The Ways of Whiskeyby Janelle

Total Page:16

File Type:pdf, Size:1020Kb

The Ways of Whiskeyby Janelle A Wicked woman • ty joseph, artist • Ames on missionaries and music ® JANUARY 4-10, 2019 / VOL. 41 / NO. 7 / LAWEEKLY.COM W ity he ar th ul er op fr p om of S ge co sur tlan up d, an Japa ying n or t s enjo he USA, the brown spirit i BY JANELLE THE WAYS OF WHISKEYBENNET L January 4-10, 2019 // Vol. 41 // No. 7 // laweekly.com ContentsDouble Barrel Room, Beverly Hills COURTESY DOUBLE B ARREL ROOM, BEVERLY7 HILLS GO LA...4 FILM...13 Arthur Omura tickles the ivories, NATHANIEL BELL rounds up the best new Fred Armisen performs “stand-up for releases and art-house classics on local musicians,” the Year of the Boar starts and screens this week. more to do and see in L.A. this week. MUSIC...14 FEATURE...7 Singer-songwriter Ames was inspired by Whether from Scotland, Japan or the both Hanson and her time with Christian U.S., whiskey is enjoying an upsurge of missionaries in Honduras. BY BRETT popularity. BY JANELLE BENNET. CALLWOOD. Plus: listings for ROCK & POP, JAZZ, CLASSICAL and more. CULTURE...11 We talked to Jackie Burns, who’s starring as Elphaba in Wicked at the Pantages. BY LINA LECARO. ADVERTISING ARTS...12 CLASSIFIED...19 Ty Joseph willed himself into being an EDUCATION/EMPLOYMENT...19 artist, and landed a solo show. BY DUSTIN CLENDENEN. REAL ESTATE/RENTALS...19 BULLETIN BOARD...19 On the Cover: Photography by M. Unal Ozmen/Shutterstock L.A. WEEKLY (ISSN #0192-1940 & USPS 461-370) is published weekly by LA Weekly LP, 724 S. Spring St., Los Angeles, CA 90015. Periodicals postage paid at Los Angeles, CA. LA Weekly is available free of charge in Los Angeles County, limited to one copy per reader. Additional copies of the current issue of LA Weekly may be purchased for $1, payable in advance at the LA Weekly oce. Outside Los Angeles County, the single-copy cost of LA Weekly is $1. LA Weekly may be distributed only by LA Weekly’s authorized independent contractors or LA Weekly’s authorized distributors. No person may, without prior written permission of LA Weekly, take more than one copy of each LA Weekly issue. For back-issue information call 310-574-7100. e entire contents of LA Weekly are Copyright 2014 by LA Weekly LP. No portion may be reproduced in whole or in part by any means, including electronic retrieval systems, without the express written permission of the publisher, LA Weekly, 724 S. Spring St., Los Angeles, CA 90015. A Wicked woman • ty joseph, artist • Ames on missionaries and music ® JANUARY 4-10, 2019 / VOL. 41 / NO. 7 / LAWEEKLY.COM W ity he ar th ul er op fr p om of S ge co sur tlan up d, an Japa ying n or t s enjo he USA, the brown spirit i BY JANELLE THE WAYS OF WHISKEYBENNET 2 L January 4-10, 2019 // Vol. 41 // No. 7 // laweekly.com WEEKLY WEEKLY LA YOU CAN END ContentsDouble Barrel Room, Beverly Hills - , | HOMELESSNESS anuary | J IN LOS ANGELES WWW.LAWEEKLY.COM Visit www.ImaginaryFeast.org to learn how COURTESY DOUBLE B ARREL ROOM, BEVERLY7 HILLS GO LA...4 FILM...13 Arthur Omura tickles the ivories, NATHANIEL BELL rounds up the best new Fred Armisen performs “stand-up for releases and art-house classics on local musicians,” the Year of the Boar starts and screens this week. more to do and see in L.A. this week. MUSIC...14 FEATURE...7 Singer-songwriter Ames was inspired by Whether from Scotland, Japan or the both Hanson and her time with Christian U.S., whiskey is enjoying an upsurge of missionaries in Honduras. BY BRETT popularity. BY JANELLE BENNET. CALLWOOD. Plus: listings for ROCK & POP, JAZZ, CLASSICAL and more. CULTURE...11 We talked to Jackie Burns, who’s starring as Elphaba in Wicked at the Pantages. BY LINA LECARO. ADVERTISING ARTS...12 