2014 22Nd Annual Poets House Showcase Exhibition Catalog
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Investigating the Cryptogenic Status of the Sea Squirt Didemnum Perlucidum (Tunicata, Ascidiacea) in Australia Based on a Molecular Study of Its Global Distribution
Aquatic Invasions (2016) Volume 11, Issue 3: 239–245 DOI: http://dx.doi.org/10.3391/ai.2016.11.3.02 Open Access © 2016 The Author(s). Journal compilation © 2016 REABIC Research Article Investigating the cryptogenic status of the sea squirt Didemnum perlucidum (Tunicata, Ascidiacea) in Australia based on a molecular study of its global distribution P. Joana Dias1,2,*, Rosana Rocha3, Scott Godwin4, María Ana Tovar-Hernández5, Maria V. Delahoz6, Simon McKirdy7,8, Paul de Lestang7, Justin I. McDonald1 and Michael Snow1 1Department of Fisheries, Government of Western Australia, PO Box 20 North Beach 6920, Western Australia 2School of Animal Biology, University of Western Australia, 35 Stirling Highway, Crawley 6009, Western Australia 3Departamento de Zoologia, Universidade Federal do Paraná, C.P. 19020, 81.531-980, Curitiba, PR, Brazil 4National Oceanic and Atmospheric Administration, National Marine Sanctuaries, 1845 Wasp Blvd, Bldg 176, Honolulu 96818 Hawaii, USA 5Universidad Autónoma de Nuevo León, Facultad de Ciencias Biológicas, Laboratorio de Biosistemática, San Nicolás de los Garza, Nuevo León, México 6Instituto Latinoamericano de Ciencias Marinas y del Ambiente, Miami, USA 7Chevron Australia Pty Ltd, Dynons Plaza 905 hay Street, Perth 6000, Western Australia 8School of Veterinary and Life Sciences, Murdoch University, South St, Murdoch 6150, Western Australia *Corresponding author E-mail: [email protected] Received: 29 January 2016 / Accepted: 31 March 2016 / Published online: 28 April 2016 Handling editor: Noa Shenkar Abstract Didemnid species are assessed as species with a high invasive potential for Australia and as such are listed as target species for both state and national monitoring programs. The presence of the sea squirt Didemnum perlucidum (Monniot, 1983) was first documented in Australia in 2010 and has since then been detected extensively throughout the state of Western Australia and in the Northern Territory. -
Indian Maiden by Proctor
Spotlight on Indian Maiden by Proctor Date: January 2018 EI Presenter: Tina Heffernan Year/Medium: 1926 Bronze Artist: Alexander Phimister Proctor (1860-1950) Title of Piece: Indian Maiden and Fawn “I am eternally obsessed with two deep desires-one, to spend as much time as possible in the wilderness, and the other, to accomplish something worthwhile in art.” – A. P. Proctor Five points of interest about this artist: 1. Called himself the “Sculptor in Buckskin”. His most famous works include the horse in General Sherman in Central Park, the Pioneer Mother here at the University of Oregon, and the Seven Mustangs at the University of Texas at Austin. Proctor’s tribute to Theodore Roosevelt, The Rough Rider, was the subject of the Metropolitan Museum of Art’s first ever educational film on the work of a sculptor. It resides in Portland. 2. He was a contemporary of Frederic Remington and Charles Russell, but chose to work on a more monumental/life size scale and allow his smaller pieces to be more accessible to everyday people. 3. Proctor was born in Canada and grew up in Colorado where he developed a love for hunting and sketching wild animals. In 1885, he sold a gold claim and with the proceeds went first to New York to attend the National Academy of Design and then on to Paris to continue his studies. His academic training made him as comfortable in international artistic circles as he was hunting grizzlies in the Rocky Mountains. 4. As a hunter he always was careful to measure, draw, and sometimes dissect the animals that he killed. -
The American Poetry Review
“As soon as we subscribe to a hierarchy, we circumscribe ourselves within a value system. This is perhaps the great conundrum AMERICAN of art—once we define a term, we impose a limit, thereby inviting both orthodoxy and transgression. Our concept of ‘art’ or ‘poem’ or ‘novel’ is, then, always in flux, and I think we’d agree that this is how art renews itself—through those who dare to challenge those terms. The making of art, and the evaluation of it, is always an act POETRY REVIEW of self-definition.” —KITANO, p. 37 MAY/JUNE 2021 VOL. 50/NO. 3 $5 US/$7 CA MEGAN FERNANDES MAGICAL REALISM IN AMERICA & OTHER POEMS FORREST GANDER OWNING YOURSELF: AN INTERVIEW WITH JACK GILBERT SALLY WEN MAO PARIS SYNDROME & OTHER POEMS ALSO IN THIS ISSUE: ALISON C. ROLLINS MAGGIE SMITH NATALIE EILBERT PHOTO: APRWEB.ORG RIVKAH GEVINSON 2 THE AMERICAN POETRY REVIEW The American Poetry Review (issn 0360-3709) is published bimonthly by World Poetry, Inc., a non-profit corporation, and Old City Publishing, Inc. Edi torial offices: 1906 Rittenhouse Square, Philadelphia, PA 19103-5735. Subscription rates: U.S.: 3 years, $78.00; 2 years, $56.00; 1 year, $32.00. Foreign rates: 3 years, $129.00; 2 years, $92.00; 1 year, $49.00. Single copy, $5.00. Special classroom adoption rate per year per student: MAY/JUNE 2021 VOL. 50/NO. 3 $14.00. Free teacher’s subscription with classroom adoption. Subscription mail should be addressed to The American IN THIS ISSUE Poetry Review, c/o Old City Publishing, 628 N. -
