Har monica happenings

A quarterly publication of the Society for the Preservation and Advancement of the Harmonica

The Harmonica in Politics spah Al Smith News

& Reviews, Reviews, Reviews! Summer, 2011 Vol. 45 No. 3 SUZUKI HARMONICAS New. Unique. Different. Innovative.

M-20 Suzuki 10 Hole Diatonic

Billy Branch

Grégoire Maret

See the entire line of Suzuki Harmonicas at www.suzukimusic.com/harmonicas

The Name You Know Harmonica happenings In this issue: Vol. 45, No. 3, Summer 2011 ©2007, The Society for the Preservation Cover photo: “Keyholder” by Luciano Blues and Advancement of the Harmonica. http://www.flickr.com/people/lucianoblues/ All rights reserved. No portion of this publication may be reproduced in any form without permission in writing from SPAH, Inc. Printed in U.S.A. Harmonica Happenings is published quarterly by SPAH, Inc., Contents: a nonprofit organization, incorporated in the State of Michigan on October 23, 1963.

6 ANOTHER DISASTROUS MESS I GOT ME INTO SPAH Correspondence should be sent to: Charles Spranklin leaves the Don Henry trio behind and gets SPAH, Inc. into animation, with results only Spranklin could get! P.O. Box 865 Troy, MI 48099-0865

12 THE HARMONICA IN POLITICS— EDITOR & PUBLISHER JP Pagán Manfred Wewers researches how the harmonica has influenced ASSOC. EDITOR Jaine Rodack U.S. Presidents throughout history. COPY EDITOR Danny Wilson SPAH BOARD OF DIRECTORS 15 AL SMITH— Tom Stryker President L.J. Atkison Vice President Rob Fletcher bring you the latest news about a man who never Eugene Hansen Treasurer slows down. Elizabeth Atkison Secretary Roger Bale Membership Director JP Pagán Magazine Editor 18 CD Review Bob Cohen Webmaster Phil Lloyd reviews Let’s Live It Up! by Mississippi Heat. Warren Bachman Marketing Director

20 Instructional CD Review Paul Metris Sergeant at Arms Norm Dobson International Liaison David Barrett’s Blues Harmonica Jam Tracks & Soloing Concepts #3 Danny Wilson SPAH Historian Paul Davies Advisor 22 CD Review COMMITTEES History of the Blues Harmonica Concert, a 2CD set that cap- Harmonicas & Health tures live performances of classic blues from pre-World War II Terry Rand Chairman up to today. Entertainment Winslow Yerxa Chairman SPAH Advisory Committee 28 CD Review L.J. Atkison Chairman Bill York Yurochko reviews The Sharp Harp Quintet In Convention Committee Rehearsal. Elizabeth Atkison Chairwoman SPAH FOUNDER Earl Collins 1924 -1988

SPAH MEMBERSHIPS Harmonica Events All memberships are on a calendar For the latest information on these events, see the year basis, beginning Jan. 1. Membership entitles each member Events page on the SPAH website: www.spah.org to receive a full year’s issues of Harmonica Happenings plus discounts SPAH 2011 at SPAH’s annual conventions. Virginia Beach, VA Aug 9-13 CHANGE OF ADDRESS www.spah.org To insure receiving your next copy, send or contact Elizabeth Atkison at [email protected] both your old and new address to: Membership Director, SPAH, Inc. P.O. Box 865, Troy, MI 48099-0865 Jon Gindicks’ Blues Harmonica Jam Camp SPAH’S WEBSITE Clarksdale, MI Sept 27-Oct 1 www.spah.org www.bluesharmonicajamcamp.com or call Jon at 310-457-8278 HARP-L INFORMATION www.harp-l.org 2010 - 2011 Corporate Sponsors

The SPAH Corporate Sponsorship Program benefits SPAH, its members and the sponsors. The sponsors listed below have demonstrated their dedication to the preservation and advancement of the harmonica by actively participating in SPAH conventions and other activities and by financially supporting the organization. They deserve the thanks, recognition and support of SPAH members.

Hohner, Inc. Andy Garrigue, Harmonica Marketing Manager 804-591-3741 www.hohnerusa.com

Suzuki Musical Instruments Daron Stinton Harmonica/school Division Manager (800) 854-1594 www.suzukimusic.com/harmonicas

Rupert Oysler (828) 262-1088 www.seydel1847.com President’s Letter

STEP RIGHT UP!

ello fellow SPAH mem- wealth of computer knowledge bers. Time is now get- with great enthusiasm to SPAH and ting shorter for our next will usher in our new, online mem- convention which will bership program while carrying on Hbe in Virginia Beach, Virginia. It is Roger Bale’s pro-activities. We also shaping up nicely and the entertain- received a number of inquiries for ment is, as usual, first class. This the presidential election that will year, Marvin Monroe will conduct occur in April, 2012. There is still the open mic in the main gather- time to contact Winslow Yerxa ing area. What a great spot this ([email protected]) to get will be to show off your talents to on the ballot for this prestigious other members. Dick Lawrence and position. I know there are qualified his guys are going to take a much people out there who could really needed break from being the house help SPAH. Don’t be bashful.This band this year. What a wonderful year, J.P. Pagán and Bob Cohen will job they have done. L.J. Atkison in- videotape presidential candidates forms me that the vendors will all along with their vice-presidential be in one room again this year and running mate, and place their in- there will be some exciting displays. terview on the web to allow our Seminars will abound this year members to consider who it is they also. Manfred Wewers has done wish to vote for. Even further, if you a great job on them. The jazz jam have declared yourself as a candi- will continue as usual on Thurs- date, you can meet and greet other day and Friday evenings under the members at the SPAH convention in capable guidance of Joe “SmoJoe” person. Also, we still need a trainee Leone. Joe will carry on the work of for SPAH Treasurer… the great Randy Singer. Mary Ann Speaking of SPAH officers, I am Gormley will chair the Harmonicas sad to announce that Warren Bach- & Health seminar this year. Hope- man had to resign as publicity direc- fully, H&H founding member Terry tor because of personal endeavors Rand will find a bit of space in his and recent surgery on his back. We business schedule to join us. will miss Warren and if you wish to Our recent email blasts for a send a thank you note for all of his membership director and elec- good work for SPAH and a get well tion candidates are paying off. I message, you can send it to him at am pleased to announce that Dave [email protected]. Jones will begin learning the du- Well, it’s back to the business of ties of membership director and we convention preparation. It’s been a expect that he will be up and run- long winter and the bad weather ning by the 2012 convention. Please isn’t over yet. I am ready for some welcome Dave when you see him “Sun, Surf and SPAH” in Virginia with Roger and Nancy at the SPAH Beach… See you there!! jq registration desk. Dave brings a

Summer 2011 3 What is SPAH? SPAH is an organization whose objective is to preserve and respect the colorful past of the harmonica, while advancing its acceptance, in all its many forms, as a bona fide musical instrument. Among the mem- bership are individuals and entire families, accomplished musicians as well as beginners, and people of all ages. Many members have played or do play the harmonica professionally. Their music styles, ranging through Country, Blues, Popular, and Classical, can be enjoyed via recordings or live performances.

The many benefits of SPAH will be available to you as a member. You are welcome to join SPAH regardless of playing ability or style. SPAH also welcomes members who just like to listen to harmonica music. You will be joining people from around the world to preserve and advance the harmonica. For more information on SPAH visit our website at www.spah.org.

Join SPAH - The Society for the Preservation and Advancement of the Harmonica What SPAH does: * Sponsors an annual International Harmonica Convention featuring classes, entertainment by professional harmonica players, and camaraderie. * Distributes information on harmonicas and harmonica playing * Recognizes and honors those who preserve and advance the harmonica * Encourages the formation of local harmonica clubs * Supports groups organizing harmonica conventions * Maintains a website at www.spah.org * Sponsors an online harmonica discussion group and an online harmonica club news service

Member benefits: * Subscription to Harmonica Happenings, our quarterly magazine with harmonica news from around the world including seminar and convention listings, articles on playing techniques, repairs, harmonica clubs and famous harmonica players and groups, and information on recently released recordings and harmonica products. * Discounts on SPAH’s annual International Harmonica Convention

NEW MEMBER SPAH APPLICATION

NAME ______BIRTH DATE ______

ADDRESS ______PHONE (______)______

CITY ______STATE______ZIP ______E-MAIL ______

COUNTRY (if other than USA) ______

CLUB NAME ______CITY ______ST _____

I Play These Harmonicas: Other Harmonica-Related Activities:  Diatonic  Chromatic  Chord  Compose  Arrange  Bass  Other: ______ Teach  Collect Harmonicas

Enclose $45 for individual membership or $60 for Family. U.S. funds only, made payable to SPAH, Inc. Mail to: Membership Director, SPAH, Inc., P.O. Box 865, Troy, MI 48099-0865 If you prefer, you can fill out the membership form and pay your membership fee using a credit card by logging onto the SPAH website: www.spah.org.