CLASSIFIED...19 Ty Joseph willed himself into being an EDUCATION/EMPLOYMENT...19 artist, and landed a solo show. BY DUSTIN CLENDENEN. REAL ESTATE/RENTALS...19 BULLETIN BOARD...19 On the Cover: Photography by M. Unal Ozmen/Shutterstock L.A. WEEKLY (ISSN #0192-1940 & USPS 461-370) is published weekly by LA Weekly LP, 724 S. Spring St., Los Angeles, CA 90015. Periodicals postage paid at Los Angeles, CA. LA Weekly is available free of charge in Los Angeles County, limited to one copy per reader. Additional copies of the current issue of LA Weekly may be purchased for $1, payable in advance at the LA Weekly oce. Outside Los Angeles County, the single-copy cost of LA Weekly is $1. LA Weekly may be distributed only by LA Weekly’s authorized independent contractors or LA Weekly’s authorized distributors. No person may, without prior written permission of LA Weekly, take more than one copy of each LA Weekly issue. For back-issue information call 310-574-7100. e entire contents of LA Weekly are Copyright 2014 by LA Weekly LP. No portion may be reproduced in whole or in part by any means, including electronic retrieval systems, without the express written permission of the publisher, LA Weekly, 724 S. Spring St., Los Angeles, CA 90015. L January 4-10, 2019 // Vol. 41 // No. 7 // laweekly.com 3 LA THURSDAY, JANUARY 17, 2019 WEEKLY | J anuary ContentsDouble Barrel Room, Beverly Hills - , | WWW.LAWEEKLY.COM 8901 West Sunset Boulevard West Hollywood, CA 90069 (310) 652-4202 www.whiskyagogo.com COURTESY DOUBLE B ARREL ROOM, BEVERLY7 HILLS GO LA...4 FILM...13 Arthur Omura tickles the ivories, NATHANIEL BELL rounds up the best new Fred Armisen performs “stand-up for releases and art-house classics on local musicians,” the Year of the Boar starts and screens this week. more to do and see in L.A. this week. MUSIC...14 FEATURE...7 Singer-songwriter Ames was inspired by Whether from Scotland, Japan or the both Hanson and her time with Christian U.S., whiskey is enjoying an upsurge of missionaries in Honduras. BY BRETT popularity. BY JANELLE BENNET. CALLWOOD. Plus: listings for ROCK & POP, JAZZ, CLASSICAL and more. CULTURE...11 We talked to Jackie Burns, who’s starring as Elphaba in Wicked at the Pantages. BY LINA LECARO. ADVERTISING ARTS...12 CLASSIFIED...19 Ty Joseph willed himself into being an EDUCATION/EMPLOYMENT...19 artist, and landed a solo show. BY DUSTIN CLENDENEN. REAL ESTATE/RENTALS...19 BULLETIN BOARD...19 On the Cover: Photography by M. Unal Ozmen/Shutterstock L.A. WEEKLY (ISSN #0192-1940 & USPS 461-370) is published weekly by LA Weekly LP, 724 S. Spring St., Los Angeles, CA 90015. Periodicals postage paid at Los Angeles, CA. LA Weekly is available free of charge in Los Angeles County, limited to one copy per reader. Additional copies of the current issue of LA Weekly may be purchased for $1, payable in advance at the LA Weekly oce. Outside Los Angeles County, the single-copy cost of LA Weekly is $1. LA Weekly may be distributed only by LA Weekly’s authorized independent contractors or LA Weekly’s authorized distributors. No person may, without prior written permission of LA Weekly, take more than one copy of each LA Weekly issue. For back-issue information call 310-574-7100. e entire contents of LA Weekly are Copyright 2014 by LA Weekly LP. No portion may be reproduced in whole or in part by any means, including electronic retrieval systems, without the express written permission of the publisher, LA Weekly, 724 S. Spring St., Los Angeles, CA 90015. Edendale Up Close Concerts series 4 featuring Arthur Omura: See Saturday. WEEKLY WEEKLY LA - , | anuary GO | J WWW.LAWEEKLY.COM LA1/4 COURTESY OF THE ARTIST fri DANCE Direct From Germany Aer more than 40 years as one of L.A.’s as well