MIAMI UNIVERSITY the Graduate School Certificate for Approving the Dissertation
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Masarykova Univerzita Filozofická Fakulta Katedra Anglistiky a Amerikanistiky FF AJ Anglický Jazyk DISCOURSE STRATEGIES OF
Masarykova univerzita Filozofická fakulta Katedra anglistiky a amerikanistiky FF AJ Anglický jazyk PhDr. Katarína Nemčoková DISCOURSE STRATEGIES OF STORYTELLING, INTERTEXTUALITY AND METAPHOR IN AMERICAN PRINTED ADVERTISING Disertační práce Školitelka: prof. PhDr. Ludmila Urbanová, CSc. 2012 I hereby declare that I worked on this thesis independently using only the sources listed in references. ........................................................... Acknowledgements I owe my deepest gratitude to my supervisor, prof. PhDr. Ludmila Urbanová, CSc. Her expertise, constant scholarly and personal encouragement, motivating support and patience enabled me to write this dissertation. She has been a teacher who every student longs to meet in the course of their studies. My special thanks belong to Gregory Jason Bell, my dear friend and colleague, for his invaluable editorial comments and language supervision. I would also like to thank to Juraj Hrúz for his acute observations, challenging discussions and help with statistics. Finally, my endless gratitude belongs to my wonderful support team – my dear family and friends, who always seem to do the right things. Contents Introduction ........................................................................................................ 8 2 Notions and Concepts of Advertising Communication ............................. 13 2.1 Categories within the Genre of Advertisements ................................ 15 2.2 Categories of Product Consumer Ads ............................................... 16 -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Puberty Education & Menstrual Hygiene
United Nations [ Cultural Organization GOOD POLICY AND PRACTICE IN HEALTH EDUCATION 9 BOOKLET GOOD POLICY AND PRACTICE IN HEALTH EDUCATION Booklet 9 PUBERTY EDUCATION & MENSTRUAL HYGIENE MANAGEMENT Published in 2014 by the United Nations Educational, Scientific and Cultural Organization 7, place de Fontenoy, 75352 Paris 07 SP, France © UNESCO 2014 ISBN 978-92-3-100011-9 This publication is available in Open Access under the Attribution-ShareAlike 3.0 IGO (CC-BY-SA 3.0 IGO) license (http://creativecommons.org/licenses/by-sa/3.0/igo/). By using the content of this publication, the users accept to be bound by the terms of use of the UNESCO Open Access Repository (http://www.unesco.org/open-access/terms-use-ccbysa-en). The designations employed and the presentation of material throughout this publication do not imply the expression of any opinion whatsoever on the part of UNESCO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The ideas and opinions expressed in this publication are those of the authors; they are not necessarily those of UNESCO and do not commit the Organization. Photo credits: Cover top row, from left to right: © shutterstock/holbox © shutterstock/Nolte Lourens, © shutterstock/ Shyamalamuralinath Cover middle row, from left to right: © shutterstock/ Blend Images © shutterstock © shutterstock/Nolte Lourens © shutterstock/Zurijeta Cover bottom row, from left to right: © shutterstock/DNF Style © shutterstock/szefei -
Linking Opportunity with Responsibility Sustainability Report 2004 P&G 2004 Sustainability Report 1
Linking Opportunity with Responsibility Sustainability Report 2004 P&G 2004 Sustainability Report 1 Sustainable development is a very simple idea. It is about ensuring a better quality of life for everyone, now and for generations to come.1 P&G’s Statement of Purpose We will provide branded products and services of superior quality and value that improve the lives of the world’s consumers. As a result, consumers will reward us with leadership sales, profit and value creation, allowing our people, our shareholders, and the communities in which we live and work to prosper. Table of Contents CEO Statement 2 Vision 3 P&G Profile 4 Policies, Organization, and Management Systems 16 Performance 37 