4 Harmonica Happenings Editor’s Letter

HIT THE ROAD, JAck

ummer’s finally here, both spirit and looks at how the harmon- the season and of course ica has been a part of the American the Harmonica Happen- presidency throughout the nation’s ings issue. So time to pack history. It’ll have you honking out Syour bags—don’t forget your har- “The Star Spangled Banner” (or monicas!—and hit the road. Maybe maybe “Turkey in the Straw”) in no you’re headed up north, like me, to time flat. catch a cool lake breeze, or maybe Rob Fletcher brings us the latest you’re driving down to Florida or about one of the greatest—all that’s the Keys for some much needed new about musician, author and Corrections: post-winter-blahs blasts of sunshine. now filmmaker, Al Smith. In the registration Wherever you’re going or wherever And lastly, we have a cornucopia packet, the Ladies you are, I hope this letter finds you of reviews. Some of these have been Breakfast contact information contained well, and I hope a harmonica’s not waiting awhile to be published, but a typo. The correct too far from your lips. they’re all new to you! Phil Lloyd contacts are: Speaking of road trips and that does the heavy lifting with not one, Debbie Barriger other thing I keep mentioning, not two, but three reviews, and 757-463-8233 I hope your room is booked for Bill York Yurochko squeaks one in 3508 Continental St Virginia Beach, VA SPAH, ‘cause that’s the summer at the end. Many, if not all of the 23452-4314 trip you don’t wanna miss! We’ve books and CDs mentioned in this [email protected] worked our way from coast to coast issue should be available at the Vir- Elizabeth Atkison in the past couple of years, so if ginia Beach convention, so be sure [email protected] Sacramento was on the other side of to look for them. the country for you, Virginia Beach We also have some more infor- should be just down a major high- mation on the convention to refresh way or two, so y’all come and sit a your memory. It’s been a pretty spell. good year since the last SPAH; hope As we gear up for the convention, to see you all—some of you for the the staff at HH has been working first time—at this next one! feverishly to bring you the latest and greatest in harmonica happen- ings. But when we can’t get the lat- est, sometimes we just stick with the Submit your own content greatest. to Harmonica Happenings! Charles Spranklin dug up one of Articles, photos, ads, etc. must be submitted to Harmonica Happenings by the dates listed below his inimitable stories from a prior for inclusion in the specified issue issue, picking up not long after the Spring issue - March 15 Don Henry trio piece left off. This Summer issue - June 15 time, Charles has left Vaudeville be- Fall issue - September 15 Winter issue - December 15 hind and taken up being an anima- Submit items to: tor instead. Hijinks surely ensue. Manfred Wewers taps into his in- JP Pagán ner American and his Fourth of July Phone: 347-564-3073 Email: [email protected]

Summer 2011 5 ANOTHER DISASTROUS MESS I GOT ME INTO

By Charles Spranklin NOTE: Again my creative juices have failed me for this Many times I was compelled, without revealing any summer’s issue. So, I’m reaching into the long past, prob- personal reasons, to wedge harmonica tracks into com- ably year 2001, for a repeat article that many of you have mercials. In those days, harmonica music really wasn’t probably never read or have easily forgotten. It’s another considered as gainful to represent hi-class products in “Peril’s of Spranklin” story that I hope you will enjoy. It’s advertising. However, once in awhile, I got my way. about a traumatic incident concerning me and my harmon- I usually left the playing to my professional har- ica that I will never forget. monica friends but now and then, I got in a few notes y first career move after the 1955 demise myself. Coming in contact again with great harmonica of The Don Henry Trio and my two-year players, the result was that I got the urge to start play- stint in the US Army was motion picture ing again just for the enjoyment of it. The great Char- animation. I was trained in the art by re- ley Leighton and other friends of the harmonica world Mlocated Disney animators that had moved to the East were always available for jam sessions. In time, I got Coast to work in the hot new field of TV commercials. my chops somewhat up to speed again. Charley and I spent ten years on the rise in the industry and finally I never played professionally anymore but that wasn’t attained the title of Director of Animation. Hooray for the idea of it, we were just happy to be playing again. me, I worked hard for that lofty position. Predictably, Over the years I did stay in touch with a number of I never let my harmonica interfere with my new life in my former animation colleagues. One of those friends the arts. For countless years it lay dormant in a drawer ran an animation production company. From time to just waiting for my rare monthly urges to test my musi- time he would call on me to ghost animate for him. cal chops on it. Just three or four minutes of aimless When I wasn’t busy, I would accept the chore just to tooting were all I could handle. My harmonica and I keep my animating abilities oiled. As much as I hated rusted with the times. doing it, it was a sin to waste a talent like that. All went well for me in the animation field until, un- In the early 90s my producer friend came to me with expectedly, something in me went sour. It took some a commercial project for a New York Health Club. heavy duty soul searching before I realized that draw- At the time, the animation industry was in a serious ing life into two-dimensional actors on paper with #2 slump. His business was hit hard and he was pressed to pencils was not such a wonderful thing for me any- take on low budget regional commercials. If I accepted more. I realized that I wanted to work with real live the project, I would have to do most of the labor my- skin and bones actors; I was meant to be a live action self. The budget had no room for the assistants that an person. I guess that was deep-rooted in me from my animation process usually demands. The concept was Vaudeville years. reasonably simple and I wasn’t busy at that time and he I dumped all of my pencils and papers and joined needed the business, so, I took it on. If I had any idea what was, at that time, the most prominent ad agency of the hell I was about to face, I would have run for the in the world, J. Walter Thompson, New York, to pro- hills and hidden in a damp cave. duce and direct live action TV commercials. Finally I The spot started out as a simple bit of animation was happy with my occupation. No animation and no showing the array of exercise and social options avail- room for harmonicas. As final as that sounds, although able. My designs and story concept were received well I wasn’t actively playing harmonicas, harmonicas were by the clients and we were granted approval to proceed always sounding off in my soul. with production. Suddenly, another animated commer-

6 Harmonica Happenings cial of a different subject appeared on the air that the tion demanded that the actual precisely timed music clients fell in love with. What captivated them was a and structure must be completed first. I wondered if the very interesting Cajun/fusion music sound track. They Foreign Legion was still recruiting? immediately put a halt to what we were doing and in- I told the truth when I said I was not a composer. sisted that we start over with a completely new concept For sure I had to enlist some help. Enter my second son that would emulate its design and music style. Tommy. He dabbled a lot with rock music. He plays “Music? What music?” guitar and piano and has a good sense of rock struc- “With this budget, where’s the music coming from?” I asked through bleached lips because the blood had left my head. “Are you out of your mind?” “You gotta do it, you gotta find a way!” my friend bleated out. I shot back. I giggled in disbelief but my panic made it sound like stifled “I’m not a composer!” snorts. I tried to calm myself as I asked, “You mean you expect me to compose and re- ture. Is Cajun considered Rock? Of course not! cord this, (sarcastically) very… important…piece… of Before I called him in, I tried my hand at composing music?” a melody. To my surprise, I was more capable than I His “Yes” struck me like shrapnel from a grenade. thought. In fact, I was having a good time with it. It “Are you out of your mind?” I shot back. “I’m not was only 30 seconds worth of music, but you’d be sur- a composer!” prised at how much of an effort that can be, especially “Yes you are. You’re a harmonica player.” if you don’t know what you are doing. “What the hell has that got to do with music?” I struggled with it for over a week till I got the tune “Harmonicas sound like Cajun stuff. Just play some- to make sense. It was only the melody. I couldn’t write thing, anything, it’ll work.” chords. That will be Tommy’s chore. With focused ef- He was deadly serious. My teeth began to chatter fort, he came up with a nice rhythm section background at what I was hearing. I could have shot him then and for my melody. He played all of the instruments for the there and easily gotten off pleading self-defense. recording. It even timed out to 30 seconds. Great, ex- The rationalization continued, “You got a little re- cept, the more I heard it the more I didn’t like it. cording studio here. It wouldn’t cost any money.” (Yes, In my heart I knew that the melody was not right for I did have a small 8-track studio set up in my attic for the action in the spot. I did everything I could to shut my own kicks.) out the truth. It was tough enough for me to come up “You know we’re committed, we don’t have a with a decent melody to begin with; how could I aban- choice!” His voice was constricted with desperation. don it at this late date? Did I think that I could actually It was all so preposterous; I couldn’t even conjure up dredge up another melody? No way! a sensible argument. Backing out now would lose him I was using a chromatic for the recording. Suddenly his client for sure and I know he needed the business. it occurred to me. “Would it all work better if I used a I was really scared. But I had to face it; it was me that diatonic harmonica?” Maybe! But I didn’t have much swallowed the deal hook, line and sinker to begin with. experience playing diatonics. Nonetheless, I gave it a There was no way out now. The really sick part of it all try. Fortunately, my melody was about as easy to play was that somewhere deep down I was intrigued. Could as “Swanee River.” Wow, what a difference. The whole I possibly be that stupidly masochistic to try and com- piece perked right up. I got right to work revising the pose a commercials track? Evidentially! whole record- The burden of the change in the animation was in- ing. About two charles spranklin is a long-time credible. Ripping off the basic style of the other com- days later while contributor to harmonica mercial virtually tripled the animated drawings to be I was working happenings. done. All of that plus the new character designs, sto- on the mix, that ryboards and backgrounds fell on me. No assistance sinking feeling you can whatever. And then there was the music. The proce- trickled back in. contact him at: [email protected] dure for music for designed and choreographed anima- It’s better, but it