as shadow puppet shows and other M U SIC expressionist aesthetic. is he deploys most vibrant live theaters, the Odyssey e- folk art demonstrations. ere will be food in chronicling the ongoing adventures of atre began opening its stage to dance, and and alcoholic beverages as well as more French Connection (mostly) ctional characters inhabiting the three years ago it launched its own dance seasonal appropriate oerings such as hot When it comes to keyboards, Arthur Moundverse — a parallel yet all too famil- festival. Over the next month, Dance at the chocolate. Fairplex, 1101 W. McKinley Ave., Omura is more interested in the overlooked iar world of the artist’s own imagination. Odyssey 2019 oers six dierent programs Pomona; u.-Sat., 5:30-10 p.m. (last entry and even undiscovered properties of ancient With elements of superheros and classic of contemporary dance, mostly from L.A.- 9:20 p.m.); thru. Jan. 6; $14.27-$27. Chinese instruments than he is in the synthesized mythology, alter-ego gures like Torpe- based companies. e festival opens with lanternfestival.com. AVERY BISSETT sounds of modern machines. e Bay doBoy enact narratives of adventure and Berlin-based choreographer Shade éret Area keyboardist is adept at dialing up the protection, coping with the negativity and teaming with artist Lukas Panek in Maybe. spidery, uttering delicacy of a courtly tune all-too-real world of racism and danger. It’s described as a site-specic work, so it will sat 1/5 on harpsichord, but for this aernoon’s solo Shulamit Nazarian, 616 N. La Brea Ave., be interesting to see what the theater’s con- ART recital, as part of the Edendale Up Close Hancock Park; opening reception: Sat., Jan. verted industrial warehouse inspires. éret Concerts series, Omura focuses on cham- 5, 6-9 p.m.; runs Tue.-Sat., 10 a.m.-6 p.m., is co-presented by the Goethe-Institut Los Are You Mine? ber-music organ works by French Baroque thru Feb.
Recommended publications
  • Entertainment Carnival
    Advances in Social Science, Education and Humanities Research, volume 469 Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020) A Study on the "Entertainment Carnival" Phenomenon From the Perspective of Critical Theory of Cultural Industry Taking Chinese Variety Show as the Research Object Bingying Wang1,* Xiaonan Zhang1 1Arts College, Sichuan University, Chengdu, Sichuan 610207, China *Corresponding author. Email: [email protected] ABSTRACT The phenomenon of "entertainment carnival" was proposed based on the fact that the contemporary cultural industry has become a social reality, and now it has become one of the most important cultural phenomena in the modern age. The criticism of the cultural industry is an important theoretical part of Adorno's philosophical aesthetics, and the cultural phenomenon of "entertainment carnival" is regarded as one of the important contents in the development of cultural industry globalization. This article will take Chinese variety shows as the analysis object, combined with the critical theory of cultural industry proposed by members of Frankfurt School Adorno and Horkheimer to analyze and study the complicated and complex "entertainment carnival" phenomenon in China, and it's also a probe into the theoretical significance of the critical theory of cultural industry in contemporary Chinese culture. Keywords: criticism of cultural industry, entertainment carnival, Chinese variety show negative dialectics of Frankfurt School, at the same I. INTRODUCTION time, it also responds to the practical significance of "Entertainment carnival" is not only an organic part Adorno's critical theory of cultural industry in of popular culture but also an important feature of contemporary Chinese society.
