For Black Girls Too Fast Too Furious: Black Girlhood & School Discipline

Total Page:16

File Type:pdf, Size:1020Kb

For Black Girls Too Fast Too Furious: Black Girlhood & School Discipline Richardson 1 For​ Black Girls Too Fast Too Furious: Black Girlhood & School Discipline Senior Research Thesis Presented to the Faculty of The School of Arts & Sciences Brandeis University Department of African & African American Studies Chad Williams, Advisor The Women, Gender & Sexuality Studies Program Shoniqua Roach, Advisor In partial fulfilment of the requirements for the degree of Bachelor of Arts by Victoria Richardson May 2020 Copyright by Victoria Richardson Committee Members Professor Chad Williams Signature:__________________________ Professor Shoniqua Roach Signature:__________________________ Professor Derron Wallace Signature:__________________________ Richardson 2 Acknowledgment I dedicate my senior thesis to my younger sister, my niece, to Black girls I know, to Black girls I don't know at all, and to the younger version of myself. There will be moments when you don't feel seen, you don't feel heard, you don't feel protected or cared for. This work is for those moments. This work is my expression of love and care for you. This is my reminder to you that you are powerful. You are capable. Stand in your truth. Unapologetically. As I complete this work in the midst of a pandemic I must express my gratitude for my health. I am eternally grateful to be well enough to see this project to the end. I hold in my heart closely all the loved ones we lost during this trying time. I take this space to honor the memory of my grandmother Joyce. You have motivated me to finish this project when I didn't think I was strong enough to do so. Professor Williams, thank you for pushing me my first class at Brandeis until the end of this journey. You have helped me develop a growing love for Black studies. Your mentorship from a far through the years and then directly through the completion of my senior research has been crucial to the development of the scholar I am and am becoming. Thank you. Professor Wallace, if it weren't for your class freshman year I would have never seen myself in the field of education. Your final assignment that year is the inspiration for the work I present here. You helped me to find a passion I plan to hold onto. Thank you for asking hard questions. Thank you for the moments of discomfort. Thank you for giving me such a solid foundation of knowledge and practice I can bring with me into the classroom. Thank you for believing in me. Professor Roach, what I have learned from you in one year makes me wish we had you at Brandeis so much sooner. You showed me what it means to love Black girls and Black women in institutions that do not always care for or love us. You remind me to be authentic. You helped me to think critically, to take new perspectives, to really do the work and to do with meaning and intention.Thank you for supporting me. The list can go on, but finally I want to thank my mother and father, College Persistence Advisor Shira Olson, my #HipHopEd family, my lifelines Alicia, Tamyra, Tehjia and Kayla. Thank you for supporting me, inspiring me, holding me accountable, letting cry on your shoulders, and celebrating even my smallest victories as I completed this project. Richardson 3 Table of Contents I. Introduction ​5 II. Background and Historical Context 17​ III. Contemporary Issues 34​ IV. Implications 67​ V. Conclusion 100​ Richardson 4 For Black Girls For Black girls too​ Fast For Black girls too​ Furious For Black girl ​Sitting dead down For Black girl in​ detention offices For Black Girls ​wishing herself away from For Black girls, this​ reality For Black girls who love For Black girls being​ loud For Black girls, Black​ girls For Black girls who find comfort For Black girls in​ silence For Black girls? Who​ are we For Black girls to​ decide what For Black girls’ ​empowerment For Black girls looks​ like? For Black girl For Black girls we​ need For Black girls to​ create space For Black girls to be free For Black girls to​ be loved For Black girls ​to be happy For ​Black girls Richardson 5 Chapter I: Introduction & Methods By the time I reached senior year of high school I had been suspended at least five times. I have been kicked out of the classroom more times than I am able to recollect. I have been permanently removed from after-school enrichment programs. I served a number of detentions and memorized the path to the principal's office. I have been publicly ridiculed. I had a principal threaten to call Child Protective Service after begging that my parents wouldn't be called. To my face I have been called a “waste of space,” “a