Das Belgische Ensemble Les Muffatti

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Fiori Musicali: Vergangenheitsfantasien: Das Belgische Ensemble Les Muffatti Montag, 09. Mai 2016, 22.00 - 24.00 Uhr Les Muffatti sind ein spritziges Ensemble aus Brüssel, geleitet vom Alte-Musik-Spezialisten Peter Van Heyghen. Nicht nur Werke ihres Namensgebers Georg Muffat, sondern auch jene von vergessenen Komponisten wie Giovanni Bononcini und Johann Christoph Pez holen sie aus Bibliotheken in den Konzertsaal. Les Muffatti sind benannt nach dem kosmopolitischen Komponisten Georg Muffat. Ende des 17. Jahrhunderts war er einer der wenigen, der sowohl den italienischen, als auch den französischen Still beherrschte und nach Mitteleuropa exportierte. Auch Les Muffatti reisen kreuz und quer durch das europäische Barockmusik-Repertoire. Ihre Überzeugung: Quellentreue ist gut und schön, aber die Musik muss ein heutiges Publikum überzeugen. Denn die Vergangenheit existiert sowieso nur in der Phantasie. Ein Querschnitt aus dem Schaffen von «Les Muffatti» mit Werken von Reinhard Keiser, Jean-Marie Leclair, Giovanni Bononcini, Johann Christoph Pez und Georg Muffat. Redaktion: Theresa Beyer Georg Muffat: Armonico Tributo. Les Muffatti - Peter Van Heyghen Label: Ramee RAM 0502 Track 01- 07 Georg Muffat: Sonate Nr. 1, D-dur 1. Grave 2. Allegro e presto 3. Allemanda (Grave e forte) 4. Grave 5. Gavotta (Allegro e forte) 6. Grave 7. Menuet (Allegro e forte) aus: Armonico tributo Les Muffatti Leitung: Peter van Heyghen Jean-Marie Leclair: Violin concertos op. 7. Luis Otavio Santos, Les Muffatti, Peter van Heyghen Label: Ramee RAM 1202 Track 01-03: Jean-Marie (I) Leclair: Konzert für Violine und Orchester a-Moll 1. Vivace 2. Largo - Adagio 3. Allegro assai Luís Otávio Santos, Violine Les Muffatti Leitung: Peter van Heyghen Giovanni Bononcini: San Nicola di Bari Label: Ramee RAM 0806 Track 13-25: 13. Aria Largo (San Nicola): M'incanteni, e si mi sciogli 14. Recitativo (Giovanna): Sempre Madre amorosa 15. Aria Vivace (Giovanna): A girar 16. Recitativo (San Nicola / Giovanna): Scolpice il tu desio 17. Aria Largo (Giovanna): Un dolce affetto 18. Recitativo (Giovanna): Stelle, deh non ardete 19. Aria Vivace (Clizio): Tutto fiamme 20. Recitativo (Clizio / San Nicola): Ma qui giunge Nicola 21. Aria Andante (San Nicola): Il diletto è una Sirena 22. Recitativo (San Nicola / Clizio): Entro a dotto Liceo 23. Aria Allegro (Clizio): Anche il Cielo 24. Recitativo (San Nicola / Clizio): Al misero Vivente 25. Aria Allegro (San Nicola): Io non vuò Les Muffatti Leitung: Peter Van Heyghen Sopran: Lavinia Bertotti Sopran: Elena Cecchi Fedi Alt: Gabriella Martellacci Bariton: Furio Zanasi Johann Christoph Pez: Ouvertures, Concerti. Les Muffatti, Peter Van Heyghen Label: Ramee RAM 0705 Track 35-37: Johann