Reglas De Congo: Palo Monte Mayombe) a Book by Lydia Cabrera an English Translation from the Spanish
THE KONGO RULE: THE PALO MONTE MAYOMBE WISDOM SOCIETY (REGLAS DE CONGO: PALO MONTE MAYOMBE) A BOOK BY LYDIA CABRERA AN ENGLISH TRANSLATION FROM THE SPANISH Donato Fhunsu A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature (Comparative Literature). Chapel Hill 2016 Approved by: Inger S. B. Brodey Todd Ramón Ochoa Marsha S. Collins Tanya L. Shields Madeline G. Levine © 2016 Donato Fhunsu ALL RIGHTS RESERVED ii ABSTRACT Donato Fhunsu: The Kongo Rule: The Palo Monte Mayombe Wisdom Society (Reglas de Congo: Palo Monte Mayombe) A Book by Lydia Cabrera An English Translation from the Spanish (Under the direction of Inger S. B. Brodey and Todd Ramón Ochoa) This dissertation is a critical analysis and annotated translation, from Spanish into English, of the book Reglas de Congo: Palo Monte Mayombe, by the Cuban anthropologist, artist, and writer Lydia Cabrera (1899-1991). Cabrera’s text is a hybrid ethnographic book of religion, slave narratives (oral history), and folklore (songs, poetry) that she devoted to a group of Afro-Cubans known as “los Congos de Cuba,” descendants of the Africans who were brought to the Caribbean island of Cuba during the trans-Atlantic Ocean African slave trade from the former Kongo Kingdom, which occupied the present-day southwestern part of Congo-Kinshasa, Congo-Brazzaville, Cabinda, and northern Angola. The Kongo Kingdom had formal contact with Christianity through the Kingdom of Portugal as early as the 1490s. -
HEANEY, SEAMUS, 1939-2013. Seamus Heaney Papers, 1951-2004
HEANEY, SEAMUS, 1939-2013. Seamus Heaney papers, 1951-2004 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Heaney, Seamus, 1939-2013. Title: Seamus Heaney papers, 1951-2004 Call Number: Manuscript Collection No. 960 Extent: 49.5 linear feet (100 boxes), 3 oversized papers boxes (OP), and AV Masters: 1 linear foot (2 boxes) Abstract: Personal papers of Irish poet Seamus Heaney consisting mostly of correspondence, as well as some literary manuscripts, printed material, subject files, photographs, audiovisual material, and personal papers from 1951-2004. Language: Materials entirely in English. Administrative Information Restrictions on access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. -
2019 27Th Annual Poets House Showcase Exhibition Catalog
2019 27th Annual Poets House Showcase Exhibition Catalog Poets House | 10 River Terrace | New York, NY 10282 | poetshouse.org ELCOME to the 2019 Poets House Showcase, our annual, all-inclusive exhibition of the most recent poetry books, chapbooks, broadsides, artists’ books, and multimedia works published in the United States and W abroad. This year marks the 27th anniversary of the Poets House Showcase and features over 3,300 books from more than 800 different presses and publishers. For 27 years, the Showcase has helped to keep our collection current and relevant, building one of the most extensive collections of poetry in our nation—an expansive record of the poetry of our time, freely available and open to all. Building the Exhibit and the Poets House Library Collection Every year, Poets House invites poets and publishers to participate in the annual Showcase by donating copies of poetry titles released since January of the previous year. This year’s exhibit highlights poetry titles published in 2018 and the first part of 2019. Books have been contributed by the entire poetry community, from the publishers who send on their titles as they’re released, to the poets who mail us signed copies of their newest books, to library visitors donating books when they visit us. Every newly published book is welcomed, appreciated, and featured in the Showcase. The Poets House Showcase is the mechanism through which we build our library: a comprehensive, inclusive collection of over 70,000 poetry works, all free and open to the public. To make it as extensive as possible, we reach out to as many poetry communities and producers as we can, bringing together poetic voices of all kinds to meet the different needs and interests of our many library patrons. -
Publishing Blackness: Textual Constructions of Race Since 1850