Summer 2011 7 still doesn’t work with the planned visuals. I shut down Ask the Hohner Service Center in utter despair. I had to come up with a new melody that would fit the action. I was dead in the water. There were only three days left to deliver this night- Removing And Reinstalling mare. I burned away the first day brooding in despera- tion. I had very little experience handling failure. The Nailed Reed Plates On A second day I awoke in a deeper funk than the day be- fore. There wasn’t the slightest glimmer of a solution. Wood Body Chromonica I shuffled slowly to the bathroom to brush my teeth. There is no accounting for why weird things hap- pen as they do. For some mysterious reason, looking Working on chromatics can be challenging, especially when nails at myself in the mirror and the rhythm of brushing my secure the reed plates to a wood comb. First timers should practice Align the reed plates with the comb insuring the reed plates are teeth jogged loose inspiration in me. The rhythm tracks on older, worn out instruments. Pay attention to how the pieces fit positioned properly – not upside down or reversed. Place the ridged were playing in my head without my melody. I had a together and keep an eye on small parts. edge of the reed plate over the mouthpiece end of the comb. The strong feeling that there was something bubbling to ridged edges must be flush with edge and facing away from the the surface. I rinsed and ran to the studio. Halfway up Unscrew and remove the cover comb. Clamp both reed plates together to hold them in position. the stairs a garbled melody started rolling out of me. I plates and mouthpiece. Knock Test the reeds and valves to insure they can move freely. grabbed my harmonica and attempted to organize the out the spring retaining pin with ramble of thoughts onto paper. It was a completely dif- a pin punch and small hammer. Using slight pressure, press the ferent approach to the melody and rhythm that I had Using small needle-nosed nails partially into the comb written originally but it still worked with the chord pliers, reach into the hole that through the existing holes, just pattern that Tommy had written. Where was this com- houses the spring. Firmly grab enough to hold the nail in place. ing from? It was like those dumb movies where a ghost the spring and pull it out of the While supporting the bottom of is controlling your hand to write what it was thinking. comb. Use caution, as the spring the harmonica, drive the nails Each new note I wrote was news to me. may snap free of the pliers if not Five minutes later I was staring at a whole new ball into place. Avoid shifting the game. It played clearly in my head and sounded prom- firmly grasped. Use protective reed plate position or damaging ising to me. Suddenly I was alive with excitement. I eyewear if available. Remove the reeds. picked up my chromatic to try it out. Could this be my the cover supports with pliers. Using a knife (or similar edged tool), salvation from disaster? It could if I can play it. Good pry the reed plates off the comb taking care not to lose the nails. When both reed plates are secure, grief, “I can’t play it!” When removing and reattaching the reed plates, it is important to sand the mouthpiece and reed I struggled with it for a half an hour trying to get it perform the action on the second plate immediately after the first, plate edge with 120 grit aluminum up to speed so I could phrase it the way I heard it in my because the wood comb can warp if only one plate is attached. oxide sand paper until flush. If head. Not once could I play it through. Good grief, I the reed plates are not flush, the don’t have time for this. It’s now or never. This is what Any reed plate maintenance (tuning, valve or reed replacement, etc.) mouthpiece will not sit properly you get for not practicing. can be performed at this time. Replacement parts and answers to and cause air leakage. When Again I was sinking fast into defeat. I was just about your questions are available through the Service Center at 804-591- sanding is complete, vacuum out to give up when I got an idea. Maybe if I cut the record- 3745 or [email protected]. the dust. ing speed I could handle the tempo and play it through. Success would depend on what it would sound like To reattach the reed plates, Use a drill, if necessary, to clear any wood out of the spring played back at normal speed. The cut speed was per- begin by filling each nail and retention pin hole. Reinsert the spring into the spring hole, fect; I did it without a flub. OK, let’s speed it up and cover support hole in the comb with the longer leg toward the outside edge of the comb. hear what it sounds like. It was terrible! It was almost with a toothpick. Use slight harmonica Chipmunks. I quickly sank back into the Align the spring coil with the spring retention pin hole. despair pit. The next half-hour was spent searching my pressure to get the toothpick Hammer the retention pin flush into the comb, making sure soul for another solution. as tight as possible and break that the pin secures the spring by going through the coil. I called my producer friend and dumped the di- off the excess. Use a small file lemma on him. Maybe he had a solution. He didn’t! to sand the broken end of the Secure the cover supports using the same method as the I could feel him sinking into the funk with me. I hung toothpick flush with the comb. reed plate nails. Reinstall the cover plates and mouthpiece. up the phone and just stared at the recording machine. There was only one solution. Keep trying to play the Any questions about this article or suggestions for future articles can be submitted to [email protected]. damn thing. Is it really that difficult? Damn right it is if you haven’t practiced for years. Desperately, my hand Visit us on Facebook at Just Breathe. 8 Harmonica Happenings www.facebook.com/HohnerUSA www.hohnerusa.com Ask the Hohner Service Center Removing And Reinstalling Nailed Reed Plates On A Wood Body Chromonica

Working on chromatics can be challenging, especially when nails secure the reed plates to a wood comb. First timers should practice Align the reed plates with the comb insuring the reed plates are on older, worn out instruments. Pay attention to how the pieces fit positioned properly – not upside down or reversed. Place the ridged together and keep an eye on small parts. edge of the reed plate over the mouthpiece end of the comb. The ridged edges must be flush with edge and facing away from the Unscrew and remove the cover comb. Clamp both reed plates together to hold them in position. plates and mouthpiece. Knock Test the reeds and valves to insure they can move freely. out the spring retaining pin with a pin punch and small hammer. Using slight pressure, press the Using small needle-nosed nails partially into the comb pliers, reach into the hole that through the existing holes, just houses the spring. Firmly grab enough to hold the nail in place. the spring and pull it out of the While supporting the bottom of comb. Use caution, as the spring the harmonica, drive the nails may snap free of the pliers if not into place. Avoid shifting the firmly grasped. Use protective reed plate position or damaging eyewear if available. Remove the reeds. the cover supports with pliers. Using a knife (or similar edged tool), pry the reed plates off the comb taking care not to lose the nails. When both reed plates are secure, When removing and reattaching the reed plates, it is important to sand the mouthpiece and reed perform the action on the second plate immediately after the first, plate edge with 120 grit aluminum because the wood comb can warp if only one plate is attached. oxide sand paper until flush. If the reed plates are not flush, the Any reed plate maintenance (tuning, valve or reed replacement, etc.) mouthpiece will not sit properly can be performed at this time. Replacement parts and answers to and cause air leakage. When your questions are available through the Service Center at 804-591- sanding is complete, vacuum out 3745 or [email protected]. the dust.

