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The Golden Spy-Masters & the Devolution of the West In
THE GOLDEN SPY-MASTERS & THE DEVOLUTION OF THE WEST IN BRITISH ESPIONAGE FICTION by Kelly Allyn Lewis A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English MONTANA STATE UNIVERSITY Bozeman, Montana April 2017 ©COPYRIGHT by Kelly Allyn Lewis 2017 All Rights Reserved ii TABLE OF CONTENTS 1. FREEZE FRAMING................................................................................................1 Endnotes...................................................................................................................9 2. COLD WAR SPACES & BRITAIN’S SECRET WEST.......................................11 Endnotes.................................................................................................................22 3. THE BOND EMPIRE: THE WEST & THE GOLDEN AGE OF ESPIONAGE.................................................................25 Endnotes.................................................................................................................45 4. TRUTH & DISILLUSIONMENT IN LE CARRÉ’S COLD WAR WEST...................................................................47 Endnotes.................................................................................................................68 5. THE LIMINAL FRONTIER..................................................................................70 Endnotes.................................................................................................................75 BIBLIOGRAPHY......................................................................................................76 -
Download Critical Essays, George Orwell, Harvill Secker, 2009
Critical Essays, George Orwell, Harvill Secker, 2009, 1846553261, 9781846553264, . Orwell’s essays demonstrate how mastery of critical analysis gives rise to trenchant aesthetic and philosophical commentary. Here is an unrivalled education in – as George Packer puts in the foreword to this new two-volume collection – “how to be interesting, line after line.”. DOWNLOAD http://bit.ly/1979wHt Some Thoughts on the Common Toad , George Orwell, 2010, English essays, 115 pages. In this collection of eight witty and sharply written essays, Orwell looks at, among others, the joys of spring (even in London), the picture of humanity painted by Gulliver .... 1984 A Novel, George Orwell, 1977, Fiction, 268 pages. Portrays life in a future time when a totalitarian government watches over all citizens and directs all activities.. George Orwell: As I please, 1943-1946 , George Orwell, Jan 1, 2000, Literary Collections, 496 pages. Animal farm a fairy story, George Orwell, 1987, Fiction, 203 pages. I belong to the Left 1945, George Orwell, Peter Hobley Davison, Ian Angus, Sheila Davison, 1998, Literary Criticism, 502 pages. Collected Essays , George Orwell, 1968, , 460 pages. Voltaire's notebooks, Volumes 148-149 , Theodore Besterman, 1976, , 247 pages. Selected writings , George Orwell, 1958, English essays, 183 pages. George Orwell, the road to 1984 , Peter Lewis, Jan 1, 1981, Biography & Autobiography, 122 pages. Shooting an Elephant , George Orwell, 2003, Fiction, 357 pages. 'Shooting an Elephant' is Orwell's searing and painfully honest account of his experience as a police officer in imperial Burma; killing an escaped elephant in front of a crowd ... -
Spy Culture and the Making of the Modern Intelligence Agency: from Richard Hannay to James Bond to Drone Warfare By
Spy Culture and the Making of the Modern Intelligence Agency: From Richard Hannay to James Bond to Drone Warfare by Matthew A. Bellamy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2018 Dissertation Committee: Associate Professor Susan Najita, Chair Professor Daniel Hack Professor Mika Lavaque-Manty Associate Professor Andrea Zemgulys Matthew A. Bellamy [email protected] ORCID iD: 0000-0001-6914-8116 © Matthew A. Bellamy 2018 DEDICATION This dissertation is dedicated to all my students, from those in Jacksonville, Florida to those in Port-au-Prince, Haiti and Ann Arbor, Michigan. It is also dedicated to the friends and mentors who have been with me over the seven years of my graduate career. Especially to Charity and Charisse. ii TABLE OF CONTENTS Dedication ii List of Figures v Abstract vi Chapter 1 Introduction: Espionage as the Loss of Agency 1 Methodology; or, Why Study Spy Fiction? 3 A Brief Overview of the Entwined Histories of Espionage as a Practice and Espionage as a Cultural Product 20 Chapter Outline: Chapters 2 and 3 31 Chapter Outline: Chapters 4, 5 and 6 40 Chapter 2 The Spy Agency as a Discursive Formation, Part 1: Conspiracy, Bureaucracy and the Espionage Mindset 52 The SPECTRE of the Many-Headed HYDRA: Conspiracy and the Public’s Experience of Spy Agencies 64 Writing in the Machine: Bureaucracy and Espionage 86 Chapter 3: The Spy Agency as a Discursive Formation, Part 2: Cruelty and Technophilia -
Orwell on Poland and Political Controversies of His Time