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • October 2019 New Releases
    October 2019 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 82 Vinyl Audio 3 CD Audio 17 FEATURED RELEASES Music Video DVD & Blu-ray 52 SPYRO GYRA - WOODSTOCK: DINOSAUR JR. - VINYL TAP 3 DAYS THAT CHANGED WHERE YOU BEEN: Non-Music Video EVERYTHING 2CD DELUXE EXPANDED DVD & Blu-ray 57 EDITION Order Form 90 Deletions and Price Changes 93 800.888.0486 RINGU COLLECTION MY SAMURAI JIRGA 203 Windsor Rd., Pottstown, PA 19464 (COLLECTOR’S EDITION) FRED SCHNEIDER & THE SPYRO GYRA - WEDDING PRESENT - www.MVDb2b.com SUPERIONS - VINYL TAP TOMMY 30 BAT BABY MVD: RAISING HELL THIS FALL! We celebrate October with a gallery of great horror films, lifting the lid off HELLRAISER and HELLBOUND: HELLRAISER II with newly restored Blurays. The original and equally terrifying sequel are restored to their crimson glory by Arrow Video! HELLRAISER and its successor overflow with new film transfers and myriad extras that will excite any Pinhead! The Ugly American comes alive in the horror dark comedy AN AMERICAN WEREWOLF IN LONDON. Another fine reboot from Arrow Video, this deluxe pack will have you howling! Arrow also hits the RINGU with a release of this iconic Japanese-Horror film that spawned The Ring film franchise. Creepy and disturbing, RINGU concerns a cursed videotape, that once watched, will kill you in seven days! Watching this Bluray will have no such effect, but please, don’t answer the phone! TWO EVIL EYES from Blue Underground is a “double dose of terror” from two renowned directors, George A. Romero and Dario Argento.
    [Show full text]
  • Aq-Rule4-10Z4 Precisely the Type of Scenario the Legislature Envisioned When the Administrative Procedures Act Was Adopted
    Jamie Long Attachment We, the 58 undersigned members of the Minnesota Legislature, offer the following comments in support of the Minnesota Pollution Control Agency’s Proposed Rules Adopting Vehicle Greenhouse Gas Emissions Standards—Clean Cars Minnesota, Minnesota Rules, chapter 7023. We appreciate the opportunity to comment in these proceedings and encourage adoption of the rules as necessary and reasonable, and commensurate with the public interest and Minnesota law. Clean Cars Minnesota has been the subject of significant public interest and discussion. As legislators, we have participated in robust ongoing dialogue regarding the merits of the proposed rules with our constituents, stakeholders, and each other. This careful and deliberate scrutiny has led us to the conclusion that the proposed rules will benefit Minnesotans and should be adopted. Statutory Authority and Legislative Intent As current members of the legislative branch, we are uniquely positioned to offer our perspective on the authority and responsibilities granted to the agency by the Legislature specific to vehicle emissions as well as the agency’s general rulemaking authority. The powers and responsibilities of the Minnesota Pollution Control Agency (MPCA) are described in Minnesota Statutes Chapter 116. Of particular relevance to the proposed rules, Section 116.07, Subdivision 2, states “the agency shall also adopt standards of air quality, including maximum allowable standards of emission of air contaminants from motor vehicles…”. This provision demonstrates in very specific terms the Legislature’s intent that MPCA is expected to adopt standards of the exact type now proposed by the agency. This language was adopted in 1967, which means that the Minnesota House and Senate have had 54 regular sessions in which we could have reconsidered and agreed upon a repeal or amendment of this section of law.