To reattach the reed plates, Use a drill, if necessary, to clear any wood out of the spring begin by filling each nail and retention pin hole. Reinsert the spring into the spring hole, cover support hole in the comb with the longer leg toward the outside edge of the comb. with a toothpick. Use slight Align the spring coil with the spring retention pin hole. pressure to get the toothpick Hammer the retention pin flush into the comb, making sure as tight as possible and break that the pin secures the spring by going through the coil. off the excess. Use a small file to sand the broken end of the Secure the cover supports using the same method as the toothpick flush with the comb. reed plate nails. Reinstall the cover plates and mouthpiece.

Any questions about this article or suggestions for future articles can be submitted to [email protected].

Visit us on Facebook at Just Breathe. Summerwww.facebook.com/HohnerUSA 2011 www.hohnerusa.com9 SEYDEL_Ad_SPAH_8,5x11_2011.qxd:Layout 1 06.07.2011 20:03 Uhr Seite 1

reached out and hit the start button. The countdown I pressed the start button on the recorder. I had raised clicked off, 1, 2, 1, 2, 3, 4, I whipped the chromatic to the volume for maximum impact. In thirty seconds his my mouth, and suddenly… I was playing it! expression went from death’s door to jubilation. When How could this be? A half-hour ago I couldn’t get the track stopped, all he could only say was, “What’s through it to save my life. I quickly tried it again. It wrong with that?” I answered with pure relief and joy was even better the second time. In the years that have in my heart. “Absolutely nothing!” passed, I have never been able to account for how that The clients loved the track and the animated visuals. was possible. What physical mechanism is there in us The characters that I designed became icons for their that carries us past despair into seemingly impossible print advertising. In short, the spot was an advertising success? Back then I hadn’t the time to dwell on that. I success. had a recording to do. I got it in three takes. It worked. I’ll never forget the fear and anguish I went through It was perfect for the visuals. My relief was so great in those weeks trying to create that jingle. Yes, it was I wanted to break into tears. No way man, I was so my fault for accepting such a ridiculous task. It’s the pressed for time I couldn’t even spare one tear. price of ego. However, if I had known then what was to Next up, the mix. That is the process of balancing be the fate of that jingle I would never have believed it. and equalizing the individual music tracks into a final The original commercial ran periodically for several blend. It was a fairly simple mix and went along with- years. It was a kick for me considering that all 30 sec- out a hitch. I had a clear blend that featured the lead onds of it was all me. The campaign ran on TV and in chromatic melody line. It wasn’t Cajun but it swung. print for about 6 years; probably a record in advertis- Suddenly on the next playback the whole track ing. Over the years I worked on about five more spots turned weird. The lead line was not the same chromatic that used my basic character designs and animation sound as it was on the last playback. What the heck has against new story lines, all using the original track. In happened now? I played it a couple of more times but short, my mysteriously divined music became the cli- couldn’t figure out how the sound changed so drasti- ent’s signature. That’s an advertiser’s dream. WWW.SEYDELUSA.COM cally. I soloed the lead track and it was fine. Playback At one of our Leighton’s Leightons Club Tuesday the mix and that strange sound was back. Suddenly I jam sessions; there were about four Top-Gun harmoni- realized what it was. I had never erased the slow down ca players and me. I think it was Randy Weinstein who track. I was hearing the Mickey Mouse track mixed complimented William Galison for the music on the with the chromatic lead. Man, how dumb can you get? Health Club spots. William responded, “You know, On the other hand, it did have a funky sound. A few I’m getting compliments from a lot of people for that, more passes and I realized I had something unique here. but it isn’t me.” As the group responded to him in sur- It was no longer just a harmonica track. I couldn’t help prise, I sat there trying to rationalize that they were giggling. Whoever my ghost was, he or she had a sense talking about me. How can that be, I’m the only one in of humor. It was a keeper. the group that really isn’t capable of doing that. I’m not As the mix proceeded I began hearing things that a composer or a studied musician or even a great har- SEYDEL SESSION STEEL I could add to it. I had abandoned the diatonic harp monica player. My mouth answered before my brain with the last piece. Why? I grabbed the harp and went collected itself: “That’s me!” When the awkward shock into the booth, turned on the machine and adlibbed an wore off their faces, the compliments of surprise flowed answer to a line. Right on man, the harp added some out. William asked, “Was that you playing?” “Yeah, WHEN WE MADE THE FIRST HARMONICA WITH STAINLESS STEEL REEDS juice. Then I realized that the release section was a little me and my son on the background instruments,” I soft- 5 YEARS AGO, WE THOUGHT OF ALL THE PLAYERS, WHO WERE TIRED OF naked. I couldn’t add anymore harmonica. It would ly boasted. “Who wrote it?” William asked. “I did,” I start sounding like an accordion. It occurred to me that blushed out. More surprise compliments flowed. Ran- BORING SOUNDS AND BROKEN REEDS. OUR NEW STEEL REEDS LAST the whole melody was scat. Why not add a scat singer. dy, “Who was the singer?” “Me.” It was a grand slam. UP TO 5 TIMES LONGER THAN CONVENTIONAL BRASS REEDS – OUR I looked around the studio. I didn’t see one scat singer. What a great day it was for me. I will never forget it. CLIENTS’ SATISFACTION LASTS EVEN MORE. Did I have a choice? All I did was double the melody. Whenever William and I were together at a gather- I’m not a singer but it worked fine. ing; if someone complimented him for the Health Club NOW WE AGAIN OFFER A NEW HARMONICA WHICH WILL GIVE YOU MUCH The final run-through was like a miracle of healing. track, he would, with pleasure, give all of the credit to MORE MUSICAL POSSIBILITIES AND A LOT MORE FUN. AND THE BEST The piece was pure fun. The visuals in my head were me. The disastrous mess that my producer friend and I PART IS, THE INSTRUMENT COSTS LESS THAN YOU MIGHT THINK. suddenly alive. All was well. I was lifted out of the path got me into turned out to be a wondrous experience for of failure. All I had to do now was get it through my me. As the great song “That’s Life” puts it: “Just pick producer friend and the clients. I slept well that night. yourself up and get back in the race!” Oh Yeah! jq The next day the producer arrived early and very de- jected. His face read like an end-of-the-world billboard.

10 Harmonica Happenings SEYDEL_Ad_SPAH_8,5x11_2011.qxd:Layout 1 06.07.2011start 20:03 Uhrcolor Seite 1

WWW.SEYDELUSA.COM

SEYDEL SESSION STEEL

WHEN WE MADE THE FIRST HARMONICA WITH STAINLESS STEEL REEDS 5 YEARS AGO, WE THOUGHT OF ALL THE PLAYERS, WHO WERE TIRED OF BORING SOUNDS AND BROKEN REEDS. OUR NEW STEEL REEDS LAST UP TO 5 TIMES LONGER THAN CONVENTIONAL BRASS REEDS – OUR CLIENTS’ SATISFACTION LASTS EVEN MORE. NOW WE AGAIN OFFER A NEW HARMONICA WHICH WILL GIVE YOU MUCH MORE MUSICAL POSSIBILITIES AND A LOT MORE FUN. AND THE BEST PART IS, THE INSTRUMENT COSTS LESS THAN YOU MIGHT THINK. Photo by THE POlITIcS Of John Whiteman THE HARMONIcA From a log cabin to the White House

n Matthias Hohner’s 1860’s vision, the har- SPAH has also contributed to the Lincoln harmoni- monica was destined to become the instrument ca legend by reporting, in its “Newsey Notes”, that: for everyone. It would have no social, economic Samantha Fudley Crick who at 133 is believed or cultural barriers. Thusly, it would not be out to be the oldest woman in the US said in an exclu- Iof place in becoming the instrument of choice for a sive interview with Mike Royko that she once had number of American presidents. ‘an intimate relationship’ with President Abra- Republican Abraham Lincoln (1809-1865) made ham Lincoln. ‘At first our relationship was just an incredible journey from a log cabin to the White friendly, I used to play the harmonica for him. House (1861-1865). Legend has it that a harmonica His wife hated harmonica music, but he enjoyed accompanied him. Although unconfirmed by Abra- it. He said it relaxed him and helped him ponder ham Lincoln’s own family, author Carl Sandburg had great decisions. The day he wrote the Gettysburg Lincoln waving a harmonica while saying “Douglas Address, I played “Turkey in the Straw” and has a brass band with him in Peoria but this will “Eatin’ Goober Peas” two of his favorites-over do me,” during his 1856 Senate campaign against and over again.’” (Summer 1976: 3) Stephan Douglas. It would not have been impossible During Lincoln’s term in office, there was an explo- for Lincoln to have a harmonica, which had reached sion of music in the United States as well as a Civil the North American shores by that time. Furthermore, War with both the North and South publishing large legend has it that Lincoln wrote a letter to the Ger- amounts of music to stir up war fervor. This was also man Hohner Co., “telling how he enjoyed playing the the era of Stephen Collins Foster (1826-1864), who harmonica to relax.” The Trumpet Call, a publica- wrote nearly 200 songs, the last being “Beautiful tion for harmonica collectors, provided a more direct Dreamer” which came out in 1864, before the end of quote from the same letter, “Two of my favorite things the Civil War. During the four years of war, the soldier are sitting on my front porch smoking a pipe of sweet harmonica player or president could have played hemp, and playing my Hohner harmonica” (11.3: 1). Foster’s “Old Folks at Home” (1852), “Camptown Nice story; but, is it true? It would be nice to see this Races” (1850), “My Old Kentucky Home” (1852), letter. The legend continues. “Jeanie with the Light Brown Hair” (1854), and “Oh,