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE publishing blackness publishing blackness Textual Constructions of Race Since 1850 George Hutchinson and John K. Young, editors The University of Michigan Press Ann Arbor Copyright © by the University of Michigan 2013 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2016 2015 2014 2013 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Publishing blackness : textual constructions of race since 1850 / George Hutchinson and John Young, editiors. pages cm — (Editorial theory and literary criticism) Includes bibliographical references and index. ISBN 978- 0- 472- 11863- 2 (hardback) — ISBN (invalid) 978- 0- 472- 02892- 4 (e- book) 1. American literature— African American authors— History and criticism— Theory, etc. 2. Criticism, Textual. 3. American literature— African American authors— Publishing— History. 4. Literature publishing— Political aspects— United States— History. 5. African Americans— Intellectual life. 6. African Americans in literature. I. Hutchinson, George, 1953– editor of compilation. II. Young, John K. (John Kevin), 1968– editor of compilation PS153.N5P83 2012 810.9'896073— dc23 2012042607 acknowledgments Publishing Blackness has passed through several potential versions before settling in its current form. -
Integrated MA English Language and Literature
Integrated MA English Language and Literature 18CSA104 Introduction to Computing 1 0 2 2 Unit I Introduction to Windows: Basics of Windows, The User Interface – Using Mouse and Moving Icons on the Screen, The My Computer Icon, The Recycle Bin, Status Bar, Start and Menu & Menu selection, Running an Application, Windows explorer, viewing a file, folders and directories, search for files and folders, create, save, edit, move and delete files and folders, opening and closing of windows. Windows setting – control panels, wall papers and screen savers, setting date and sound, concept of menu using help. Advanced windows – using right button of mouse, creating short cuts, basics of window set up, note pad, window accessories. Unit II Word processing, MS Word Word processing basics – an introduction, menu bar, using the icons below menu bar. Page setter, page background, printing. Text creation and manipulation, paragraphs and tab setting, text selection, cut, copy and paste options, fond size. Alignment of texts, formatting the text, changing colour, paragraph indenting. Use of tab and tab setting. Inserting header and footer – page numbers, comments, foot notes, citations, caption, index, pictures, files, book mark, hyper link. Multiple documents, table manipulation, printing, print preview language utilities, spelling and grammar check – mail merge options, password locking, view – macros document views. Unit III Spreadsheet: MS Excel. Elements of electronic spreadsheet, application. Menu bar, creation of cells, addressing of cells, insert: tables, charts, illustrations, links, texts. Page layout – themes, setup, scale, sheet, arrange. Auto formatting, conditional formatting, auto correct, arranging windows – freeze pane – hiding windows. Providing formulas – using basic functions and other basic functions data. -
Native American Poets and the Voices of History in the Present Tense
The Spirits Still Among Us: Native American Poets and the Voices of History in the Present Tense Sydney Hunt Coffin Edison/Fareira High School Overview Introduction Rationale Objectives Strategies Classroom Activites/Lesson Plans Annotated Bibliography/Resources Appendices/Standards Endnotes What is life? It is the flash of a firefly in the night. It is the breath of a buffalo in the wintertime. It is the little shadow that runs across the grass and loses itself in the sunset.1 Overview So spoke Crowfoot, orator of the Blackfoot Confederacy in 1890, above, on his deathbed. Even while this was not identified as poetry at the time, much of the wisdom of this Native American speaker comes across to readers poetically. Similarly, much of the poetry of Native American poets can be read simply as wisdom. Though there was a significant number of tribes, and a tremendous number of people at the time of the European invasion, each tribal language displays simultaneously a distinct identity as well as a variety of individual voices. However, the published poetry from native authors across the vast spectrum of tribal affiliations between the beginning and end of the 20th century reveal three unifying themes: (1) respecting a common reverence for the land from which each tribe came, through ceremonial poetry and songs; (2) respecting past traditions, including rituals, truths, and the words of one’s elders; and (3) expressing political criticism, even activism. Editor Kenneth Rosen writes “There may seem to be a great deal of distance between the Navajo Blessing Way chants and a contemporary poem about the confrontations at Wounded Knee, but it’s really not that far to go”.2 In fact, this curriculum unit around Native American poetry endeavors to keep pace with the ongoing experiences of native people, whose words continue to speak to the land, its mysteries, and its voice. -