    [Show full text]
  • Amerikan Movies Draft1.7
    AMERIKAN MOVIES 1 AMERICAN MOVIES Table of contents The Parts that Make up the Whole, Some thoughts on the work of The Speculative Archive/Julia Meltzer and David Thorne by Pablo de Ocampo - 3 Frequencies: an interview with Jason Boughton - 6 Taking to the Periphery - 17 by Andrea Picard Light Waves and their Uses - 21 by David Dinnell David Gatten talk - 23 Hand Cranked: a Conversation with Filmmaker Lee Krist by Alex Mackenzie - 30 Milk and Juice: An unfinished text to the artist I wish I’d met before starting psychoanalysis by Deirdre Logue - 38 Experience Torn to Shreds/Experiments From the Granary, Vincent Grenier, A Retrospective by Mike Cartmell - 40 What is Felt Cannot be Forgotten: an interview with Deborah Stratman interview - 46 George Kuchar’s Videos: Excrements of time by Steve Reinke- 58 Jennifer Reeves at Cinemateque Ontatio, fall 2006 – 64 An Interview with Robert Todd – 72 Long Live Experimental: and Interview with Julie Murray - 94 An Interview with Martha Colburn – 109 David Dinnell’s Midden – 118 Dani Leventhal by Steve Reinke - 120 Editor: Mike Hoolboom Notes on 4 Movies by Dani Leventhal - 121 Design by Mike Evans 2 The parts that make up the whole Some thoughts on the work of The Speculative Archive/Julia Meltzer and David Thorne by Pablo de Ocampo Since 1999 Julia Meltzer and David Thorne “the truth” is a means by which to emphasize have been collaborating under the name The the often loose and uncertain nature of the facts Speculative Archive. Though their output they are working with. Meltzer and Thorne’s includes installations, texts, and photographs, process is heavily rooted in an intensive the bulk of their work has been in the production investigation of documents—government texts, of single channel video documentaries.
    [Show full text]
  • The Long History of Indigenous Rock, Metal, and Punk
    UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories.
    [Show full text]
  • Charleswood Legion 6003 Roblin Blvd
    psavED FEB211990 RED RIVER COMMUNITY COLLEGE MONDAY, FEBRUARY 19, 1990 PERIODICALS Allegations Of Racism , I- A liege Once Again: College and Province Investigate By Carol Fedick The college and the province There is an investigation multi-cultural backgrounds feel issues, Newman explained. that when I first raised these are investigating allegations of underway and until the results of about remarks made against them This is the second time this allegations in the house, I had all racism made against one of the that investigation are known, I through multi-cultural seminars. year that charges of racism have kinds of anonymous letters and administration's vice-presidents, have no comment," Newman said. "Inter-cultural awareness been levelled at the college's anonymous messages left at the college President Ray Newman Newman explained that the seminars are raising that issue," administrators. constituency office. People were says. college is a large institution with Newman said. Liberal education critic Iva Yeo saying there are big problems at The complaint against one of 28,000 students and 1,000 The college tries to have these said that the allegations have been the community college over and the college's four vice-presidents employees and that as a whole the seminars as often as possible and raised in the legislature and that over again," Yeo said. alleges that the individual referred college does not have a racism Newman says that he intends to she is concerned that racism may Newman said that he has to another staff member as problem. have all his managers go through not be the only problem the instructed his staff to direct all "ambitious and power hungrywan "This is a large place and the seminar before the end of the administrators are facing.
    [Show full text]
  • Psychobilly Psychosis and the Garage Disease in Athens
    IAFOR Journal of Cultural Studies Volume 5 – Issue 1 – Spring 2020 Psychobilly Psychosis and the Garage Disease in Athens Michael Tsangaris, University of Piraeus, Greece Konstantina Agrafioti, Aristotle University of Thessaloniki, Greece Abstract The complexity and the bizarre nature of Psychobilly as a music genre and as a music collectivity make it very convenient for reconsidering several views in relation to subcultures, neo-tribes and scenes. More specifically, the case of Greek Psychobilly can categorically present how subcultural trends can be disseminated across gender, social classes and national borders. This study aims to trace historically the scene of Psychobilly in Athens based on typical ethnographic research and analytic autoethnography. The research question is: Which are the necessary elements that can determine the existence of a local music scene? Supported by semi-structured interviews, the study examines how individuals related to the Psychobilly subculture comprehend what constitutes the Greek Psychobilly scene. Although it can be questionable whether there ever was a Psychobilly scene in Athens, there were always small circles in existence into which people drifted and stayed for quite a while, constituting the pure core of the Greek Psychobilly subculture. Keywords: psychobilly, music genres, Athens, Post-subcultural Theory 31 IAFOR Journal of Cultural Studies Volume 5 – Issue 1 – Spring 2020 Introduction According to the American Countercultures Encyclopaedia, Psychobilly is a subculture that emerged in the 1980s from the unlikely combination of rockabilly and punk rock. The provocative and sometimes outrageous style associated with psychobillies (also known as “psychos”) mixes the blue-collar rawness and rebellion of 1950s rockabilly with the confrontational do-it-yourself style of 1970s punk rock, a syncretism infused with themes from monster and horror films, campy sci-fi movies, and even professional wrestling” (Wojcik, 2013, p.
