What Plans Do You Have for the Holiday? Objective: A

Total Page:16

File Type:pdf, Size:1020Kb

What Plans Do You Have for the Holiday? Objective: A (Second Semester) Unit - 5: What plans do you have for the holiday? Objective: a. describe holiday plan b. describe how Chinese people celebrate Chinese New Year/ any other holiday c. Compare one of US and Chinese holiday Unit 6: Ordering Food Objective: a. call out different kind of Western (America) food and Chinese food b. shop at the supermarket c. Making a shopping list Unit 7: Good Weather Objective: a. call out the name for different kind of sport b. describe the popular sport in US and China c. tell others the sport they play after school/ spare time Unit 8: Let’s Go Shopping Objective: a. call out different kind of Western (America) food and Chinese food b. name different kind of drink from Western and Chinese c. use measurement words: 盘,碗, 瓶, 杯,个 d. Ordering food in a restaurant by using proper measurement words jīn tiān jī yuè jī hào xīng qī jī jīn tiān yuè hào xīng qī Q. 今天几月几号星期几? A. 今天__月___号,星期___。 Break Break Break Break Break -No School -No School -No School -No School -No School Sub Sub Sub Sub Sub -Project -Project -Project -Project -Project MLK -No School Xīn nián kuài lè 新年快乐! - Happy New Year Research Paper 1/07 1/11 Project - A: Chinese Folk Art and Crafts Project - B: Chinese Holiday and Festival 1. Research paper – 11/14 Project - C: Chinese Mythology (submit through Canvas) Project - D: Chinese Inventions 2. Culture Note – 11/11 (excluding the 4 major inventions) 3. Vocab. Writing – 1/14 Directions: Thing to Do: Choose one of the topics from the above projects A-D (see details on the next few slides) and research the subject so that you will be able write a 1. Culture Notes - #16 -1/11 summary about what you have read. Start by telling me a little bit about why 2. Vocab. Writing – 1/14 you chose the topic; is this something very familiar to you or your culture? 3. Research Paper: Does it interest you? Or did you just happen upon the subject and were curious? Explain how you would share the topic with other students so they A: Due 11/14 too would be interested. Please be very specific and detailed about it, avoid B: Title, date, name on merely saying “because I like it” , “ it interests me”, or “it seems easy to write top about…” C: 150 – 2001 Words If English is not your first language, please seek help from other English speaking students or ask assistance of your ELD teacher. D: Please type, one space, Please be aware, the consequence of plagiarism is a zero on the assignment, submit it through one day of detention and informing the school. It is ok to use sources but make Canvas sure to cite them appropriately. E: Include pictures/graphics I hope you will find this project to be fun and interesting. F: 50 Points Culture Notes: #16 https://www.youtube.com/watch?v=k- EuZn5JUvM&list=PLCFDD3F76245D00A9 Video – Hello China – Learning One Chinese Culture Word per Day 24. Dragon –龙 25. Phoenix-凤 26. Kung Fu- 功夫 27. Tai Chi Chuan- 太极拳 28. Sword-剑 Video – Hello China – Learning one Chinese culture word a Day https://www.youtube.com/watch?v=k-EuZn5JUvM&list=PLCFDD3F76245D00A9 1. China – 中国 35. Mid-Autumn Festival- 中秋节 68 Ethnic Group-民族 84. Wax Printing- 蜡染 2. Hello- 你好 36. Water- Splashing Festival-拨水节 69. Name- 姓名 85. Brocade- 云锦 3. Confucius-孔子 37. Animal Signs of the Chinese Zodiac 70. Family-家 86. Cheongsam- 旗袍 4. SunTzu-孙子 38. Feng Shui- 风水 71 Courtyard- 四合院 87. Tang Suit-唐装 5. Lao Tzu- 老子 39. Lion Dance – 舞狮 72 Alleyway-胡同 88. Fan- 扇子 6. Sun-太阳 40. Door God – 门神 73 Tulou Building-土楼 89. Abacus- 算盘 7. Moon-月亮 