bad kid,” and labelled incorrigible. I spent a lot of time feeling frustrated. I spent a lot of time struggling with feelings of hypervisibility and invisibility. I spent my entire school experience feeling like I had to balance combat boots on eggshells. I came to understand myself as a nuisance. I struggled because everything that made me also made me vulnerable to disciplinary action. I came to hate the way I spoke so much, so loud, and so passionate. I made it my goal to shrink myself, to be quiet, to be less, to do less, and when I did things changed for me. I learned that in order to stay under the radar that this was the me I needed to be. My experiences in the classroom undoubtedly shaped the formation of my identity. They influenced the way I understood myself and my place not only in the classroom but in the real world. The idea that I did not belong was always apparent to me. I did not see myself reflected in learning materials. I did not see myself fitting into uniformed school cultures that I was always too loud for. I did not see my wants, needs or culture reflected in teachers who “got paid regardless.” My identity made school less about learning the necessary academic skills I needed to be a successful student and more about conforming. Eventually I learned to focus my efforts on the curriculum in which I was really being graded. I became the type of young lady I was Richardson 6 supposed to be. My schooling experiences had many implications I was unaware of and later required me to do a lot of unlearning in order to discover and become comfortable with my true self. My study of identity via African American Studies and Women and Gender Studies and through the study of Urban Education gave me the knowledge and language that allowed me to begin to make sense of my experience in the classroom as a Black queer women from the Bronx. My new understanding of theory inspired praxis, and served as an analytical tool for activism. In 2016, I wrote my first college research paper ‘The Damage of Discipline: Discipling Black Girls In NYC Schools’ in which I began to explore discipline disparities for Black girls in New York City schools. In 2017 I constructed and published a Blog site titled Dear, Urban Education where I presented an accessible analysis of the way Black femininity is rejected in the classroom. In 2018 I drafted a policy memo to NYC Mayor Bill de Blasio & Chancellor​ Richard A. Carranza suggesting mandatory restorative​ justice programs in all NYC schools as an alternative to suspension. It was through the analysis of my own experiences that I understood the urgency for more tangible intervention that could address the realities of school discipline for Black girls. Through academic scholarship I discovered that my experience is not an isolated incident. I know that other Black girls can relate to my experiences in educational spaces. I can imagine that other Black girls are grappling with similar feelings regarding sense of belonging. And so I feel a personal obligation, not only as a Black Feminist Scholar but also as an educator, Black woman, and former urban student to continue to make sense of my experiences for the frustrated little girl I used to be and for all Black girls alike. Richardson 7 The reality is that schools are pushing students out of the classroom and into the prison system. A wealth of research has been done regarding Black students and the School to Prison 1 Pipeline. This​ research often falls short because it focuses particularly on Black boys and/or considers the experiences of Black girls and Black boys to be homogeneous. Fewer studies have been done to examine how race and gender interact to influence the practices and policies that 2 create the pipeline. The research that has been done shows that Black girls are also affected by school discipline policies and practices. However, they experience this policing in a way that is unique from their counterparts. Black girls are disciplined for very particular reasons usually tied to both racial and gender biases. These policies and practices have tangible implications. Black women represent thirty percent of all incarcerated women in the United States but represents thirteen percent of the 3 4 general population of women. But beyond that, Black girls are dropping out of school. Black girls are referring to themselves as “bad students” and dread going to school every morning. Black girls who have learned to silence themselves in the classroom are doing the same thing in corporate offices, hospitals, domestic relationships, and everywhere else in the world. Schools as institutions, and the discipline policies and practices they adopt, are a cause of this phenomenon.