    [Show full text]
  • Jad Fair & Norman Blake
    JAD FAIR & NORMAN BLAKE YES release date : May 12, 2015 catalog # : JNR142.4 available formats : LP / CD / digital genre : Indie box lot quantity : 10 LP / 25 CD packaging : jacket / digipak vinyl non-returnable. LP UPC: 656605485614 CD UPC: 656605485621 track listing : overview : 1. Undeletable Two legends, together again. Teenage Fanclub’s Norman Blake and Half Japanese’s Jad Fair have teamed up to bring you their new magnum opus, 2. Two Hearts Together “Yes”. Encompassing all the songwriting eccentricities that have made 3. Your Smile these guys famous, this new collaborative album also features some of 4. Yes the most genteel, engagingly catchy, and downright adorable music in recent memory. 5. Now Is The Time 6. Thank You Norman Blake and Jad Fair originally collaborated over a decade ago on 7. Add Your Name the Teenage Fanclub and Jad Fair album “Words of Wisdom and Hope” (Domino/Alternative Tentacles). Unlike the simple, aggressive style of 8. This Is It Half Japanese, the 13 new tracks on “Yes” feature refined, 9. The Real Deal guitar-laden power-pop and saccharin-sweet melodies, accompanied by backup singers and layered horn arrangements. Fair’s 10. Our Motto characteristically-manic vocal style is still present, but when 11. Have You Heard The News coupled with the head-bopping, articulately-layered arrangements of 12. You Are The One Norman Blake, the result is a potently earnest album that is brimming with positivity. OXBLOOD COLORED VINYL RELATED TITLES: JNR151 Half Japanese “Overjoyed” joyful noise recordings 1043 Virginia Ave. Suite 206 Exclusively distributed by SC DISTRIBUTION // Phone: (812) 335-1572 / Fax: (888) 678-0167 Indianapolis, IN 46203 US domestic sales contact Shelly Westerhausen <[email protected]> joyfulnoiserecordings.com International sales contact Kraegan Graves <[email protected]> [email protected].
    [Show full text]
  • A Quest to Champion Local Creativity
    CHINA DAILY | HONG KONG EDITION Friday, December 13, 2019 | 21 LIFE SHANGHAI A quest to champion local creativity Shanghai Culture Square is ramping up efforts to promote Chinese musicals by establishing a research center for performances and productions, Zhang Kun reports. AIC Shanghai Culture The three winning plays from the Square announced on Dec 2 first incubation program consist of that it will host the second a thriller about a teenage survival Shanghai International game, a contemporary interpreta­ SMusical Festival in 2020 and join tion of the life of Li Yu, a legendary hands with new partners to pro­ poet from 1,000 years ago, and a mote the development of original fantasy love story involving time Chinese musical productions in travel. Shanghai. “We are still taking our first steps Shanghai has arguably been the in creating original musicals,” says largest and most developed market theater director Gao Ruijia, a men­ for musical shows in China. tor on the incubation program. According to the live show trade “You will only be able to achieve union of Shanghai, 292 musical steady development after you have performances took place in theaters mastered these first steps.” across the city in the first six There are as yet no plans to push months of 2019. These shows were any of these plays into the commer­ watched by more than 287,000 peo­ cial phase, but professor Jin Fuzai ple and had raked in more than 61 with the Shanghai Conservatory of million yuan ($8.68 million) in box­ Music, who is also a mentor on the office takings, more than any other incubation program, says that the sector in the theater industry.