Environmental 39 Economic 49 Social 52 Sustainability In Action 53 Water 55 Health and Hygiene 56 Index 58 Contact Information 62 Addendum 63 This report was prepared using the Global Reporting Initiative’s On the Cover (GRI) July 2002 Sustainability Reporting Guidelines. The mission A mother and child in Haiti drink clean water because of P&G’s Safe Drinking of the GRI is to promote international harmonization in the Water Program. Please see the reporting of relevant and credible corporate economic, Sustainability in Action section for environmental, and social performance information to enhance more details. responsible decision-making. The GRI pursues this mission through a multistakeholder process of open dialogue and collaboration in the design and implementation of widely applicable sustainability reporting guidelines. The GRI has not verified the contents of this report, nor does it take a position on the reliability of information reported herein. -
December 2012
California State University, San Bernardino CSUSB ScholarWorks Inland Empire Business Journal Special Collections & University Archives 12-2012 December 2012 Inland Empire Business Journal Follow this and additional works at: https://scholarworks.lib.csusb.edu/iebusinessjournal Part of the Business Commons Recommended Citation Inland Empire Business Journal, "December 2012" (2012). Inland Empire Business Journal. 218. https://scholarworks.lib.csusb.edu/iebusinessjournal/218 This Article is brought to you for free and open access by the Special Collections & University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Inland Empire Business Journal by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. Volume 24 Number 12 December 2012 $2.00 www.busjournal.com MAIL T O: BUSINESS JOURNAL • PAGE 2 December 2012 December 2012 BUSINESS JOURNAL • PAGE 3 Volume 24 Number 12 December 2012 $2.00 www.busjournal.com AT DEADLINE Special Future of Sections Real Estate Pitfalls that Health Insurance California Amends Statutory Market Derail Outlook Corporate Exchanges Requirements for Employee Decision Making Ron Goldstein, president Personnel Files Pg. 25 Pg. 18 and chief executive officer of On Jan. 1, 2013, an amendment (AB 2674) to California Labor CHOICE Administrators, joined Code § 1198.5 goes into effect, changing California’s statutory Bary Freet Named with fellow executives from requirements in regards to employee personnel file records. These five of the state’s leading health changes are as follows: Newest Member plans to discuss the future of Tramway Authority healthcare in California at a spe- Who May Request to Inspect and/or Obtain Copies of Bary Freet has been appoint- cial forum recently hosted by Personnel Records ed to the Mount San Jacinto the Inland Empire Association Current law does not explicitly provide for inspection of person- Winter Park Authority by the of Health Underwriters nel files by former employees. -
Linn Lounge Presents... the Rolling Stones
Linn Lounge Presents... The Rolling Stones Welcome to Linn Lounge presents… ‘The Rolling Stones’ Tonight’s album, ‘Grr’ tells the fascinating ongoing story of the Greatest Rock'n'Roll Band In The World. It features re-masters of some of the ‘Stones’ iconic recordings. It also contains 2 brand new tracks which constitute the first time Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood have all been together in the recording studio since 2005. This album will be played in Studio Master - the highest quality download available anywhere, letting you hear the recording exactly as it left the studio. So sit back, relax and enjoy as you embark on a voyage through tonight’s musical journey. MUSIC – Muddy Waters, Rollin’ Stone via Spotify (Play 30secs then turn down) It all started with Muddy Waters. A chance meeting between 2 old friends at Dartford railway station marked the beginning of 50 years of rock and roll. In the early 1950s, Keith Richards and Mick Jagger were childhood friends and classmates at Wentworth Primary School in Kent until their families moved apart.[8] In 1960, the pair met again on their way to college at Dartford railway station. The Chuck Berry and Muddy Waters records that Jagger carried revealed a mutual interest. They began forming a band with Dick Taylor and Brian Jones from Blues Incorporated. This band also contained two other future members of the Rolling Stones: Ian Stewart and Charlie Watts.[11] So how did the name come about? Well according to Richards, Jones christened the band during a phone call to Jazz News. -