41. Wedding- 婚礼 74 Tea-茶 90. Panda-熊猫 8. Chinese Lunar Calendar-中国农历年 42. Matchmaker- 红娘 75 Chopsticks- 筷子 91. Magpie-喜鹊 9. Compass –指南针 43. Chrysanthemum- 菊花 76 Paper cutting-剪纸 92. Chinese Characters 10. Gun Powder-火药 44. Etiquette- 礼 77 Silk-丝 93. Contradiction- 矛盾 11. Paper-纸 45. Number One Scholar- 状元 78 Porcelain Ware-瓷器 94. Careless 12. Printing-印刷 46. Beijing- 北京 79 Jade- 玉 95. Jealous- 吃醋 13. Beijing Opera-北京京剧 47. Great Wall –长城 80. Money – 钱 96. Bosom Buddy – 知音 14. Traditional Chinese Painting-国画 48. Imperial Palace – 故宫 (紫禁城) 81. Lantern-灯笼 97. Things – 东西 15. Fresco – 壁画 49. Temple of Heaven- 天坛 82. Kite- 风筝 98. Baby- 宝贝 16. Dance-舞蹈 50. Xi’an- 西安 (长安) 83. Shadow Puppet- 皮影 99. Numerals – 数字 17. Music-音乐 51. Terracotta Warriors – 兵马俑 100. Ru Yi- 如意 18. Chime Bells-编钟 52. Yellow river – 黄河 19. Gu Qin-古琴 53. West Lake- 西湖 20. Calligraphy-书法 54 Garden – 庭院 21. Writing Brush-毛笔 55 Three Gorges – 三峡 22. Journey to the West-西游记 56 Dujianyan Irrigation Dam – 都江堰 23. Bamboo-竹 57 Taishan Mountain –太山 24. Dragon –龙 58 Dunhuang –敦煌 () 25. Phoenix-凤 59 Shaolin Monastery – 少林寺 26. Kung Fu- 功夫 60 Dumpling –饺子 27. Tai Chi Chuan- 太极拳 61 Roast Duck – 烤鸭 28. Sword-剑 62 Tang hu lu- 糖葫芦 29. Traditional Chinese Medicine-中药 63 Hotpot-火锅 30. Acupuncture and Moxibustion-针灸 64 Tofu- 豆腐 31. Spring Festival-春节 65 Alcoholic Drinks – 酒 32. Qingming Festival – 清明 66. Noodles- 面 33. Dragon Boat Festival-端午 67. Fish- 鱼 34. 34. QiXi Festival – 七夕 Unit – 5 - What plans do you have for the holiday? 1. 快 Kuài - fast 2. 放假 fàngjià – to have holiday 3. 假期 jiàqī – n. holiday Zǒu lù Zì xíng chē Fēi jī Chū zū chē 4. 计划 jìhuà- to plan 走路 自行车 飞机 出租车 5. 打算 dǎsuàn - intend 6. 回家 huí jiā – return home Note: you don’t 7. 过年 guònián – New Year need to write these. 8. 留在 liú zài – to stay at 坐/骑 9. 学习 xuéxí- to learn 10. 想 xiǎng – to think 11. 想念 xiǎngniàn –to miss chē Huǒ chē Bā shì Lún chuán 12. 海滩 Hǎitān- beach 车 火车 巴士 轮船 13. 海边 Hǎibiān – coast line 14. 景色 Jǐngsè - -Scenery 25. 上网 shàngwǎng – surf internet 15. 风景 Fēngjǐng - landscape 26. 便宜 piányí- cheap 16. 只要 Zhǐyào - only 27. 票 piào- ticket 17. (东西南北)部 (Dōngxī nánběi) bù – E,W,S,N side 28. 一路上 yī lùshàng- along the way 18. 远 Yuǎn- far 29. 最后 zuìhòu- end, at last 19. 听说 Tīng shuō - To hear 30. 希望 xīwàng- hope 20. 离 Lí- to leave, away, distance 21. 租 Zū – to rent 22. 跟 Gēn – to, with, and 23. 旅行 lǚxíng- to travel 24. 所以 suǒyǐ- then, so A: Chinese Art and Craft Project Project Name Direction 1. Paper Cutting What is paper cutting? When did the Chinese consider paper cutting a form of folk art? What is its purpose? 2. Folk Art – Kites, Shadow puppets, Please focus on how these folk arts became popular in China. How did they originate? Describe Origami (paper folding) their design motifs…..etc. 3. Calligraphy and Painting Please describe these two traditional Chinese art forms. How did they start and what kinds of tools and materials did people use. Describe each material in detail. In addition, please provide examples to let your reader know how to appreciate the art/ painting. 4. Chinese Cloisonné (Jing Tai Lan) Please describe Jing Tai Lan. What are the unique aspects of this pottery? What makes this technique stand out from all other types of pottery? What are the criteria to appreciate this art form? Provide an example of famous Jing Tai Lan and let your audience know why it is so special and valuable. 5. Chinese Chess Research Chinese Chess, define the game and briefly describe how it is played. Describe the game’s origin and describe how each piece moves. How do you determine a win or loss? Please create some example chess pieces (a half set) by using clay or other easily assembled materials. 