bass, Charlie Haden, Kenny Wheeler, Corey Wilkes, Gerald Cleaver, Phillip Wilson, George Lewis , William Parker, John Abercrombie, Eddie Gomez e molti altri in registrazioni ECM tra il 1978 Confezione:box set Genere: Jazz & Blues Distribuzione:04/10/2018 KEITH JARRETT La Fenice Part I, Part II, Part III, Part IV, Part V, Part VI, The Sun Whose Rays, Part VII, Part VIII, My Wild Irish Rose, Stella By Starlight, Blossom. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Paul Motian Trio and Guest Bass Player Tobiography
www.winterandwinter.com P a u l M o t i a n 25 March 1931 – 22 November 2011 In many interviews, this New York drum- and recordings with Keith Jarrett, Charles mer of Turkish-Armenian extraction has Lloyd and Charlie Haden’s »Liberation been asked time after time for anecdotes Music Ensemble« follow, but over the about Bill Evans, Paul Bley and Keith Jar- years, almost unnoticed, Motian develops rett. His early days attract attention be- his first trio, with Bill Frisell on guitar and cause he was one of the few musicians who Joe Lovano on saxophone. In the mid- can look back on eighties, Motian experiences with begins to collab- Lennie Tristano, orate with Ste- Tony Scott and fan Winter ’s Coleman Haw- newly founded kins, who even music company appeared with JMT Production. Billie Holiday In contrast to and Thelonious the productions Monk in his up to this point, youth, and the first concept played with albums now ap- Arlo Guthrie at pear. The first is the legendary »Monk in Mo- Woodstock Fest- tian«, played by ival. The list of his trio, with great stars Mo- guest musicians tian has played Geri Allen on with goes on for Ꭿ Robert Lewis piano and pages; for some Dewey Redman years he has been reading through his on tenor saxophone. Next comes »Bill painstakingly documented annual calen- Evans«, recorded without pianist by the dars, to stir his memory and write his au- Paul Motian Trio and guest bass player tobiography. Marc Johnson. Winter & Winter, founded at It is not until 1972, at the age of 41, that the end of 1995, takes over and publishes Paul Motian records his debut album under all JMT’s productions, as well as continu- his own name (»Conception Vessel«, with ing work already begun. -
Chicago Jazz Festival Spotlights Hometown
NOVEMBER 2017 VOLUME 84 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Kevin R. Maher 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, -
Mehldau-Frisell Notes.Indd
CAL PERFORMANCES PRESENTS ABOUT THE ARTISTS Sunday, January 22, 2006, 7 pm Mehldau’s second solo piano recording, Live Zellerbach Hall in Tokyo, was released in 2004. Day Is Done, the fi rst recording featuring his new trio, was re- leased by Nonesuch in September 2005. It in- cludes interpretations of songs by Lennon and McCartney, Burt Bacharach, Paul Simon and Nick Drake, among others, as well as two original com- positions by Mehldau. Bassist Larry Grenadier received a B.A. in (l–r: Jeff Ballard, Brad Mehldau, Larry Grenadier) English literature from Stanford University. After relocating to Boston, he toured the United States Like many of his contemporaries, pianist Brad and Europe as a member of Gary Burton’s band. Mehldau began his career with intense classical He then moved to New York, where he has per- training long before he was exposed to jazz. He formed with Joe Henderson, Betty Carter, Pat began experimenting with the piano at age four Metheny and John Scofi eld, among others. When and began formal training at six, which continued not working with Brad Mehldau, he tours and re- until he was 14. cords with the Pat Metheny Trio. Brad Mehldau Trio Since arriving in New York in 1988, Mehldau Drummer Jeff Ballard grew up in Santa Cruz, Brad Mehldau, piano has collaborated with many of his musical peers, California. He toured with Ray Charles from 1988 including guitarists Peter Bernstein and Kurt Larry Grenadier, bass until 1990, when he settled in New York. Since Rosenwinkel and tenor saxophonist Mark Turner. Jeff Ballard, drums then, Ballard has performed and recorded with In 1995, he formed his fi rst trio with bassist Larry Lou Donaldson, Danilo Perez, Chick Corea and Grenadier and drummer Jorge Rossy, which toured Joshua Redman, among others. -