12 Harmonica Happenings Susanna” (1848). Lincoln, attending numerous social market crashed making everyone in the United States gatherings, formal concerts and state and military very depressed. To be fair to Hoover though, when events, would have been surrounded by music. How he was inaugurated on March 4, 1929, a harmonica would history have been written had he attended a band from Lake Worth, Florida, did take part in the concert instead of a play on April 14, 1865? ceremonies (Philadelphia Evening Bulletin, April 12, Next came the era of the Wild West, the cowboy 1929). While at the White House to receive an award, and the harmonica. Republican Theodore Roosevelt thirteen year-old Bryan Untiedt of Colorado, played “Carter’s a better harmonica player than Clinton is a sax player.”

Photo by Harland Crain his harmonica. Among his audience were President (1858-1919), Rough Rider and explorer, would per- and Mrs. Hoover (GM 5.2.1931: 4). sonify that image. As president (1901-1909), support- Republican Dwight D. Eisenhower (1890-1969) ing and promoting the arts he stated, “Let the love for was “an avid harmonica fan and no mean performer literature, painting, sculpture, architecture and, above on that instrument. The Toronto Star reported that all, music enter in your lives.” (M. Hohner, Harmonica in his courting days, Ike wooed Mamie with the 3-5). Today’s harmonica collectors eagerly search for mouth organ” (1.14.1961: 26). In 1959 Richard Bain, that prized Our Teddy harmonica. formerly with Borrah Minnevitch’s Harmonica Ras- Democrat Woodrow Wilson (1856-1924) felt that cals, played his harmonica at President Eisenhower’s “music now, more than ever, is a national need” (M. forty-second wedding anniversary (TS 9.2.1960: 19). Hohner, Harmonica 3-5). The nation and the world Eisenhower’s White House days (1953-1961) followed were at war, and music and war are deeply linked. a long and active military career. Soldiers of all ranks, Wilson was a harmonica and violin player while in of- throughout the years and many wars, have been fice (1913-1921). Thomas Jefferson (1743-1826) and known to play the harmonica. John Tyler (1790-1862) were two other violin playing Somewhere, former President Jimmy Carter, a Dem- presidents. ocrat, picked up the harmonica, perhaps encouraged Republican Warren G. Harding (1865-1923) played by his harmonica-playing sister, Gloria Spann. Carter numerous instruments including alto horn, cornet and joined Willie Nelson on stage in Atlanta, Georgia, and harmonica. It is said that he entertained visitors to the played harmonica on “Georgia on my Mind” instead White House with music during his brief tenure (1921- of singing it. Richard Eldredge reported in the Atlanta 1923). Journal-Constitution, “Carter’s a better harmonica Republican president and harmonica player, Calvin player than (Bill) Clinton is a sax player” (6.29.2008). Coolidge (1872-1933), felt that “music is the art direct- Did Carter play the harmonica during his stint in the ly representative of democracy” (M. Hohner, Harmon- White House (1977-1981)? ica 9). According to The Globe and Mail, during his There was mention on Harp-l by Winslow Yerxa, stay at the White House (1923-1929), Coolidge “used that musician Kenny Loggins presented Bill Clinton, to pour out his soul on the harmonica” (1.31.1939: a Democrat, with a Joe Filisko harmonica in the mid 11). 1990’s. Coolidge was replaced by a non-harmonica player, In March 1979, Gloria Spann, Carter’s sister, was Republican Herbert Hoover (1874-1964) and in Oc- arrested in Americus, Georgia, “because she wouldn’t tober 1929, during his term (1929-1933), the stock stop playing her harmonica in a downtown diner.” Summer 2011 13 She donated a coffee maker to the local police depart- Some of the other presidents, such as Hoover, ment in memory of her first arrest according to the although not harmonica players, invited harmonica Toronto Star (3.4.1979: A22). players into the White House. Johnny Puleo, in his Republican Ronald Reagan (1911-2004) was an long career, performed for three American presidents, actor and a president (1981-1989) before he became who all played the piano (GM 4.4.1983: 15). Franklin a harmonica player. The early 1980’s saw John Len- Roosevelt (1882-1945) and Harry Truman (1884- non, who had played the harmonica, shot on Decem- 1972) were both Democrats while the piano and ber 8, 1980, and President Reagan wounded, during accordion playing Richard Nixon (1913-1994) was a failed assassination on March 30, 1981. Reagan a Republican. On June 15, 2004, the Sgro Brothers started playing the harmonica while recovering from performed at the White House for President George the shooting (Krampert 261). Apparently, he favored W. Bush, a non-player and another Republican. Most the “cowboy” songs; the cowboy, the harmonica and recently in 2009 Democrat Barack Obama was seen Hollywood are inseparable. The question of whether to be given a harmonica by Stevie Wonder, an ardent or not the harmonica delayed the onslaught of his supporter. Will there be yet another harmonica player Alzheimer’s remains to be answered. residing in the White House? In 1984, Reagan sent a letter to SPAH, congratulat- I end with a word of advice. If you are going to ing the organization for promoting the harmonica, Washington to lobby for harmonica support, make which “has come to be a key part of the American sure that the musical scene in all its various forms” (Harmonica person living in World Autumn 1984: 5). To commemorate both Rea- the White House Manfred Wewers is Toronto’s gan and Gorbachev for their efforts in promoting the is a harmonica ‘harmonica obscura’ and a regular end of the Cold War and the Berlin Wall, the Hohner player and a contributor to HH. Co. issued the Reagan and Gorbachev harmonica, Republican. You See more of his articles online at a sign of the changing times. The harmonica is not will have better spah.org. apolitical. odds at success. jq

14 Harmonica Happenings MEDIA HOTSHOT Al Smith: musician, author and film maker.

By Rob Fletcher Confessions of Harmonica Ad- Deeply researched, exhaustively The second half of the book dicts Goes Into Second Printing! inclusive, the first half of the book recounts stories from Al Smith’s Al Smith’s labor of love, Con- explores the stories of the great amazing life in harmonica, the fessions of Harmonica Addicts, groups and the amazing players in groups he was in and the virtuosos recently sold out the first print run. them. Here’s a short list of groups and characters he played with and A second printing has been ordered and players Confessions investi- met along the way, from playing in and the book is once again avail- gates: Cappy Barra, Philharmonica, the Harmonica Rascals, to his long able. Confessions of Harmonica Harlequins, Harmonica Rascals, association with the genius David Addicts spins compelling tales Johnny Puleo’s Harmonica Gang, Doucette to forming the Harmon- of the Golden Era of harmonica Morton Fraser Gang, David Mack- ica Hotshots with his wife Judy. ensembles from the 1930s to today. lin, Eddy Manson, Stan Harper, Al is a powerful model for apply- It traces the history of the most Jerry Murad, Al Fiore, Don Les, ing persistence and showing grit. famous harmonica groups of all Dick Gardner, Danny Wilson, Bob time and goes behind the scenes to Bauer, George Miklas, Al Data, the Rob Fletcher plays chord and chro- reveal what really happened, from Mass Trio, Bud Boblink, Cappy matic harmonica in the Harmaniacs the Harmonicats’ smash success Lafell, Pete Pedersen, Hugh Mc- (harmaniacs.com). He is the author of “Peg O’ My Heart,” to how the Caskey, Stagg McMann, Sgro Blues Harmonica for Beginners and Blues Harmonica Rascals’ Borrah Min- Brothers, Cham-Ber Huang, Chuck Grooves for Guitar. evitch and Johnny Puleo met and Fendall, Frank Warner, Ray Tank- Contact him at [email protected] many, many more. ersley, and on and on.