Christoph Pez:Concert Pastoral D-Dur 1. Pastorella 2. Allegro - Largo/Adagio - Allegro 3. Andante Track 29-34: Johann Christoph Pez: Ouvertüre d-Moll. Pièces pour la musique de table 1. Ouverture - Presto 2. Entrée 3. Air 4. Rondeau 5. Menuet Les Muffatti Leitung: Peter van Heyghen Reinhard Keiser: Brockes Passion Label: Ramee RAM 1303 Track 1-11 1. Chor (Chor gläubiger Seelen) 2. Recitativo (Evangelist) 3. Aria 4. Recitativo 5. Aria 6. Choral 7. Recitativo 8. Chor 9. Accompagnement 10. Recitativo 11. Aria Soliloquio Les Muffatti Leitung: Peter Van Heyghen Vox Luminis Leitung: Lionel Meunier Sopran: Zsuzsi Tòth Tenor: Jan Van Elsacker Bass: Peter Koij Guiseppe Sammartini: Concertos & Overtures. Benoît Laurent, Les Muffatti, Peter Van Heyghen Label: Ramee RAM 1008 Track 09-11: Giuseppe Sammartini: Oboenkonzert C-Dur 1. Allegro 2. Andante 3. Allegro assai Benoît Laurent, Oboe Les Muffatti Leitung: Peter van Heyghen Georg Muffat: Armonico Tributo. Les Muffatti - Peter Van Heyghen Label: Ramee RAM 0502 Track 16-21: Georg Muffat: Sonate Nr. 3, A-dur (aus:) Armonico tributo 1. Sonata (Grave) 2. Allegro 3. Corrente 4. Adagio 5. Gavotta 6. Rondeau Les Muffatti Leitung: Peter van Heyghen .

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Concerto Grosso
Georg Muffat Armonico Tributo SONATE DI CAMERA COMMODISSIME A POCCHI, Ò A MOLTI STROMENTI (Salzburg 1682) SONATA I (D major) 1. Sonata Grave 3:30 2. Allegro e presto 3:05 3. Allemanda Grave e forte 4:12 4. Grave 2:15 5. Gavotta Allegro e forte 1:12 6. Grave 0:49 7. Menuet Allegro e forte 1:42 SONATA II (G minor) 8. Sonata Grave 1:32 9. Allegro 4:07 10. Grave – Forte e allegro – Grave 1:32 11. Aria 1:31 12. Grave 0:38 13. Sarabanda Grave 1:31 14. Grave 2:05 15. Borea Alla breve 1:50 SONATA III (A major) 16. Sonata Grave 0:33 17. Allegro 2:42 18. Corrente 1:33 19. Adagio 1:10 20. Gavotta 1:30 21. Rondeau 1:15 SONATA IV (E minor) 22. Sonata Grave [– Allegro] 0:56 23. Balletto 1:57 24. Adagio – Presto – Adagio – Presto – Adagio 2:00 25. Menuet 1:46 26. Adagio 0:49 27. Aria Presto 0:56 SONATA V (G major) 28. Allemanda Grave 3:30 29. Adagio 1:55 30. Fuga 1:49 31. Adagio 3:17 32. Passagaglia Grave 10:29 TOTAL 70:25 precisely the reason why he should belong in the same GEORG MUFFAT – ARMONICO TRIBUTO category as the great composers. Anyone, whether musicologist, performer, or Georg Muffat was born in 1653 to French- simply music lover, who has even slightly immersed Scottish parents in the Savoy region of France in the himself in Georg Muffat's work, eventually comes to town of Megève. His family moved to Alsace when he the realisation that in today's music culture, Muffat was a small child, and at the age of ten the young has not been awarded the honorable recognition Muffat was sent to Paris in order to study music.