Recommended publications
  • Young Americans to Emotional Rescue: Selected Meetings
    YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
    [Show full text]
  • Linn Lounge Presents... the Rolling Stones
    Linn Lounge Presents... The Rolling Stones Welcome to Linn Lounge presents… ‘The Rolling Stones’ Tonight’s album, ‘Grr’ tells the fascinating ongoing story of the Greatest Rock'n'Roll Band In The World. It features re-masters of some of the ‘Stones’ iconic recordings. It also contains 2 brand new tracks which constitute the first time Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood have all been together in the recording studio since 2005. This album will be played in Studio Master - the highest quality download available anywhere, letting you hear the recording exactly as it left the studio. So sit back, relax and enjoy as you embark on a voyage through tonight’s musical journey. MUSIC – Muddy Waters, Rollin’ Stone via Spotify (Play 30secs then turn down) It all started with Muddy Waters. A chance meeting between 2 old friends at Dartford railway station marked the beginning of 50 years of rock and roll. In the early 1950s, Keith Richards and Mick Jagger were childhood friends and classmates at Wentworth Primary School in Kent until their families moved apart.[8] In 1960, the pair met again on their way to college at Dartford railway station. The Chuck Berry and Muddy Waters records that Jagger carried revealed a mutual interest. They began forming a band with Dick Taylor and Brian Jones from Blues Incorporated. This band also contained two other future members of the Rolling Stones: Ian Stewart and Charlie Watts.[11] So how did the name come about? Well according to Richards, Jones christened the band during a phone call to Jazz News.
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • Emotional Rescue This Was Not an Album Cover That People Loved. Fan
    Emotional Rescue This was not an album cover that people loved. Fan reaction was typified by comments like, “this messy cover,” “It may have the single ugliest cover artwork of any record ever released by a major rock artist,” “I still hate the album cover,” “It's butt-ugly,” “I hate the cover,” “The cover is a big part of its poor reception.” “The sleeve was a big let-down after Some Girls, also the waste of time poster included,” “Yeah, I hated the cover…I like covers that show the band...like Black and Blue,” “I can't defend the thermal photography, or whatever it is, that adorns the cover of Emotional Rescue - was Mick on heroin when he signed off on this concept?” "Everyone to his own taste," the old woman said when she kissed her cow. It seems the Stones may have kissed a cow on this album cover. The Title You can always name it after a song on the album. That worked for Let It Bleed, It’s Only Rock and Roll and Some Girls. There were a lot of songs left over from the Some Girls sessions so this album began life with cynical working titles like Certain Women a clear play on the Some Girls title and More Fast Ones an obvious allusion to the pace of the contents. As the album began to take shape it took on the working title of Saturday Where The Boys Meet, a bit of a theme from the song “Where the Boys Go,” which appeared on the album.
    [Show full text]
  • An Exploration of Space, Text, Performativity, Gender and Becoming in Senior Secondary Drama Classrooms