Orwell on Poland and Political Controversies of his Time Krystyna Wieszczek University of Southampton There could hardly be a more appropriate 20th-century British author to bring up for discussion under the theme of “conformity and controversy” than George Orwell. One of his well-known characteristics as an author and political commentator was that of striving to think independently and to boldly present his own conclusions to the public, irrespectively of how controversial they could be at the time. This paper will examine some of his texts that responded to specific issues concerning Poland during the turbulent period of Europe’s transition from war to post-war, in which his statements were not always compliant with those held by much of the British public or with the British censoring policy. It aims to discover more about how Orwell approached conformity and controversy surrounding some contentious problems of his time and, by doing so, also about their political contexts in both Britain and Poland. The texts taken into consideration include his responses to the Warsaw rising, the abduction and trial of sixteen Polish leaders by the Soviets, and the settlement of Polish refugees in Britain after the war. A Socialist’s Disappointment with the USSR Unappreciated at Home Orwell was one of few British left-wing intellectuals to question the government and left-wing press’s uncritical reception of Stalin’s politics in Britain well before the beginning of the cold war (the name of which he coined). His epiphany came during the Spanish civil war where he witnessed the insidious way in which a Soviet-sponsored communist organisation began eliminating fellow socialists, including members of the POUM1 in which Orwell had served, jeopardizing the whole socialist agenda only to gain more power. -
Does Literature Work As Social Science? the Case of George Orwell
University of Chicago Law School Chicago Unbound Journal Articles Faculty Scholarship 2002 Does Literature Work as Social Science? The Case of George Orwell Richard A. Epstein Follow this and additional works at: https://chicagounbound.uchicago.edu/journal_articles Part of the Law Commons Recommended Citation Richard A. Epstein, "Does Literature Work as Social Science? The Case of George Orwell," 73 University of Colorado Law Review 987 (2002). This Article is brought to you for free and open access by the Faculty Scholarship at Chicago Unbound. It has been accepted for inclusion in Journal Articles by an authorized administrator of Chicago Unbound. For more information, please contact [email protected]. DOES LITERATURE WORK AS SOCIAL SCIENCE? THE CASE OF GEORGE ORWELL RICHARD A. EPSTEIN* LITERARY AND SOCIAL SCIENCE TRADITIONS We live in a world that has, to say the least, a certain fas- cination with public intellectuals. Some public intellectuals are drawn from the academy, but many of the most influential members of this hardy, if indefinable, breed come from other pursuits. Because they have not undergone the rigors of a pro- fessional or Ph.D. degree, they show little respect for the con- ventional boundaries that separate one field of inquiry from another. They can, and often do, move quickly from the hu- manities to the social sciences and back again, and are often not aware as to how, or even whether, they have made the journey. Lawyers, especially academic lawyers, are frequently able to fill the niche of public intellectuals. Law is a parasitic discipline. It attaches to all human endeavors that involve ei- ther disputes or cooperation between two or more people, which is to say that it touches all aspects of human life, either as an unwelcome intruder or an indispensable aid. -
The Humanism of George Orwell
THE HUMANISM OF GEORGE ORWELL APPROVED: ets^L Major Professor 3 (\ A svi JLGtCx, Minor(Professor irector of the DeparttffeprfT'oi History- Dean of the Graduate School />/A*' , Hale, Jeffrey Lee , The Humanism of George Orwell* Master of Arts (History), December, 1971, 107 pp., bibliography, 19 titles. This paper argues that George Orwell was a myth maker in the twentieth century, an age of existential perplexities. Orwell recognized that man is innately "patriotic," that the will-to-believe is part of his nature, but that the excesses of scientific analysis have disrupted the absolutes of belief. Through the Organic Metaphor, Orwell attempted to reconstruct man's faith into an aesthetic, and consequently moral, sensi- bility. Proposing to balance, and not replace, the Mechanistic Metaphor of industrial society, Orwell sought human progress along aesthetic lines, "Socialism" was his political expres- sion of the Organic Metaphor: both advocated universal integ- rity in time and space. The sources are all primary. All of Orwell's novels were used, in addition to three essay collections: Collected Essays; The Orwell Reader; and The Collected Essays, Journalism and Letters of George Orwell, Sonia Orwell and Ian Angus, editors, four volumes„ Orwell's essays and book reviews contain his best social criticisms. There are six chapters. The first chapter is the intro- duction, which includes a biographical sketch of Orwell, defi- nitions of the Organic and Mechanistic Metaphors, and a comment on the bibliography. The second chapter examines the oppression of the common man by monopolistic capitalism in colonial Burma and depression-ridden Europe, and Orwell's socialist advoca- tions. -
A Hanging”: George Orwell’S Unheralded Literary Breakthrough