6. Chinese Embroidery Please describe the traditions of Chinese clothing through the dynasties. How do they differ? What do the garments represent and when do you wear different types of outfits? Please give an example by using your own old clothing. 7. Chinese Bronze Vessels Describe a bronze vessel. When did the Chinese start invent/begin to use these vessels? What is purpose of the bronze vessels and what are their particular features? 8. Beijing Opera Mask Describe the origins of the Beijing Opera Mask, in what time period did it appear? Describe the stage (background set), roles, make up and costumes in detail. Describe the “plot” of the opera and specific upon what the story/drama is based. 9. Terracotta Warriors Describe why Qin Shi-huang built the terracotta warriors. What were their purpose? Tell me a little bit about Chinese history and the societal background during Qin’s era. How did he conquer all 6 states? Please write a detailed description of Qin Shi-huang’s tomb and how the Terracotta Warriors were arranged within. Finally, describe the physical appearance of the warriors – their facial expressions, outfits, weapons, etc... 10. The Great Wall of China When and why was the wall built? What was its main purpose? Who built it? (detailed) B: Chinese Holiday and Festival Project Name Direction 1. Spring Festival (New Year) State how this differs with our (western) New Year’s? How do the Chinese celebrate this festival; list at least 5 different activities they do. What kinds of customs are included? 2. Moon Festival Tell the origin story or legend of the Moon Festival.
Recommended publications
  • The Heart of the Dragon Ensemble Is a UK-Based Professional Chinese Musicians' Group That Holds Regular Concerts and Educational Programmes Throughout the UK
    HEART OF THE DRAGON ENSEMBLE The Heart of the Dragon Ensemble is a UK-based professional Chinese musicians' group that holds regular concerts and educational programmes throughout the UK. Apart from playing traditional and classical Chinese music, the group also creates new compositions and productions. The Ensemble was founded and is led by composer and producer Jiang Li. Widely acclaimed as a composer of the new generation in the UK as well as in mainland China, and with a performing and composing career spanning more than thirty years, Jiang Li has produced a repertoire rich in Chinese music with Western influences. Jiang Li has been awarded a Fellowship Programme from NESTA - the National Endowment for Science, Technology and the Arts. He was also one of three finalists for a Pearl Award in the Creative Excellence category. Here, Jiang Li and the Heart of the Dragon Ensemble present the music of a variety of Chinese festivals celebrated throughout the Chinese calendar. A note from the producer Music is an expression of spiritual emotions. Looking back at Chinese history, it is not difficult to find that festivals and music are integrated and have evolved together. When music, dance and street arts add cultural colour to the festival, the festival provides an opportunity for these art forms to flourish. Included in this album is a good selection of such music that tell the stories of Chinese festivals: the drum beats for the dragon boat race in the Dragon Boat festival (“Three Dragons”), the lyrical tunes between the erhu and xiao on Chinese Valentine’s day (“Valentine Melody” & “Moonlight on Spring Water”), the harvest drums during the Mid-Autumn festival (“Autumn Celebration”), and the smooth ‘water-flow’-like melodies of the guzheng depicting ancient mythical stories (“Four Pieces of Silk”).