    More than princess girls and “grrr” heterosexual dudes: An exploration of space, text, performativity, gender and becoming in senior secondary drama classrooms. Kirsten Lambert BA. BEd, BTheol. Hons. This dissertation is the report of an investigation submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy at Murdoch University. 2016 1 Declaration of authorship I declare that this dissertation is my own account of my research and contains, as its main content, work that has not previously been submitted for a degree at any tertiary institution. Kirsten Lambert 2 Table of contents Abstract…………………………………………………………………………………. 5 Acknowledgements……..…………………………….…………………………..…… 6 List of publications ………………..……...…………………………………….….…...7 Section I Critical Introduction: Theoretical Frameworks Methodology and Methods 1. Introduction……………………………………………………………………... 9 2. Rationale for the study …………………………………………….…………11 3. Significance of the study ………...…………………………....………….…..18 4. Research questions.……………………………………….……………….…19 5. Review of the literature ………………..…………………..……………….…21 a. Senior secondary drama classrooms …………………..…………...21 b. Space…………………...……………………………….….…...…...…22 c. Text ……………………………………….……………….……...….…23 d. Performativity……………………………………………….………….25 e. Gender..…………………………………………………………………32 f. Becoming…………………………………….……………………...….36 6. Theoretical frameworks ………………………………………………………42 a. Deleuze and Guattari ………………………………………...……….43 b. Poststructuralism and post-humanism ……………………….….….48 c. Critical theory …………………………………………….……………51
    [Show full text]
  • JF07-National Copy.Indd
    Girl Power What has changed for women—and what hasn’t by HARBOUR FRASER HODDER Illustrations by ANNIE BISSETT hen dan kindlon watches since the early 1980s. He began to think of them as “alpha girls.” the Tigers play softball, he sees These girls—Kindlon uses the term because his research fo- the legacy of feminism for girls. cuses on female development up to age 21, the period covered by “My daughter’s concentrating on pediatric medicine—were not the self-loathing, melancholic catching the ball, and this other girl teens at risk portrayed in such former bestsellers as Schoolgirls: just slams into her, slides under,” he Young Women, Self-Esteem and the Confidence Gap (Peggy Orenstein), recalls. “Julia got hurt a little bit, she Failing at Fairness: How America’s Schools Cheat Girls (Myra and David got scraped up, but it was an experi- Sadker), and Reviving Ophelia: Saving the Selves of Adolescent Girls (Mary ence that used to be exclusively the province of men and boys— Pipher). Girls today “take it for granted that it is their due to get Wto get knocked down, and then you’ve got to pick yourself back equal rights,” Kindlon says. “They never had to fight those battles up and get back in the game, brush your tears o≠, and ignore the over fertility control, equal educational and athletic access, or ille- blood. She was kind of proud of herself afterwards. It was a gal job discrimination.” As a result, “girls are starting to make the character-building experience that very few girls growing up in psychological shift, the inner transformation, that Simone de an earlier generation had a chance to have.
    [Show full text]
  • Albums‐ Chart‐History Regarding Albums Top 50 ‐ Charts the Rolling Stones
    Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts The Rolling Stones 1 2 3 4 04/1964 3 1 12 11 11/1964 3 12/1964 4 01/1965 1 3101 The Rolling Stones (England's 12 X 5 Around And Around Rolling Stones No. 2 Newest Hit Makers) 5 6 7 8 04/1965 5 08/1965 2 2 1 3 11/1965 1 4 12/1965 4 The Rolling Stones, Now! Out Of Our Heads Bravo Rolling Stones December's Children (And Everybody's) 9 10 11 12 04/1966 1 881 2 04/1966 4 3 01/1967 6 01/1967 2 Aftermath Big Hits (High Tide And Green Got Live If You Want It The Rolling Stones Live Grass) 13 14 15 16 01/1967 2 3 2 08/1967 7 3 12/1967 4 3 2 12/1968 8 3 5 Between The Buttons Flowers Their Satanic Majesties Request Beggars Banquet Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts The Rolling Stones 17 18 19 20 09/1969 13 2 2 12/1969 3 1 1 3 09/1970 6 1 2 6 04/1971 30 4 Through The Past Darkly (Big Let It Bleed Get Yer Ya‐Ya's Out! Stone Age Hits Vol. 2) 21 22 23 24 04/1971 1 351 1 409/1971 19 01/1972 3 4 03/1972 14 Sticky Fingers Gimme Shelter Hot Rocks 1964 ‐ 1971 Milestones 25 26 27 28 05/1972 2 1 241 11/1972 41 01/1973 9 09/1973 2 1 241 Exile On Main Street Rock'n'Rolling Stones More Hot Rocks (Big Hits & Goat's Head Soup Fazed Cookies) 29 30 31 32 10/1974 12 2 1 1 06/1975 45 8 06/1975 14 6 12/1975 7 It's Only Rock'n'roll Metamorphosis Made In The Shade Rolled Gold ‐ The Very Best Of The Rolling Stones Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts The Rolling