Summer 2011 15 And story after story in the book booked for this year’s SPAH Confessions of Harmonica Addicts: about his life will have you either convention but I’m still going… “… I started reading at page in stitches (Al is a funny guy) or because I’ll at least get to hang out one and it became like a who- flabbergasted as well as he recounts with them there. I love them so done-it page-turner. I just couldn’t what he accomplished and what it much, my girlfriend Laura hired put it down. You are a marvelous took to make a life in harmonica them to play at my 40th birthday writer with a really delightfully happen. In a phone interview Al party as a surprise present for understated sense of humor.” said, “I started playing harmonica me. It’s the best present I’ve ever -Canadian harmonica sensation when I was twelve and I’ve been received. Ingo Andersen playing professionally for over Confessions of Harmonica “Fantastic book. Next to satisfy- 60 years. My whole life has been Addicts is one of those books ing your needs by listening to har- devoted to the harmonica.” that I refer to again, and could monica music, this book satisfies Al is like a bulldog. Once he easily re-read immediately after with great stories, told by a great decides to do something, he doesn’t finishing it. Every time I pick storyteller. If you’re a harmonica let go, doesn’t stop until it’s done. it up I learn something new or addict too, you shouldn’t miss this Confessions is a great example. “I remember something I’ve forgot- book!” spent 30 years putting it together,” ten. As a person starting out in -Rob Janssen, Fata Morgana Al told me. Thirty years! When a harmonica trio, it’s amazing to “I really believe that your book you get your new copy of the book have this wealth of information is a one of a kind—a giant hall you’ll see those 30 years created to refer to, understand the history of fame to the harmonica and its a very impressive body of work. of the genre and inspire me. I feel history. Many names that I have Now, want to be more impressed? like I missed out on meeting many vaguely heard of came to life, and Guess how Al laid it out. No, he of the heroes of the harmonica reading their stories made them didn’t hire a graphic designer. He but the book brings them to life familiar. I found myself going to did it in Microsoft Word! 516 pag- for me. my computer every few pages and es, 328 photos (with captions)… The flip side of that sad fact trying to find the player or group I all in Microsoft Word. I find myself contains one of the beauties of have just read about on YouTube. both flabbergasted and bemused playing harmonica—in this field I salute you for the time, patience by this. Which if you know Al is a you actually get to meet your and energy you have put into it.” pretty common state to be in when heroes in person. So the book is -Dror Adler, the Adler Trio you hear about what he’s been up handy to collect autographs by “Reading the book makes me to lately. the greats that we meet at SPAH feel proud to be part of the world- Of course, I’m a little biased. and the Garden State Harmonica wide harmonica community.” Al is one of my personal heroes Festival. I felt like a kid that had “Should be required reading for and one of the most inspirational just met Mickey Mantle when every harmonica player.” characters I’ve been lucky enough Bud Boblink signed his photo in “It’s great to learn more about to meet, talk to and hear and see my copy of Confessions of Har- many harmonica players I only play. Like Bud Boblink, Al and monica Addicts. know by name and by recordings, Judy Smith embody the qualities Another nice feature of the and about many other players that that I really admire - virtuosity, book is that it is interesting for I have met in person.” humor, showmanship, energy, and people even if they don’t play “Its informative, well-written big-heartedness. harmonica. Al likes to say, “This and the production values are I’ve seen hundreds of amazing book is not a how to–it tells equally impressive.” live performances in my life: Pe- how it was.” I leave my copy “What is especially nice is that ter Gabriel, U2, the Who, Junior out and when friends come over many of these players are still alive Wells, Toots, even Miles Davis, but they invariably pick it up and get and attending SPAH.” the top of my favorite perform- interested. A recent comment is “…it’s fun to put stories to ers list is occupied by Al and Judy, a case in point: “Even though I faces.” the Harmonica Hotshots. And the don’t play harmonica, every time “…this is not only your memoir pinnacle of their show for me is I pick it up I get sucked in. It’s fun but the memoirs of the people you their Star Wars melody…and I’m to read.” had the foresight to interview via not even a Star Wars fan. It’s a deep Read what some other enthu- tape, letter or in person.” disappointment to me they weren’t siastic readers are saying about “If as time passes, your book is

16 Harmonica Happenings not considered the definitive book Confessions is an act of generosity ites, such as the Star Wars medley on harmonica bands, it will be high towards harmonica groups, their and the Musical Gloves number. on the list of resource material.” history and the harmonica loving How to find it: Go to www. The first printing of Confes- public. I invite you to receive that youtube.com/AandJSmith sions of Harmonica Addicts sold generosity and order a copy of Also online, The Harmonica out fast. There may not be a third Confessions today. And if you have Rascals movie compiles footage of printing so order today. Send check a copy already, be generous and live performances of the Rascals or money order in U.S. dollars order one for someone you love! from 1954 and features Johnny for $30 plus $5 for shipping ($35 Puleo in a 15-minute tour-de-force. total). Make it out to Al Smith and Videos of The Harmonica The video is utterly amazing. Not send it to him at 2398 Southern Rascals and Harmonica Hotshots only for the performance itself, Road, Richfield, OH 44286. can now be found on which is jaw dropping and hilari- If you want to use credit card YouTube.com ous (my favorite moment is when you can also find the book (and Here are two other projects that Johnny Puleo conducts the band) other CDs that Al appears on) on Al has generously given to us. but for the clearly unbelievable Danny G’s wonderful harmonica Al recently launched a YouTube amount of time Al spent recon- store and site www.newharmonica. channel, AandJSmith (as in Al structing and editing footage and com. Simply type the word ‘ad- and Judy Smith). There are now adding music and sound effects in. dicts’ into the search feature on 122 videos on his channel! You’ll I can only imagine the amount of the upper right hand side and it’ll find great performances by the time and work Al ‘the bulldog’ put come right up. Harmonica Hotshots, Sharp Harp into this. He did us a great service Al is generous with sharing Quintet, Harmonica Junction, Har- with this. Thank you Al! knowledge, music, videos—in fact monica Express, Harmoni-Hats How to find it: Google (or everything he has, and Confes- and more. There’s a wealth of play- search YouTube) “Harmonica Ras- sions of Harmonica Addicts is no ing stored there, and also includes cals 1954 movie.” jq exception. A true labor of love, most of the Hotshots’ crowd favor-

NEW CD RELEASE FROM BUDDY GREENE!

“Buddy Greene is an American musical treasure. On this latest release, his head shaking, jaw-dropping virtuosity amazes as always, but Buddy’s innate musicality insures that it is used, as it should be, in the service of the music. Wonderful arrangements, superb support from the other musicians and a somewhat eclectic selection of songs makes this CD a winner in every respect.” -Jerry Portnoy

“I am so proud to be included on the new CD by Buddy Greene. It is a great combination of entertainment and musicianship. When it comes to harmonica, I am one of Buddy’s biggest fans.” -Charlie McCoy order at “Buddy makes the songs on Harmonica Anthology come www.buddygreene.com alive with his endlessly tasteful melodic phrases and 615-377-1251 rock solid groove. I recommend this new CD to all fans of the harmonica and to anyone who loves Buddy.” -Joe Filisko

Summer 2011 17 end color

CD Review

Let’s Live it Up! Mississippi Heat plays hard-driving, uptown blues.