Spring 2018 Vinyl
Vinyl Spring 2018 V I N Y L E 18 / I CM Vinyl Spring 2018 4 New Albums on Vinyl 56 From Analog Masters 76 Also Available 84 ECM New Series ECM I New Albums on Vinyl Nik Bärtsch’s Ronin Awase ECM 2603 Nik Bärtsch piano Sha bass clarinet, alto saxophone Thomy Jordi bass Kaspar Rast drums NIK BÄRTSCH’S RONIN AWASE ECM 4 2-LP 180g Vinyl 673 5869 May 2018 5 Marcin Wasilewski Trio Live ECM 2592 Marcin Wasilewski piano Slawomir Kurkiewicz double bass Michal Miskiewicz drums Marcin Wasilewski Trio Live ECM 6 2-LP 180g Vinyl 673 9916 Autumn 2018 7 ECM 2584 Mathias Eick Ravensburg One of the pleasures of Mathias Eick’s Midwest album was hearing his vaulting trumpet supported by violin, an instrumental combination further developed on Ravensburg. The new violinist in Eick’s ensemble is Håkon Aase, one of the up-and-coming players of the new Norwegian scene, whom attentive ECM listeners will already know from his work with Thomas MATHIAS EICK Strønen’s group. The core Eick road band is further shored up by the addition of Helge Andreas Norbakken, who interacts excitingly with fellow drummer Torstein Lofthus. Eick is in great form as a writer on this show- RAVENSBURG ing, deploying driving rhythm at the bottom end of his music and soaring melody at the top in this series of pieces which add up to a kind of collective family portrait. ECM Mathias Eick trumpet, voice Håkon Aase violin Andreas Ulvo piano Audun Erlien electric bass Torstein Lofthus drums Helge Andreas Norbakken drums, percussion 8 LP 180g Vinyl 672 4656 9 Vijay Iyer Far From Over ECM 2581 “As the arc of history lurches forward and backward, the fact remains: local and global struggles for equality, justice, and basic human rights are far from over. -
Deutsche Nationalbibliografie 2018 T 08
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2018 T 08 Stand: 08. August 2018 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2018 ISSN 1613-8945 urn:nbn:de:101-201711171880 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Piano Bass (Upright And/Or Electric)
January 2017 VOLUME 84 / NUMBER 1 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin Tolleson; Philadelphia: David Adler, Shaun Brady, Eric Fine; San Francisco: Mars Breslow, Forrest Bryant, Clayton Call, Yoshi Kato; Seattle: Paul de Barros; Tampa Bay: Philip Booth; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Belgium: Jos Knaepen; Canada: Greg Buium, James Hale, Diane Moon; Denmark: Jan Persson; France: Jean Szlamowicz; Germany: Detlev Schilke, Hyou Vielz; Great Britain: Brian Priestley; Japan: Kiyoshi Koyama; Portugal: Antonio Rubio; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Mike Holober Pianist/Composer/Arranger/Conductor/Educator
Mike Holober Pianist/Composer/Arranger/Conductor/Educator Trained as a classical pianist and conductor, Mike Holober began his apprenticeship as a jazz pianist and composer after moving to New York City in 1986. He has released 5 recordings as a leader and can be heard on over 70 recordings as a sideman. He has also served as a producer and conductor for several recordings. Mike’s projects include “Mike Holober & Balancing Act,” an octet with voice, “The Gotham Jazz Orchestra,” and “The Mike Holober Quintet.” He also regularly performs in duo settings with artists such as trumpeter Marvin Stamm and tenor saxophonist Jason Rigby. Mike was a 2017-18 recipient of a Chamber Music America New Jazz Works Grant for “Mike Holober & Balancing Act,” whose eponymous premiere recording was released on Palmetto Records in 2015. The recording received a 4-star review from Downbeat Magazine and appeared on many best-of lists for 2015. Balancing Act features Kate McGarry, Dick Oatts, Jason Rigby, Marvin Stamm, Mark Patterson, John Hebert, and Brian Blade. Mike’s Chamber Music America commission, titled Don’t Let Go, was premiered at Symphony Space (the Leonard Nimoy Thalia) in June 2018, and is structured as a song- cycle in the tradition of Robert Schumann, Samuel Barber, and Ralph Vaughn-Williams. Don’t Let Go explores the nuances and complexities of the concept of hope in the context of current social, political, and environmental realities. After a busy period of writing and arranging for some of the world’s most renowned large ensembles, Mike has returned to the helm of his own stellar big band with the release of Mike Holober & The Gotham Jazz Orchestra: Hiding Out. -