GEOPOETICS in the ANTHROPOCENE by Eric Magrane
Creative Geographies and Environments: Geopoetics in the Anthropocene Item Type text; Electronic Dissertation Authors Magrane, Eric Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 00:18:37 Link to Item http://hdl.handle.net/10150/624580 CREATIVE GEOGRAPHIES AND ENVIRONMENTS: GEOPOETICS IN THE ANTHROPOCENE by Eric Magrane ____________________________ Copyright © Eric Magrane 2017 A Dissertation Submitted to the Faculty of the SCHOOL OF GEOGRAPHY AND DEVELOPMENT In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2017 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Eric Magrane, titled Creative Geographies and Environments: Geopoetics in the Anthropocene, and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ___________________________________________________Date: 4/11/2017 Sallie Marston ___________________________________________________Date: 4/11/2017 Diana Liverman ___________________________________________________Date: 4/11/2017 John Paul Jones III ___________________________________________________Date: 4/11/2017 Alison Hawthorne Deming ___________________________________________________Date: 4/11/2017 Harriet Hawkins Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
Immagine & Poesia
IMMAGINE & POESIA POÈTES ET ARTISTES POETS AND ARTISTS AUTOUR AROUND DU MONDE THE WORLD Vol. 5, 2018 Mouvement IMMAGINE & POESIA Movement Turin, Italie - Turin, Italy PRESENTATION PRESENTATION IMMAGINE & POESIA is an international artistic literary IMMAGINE & POESIA est un mouvement artistique movement, founded at Alfa Teatro in Torino, Italy, in 2007. littéraire international, fondé à Alfa Teatro à Turin, Italie Since its inception, IMMAGINE & POESIA has continued to en 2007. Depuis sa fondation, IMMAGINE & POESIA n'a grow. Hundreds of poets and artists from all over the world cessé de gagner en popularité. Des centaines de poètes et have participated, and the movement now reaches d'artistes de par le monde y ont participé, et le international audiences. mouvement a maintenant atteint une visibilité internationale. On the following pages English-speaking poets and French- speaking poets are pleased to share with you their poems Sur les pages qui suivent, poètes et artistes d’expression and art-works in this anthology, vol. 5, 2018 of Immagine & anglaise et d’expression française ont le plaisir de Poesia. partager avec vous leurs contributions à cette anthologie vol. 5, 2018 de Immagine & Poesia. Poets and artists who have contributed to this issue are members of the Immagine & Poesia movement and are from Les poètes et artistes ayant contribué à cette publication many countries around the world. Poems/Images are listed électronique sont membres du mouvement Immagine & in order of arrival of contributions. Poesia et proviennent de plusieurs pays autour du monde. Poèmes/Images sont présentés en ordre You will find at the end of this e-book a list of short d'arrivée des participations. -
235-Newsletter.Pdf
The Poetry Project Newsletter Editor: Paul Foster Johnson Design: Lewis Rawlings Distribution: Small Press Distribution, 1341 Seventh Street, Berkeley, CA 94710 The Poetry Project, Ltd. Staff Artistic Director: Stacy Szymaszek Program Coordinator: Arlo Quint Program Assistant: Nicole Wallace Monday Night Coordinator: Simone White Monday Night Talk Series Coordinator: Corrine Fitzpatrick Wednesday Night Coordinator: Stacy Szymaszek Friday Night Coordinator: Matt Longabucco Sound Technician: David Vogen Videographer: Andrea Cruz Bookkeeper: Lezlie Hall Archivist: Will Edmiston Box Office: Aria Boutet, Courtney Frederick, Gabriella Mattis Interns/Volunteers: Mel Elberg, Phoebe Lifton, Jasmine An, Davy Knittle, Olivia Grayson, Catherine Vail, Kate Nichols, Jim Behrle, Douglas Rothschild Volunteer Development Committee Members: Stephanie Gray, Susan Landers Board of Directors: Gillian McCain (President), John S. Hall (Vice-President), Jonathan Morrill (Treasurer), Jo Ann Wasserman (Secretary), Carol Overby, Camille Rankine, Kimberly Lyons, Todd Colby, Ted Greenwald, Erica Hunt, Elinor Nauen, Evelyn Reilly and Edwin Torres Friends Committee: Brooke Alexander, Dianne Benson, Will Creeley, Raymond Foye, Michael Friedman, Steve Hamilton, Bob Holman, Viki Hudspith, Siri Hustvedt, Yvonne Jacquette, Patricia Spears Jones, Eileen Myles, Greg Masters, Ron Padgett, Paul Slovak, Michel de Konkoly Thege, Anne Waldman, Hal Willner, John Yau Funders: The Poetry Project’s programs and publications are made possible, in part, with public funds from The National Endowment for the Arts. The Poetry Project’s programming is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. The Poetry Project’s programs are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.