By Phil Lloyd Harmonica player Pierre followed and learned from. Instead vocalists. Lacocque is back leading his band the horn lines on the harp meld Mississippi Heat plays uptown Mississippi Heat through another with each song rather than a stock blues, more on the order of B.B. hard-driving mellow blues CD, arrangement of the same blues vari- King than Muddy Waters -- with Let’s Live It Up! ations standard turnarounds for a horn section, backup singers and He formed the first aggregation of each tune. the sidemen each taking a chorus the blues band in 1991 that has al- Pierre uses diatonic harps in the from time to time or trading riffs ways featured a strong blues shouter keys of Bb, C, D, F, A, Dm and Gm with Pierre’s harmonica. The focus and his singular crossharp talents and hasn’t missed a beat since. Track List: Though he fronts the band, his on 1. Let’s Live It Up! stage role is confined to his deft harp 2. Steadfast, Loyal and True playing in support of the band and a 3. Jumpin’ in Chi-Town female singer. He wrote eleven of the 4. She Died from a Broken Heart 5. Betty Sue fourteen songs this album. 6. Another Sleepless Night From the first track to the last 7. Peace Train it’s clear that there is nothing really 8. Been Good to You sad about the blues; it’s more party 9. I Want to Know music than sadly departed music. 10. Enlighten Me 11. Daggers & Spears Although, the basic form is the I, IV 12. Don’t Cry for Me and V chords, the variations on the 13. I Got Some News Today form is what keep the music fresh. 14. Until We Meet Again A listen to any of the tracks dem- (Au revoir et a bientot) onstrates Pierre commitment to the essence of classic Chicago blues that as well as chromatics in the keys of is on the band, not the harmonica eschews the usual harmonica cli- C and Bb, as he outlines in the key player writing most of the songs chés, as he continues in the tradition chart for the album he provided to and fronting the band because of the blues but does not play the the author. Pierre is not the lead singer. Keep predictable harmonica riffs that’ve Let’s Live It Up is Mississippi in mind, that short sound bites of been overdone. A few of them sug- Heat’s third recording for Delmark the tunes are likely available on the gest blues standards, others just al- Records. (The group has released web. Also, check out iTunes for in- lude to them in form. nine CDs since 1992.) Special guest dividual track downloads. So Pierre comes up with a batch John Primer sings on three tracks. “Let’s Live It Up” is a fast tempo of originals designed to work in the Blues guitarist Carl Weathersby rocker, an urgent call for a party, tradition of classic blues without and keyboardist Chris “Hambone” with a staccato harp riff punctuat- being overly familiar. It’s the same Cameron perform throughout the ing each phrase. The song suggests technique used in his harp perfor- album. Inetta Visor sings on nine an influence of the classic “Baby, mance. He is firmly locked into the tunes, while singer Rhonda Preston Please Don’t Go.” A searing gui- cross harp tradition, but Pierre does does one song. Also on the album tar opens the tune joined by the B3. not sound like an imitation of any are the Chicago Horns, percussion- “Let’s Live It Up!” might be sub- of the harmonica players he has he ist Ruben Alvarez, and background titled the “Empty Nest Blues -- Let’s

18 Harmonica Happenings Party.” As Pierre’s lyric says, “The heavy B3 support, including t some Key chart courtesy of Pierre kids are gone all weekend long, no unison riffs. It’s that old refrain, I’ve Lacocque one’s home, baby, so we can turn it been good to you but I sure get the on. The rent is paid up, the shop- feeling that you’re somebody else’s 1. Band key = A; second posi- ping is done we got money left, back door man. Even the backup tion [D harp] -- solo: first part = first baby, let’s go have some fun.” It’s singers sense it. position: [A harp] -- second part of time to dance the night away. The “I Want to Know” (written by solo: second position, [D harp]. song features horn hits punctuat- Badger-DeSanto-Geddins has a nice 2. Band key = E; second position ing the phrases before Pierre takes a Latin beat and a driving harp. The [A harp]. chorus on the harp. message: “I really love you so, so 3. Band key = C; second position “Steadfast, Loyal and True” has why did you go? I want to know.” [F harp] Exit notes: I use a natural John Primer vocals. The guitar-driv- “Enlighten Me” opens with a minor harp in Cm [cross position] en stop-time tune with piano sup- harp break punctuated with de- to do the chromatic notes down and port also features an extended harp scending warbles. Some of the harp end the song. break by Pierre. “Like the good figures recall those pioneered by 4. Band key = Dm; natural minor man from Galilee I’m steadfast for John Lee “Sonny Boy” Williamson. harp [Dm], second position. your love.” “Daggers & Spears” is an easy 5. Band key = E; second position “Jumpin’ in Chi-Town” is an blues with a nice blues guitar solo. [A harp]. uptempo jump blues, with Chicago Rhonda Preston sings, “The devil 6. Band key = Cm; third position Horns with Pierre alternating be- must be having a field day with me chromatic [Bb] throughout. tween horn figures and harp riffs and my heart is bleeding from dag- 7. Band key = G; cross harp [C on his harmonica, joined in by the gers and spears” because she just harp]. Chicago Horns. “Let’s jump to the lost her job. 8. Band key = Dm; [1] Third beat!” “Don’t Cry for Me” is an upt- position 16-hole chromatic [C] for “She Died from a Broken Heart” empo blues with lyrics that belie the turnarounds. [2] Dm natural minor (written by Inetta Visor and Chris- peppy tune as Pierre takes up the harp for fills [cross harp]. [3] Gm topher Cameron) opens with an harp with the Chicago Horns pro- natural minor harp, third position, interplay between Pierre and the viding support and horn accents. for first [middle of song] harp solo. Chicago Horns as this dour lyric “I Got Some News Today” (writ- [4] Exit solo: b-chromatic, third po- unfolds. ten by John Primer) starts off with sition, lever pushed in. “Betty Sue” is a driving jump the lyric, “Hello Baby, I just got 9. Band key = G; cross harp [C blues with John Primer vocals. This the news today” and the way the harp]. tune features choruses on piano and song shuffles along recalls Baby Boy 10. Band key = E; second posi- harp with Pierre exploiting the top Warren’s “Hello Stranger (Mattie tion [A harp]. octave beyond the runs of Jimmy Mae),” which features the harp of 11. Band key = C; cross harp [F Reed. Sonny Boy Williamson II. harp], Bb chromatic, third position “Another Sleepless Night” pro- “Until We Meet Again” sounds for ending of song. vides some strong support from the like an end-of-evening song, not just 12. Band key = F; cross harp [Bb Chicago Horns. Seems the woman the last track on the album. “Bye harp]. in question is spending a restless bye everybody, good bye and good 13. Band key = G; cross harp [C night tossing and turning while night, bye bye everybody, good bye harp]. her man sleeps, breathing easy, to- and good night without you here 14. Band key = F; cross harp [Bb tally unaware of the turmoil he has the sun wouldn’t shine so bright. harp]. caused in her life. As an extra added attraction, Pe- “Peace Train” starts out as a ter “Madcat” Ruth provided liner slow mournful gospel song before notes to the album. It’s always valu- it ramps up into a riff that recalls able to have another veteran harpist Phil Lloyd is a contributing editor “I’ll Be Glad When You’re Dead, proving insightful observations. to HH. He was contributing editor You Rascal, You.” Which provides Mississippi Heat’s Delmark for American Harmonica News nice irony as the lyrics continue in Records CD Let’s Live It Up! is magazine, a news- paper reporter and the gospel spirit. available at the Heat’s website: copy editor. He teaches Harmonica “Been Good to You” kicks off www.mississippiheat.net Amazon. 101 and Ukulele 101 classes. with some biting lead guitar with com, Best Buy, FYE. jq

Summer 2011 19 Instructional CD Review

Blues Harmonica Jam Tracks & Soloing Concepts #3 David Barrett’s Harmonica Masterclass series on soloing continues with this instructional book & CD.

By Phil Lloyd For those players looking for a way to get off a plateau in their Jam Tracks List: playing and looking for some new 1. “Serious Fun” ideas, there is no better place than 2. “Lick Train” David Barrett’s latest book and 3. “Pretty Girls Everywhere” CD project from the Harmonica 4. “Chicago Style” Masterclass. 5. “Don’t Fight It” Mel Bay has just released David 6. “A Real Romance” Barrett’s Harmonica Masterclass 7. “Feelin’ Good” Blues Harmonica Jam Tracks & Soloing Concepts #3. He not only demonstrates each of the patterns but he provides examples of how to build a song with his guest artists demonstrating their styles. He also includes 7 jam tracks and a key chart for harps and positions used. One of the major problems of the average blues player is finding someone to explain how to play their interesting riffs. because the techniques covered in niques are not defined in this book, Many instant blues books are Blues Jam Tracks and Soloing #3 they are explained in earlier books. available, but they’re for begin- are classified as intermediate and For David, a number indicat- ners. Anyone who is working at advanced. Basically, this means a ing the hole – 6 -- means draw an intermediate level usually has a good knowledge of bending and because draw notes are considered difficult search because outside of tongue-blocking. “normal” notes in the blues, which the David Barrett Harmonica Mas- The books opens with Section is mostly cross harp. Blow notes terclass, there is not much material 1 outlining the harmonica tabla- are indicated with a + sign, so 4+ out there. ture and rhythm and the notation would be 4 blow. Others symbols As David points out in his intro- specific to harmonica, particularly are used for two notes (double duction, players really need to have those techniques that David cov- stop), half-step bend, whole step mastered the techniques covered ers in his series. The book assumes bend, minor third bend, dip, cut, in the Series 1 and Series 2 books previous knowledge of how to two-hole shake, slap, pull, octave, in Harmonica Masterclass series execute the techniques. These tech- flutter and glissando.