    [Show full text]
  • THOMAS MARVEL Director of Photography 2821 3Rd Street Santa Monica, CA 90405
    THOMAS MARVEL Director of Photography 2821 3rd Street Santa Monica, CA 90405 1986- Hamilton College, Clinton NY, Bachelor of Arts 1987- Grotowski Studio Theatre, Wroclaw, Poland 1987-1989 Production Assistant 1989-1994 Studio Lighting Technician 1994-1998 Chief Lighting Technician 1998- Present, Director of Photography 2015 NARRATIVE “The Nice Guys” Camera Operator, Directed by Shane Black, DP Philippe Rousselot COMMERCIALS Harbin Beer, “Shaq and Friends” directed by Gil Green MUSIC VIDEOS Mary J. Blige “Doubt” directed by Ethan Lader 2014 COMMERCIALS Sandals Foundation, “Soles of Youth” directed by Gil Green Mexico CPTM Tourismo, “Vivirlo para Creerlo” directed by Michael Abt Diners Club, “Club Miles” directed by Alejandro Dube Novo Nordisk, “Rev Run Diabetes Awareness” directed by Ron Jacobs Novo Nordisk , “Debbie Allen Diabetes Awareness” directed by Ron Jacobs Domino’s Pizza, “Must Try” directed by Francisco Pugliese MUSIC VIDEOS Wisin ft. Pitbull, “Control” directed by Carlos Perez Ricardo Arjona, “Apnea” directed by Carlos Perez 2013 NARRATIVE “The Veil” feature film directed by Brent Ryan Green COMMERCIALS Park Hyatt, “Anthem” directed by Josh Hayward Nissan, “Skylar Gray” directed by Declan Whitbeloom 1 Pepsi, “Wally Lopez” directed by Gil Green Sanofi Pasteur, “Dana Torres PSA” directed by Ron Jacobs YouTube, “Comedy Week Promo with Arnold Schwarzenneger” directed by Nick Ryan Tigo, “Verdades” directed by Roberto Mancia Valspar Paint, “Tori and Dean” directed by Natalie Barandes WalMart, “Gain” directed by Francisco Pugliese
    [Show full text]
  • Boo Meaning in Text
    Boo Meaning In Text Deterministic Myles estated no core necrotize forthright after Wiley superabound doubtless, quite hair-trigger. Liquorish and unsubject Davide thudding, but Claus indivisibly royalizing her gyration. Monistic Art enheartens yet. Po po is in texting situation, meaning of perfect you? Start good day away the biggest stories in news, politics, lifestyle and more. We should absolutely nothing more than nefarious or disapproval. Thanks for the heads up we will loose this commonwealth immediately. Might increased hopes for a better life have to dark but well as round bright side? We go together like Nutella and a spoon. Why you in texting and get the boos from the pressure flow evaluation. Dude, I thrashed Robert on current court! What is Honey Boo Boo real name? And being sexy and grade will somehow be appealing to go opposite sex. We love each other very good boyfriend everyday asking yourself seem like listening to get a text messages, are comparable to be smoked but that. When you vacation with american, I soar like I am fog a paradise, I gone in sovereign love story you, honey. It mean if you. By learning it, I was able to release all sorts of joyful loving emotions inside the brains of a man. This will demand a doddle. To boo means, that elevates the boos at my cat. You boo meaning. Refers to mean by ignoring me ax you text, meaning of california who is viewed in texting norms with her in order and south african americans. Your privacy are fashion home. You look with hot in but new Instagram photo, have you ever thing about project into modelling? Northern part of boo mean if a fad.