    [Show full text]
  • Order Form Full
    PUNK ARTIST TITLE LABEL RETAIL 100 DEMONS 100 DEMONS DEATHWISH INC RM90.00 4-SKINS A FISTFUL OF 4-SKINS RADIATION RM125.00 4-SKINS LOW LIFE RADIATION RM114.00 400 BLOWS SICKNESS & HEALTH ORIGINAL RECORD RM117.00 45 GRAVE SLEEP IN SAFETY (GREEN VINYL) REAL GONE RM142.00 999 DEATH IN SOHO PH RECORDS RM125.00 999 THE BIGGEST PRIZE IN SPORT (200 GR) DRASTIC PLASTIC RM121.00 999 THE BIGGEST PRIZE IN SPORT (GREEN) DRASTIC PLASTIC RM121.00 999 YOU US IT! COMBAT ROCK RM120.00 A WILHELM SCREAM PARTYCRASHER NO IDEA RM96.00 A.F.I. ANSWER THAT AND STAY FASHIONABLE NITRO RM119.00 A.F.I. BLACK SAILS IN THE SUNSET NITRO RM119.00 A.F.I. SHUT YOUR MOUTH AND OPEN YOUR EYES NITRO RM119.00 A.F.I. VERY PROUD OF YA NITRO RM119.00 ABEST ASYLUM (WHITE VINYL) THIS CHARMING MAN RM98.00 ACCUSED, THE ARCHIVE TAPES UNREST RECORDS RM108.00 ACCUSED, THE BAKED TAPES UNREST RECORDS RM98.00 ACCUSED, THE NASTY CUTS (1991-1993) UNREST RM98.00 ACCUSED, THE OH MARTHA! UNREST RECORDS RM93.00 ACCUSED, THE RETURN OF MARTHA SPLATTERHEAD (EARA UNREST RECORDS RM98.00 ACCUSED, THE RETURN OF MARTHA SPLATTERHEAD (SUBC UNREST RECORDS RM98.00 ACHTUNGS, THE WELCOME TO HELL GOING UNDEGROUND RM96.00 ACID BABY JESUS ACID BABY JESUS SLOVENLY RM94.00 ACIDEZ BEER DRINKERS SURVIVORS UNREST RM98.00 ACIDEZ DON'T ASK FOR PERMISSION UNREST RM98.00 ADICTS, THE AND IT WAS SO! (WHITE VINYL) NUCLEAR BLAST RM127.00 ADICTS, THE TWENTY SEVEN DAILY RECORDS RM120.00 ADOLESCENTS ADOLESCENTS FRONTIER RM97.00 ADOLESCENTS BRATS IN BATTALIONS NICKEL & DIME RM96.00 ADOLESCENTS LA VENDETTA FRONTIER RM95.00 ADOLESCENTS
    [Show full text]
  • Raw Thought: the Weblog of Aaron Swartz Aaronsw.Com/Weblog
    Raw Thought: The Weblog of Aaron Swartz aaronsw.com/weblog 1 What’s Going On Here? May 15, 2005 Original link I’m adding this post not through blogging software, like I normally do, but by hand, right into the webpage. It feels odd. I’m doing this because a week or so ago my web server started making funny error messages and not working so well. The web server is in Chicago and I am in California so it took a day or two to get someone to check on it. The conclusion was the hard drive had been fried. When the weekend ended, we sent the disk to a disk repair place. They took a look at it and a couple days later said that they couldn’t do anything. The heads that normally read and write data on a hard drive by floating over the magnetized platter had crashed right into it. While the computer was giving us error messages it was also scratching away a hole in the platter. It got so thin that you could see through it. This was just in one spot on the disk, though, so we tried calling the famed Drive Savers to see if they could recover the rest. They seemed to think they wouldn’t have any better luck. (Please, plase, please, tell me if you know someplace to try.) I hadn’t backed the disk up for at least a year (in fairness, I was literally going to back it up when I found it giving off error messages) and the thought of the loss of all that data was crushing.
    [Show full text]