    [Show full text]
  • Download Article
    International Conference on Arts, Design and Contemporary Education (ICADCE 2016) Ancient Emaki "Genesis" Exploration and Practice of Emaki Art Expression Tong Zhang Digital Media and Design Arts College Beijing University of Posts and Telecommunications Beijing, China 100876 Abstract—The ancient myths and legends with distinctive generation creators such as A Gen, sheep and others, and a Chinese characteristics, refers to myths and legends from dedicated serial picture book magazine "Paint Heart", Chinese Xia Dynasty until ancient times, it carries the origin of "STORY" appears, the delicate picture and vivid story make Chinese culture and it is the foundation of the Chinese nation, it Chinese picture book also developing rapidly and has formed a influence the formation and its characteristics of the national national reading faction craze for outstanding picture books. spirit to a large extent. The study explore and practice the art expression which combines ancient culture with full visual 1) Picture book traced back to ancient Chinese Emaki: impact Emaki form, learn traditional Chinese painting China has experienced a few stages include ancient Emaki, techniques and design elements, and strive to make a perfect illustrated book in Republican period and modern picture performance for the magnificent majestic ancient myth with a books. "Picture book", although the term originated in Japan, long Emaki. It provides a fresh visual experience to the readers and promotes the Chinese traditional culture, with a certain but early traceable picture books is in China. In Heian research value. Kamakura Period Japanese brought Buddhist scriptures (Variable graph), Emaki (Lotus Sutra) and other religious Keywords—ancient myths; Emaki form; Chinese element Scriptures as picture books back to Japan, until the end of Middle Ages Emaki had developed into Nara picture books.
    [Show full text]
  • Traditional Festival As a Tourism Event- Stakeholders' Influence On
    Traditional Festival as a Tourism Event: Stakeholders’ Influence on the Dynamics of the Sendai Tanabata Festival in Japan YUJIE SHEN JAP4693 - Master’s Thesis in Modern Japan Master’s programme 30 credits Autumn 2020 Department of Culture Studies and Oriental Languages (IKOS) University of Oslo December 15, 2020 Summary A new method of analyzing traditional Japanese festivals (matsuri) based on event studies is presented. Stakeholders’ influence and their interactions redefine narratives of tradition. In Japan, the urbanization of society has transformed matsuri into tourism-oriented events. However, the influence of touristification on tradition has not yet been fully explored. This paper offers a close examination of a case study about the dynamics of the Sendai Tanabata Festival. Local newspaper archives were used as the primary source and adopted the stake- holder theory and social exchange theory from event studies to examine stakeholders’ power and interests, as well as their relationships. The results discovered that it is the conflicts of festival stakeholders throughout the years that shaped the Sendai Tanabata Festival to what it is like today. Although festival organizers and local residents are key players, both domestic and foreign tourists’ influence should also not be neglected. The inheritance of traditional cul- ture depends on its original community i.e. local residents. Depopulation and aging social problems have shifted the weight of festival ownership to tourists, as they contribute to the economic revitalization and regional development. As a result, festival organizers tend to tai- lor the festival to tourists’ tastes, which often leads to change or loss of tradition’s original festive meaning or the invention of a new tradition.
    [Show full text]
  • A Case Study of Adoption of a Mixed Teaching Mode in the Teaching of English-Chinese Translation Course
    Chinese Studies, 2021, 10, 31-41 https://www.scirp.org/journal/chnstd ISSN Online: 2168-541X ISSN Print: 2168-5428 A Case Study of Adoption of a Mixed Teaching Mode in the Teaching of English-Chinese Translation Course Zhiling Wu, Yongqing Guo, Jianjun Wang* Foreign Languages College, Inner Mongolia University, Hohhot, China How to cite this paper: Wu, Z. L., Guo, Y. Abstract Q., & Wang, J. J. (2021). A Case Study of Adoption of a Mixed Teaching Mode in the This paper explores the application of Task-Based Learning (TBL), Collabor- Teaching of English-Chinese Translation ative-Inquiry Model (CIM) + MOOCs mixed teaching mode in the teaching Course. Chinese Studies, 10, 31-41. of “English-Chinese translation” course. When accomplishing learning tasks https://doi.org/10.4236/chnstd.2021.101003 by groups, students are driven to carry out collaborative learning before class. Received: November 19, 2020 Students feel compelled to complete specific learning tasks in the form of group Accepted: January 30, 2021 cooperation assigned by the teacher through two quality MOOC courses be- Published: February 2, 2021 fore class. In the case of this translation course, students are required to gain an insight into certain differences between English and Chinese before class Copyright © 2021 by author(s) and from the level of the syntactic structure to that of the semantic meaning. The Scientific Research Publishing Inc. This work is licensed under the Creative teacher carefully designs the overall learning task and group learning tasks to Commons Attribution International ultimately achieve one of the teaching goals of enabling students to introduce License (CC BY 4.0).