Concentric: Literary and Cultural Studies 40.1 March 2014: 19-33 DOI: 10.6240/concentric.lit.2014.40.1.02 “A Hanging”: George Orwell’s Unheralded Literary Breakthrough John Rodden Department of Foreign Languages and Literature Tunghai University, Taiwan Abstract “A Hanging,” written under George Orwell’s birth name of Eric Blair, is a literary feat and artistic landmark in the development of “Blair” into “Orwell” that has gone little-noticed by most Orwell readers. This essay discusses the contribution of “The Hanging” to that development in close detail, and it also addresses long-standing debates about its genre and biographical statues. Keywords Burma, Peter Davison, Bernard Crick, Adelphi, Burmese Days 20 Concentric 40.1 March 2014 Eric Blair, the Sahib from Southwold Slightly more than eight decades ago, Eric Blair—a little-known, aspiring London author—published a powerful piece of short prose entitled “A Hanging.” Soon he would become better-known under the pen name “George Orwell,” which he used for the publication of his first book, Down and Out in Paris and London. Blair adopted the pseudonym in order not to embarrass his family about his forthcoming Jack London-type book on sharing Depression-era poverty with the East End tramps. “A Hanging,” which appeared in the Adelphi in August 1931, is regarded as a classic today, even if it is seldom anthologized in literature textbooks or taught in introductory rhetoric and composition courses to undergraduates. Published little more than two years after he returned from what he called “five years in an unsuitable profession” (CW 18: 319) as a policeman in British-occupied Burma, it is based on Blair-Orwell’s experience of working in the Indian Imperial Police. -
Professor Peter Davison
GETTING IT RIGHT – Peter Davison January - March 2010 GETTING IT RIGHT January – March 2010 Peter Davison On at least two occasions George Orwell said he had done his best to be honest in his writings. In a letter to Dwight Macdonald on 26 May 1943 he wrote, „Within my own framework I have tried to be truthful‟; in a „London Letter‟ to Partisan Review, probably written in October 1944, he said, „I have tried to tell the truth‟ and goes on to devote the whole Letter to where in past Letters he had „got it wrong and why‟. When giving titles to volumes X to XX of The Complete Works, „I have tried to tell the truth‟ seemed to me apposite for one of them (Volume XVI). Telling the truth went further for Orwell. Writing about James Burnham, he was aware that what he had written in his „Second Thoughts on James Burnham‟ in Polemic, 3 (XVIII, pp. 268-84) would not be liked by that author; „however,‟ he wrote, „it is what I think‟ (XVIII, p. 232). Attempting to „get it right‟, even in the much lowlier task of editing than in the great variety of activities in which Orwell engaged, is about the only thing I can claim to have in common with Orwell. I am aware and embarrassed by my multitude of mistakes, misunderstandings, and my sheer ignorance. The Lost Orwell does what it can to try, belatedly, „to get it right‟. I was once taken to task by a reader who complained that „typewritten‟ had been misspelt: how ironic he thought! Would that were all! What one might call „ordinary, run-of-the-mill, errors‟ are no more than a matter of paying sustained attention – although maintaining that over some 8,500 pages of The Complete Works and seventeen years, with many changes of publisher, is clearly difficult. -
Recollections of George Orwell
RECOLLECTIONS OF GEORGE ORWELL George Woodcock Imagine Don Quixote without his horse and his drooping whiskers, and you will get a fair idea of what George Orwell looked like. He was a tall and angular man, with a worn Gothic face that was elongated by vertical furrows at the corners of the mouth. His rather narrow upper lip was adorned by a thin line of moustache, and the general gauntness of his looks was accentuated by the deep sockets from which his eyes looked out sadly. I first met Orwell during the early years of the last war, when he was working at the Indian Department of the B.B.C. in London. He had sent me an invitation to take part in a discussion panel on poetry which he was organizing, and, since we had recently indulged in a rather violent dispute in the Partisan Review, I was a little surprised at such an approach. But I agreed, mostly, I think, to show that I bore as few ill feelings as Orwell himself evidently did. A few days later I went along to the improvized wartime studio in a former Oxford Street bargain basement. Orwell was there, as well as Mulk Raj Anand, Herbert Read and William Empson, whom I already knew, and Edmund Blunden, whom I had not met before. The program turned out to be a made-up discussion which Orwell had prepared skilfully before- hand and which the rest of the participants were given a chance to amend before it went on the air. All of us objected to small points, as a matter of principle, but the only major change occurred when Orwell himself pro- duced a volume of Byron and, smiling around at the rest of us, suggested that we should read "The Isles of Greece." At that time the British gov- ernment was officially opposed to the Indian independence movement (Gandhi was still in prison), and as the ringing verses of revolt were read the program assumed a mild flavor of defiance which we all enjoyed. -
Why Is the Collected Orwell Not the Complete Orwell?