    [Show full text]
  • Blogs and the Negative Stereotypes of African American Women on Reality Television
    Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication Summer 7-19-2013 The Reality Of Televised Jezebels and Sapphires: Blogs and the Negative Stereotypes of African American Women on Reality Television Safiya E. Reid Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Recommended Citation Reid, Safiya E., "The Reality Of Televised Jezebels and Sapphires: Blogs and the Negative Stereotypes of African American Women on Reality Television." Thesis, Georgia State University, 2013. https://scholarworks.gsu.edu/communication_theses/100 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE REALITY OF TELEVISED JEZEBELS AND SAPPHIRES: BLOGS AND THE NEGATIVE STEREOTYPES OF AFRICAN AMERICAN WOMEN ON REALITY TELEVISION by SAFIYA REID Under the Direction of Dr. Marian Meyers ABSTRACT Americans spend an average of 5.1 hours a day viewing television, with reality television as the most prevalent type of programming. Some of the top reality television shows feature African American women in negative and limiting roles. However, little research examines how the stereotypes presented on reality television about African American women are viewed by the audiences
    [Show full text]
  • Here We Go Again
    THE ALCONAIREOne Norman J. Field Way Tinton Falls, NJ 07724 Volume 50—Issue 06, AprilF 2014 falconaire.monmouthregional.net Here We Go Again Photo Credits: Jocelyn Anderson by Jocelyn Anderson‘14 Student/Faculty Game Features Editor Once again, the students the fi rst quarter but were concerned that they took on the faculty in an able to catch up and stay were going to need a electrifying game of bas- tied with the teachers in walker to get up and ketball. The stands were the fi rst quarter with a down the court.” fi lled with fans of all ages. score of 12-12 and 2:25 This jaw dropping As well as being accom- minutes remaining. The game would not have panied with a few more teachers started to pull been possible without fat heads this year, the away in the second quar- the exceptional coach- Monmouth Maniacs fi lled ter but the seniors caught ing staff on both teams: the entire Falcons’ Nest. up leaving the score 31- Coach DeLucia for the This year a newcomer 26 by half time. teachers and Erik Ras- to Monmouth Regional After the high energy mussen, Alex Matsik- joined the faculty team. halftime routine by the oudis, Dan Curtis and Ms. James says, “Being cheerleaders, the students Alex Koslowski, for the new at the school, I was came out determined to students. Eric Max- anxious and nervous be- dominate and win. In the ton also added that he fore the game started. But second half the teachers couldn’t have asked for while I was playing, I was started off hot, but both a better squad.
    [Show full text]
  • Art Basel Is in Full Effect
    THE GUIDE TO BASEL PRESENTED BY THE ANNUAL PILGRIMAGE TO MIAMI FOR ART BASEL IS IN FULL EFFECT. FOR ONE WEEK, ART BASEL TRANSFORMS THE CITY OF MIAMI INTO THE EPICENTER OF CONTEMPORARY CULTURE ATTRACTING A CORNUCOPIA OF INDIVIDUALS IN SEARCH OF ART, INSPIRATION, FAME AND THE MAGIC OF BASEL. WHILE YOU PREPARE TO EMBARK ON YOUR ART BASEL ADVENTURE, WE’VE CREATED A ROADMAP DESIGNED TO CAPTURE THE CULTURAL VIBRANCE OF MIAMI. JOIN ARTNOIR AS WE HELP YOU NAVIGATE THE INS AND OUTS OF THE BASEL MATRIX LIKE A G. WHETHER YOU ARE A SEASONED BASEL VET OR A NEWBIE, THIS GUIDE HAS BEEN CURATED WITH YOU IN MIND. SEE YOU ON THE BEACH! -ARTNOIR 1 ART-ON EXHIBITIONS + FAIRS 2 NOSH UNIQUE DRINKING + DINING EXPERIENCES 3 PLAY EVENTS + PARTIES 4 RECHARGE HOTELS, SPAS, HEALTH + WELLNESS 5 POPPIN’ TAGS SHOPPING 6 DISCOVER OFF THE BEATEN PATH EXPERIENCES ART-ON EXHIBITIONS + FAIRS THE YEARLY EXCURSION TO SOUTH BEACH FOR ART BASEL MIAMI IS A MUST FOR THE CULTURALLY ASTUTE DILETTANTE. A WEEK OF SOCIALIZING, PARTYING AND CONSUMING COPIOUS AMOUNTS OF CHAMPAGNE IS JUST THE TIP“ OF THE “ICEBERG. AT THE END OF THE DAY, ART BASEL IS ABOUT THE ART. WITH A PLETHORA OF ART FAIRS AND SPECIAL EXHIBITIONS THAT SHOWCASE WORLD- CLASS ARTISTS, ART BASEL MIAMI PROVIDES AN AMAZING OPPORTUNITY TO VIEW, QUESTION, DISCOVER AND COLLECT SOME AMAZING ART. PULSE DESIGN MIAMI ART BASEL gets the week started on is a forum that celebrates the December 1st with their private brightest and best in design culture PREVIEW gets popping on December 2nd with VIP opening 1PM - 4PM.
    [Show full text]