Emotional Rescue This Was Not an Album Cover That People Loved. Fan
Emotional Rescue This was not an album cover that people loved. Fan reaction was typified by comments like, “this messy cover,” “It may have the single ugliest cover artwork of any record ever released by a major rock artist,” “I still hate the album cover,” “It's butt-ugly,” “I hate the cover,” “The cover is a big part of its poor reception.” “The sleeve was a big let-down after Some Girls, also the waste of time poster included,” “Yeah, I hated the cover…I like covers that show the band...like Black and Blue,” “I can't defend the thermal photography, or whatever it is, that adorns the cover of Emotional Rescue - was Mick on heroin when he signed off on this concept?” "Everyone to his own taste," the old woman said when she kissed her cow. It seems the Stones may have kissed a cow on this album cover. The Title You can always name it after a song on the album. That worked for Let It Bleed, It’s Only Rock and Roll and Some Girls. There were a lot of songs left over from the Some Girls sessions so this album began life with cynical working titles like Certain Women a clear play on the Some Girls title and More Fast Ones an obvious allusion to the pace of the contents. As the album began to take shape it took on the working title of Saturday Where The Boys Meet, a bit of a theme from the song “Where the Boys Go,” which appeared on the album. -
An Exploration of Space, Text, Performativity, Gender and Becoming in Senior Secondary Drama Classrooms
More than princess girls and “grrr” heterosexual dudes: An exploration of space, text, performativity, gender and becoming in senior secondary drama classrooms. Kirsten Lambert BA. BEd, BTheol. Hons. This dissertation is the report of an investigation submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy at Murdoch University. 2016 1 Declaration of authorship I declare that this dissertation is my own account of my research and contains, as its main content, work that has not previously been submitted for a degree at any tertiary institution. Kirsten Lambert 2 Table of contents Abstract…………………………………………………………………………………. 5 Acknowledgements……..…………………………….…………………………..…… 6 List of publications ………………..……...…………………………………….….…...7 Section I Critical Introduction: Theoretical Frameworks Methodology and Methods 1. Introduction……………………………………………………………………... 9 2. Rationale for the study …………………………………………….…………11 3. Significance of the study ………...…………………………....………….…..18 4. Research questions.……………………………………….……………….…19 5. Review of the literature ………………..…………………..……………….…21 a. Senior secondary drama classrooms …………………..…………...21 b. Space…………………...……………………………….….…...…...…22 c. Text ……………………………………….……………….……...….…23 d. Performativity……………………………………………….………….25 e. Gender..…………………………………………………………………32 f. Becoming…………………………………….……………………...….36 6. Theoretical frameworks ………………………………………………………42 a. Deleuze and Guattari ………………………………………...……….43 b. Poststructuralism and post-humanism ……………………….….….48 c. Critical theory …………………………………………….……………51 -
JF07-National Copy.Indd
Girl Power What has changed for women—and what hasn’t by HARBOUR FRASER HODDER Illustrations by ANNIE BISSETT hen dan kindlon watches since the early 1980s. He began to think of them as “alpha girls.” the Tigers play softball, he sees These girls—Kindlon uses the term because his research fo- the legacy of feminism for girls. cuses on female development up to age 21, the period covered by “My daughter’s concentrating on pediatric medicine—were not the self-loathing, melancholic catching the ball, and this other girl teens at risk portrayed in such former bestsellers as Schoolgirls: just slams into her, slides under,” he Young Women, Self-Esteem and