New Albums on Vinyl from Analog Masters Spring 2017 ECM New
Vinyl 4 New Albums on Vinyl 34 From Analog Masters 54 Spring 20 17 60 ECM New Series ECM I New Albums on Vinyl Wolfgang Muthspiel Rising Grace Wolfgang Muthspiel guitar Wolfgang Muthspiel — whom The New Yorker has Ambrose Akinmusire trumpet called “a shining light” among today’s jazz guitarists — Brad Mehldau piano made his ECM leader debut in 2014 with the trio disc Larry Grenadier double bass Driftwood , featuring him alongside two longtime Brian Blade drums colleagues, bassist Larry Grenadier and drummer Brian Blade. For his follow-up — Rising Grace — the Austrian guitarist has convened a very special quintet, adding jazz luminary Brad Mehldau on piano and the out- standing young trumpeter Ambrose Akinmusire to the subtly virtuosic Grenadie r/Blade rhythm section. Muthspiel moves between electric guitar and classi - cally tinged acoustic six-string, his playing by turns grooving (“Boogaloo”) and enchanting (“Rising Grace”). The lyrical flights of Akinmusire’s trumpet and the probing improvisations of Mehldau run through Muthspiel’s rich set of compositions like golden threads, the tracks including a warm tribute to a late, great ECM artist, Kenny Wheeler (“Den Wheeler, Den Kenny”). Rising Grace also includes a deeply melodious piece that Mehldau composed especially for the album, “Wolfgang ’s Waltz.” 4 ECM 2515 „Einzigartig war in dieser Band das Interplay. Das hat mit dem Konzept zu tu n: So lassen Muthspiels Arrange - ments Themen und Motive zwischen den Registern fließen. Überdies lenken sie die Improvisation immer wieder in kollektive -
JNM 06 18 01 Cover Wolfgang Muthspiel Lay.Indd 1 29.10.18 09:53 Helvetia.Ch/Wertsachen
Das Schweizer Jazz & Blues Magazin Nov./Dez. N r . 6 /2018 S Schweiz CHF 11.00 / Deutschland € 5.90 / Österreich € 6.10 , ROOT ‚ N BLUES ‘RE‘RENN 'M'MOO WAYNE SHORTER DIANA KRALL/ TONY BENNETT SIMON SPIESS RONIN LABEL ANTHONY BRAXTON/ GERRY HEMINGWAY KAOS PROTOKOLL MUD MORGANFIELD GENE PERLA OM FRANCO AMBROSETTI DAVE KEYES GÜNTER BABY SOMMER TOMAS SAUTER FEE STRACKE WOLFGANG PETER SCHÄRLI BERND ALOIS ZIMMERMANN MUTHSPIEL RICCARDO DEL FRA WHERE THE RIVER GOES MANUEL TROLLER SPECIAL: JAZZHOCHSCHULEN DER SCHWEIZ JNM_06_18_01_Cover_Wolfgang Muthspiel_lay.indd 1 29.10.18 09:53 helvetia.ch/wertsachen Les Paul. Stratocaster. Keine Misstöne. FI_CH_CC_INS_JazzNmore_A4_18-10.inddJNM_06_18_02-03_EDI_Inhalt.indd 2 1 22.10.1829.10.18 22:0110:15 EDITORIAL INHALT Liebe Leserinnen und Leser, 3 Editorial/Inhalt/Impressum 4 Flashes bereits wieder haltet Ihr die letzte Ausgabe des Jahres in 7 REVIEWS 14 PREVIEWS den Händen und ich hoffe, wir konnten im vergangenen Jahr 20 WOLFGANG Muthspiel – Where The River GOES erneut mit vielen interessanten Interviews und Geschichten, 23 Promo: Helvetia Versicherung den unzähligen CD-Besprechungen und "News you can use" 24 WAYNE Shorter dem Anspruch als modernes und zeitgemässes Jazz & Blues 27 OM Magazin gerecht werden. 28 Diana Krall/TonY Bennett 30 GÜnter BabY Sommer 32 SimoN SPIESS Auch die vorliegende Ausgabe bietet viel Spannendes. Die 33 Special: Jazzhochschulen DER Schweiz Coverstory von Steff Rohrbach präsentiert den Ausnahme- gitarristen Wolfgang Muthspiel, der soeben sein neues Album 57 NEW PROJECTS: Franco Ambrosetti – Peter Schärli – auf ECM veröffentlicht hat; Jürg Solothurnmann beschreibt Kaos Protokoll – Fee Stracke – Tomas Sauter – die unge brochene Schaffenskraft des 85-jährigen Wayne Manuel Troller – Riccardo Del Fra Shorter und sein neustes Werk "Emanon"; Günter Baby Som- BLUES’N’roots mer wird anlässlich seines 75.