    [Show full text]
  • The Heritage of Non-Theistic Belief in China
    The Heritage of Non-theistic Belief in China Joseph A. Adler Kenyon College Presented to the international conference, "Toward a Reasonable World: The Heritage of Western Humanism, Skepticism, and Freethought" (San Diego, September 2011) Naturalism and humanism have long histories in China, side-by-side with a long history of theistic belief. In this paper I will first sketch the early naturalistic and humanistic traditions in Chinese thought. I will then focus on the synthesis of these perspectives in Neo-Confucian religious thought. I will argue that these forms of non-theistic belief should be considered aspects of Chinese religion, not a separate realm of philosophy. Confucianism, in other words, is a fully religious humanism, not a "secular humanism." The religion of China has traditionally been characterized as having three major strands, the "three religions" (literally "three teachings" or san jiao) of Confucianism, Daoism, and Buddhism. Buddhism, of course, originated in India in the 5th century BCE and first began to take root in China in the 1st century CE, so in terms of early Chinese thought it is something of a latecomer. Confucianism and Daoism began to take shape between the 5th and 3rd centuries BCE. But these traditions developed in the context of Chinese "popular religion" (also called folk religion or local religion), which may be considered a fourth strand of Chinese religion. And until the early 20th century there was yet a fifth: state religion, or the "state cult," which had close relations very early with both Daoism and Confucianism, but after the 2nd century BCE became associated primarily (but loosely) with Confucianism.
    [Show full text]
  • The Festival of the Nine Emperor Gods in Malaysia: Myth,Ritual,And Symbol
    C heu H ock T ong National University of Singapore The Festival of the Nine Emperor Gods in Malaysia: Myth,Ritual,and Symbol Abstract The present paper describes and analyzes the Festival of the Nine Emperor Gods, a popular celebration among the Chinese in Malaysia. The origins of the myth of the Nine Emperor Gods may be traced back to the Nine Human Sovereigns of Chinese tradition, to the historical events of the Han and Ming dynasties, and to the circumstances of the Chinese immigration into Malaysia. The myth of the Nine Emperor Gods is enacted in a body of rituals, the significance of which is reflected in the symbolic representations of the gods. Myth, ritual, and symbol are thus ideologically interrelated to form a structural framework for the interaction of the yin-yang forces at different levels of the cosmic representations featured in the festival. The festival provides a venue for the yearly renewal of cosmic power, so that human life may be rejuvenated and human conflicts resolved. Key words: Nine Emperor Gods — festival— myth ——ritual— macrocosm 一 micro­ cosm — infracosm Asian Folklore Studies, Volume 55,1996: 49-72 1 H E Festival of the Nine Emperor Gods (Jiuhuangye 九皇爺)in 1 Malaysia is a form of temple fair celebrated only at temples dedicated to these gods. In a 1984 survey I found tmrty-nine such temples in Peninsular Malaysia and none in the states of Sabah and Sarawak. In 1990 the number in Peninsular Malaysia had increased to fifty. My latest surveys, in 1991 and 1992,revealed a further three temples in the West しoast Residency of Sabah (two in Kota Kinabalu and one in Labuan).1 The organization of the festival can be represented in the form of two large concentric circles.