minds us that Woolf s entire writing career was devoted to wrestling with the re lationship between everyday experience and the experience of our century of total war. The signal difference, in my opinion, between Woolf s attitude to human life and that of many "modernists," consists of the fact that, in the face of her devastating personal and political experiences, she continually transcended nihilism in an af firmation of life. In Kapur's hypothesis Woolf s interest in the particular moment, in the solid particularity of everyday life, derives from a dialecticaljuxta position of this dailyness with the abyss, with sudden death, premature sexual invasion, total war, and her own periodic bouts with insanity. The individual deaths that marked her biography and the public deaths that marked her lifetime were thus always present to Woolf s consciousness, constituting one pole of the "reality" she is so often accused of ignoring. In the face of this world created for war and for men which was the context of her life experiences, her affirmation of life seems especially courageous, a celebration of existence quite different from nihilism, though responsive to a "social canopy" only thinly veiling rape, violence, and military terror. Kapur's rec ognition that Woolf produced novel after novel affirming "a fundamental belief that there is a pattern underlying this universe" identifies the essential achievement of Woolf s opus, and her study provides a welcome reassessment of Woolf s role not only as an experimentalist in modern literature but as a quester able to transcend the despair coloring so much of the literature produced by less intrepid writers. -
Full List of Published Titles Year Title Author Slot 2005 Short Stories a E
Full list of Published Titles Year Title Author Slot 2005 Short Stories A E Coppard Afternoon Reading 2008 A Shropshire Lad A E Housman Afternoon Play 2017 The Citadel A J Cronin 15 Minute Drama 2011 The Pocket A.A. Milne A.A. Milne Afternoon Reading 2011 Snowdrops A.D. Miller Book at Bedtime 2012 England Their England A.G. Macdonell Classic Serial 2009 This Book Will Change Your Life A.M. Homes Woman's Hour Drama 2010 Possession A.S Byatt Woman's Hour Drama 2011 The Little Ottleys Ada Leverson Woman's Hour Drama 2013 The Broken Word Adam Foulds Afternoon Drama 2013 Take Notice Adam Thorpe Book at Bedtime 2010 The Jubilee Singers Adrian Mitchell Saturday Play 2007 Aesop's Fables Aesop Afternoon Play 2007 Dead Man's Folly Agatha Christie 1130 Comedy 2006 Dumb Witness Agatha Christie 1130 Comedy 2005 Final Curtain Agatha Christie Saturday Play 2016 Miss Marple's Final Cases Agatha Christie 1130 Comedy 2016 Ordeal by Innocence Agatha Christie 1130 Comedy 2011 The Mysterious Mr Quinn Agatha Christie Afternoon Reading 2008 Towards Zero Agatha Christie 1130 Comedy 2008 In A Bamboo Grove Akutagawa Ryunosuke Afternoon Play 2016 The Automobile Club of Egypt Alaa Al Aswany Book at Bedtime 2011 The Yacoubian Building Alaa Al Aswany Book at Bedtime 2005 Le Grand Meaulnes (The Lost Domain) Alain Fournier Classic Serial 2015 The Norman Conquests Alan Ayckborn Saturday Drama (long) 2014 Woman in Mind Alan Ayckborn Saturday Drama 2008 Just Between Ourselves Alan Ayckbourn Saturday Play 2009 Man of the Moment Alan Ayckbourn Saturday Play 2009 Man of The -
The Techniques of Justice
The Techniques of Justice George Orwell once imagined “a remarkable anthology” consisting entirely “of pieces of writing describing executions.” He supposed, “There must be hundreds of them scattered through literature.” Without looking into the question, he could immediately cite examples from Zola, Thackeray, A Tale of Two Cities, “a letter or diary of Byron’s,” Arnold Bennett’s Old Wives Tales, a Jack London short story, “Plato’s account of the death of Socrates,” and “a great number of specimens in verse, for instance the old hanging ballads.”1 Naturally Orwell would himself supply a worthy contribution to such a collection, with his autobiographical essay, “A Hanging.” That short piece recounts an execution in Burma, for which Orwell was present as part of his job in the police. The largest portion of the essay concerns the walk from the cells to the gallows, with the condemned man surrounded by guards. The fatal event is itself described but briefly and without drama. Then, a closing scene portrays the uncomfortable moments after the execution, the guards and police standing around, talking and drinking, clearly unsettled but trying not to act it. “Several people laughed,” he remembered, “— at what, nobody seemed certain.”2 Recalling the incident later, Orwell remarked, “There was no question that everybody concerned knew this to be a dreadful, unnatural action.” This sentiment, he assumes, must be common among any who witness an execution, and its effect is apparent in the literature. “The thing that I think very striking is that no one, or no one I can remember, ever writes of an execution with approval.