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Vox Luminis Lionel Meunier, Founder and Artistic Director THU / OCT 11 / 7:30 PM
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Concertos for Organ and Strings
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Wed 15 Jan – Sun 19 Jan 2020 BACH ACADEMY BRUGES Chez Bach © Rune Guneriussen Rune © Dear music lover Festival summary WED 15 JAN 2020 SAT 18 JAN 2020 SUN 19 JAN 2020 20.30 KAAP | De Werf 11.00 Chamber music hall 11.00 Chamber music hall Bobo Stenson Pluto Ensemble Stefanie Troffaes & Honed by Bach Quodlibet: party time Julien Wolfs at Bach’s Bach. Flute Sonatas i.c.w. KAAP p. 10 p. 21 THU 16 JAN 2020 14.00 Chamber music hall 14.30 Chamber music hall 19.15 Magdalenazaal Ignace Bossuyt & Het Collectief Introduction by Pieter T’Jonck Vox Luminis The Art of Fugue, Close-up Florilegium an Anamorphosis 20.00 Magdalenazaal Portense p. 22 Opus & Elvedon p. 13 16.30 Concert hall Christos Papadopoulos © Michiel Hendryckx 16.30 Chamber music hall Ensemble Masques i.c.w. Cultuurcentrum Brugge Martin Helmchen Coffee at Zimmermann’s Bach. Partitas p. 24 FRI 17 JAN 2020 p. 15 Welcome to this tenth edition of the Bach 20.00 Concert hall 20.00 Concert hall Academy, in Concertgebouw Brugge! In the concerts of the Pluto Ensemble and 20.00 Concert hall Collegium Vocale Gent Collegium Vocale Gent That we have been able to enrapture you Vox Luminis – which focus on the Florilegium Vox Luminis In der süßen Ewigkeit SUMMARY FOREWORD Mendelssohn. Jesu, with the music and the social world of the Portense – the interweaving of Bach’s vocal The road to Leipzig p. 26 meine Freude Leipzig Cantor over the past years is no oeuvre and the existing tradition is central.
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Les Muffatti
SPEEDMEETING SUBSCRIPTION FORM COMPANY : LES MUFFATTI – Brussels Baroque Orchestra First name : Benoît / Emilie Last Name : Vanden Bemden / Menz email : [email protected] / [email protected] www.lesmuffatti.be www.facebook.com/LesMuffatti Describe your company in a few words : LES MUFFATTI, the brainchild of a group of Brussels-based musicians, was born in 1996 out of a desire to create a professional environment which would focus on baroque orchestral repertoire, and which would devote equal attention to the joy of performance, close musical study, and the demands of the craft in terms of accuracy with sophistication. The ensemble's blend of enthusiasm, dedication and idealism so impressed Peter Van Heyghen that he decided to become their mentor and conductor. Between 2004 (the year they welcomed Van Heyghen) and 2014, Les Muffatti made waves on the international stage, performing at a number of leading venues all over Europe. Over time, the group has developed a distinctive artistic identity, part of which involves sharing responsibility for artistic direction jointly among its members. Since 2015, each project is entrusted to a guest musician – the musical director of one project might be a soloist; the conductor or leader might take over the next. The orchestra is exploring a range of major projects over the coming years, including working with a writer in residence and showcasing rare instruments. At the same time, it is always sensitive to the need to maintain a balance between performing key repertoire and publicising hidden gems. The group's name is a hat-tip to Georg Muffat (1653-1704), a cosmopolitan composer who played a key part in bringing the orchestra's founding members together.
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Johann Sebastianbach
STSTEPEPHHAAN MMAACLEOCLEODD Intégrale des Cantates Johann o SebastianBach12 Un choral, des musiques Johann Sebastian Bach NBWV 81 – 180 BWV 227 Jesu meine Freude (Mottete) Dietrich Buxtehude BuxWV 60 Jesu meine Freude Georg Philipp Telemann TWV 1 : 1253-54 Schmücke dich o meine Seele Lundi 12 janvier 2009 Temple de la Madeleine, Genève Programme Intégrale des Cantates – Concert No 12 Place aux jeunes... Le concert de ce soir a été presque entièrement préparé par des collégiens genevois, étu- Un choral, des musiques diants de troisième année du Collège et Ecole de Commerce Madame de Staël ! Ce sont eux qui ont établi le calendrier des tâches à organiser, envoyé les demandes d’autorisations di- Georg Philipp Telemann (1681-1767) verses, préparé l’envoi des contrats aux musiciens ou encore façonné les billets qui vous ont TWV 1 : 1253-54 Schmücke dich o meine Seele permis de nous rejoindre ce soir. Ce sont eux aussi qui ont rédigé les courriers permettant par exemple à l’ensemble de confier sa billetterie au Service Culturel Migros, ou qui ont Johann Sebastian Bach (1685 -1750) demandé à la Ville de Genève le prêt de podiums ou de lutrins. Eux enfin qui ont écrit une BWV 180 Schmücke dich o liebe Seele grande partie du programme que vous tenez entre vos mains... et qui vous accueillent ce PAUSE soir ! S’ils ont tenu les rênes de l’administration de ce concert depuis six mois, c’est aussi pour le plaisir de participer pleinement à l’organisation d’une manifestation culturelle, mais avant Dietrich Buxtehude (1637-1707) tout parce que cela faisait partie d’un cours en option complémentaire musique dans le BuxWV 60 Jesu, meine Freude cadre de leur cursus scolaire (maturité gymnasiale).