    [Show full text]
  • A Historical and Comparative Analysis of Incense and Moxibustion As Similar Agents of Edification and Self-Cultivation Hannah E
    Black & Gold Volume 3 Black & Gold Article 2 2017 Succor in Smoke: A Historical and Comparative Analysis of Incense and Moxibustion as Similar Agents of Edification and Self-Cultivation Hannah E. Matulek The College of Wooster Follow this and additional works at: https://openworks.wooster.edu/blackandgold Part of the Asian History Commons, Chinese Studies Commons, History of Science, Technology, and Medicine Commons, and the Other Religion Commons Recommended Citation Matulek, Hannah E. (2017) "Succor in Smoke: A Historical and Comparative Analysis of Incense and Moxibustion as Similar Agents of Edification and Self-Cultivation," Black & Gold: Vol. 3. Available at: https://openworks.wooster.edu/blackandgold/vol3/iss1/2 This Article is brought to you for free and open access by Open Works. It has been accepted for inclusion in Black & Gold by an authorized administrator of Open Works. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Matulek: Succor in Smoke: A Historical and Comparative Analysis of Incense Introduction Medicine in traditional China was a dynamic, widespread, and all-encompassing aspect of society that drew from other facets of civilization to gain information, define etiology, diagnose illness, and offer treatment options to the sick. In the earlier periods of Chinese history, disease was explained and treated through the concepts of dissatisfied ancestors and malicious demonic possession. Expressed in the oracle bones of the Shang and Early Zhou Dynasties, mortal ailments were attributed to and thought to be controlled by volatile external forces. The Chinese medical tradition would shift from these approaches in subsequent dynasties, however, largely due to the introduction of China’s three major religions—Confucianism, Buddhism, and Daoism.
    [Show full text]
  • The Daoist Tradition Also Available from Bloomsbury
    The Daoist Tradition Also available from Bloomsbury Chinese Religion, Xinzhong Yao and Yanxia Zhao Confucius: A Guide for the Perplexed, Yong Huang The Daoist Tradition An Introduction LOUIS KOMJATHY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 175 Fifth Avenue London New York WC1B 3DP NY 10010 UK USA www.bloomsbury.com First published 2013 © Louis Komjathy, 2013 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Louis Komjathy has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury Academic or the author. Permissions Cover: Kate Townsend Ch. 10: Chart 10: Livia Kohn Ch. 11: Chart 11: Harold Roth Ch. 13: Fig. 20: Michael Saso Ch. 15: Fig. 22: Wu’s Healing Art Ch. 16: Fig. 25: British Taoist Association British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 9781472508942 Library of Congress Cataloging-in-Publication Data Komjathy, Louis, 1971- The Daoist tradition : an introduction / Louis Komjathy. pages cm Includes bibliographical references and index. ISBN 978-1-4411-1669-7 (hardback) -- ISBN 978-1-4411-6873-3 (pbk.) -- ISBN 978-1-4411-9645-3 (epub) 1.
    [Show full text]
  • Yu-Huang -- the Jade Emperor
    יו הואנג يو هوانج https://www.scribd.com/doc/55142742/16-Daily-Terms ヒスイ天使 Yu-huang -- The Jade Emperor Yu-huang is the great High God of the Taoists -- the Jade Emperor. He rules Heaven as the Emperor doe Earth. All other gods must report to him. His chief function is to distribute justice, which he does through the court system of Hell where evil deeds and thoughts are punished. Yu- huang is the Lord of the living and the dead and of all the Buddhas, all the gods, all the spectres and all the demons. According to legend he was the son of an emperor Ch'ing-te and his wife Pao Yueh-kuang who from his birth exhibited great compassion. When he had been a few years on the throne he abdicated and retired as a hermit spending his time dispensing medicine and knowledge of the Taoist texts. Some scholars see in this a myth of the sacred union of the sun and the moon, their son being the ruler of all Nature. "The good who fulfill the doctrine of love, and who nourish Yu-huang with incense, flowers, candles and fruit; who praise his holy name with respect and propriety -- such people will receive thirty kinds of very wonderful rewards." --Folkways in China L Holdus. http://www.chebucto.ns.ca/Philosophy/Taichi/gods.html Jade Emperor The Jade Emperor (Chinese: 玉皇; pinyin: Yù Huáng of the few myths in which the Jade Emperor really shows or 玉帝, Yù Dì) in Chinese culture, traditional religions his might. and myth is one of the representations of the first god (太 In the beginning of time, the earth was a very difficult 帝 tài dì).