the Confidence Gap (Peggy Orenstein), recalls. “Julia got hurt a little bit, she Failing at Fairness: How America’s Schools Cheat Girls (Myra and David got scraped up, but it was an experi- Sadker), and Reviving Ophelia: Saving the Selves of Adolescent Girls (Mary ence that used to be exclusively the province of men and boys— Pipher). Girls today “take it for granted that it is their due to get Wto get knocked down, and then you’ve got to pick yourself back equal rights,” Kindlon says. “They never had to fight those battles up and get back in the game, brush your tears o≠, and ignore the over fertility control, equal educational and athletic access, or ille- blood. She was kind of proud of herself afterwards. It was a gal job discrimination.” As a result, “girls are starting to make the character-building experience that very few girls growing up in psychological shift, the inner transformation, that Simone de an earlier generation had a chance to have. -
Albums‐ Chart‐History Regarding Albums Top 50 ‐ Charts the Rolling Stones
Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts The Rolling Stones 1 2 3 4 04/1964 3 1 12 11 11/1964 3 12/1964 4 01/1965 1 3101 The Rolling Stones (England's 12 X 5 Around And Around Rolling Stones No. 2 Newest Hit Makers) 5 6 7 8 04/1965 5 08/1965 2 2 1 3 11/1965 1 4 12/1965 4 The Rolling Stones, Now! Out Of Our Heads Bravo Rolling Stones December's Children (And Everybody's) 9 10 11 12 04/1966 1 881 2 04/1966 4 3 01/1967 6 01/1967 2 Aftermath Big Hits (High Tide And Green Got Live If You Want It The Rolling Stones Live Grass) 13 14 15 16 01/1967 2 3 2 08/1967 7 3 12/1967 4 3 2 12/1968 8 3 5 Between The Buttons Flowers Their Satanic Majesties Request Beggars Banquet Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts The Rolling Stones 17 18 19 20 09/1969 13 2 2 12/1969 3 1 1 3 09/1970 6 1 2 6 04/1971 30 4 Through The Past Darkly (Big Let It Bleed Get Yer Ya‐Ya's Out! Stone Age Hits Vol. 2) 21 22 23 24 04/1971 1 351 1 409/1971 19 01/1972 3 4 03/1972 14 Sticky Fingers Gimme Shelter Hot Rocks 1964 ‐ 1971 Milestones 25 26 27 28 05/1972 2 1 241 11/1972 41 01/1973 9 09/1973 2 1 241 Exile On Main Street Rock'n'Rolling Stones More Hot Rocks (Big Hits & Goat's Head Soup Fazed Cookies) 29 30 31 32 10/1974 12 2 1 1 06/1975 45 8 06/1975 14 6 12/1975 7 It's Only Rock'n'roll Metamorphosis Made In The Shade Rolled Gold ‐ The Very Best Of The Rolling Stones Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts The Rolling -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
P&G 2008 Annual Report
Designed to Innovate 2008 Annual Report Contents Letter to Shareholders 2 Defining Innovation 10 Investing in Innovation 14 Managing Innovation 18 Delivering Innovation 22 Leading Innovation 26 Financial Contents 35 Corporate Officers 77 Board of Directors 78 Shareholder Information 79 11-Year Financial Summary 80 P&G at a Glance 82 Financial Highlights FInAnCIAl SummARy (unAuDIteD) Amounts in millions, except per share amounts 2008 2007 2006 2005 2004 NetSales $83,503 $76,476 $68,222 $56,741 $51,407 OperatingIncome 17,083 15,450 13,249 10,469 9,382 NetEarnings 12,075 10,340 8,684 6,923 6,156 NetEarningsMargin 14.5% 13.5% 12.7% 12.2% 12.0% BasicNetEarningsPerCommonShare $ 3.86 $ 3.22 $ 2.79 $ 2.70 $ 2.34 DilutedNetEarningsPerCommonShare 3.64 3.04 2.64 2.53 2.20 DividendsPerCommonShare 1.45 1.28 1.15 1.03 0.93 C:IH6A:H 9>AJI:9C:I:6GC>C<H ^cW^aa^dchd[YdaaVgh eZgXdbbdch]VgZ %) *&#) %) '#'% %* *+#, %* '#*( %+ +-#' %+ '#+) %, ,+#* %, (#%) %- -(#* %- (#+) DE:G6I>C<86H=;ADL ^cW^aa^dchd[YdaaVgh %) .#) %* -#, %+ &&#) %, &(#) %- &*#- P&G is designed to innovate consistently and successfully in every part of our business. We define innovation broadly, in terms of what it is, where it comes from, and who’s responsible for it. We invest in innovation at industry-leading levels with ongoing productivity savings. We manage innovation with discipline. We deliver innovation that builds consumer trust and loyalty over time. We lead innovation on leading global brands and with an outstanding team of innovation leaders. P&G is Designed to Innovate… and to grow. 2 The Procter & Gamble Company A.G.