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Handel BROCKES-PASSION Academy of Ancient Music
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Falsa Imagine 6:01 17
George Frideric Handel Arie per la Cuzzoni Hasnaa Bennani Les Muffatti – Peter Van Heyghen CONTENTS 2-Programme 8-English text 14-German text 20-French text 26-Lyrics 34-Imprint GEORGE FRIDERIC HANDEL Arie per la Cuzzoni ARIAS FOR FRANCESCA CUZZONI (1691-1772) ARIEN FÜR FRANCESCA CUZZONI (1691-1772) ARIAS POUR FRANCESCA CUZZONI (1691-1772) 1. Ouverture Scipione (1726) 5:55 2. Marcia 1:26 3. Rec.: Che Sento? Oh Dio! Giulio Cesare (1724) 1:09 4. Aria: Se pietà di me non senti 7:39 5. Aria: Scoglio d'immota fronde Scipione 5:22 6. Concerto Ottone (1723) 2:44 7. Aria: Ombre, piante, urne funeste! Rodelinda (1725) 5:26 8. Rec.: Non credo che sian ﬁ nti Siroe, Re di Persia (1728) 0:27 9. Aria: Or mi perdo di speranza 4:34 10. Aria: Non è più tempo Tamerlano (1724) 2:53 11. Ouverture Tolomeo, Re di Egitto (1728) 3:27 12. Ballo di Larve Admeto (1727) 2:48 13. Sinfonia Scipione 1:29 14. Sinfonia Admeto 1:20 15. Rec.: È tale Otton? Ottone 1:17 16. Aria: Falsa imagine 6:01 17. Aria: Se'l mio duol non è si forte Rodelinda 5:46 18. Sinfonia Admeto 1:17 19. Aria: Nò, più soffrir non voglio Alessandro (1726) 3:58 20. Aria: Torni omai la pace all'alma Tolomeo, Re di Egitto 4:17 TOTAL 69:27 HASNAA BENNANI soprano 4 LES MUFFATTI Harpsichord Kris Verhelst Archlute Bernard Zonderman Horns Lionel Renoux, Yannick Maillet Transverse ﬂ ute & recorder Stefanie Troffaes Recorder Thomas Deprez Oboes Benoît Laurent, Stefaan Verdegem Bassoon Alain De Rijckere Violins I Rachael Beesley, Marie Haag, Catherine Meeùs, Madoka Nakamaru Violins II Benedicte Verbeek, Ingrid Bourgeois, Laurent Hulsbosch, Marrie Mooij Altos Wendy Ruymen, Julie Vermeulen Cellos Corentin Dellicour, Michel Boulanger, Ronan Kernoa Double bass Elise Christiaens 5 PETER VAN HEYGHEN direction 6 7 ^menu The French-Moroccan soprano HASNAA BENNANI began her musical education in Rabat with her sister Jalila Bennani and the violin teacher László Fodor, before entering the Conservatoire national supérieur de musique et de danse de Paris, where she studied with Glenn Chambers.
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