    [Show full text]
  • Taoism and Chinese Religion
    www.quirinpress.com @QuirinPress Quirin Press Release “It is largely thanks to [Maspero’s] pioneer work in the fields of Chinese religion, anthropology, linguistics and history that China’s contribution to the achievement of man could first be reviewed on terms of parity with those of other civilizations. “To the question whether his discoveries, opinions and interpretations have been outdated by the subsequent thirty years’ research, it may be answered that leading scholars still rely with the utmost confidence on his writings as a framework whose validity has outdated their most recent findings, and whose detail has in many cases not been bettered.” — Michael Loewe, University of Cambridge (from the sleeve notes to the original 1981 edition.) Taoism and Chinese Religion Revised Edition by Henri Maspero Translated by Frank A. Kierman, Jr. Price for pb & E-book: $ 96.56 USD | €74.00 EUR | £ 58.40 GBP | $ 99.99 AUD Publication date: Sep. 2014 Paperback (Sep. 2015 E-book) Size: xli + 689 pages | 6 x 9 in. / 234 x 156 mm. | 2.339 lb / 1060 gm Formats available: Perfect Bound (pb) & E-book Series: Quirin Pinyin Updated Editions (QPUE) ISBN 13: 978-1-922169-04-4 Paper | 978-1-922169-05-1 E-book (Sep 2015) … one of the greatest attractions of Maspero’s writings in this volume (and one that will endure even when our own researches eventually make us better informed than he was on every topic upon which he touched), is the invaluable picture disclosed to us of a mature sinologist remarkable for his broad erudition and penetrating insight confronting a field of research completely untouched by earlier scholars.
    [Show full text]
  • Daily Life for the Common People of China, 1850 to 1950
    Daily Life for the Common People of China, 1850 to 1950 Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access China Studies published for the institute for chinese studies, university of oxford Edited by Micah Muscolino (University of Oxford) volume 39 The titles published in this series are listed at brill.com/chs Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Daily Life for the Common People of China, 1850 to 1950 Understanding Chaoben Culture By Ronald Suleski leiden | boston Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access This is an open access title distributed under the terms of the prevailing cc-by-nc License at the time of publication, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www.knowledgeunlatched.org. Cover Image: Chaoben Covers. Photo by author. Library of Congress Cataloging-in-Publication Data Names: Suleski, Ronald Stanley, author. Title: Daily life for the common people of China, 1850 to 1950 : understanding Chaoben culture / By Ronald Suleski.
    [Show full text]
  • Nine Commentaries on the Communist Party - Introduction
    (Updated on January 12, 2005) Nine Commentaries on the Communist Party - Introduction More than a decade after the fall of the former Soviet Union and Eastern European communist regimes, the international communist movement has been spurned worldwide. The demise of the Chinese Communist Party (CCP) is only a matter of time. Nevertheless, before its complete collapse, the CCP is trying to tie its fate to the Chinese nation, with its 5000 years of civilization. This is a disaster for the Chinese people. The Chinese people must now face the impending questions of how to view the CCP, how to evolve China into a society without the CCP, and how to pass The Epoch Times is now publishing a special editori al series, on the Chinese heritage. The Epoch Times is “Nine Commentaries on the Chinese Communist Party.” now publishing a special editorial series, “Nine Commentaries on the Communist Party.” Before the lid is laid on the coffin of the CCP, we wish to pass a final judgment on it and on the international communist movement, which has been a scourge to humanity for over a century. Throughout its 80-plus years, everything the CCP has touched has been marred with lies, wars, famine, tyranny, massacre and terror. Traditional faiths and principles have been violently destroyed. Original ethical concepts and social structures have been disintegrated by force. Empathy, love and harmony among people have been twisted into struggle and hatred. Veneration and appreciation of the heaven and earth have been replaced by an arrogant desire to “fight with heaven and earth.” The result has been a total collapse of social, moral and ecological systems, and a profound crisis for the Chinese people, and indeed for humanity.
    [Show full text]