20 Harmonica Happenings Section 2 deals with heads, Section 5 deals with the student Key chart for the jam tracks hooks and bridges. The head is the writing ten licks and applying them main theme of the composition, to the chorus forms. Then the stu- 1. “Serious Fun” – Shuffle in the twelve bars or one time through dent selects the catchiest lick and key of E, A harmonica in second the form. The hook is up to four plays it along with the appropriate position bars, usually two bars, a catchy jam track. 2. “Lick Train” -- Shuffle in the phrase that is repeated. The bridge Section 6 is composed of jam key of E, A harmonica in second connects two sections. tracks from the album Serious Fun position Section 3 covers non-12 bar by David Barrett and John Garcia. 3. “Pretty Girls Everywhere” blues chord changes. This section is For those who want to get further -- Rhumba, Key of B-flat, A-flat where things get a bit more com- into this exercise, they can pur- harmonica in third position plicated than the standard I IV V chase the CD or a transcription of 4. “Chicago Style” -- Shuffle, chord forms. Theses would include the music on the CD. This CD as Key of A, D harmonica in second the forms: I6, VI7b9, ii7, V7b9, well as a full transcription set for position iii7, VI13, ii7 V9 and II9. The this album are available at the 5. “Don’t Fight It” -- Swing, Key chords are spelled out and shown harmonicamasterclass.com website. of B-flat, A-flat harmonica in third in notation. In addition to the book consid- position Section 4 has some song con- ered in this review, Solo & Jam 3 6. “A Real Romance” -- Swing, struction examples, and features book/CD, Blues Harmonica Jam Key of A, D harmonica in second special guests Gary Smith, R.J Tracks & Soloing Concepts #1 and position Mischo, Gary Primich, Andy Just, Blues Harmonica Jam Tracks & 7. “Feelin’ Good” -- Slow Blues Tom Ball, Joe Filisko, Mitch Kas- Soloing Concepts #2 are available (Guitar Only), Key E, A harmonica mar and Mark Hummel with some from harmonicamasterclass.com or in second position examples. melbay.com (1-800-8-MELBAY). jq

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Ads must be CMYK and 300dpi. Additional charges harmonicacontest.com apply for mock-ups. For further information please contact JP Pagán at [email protected] (208) 633-4635 / 633-3300

Summer 2011 21 CD Review

History of the Blues Harmonica Concert Double CD captures live performances of classic blues from pre-World War II up to today

By Phil Lloyd A couple of years ago, a group years, the time before the mic- Stovepipe. Then there is “Sugar of harmonica players got together cupping technique made famous by Mama” by John Lee Williamson, to cover the blues harmonica tradi- Little Walter. the original Sonny Boy William- tion from before World War II up Joe Filisko starts the first CD son. Then “Bye Bye Bird” by Rice until the modern days. with a steam engine train imita- Miller (aka Sonny Boy II). “Blue A double CD recording was tion – a de-rigueur performance Light” by Little Walter finishes the the result of these performances and offers in one neat package the Track List: 1. Train Imitation opportunity to explore the range 2. 1st Position Medley 3. Lost John/Fox Chase Medley of blues harmonica without shuf- 4. Sonny Terry Medley fling CDs or iPod downloads that 5. Mean Low Blues 6. Stove Pipe Blues would certainly cost more than 7. Sugar Mama Blues 8. Bye Bye Bird this set. 9. Blue Light Each song track is preceded by 10. Evan’s Shuffle 11. Juke an introductory track, so the lis- 12. Roller Coaster tener can learn the background of 13. Just Whaling 14. Easy the song the first time through the 15. Walter’s Boogie 16. Sharp Harp CD and just play the song tracks 17. Steady (by judicious skipping) on subse- 18. Chitlin Con Carne 19. Juicy Harmonica quent listenings. 20. Matchstick 21. Everything’s Gonna Be Alright For details on the harps used 22. Work Song and positions used, check out the 23. Flying Home 24. Bluesmith accompanying key chart. Since 25. House Party this is a history, the CDs are titled Chapter 1 and Chapter 2. of all early harmonica players. set by Joe. Many people know Joe Filisko Since steam locomotives were so David Barrett next performs the as simply one of the best harp widespread, everyone hearing the Post-War era of blues harmonica customizers in the country. But he harmonica would recognize that from 1950 o 1970). His first song is equally skilled as an expert per- it was imitating steam power, is “Evan’s Shuffle” by Little Walter. former of the early blues harmon- complete with train whistle. This This is followed by Little Walter’s ica. Joe Filisko starts the evening is followed by a “Lost John” greatest hit, “Juke,” which is based performing for and educating the and “Fox Chase” (with hounds on the Les Brown theme “Leap audience about Pre-War and Coun- barking) medley. Then he does a Frog.” The next tune is “Roller try Blues Harmonica covering the Sonny Terry medley. Next is Blues Coaster,” also by Little Walter. period from 1920 to 1950. These Birdhead’s “Mean Low Blues” This is followed by “Just Whal- are the unplugged or unamplified and “Stove Pipe Blues” by Daddy ing” (Louis Myers). Next is Big

22 Harmonica Happenings Walter Horton’s version of Ivy Joe [Key of G, Low C harp in 2nd harp in 2nd position] Hunter’s hit, “I Almost Lost My position] 3. “House Party” [Key of C, Mind,” which Horton calls “Easy.” 9. “Blue Light” (Little Walter, Low-F harp in 2nd position /B-flat Then there is “Walter’s Boogie” by Joe Filisko) [Key of D, C Chro- harp in 3rd position] from Little Walter. George Har- matic in 3rd position /G harp in monica Smith’s “Sharp Harp” fol- 2nd position] Special Guests: Michael Peloquin lows. Then is “Steady” from Jerry David Barrett (Sax), John Garcia (Guitar and McCain and “Chitlin Con Carne” 1. “Evan’s Shuffle” (Little Vocals) and Rusty Zinn (Guitar). from Junior Wells and “Juicy Har- Walter) [Key of E, A harp in 2nd monica” from George Harmonica position] Smith. David finishes his set with 2. “Juke” (Little Walter) [Key of SPAH NEEDS YOU! his own “Matchstick.” E, A harp in 2nd position] Paul Butterfield expert Kinya 3. “Roller Coaster” (Little To volunteer! We are looking for: Pollard performs a tribute to Paul Walter) [Key of E, A harp in 2nd Butterfield called “Everything’s position] Treasurer Trainee Gonna Be Alright.” Then of 4. “Just Whaling” (Louis My- ·Train with Gene Hansen course, “Work Song.” ers) [Key of F, B-flat harp in 2nd ·Bookkeeping Dennis Gruenling finishes the position] ·Handle all incoming and evening, symbolizing the future of 5. “Easy” (Big Walter Horton) outgoing funds blues harmonica with his rendi- [Key of F, B-flat harp in 2nd posi- ·Interact with CPA tions of “Flying Home,” “Blue- tion] ·Assist CPA with tax smith” (a tribute to George Har- 6. “Walter’s Boogie” (Little return preparation monica Smith), and “Harmonica Walter) [Key of E, A harp in 2nd ·Assist with membership Party.” jq position] ·Handle SPAH store 7. “Sharp Harp” (George Har- ·Computer literacy monica Smith) [Key of F, B-flat ·Familiar with QuickBooks Key chart courtesy of harp in 2nd position] ·Attend conventions Harmonica Masterclass Workshop 8. “Steady” (Jerry McCain) [Key ·Attend board meeting conf calls of F, B-flat harp in 2nd position] Joe Filisko 9. “Chitlin Con Carne” (Junior It’s also time to elect a new SPAH 1. “Train Imitation” Medley Wells) [Key of A, D harp in 2nd president and vice president (see the [Key of F, Low-F harp in 1st posi- position] President’s Letter in this issue). At tion] 10. “Juicy Harmonica” (George the 2011 SPAH Convention, candi- 2. “1st position Medley” [Key of Harmonica Smith) [Key of F, B-flat dates for SPAH president and their G, G harp in 2nd position] harp in 2nd position] vice presidential running mates will 3. “Lost John”/”Fox Chase” 11. “Matchstick” (David Bar- present their campaign platforms to Medley [Key of D, G harp in 2nd rett) [Key of E, A harp in 2nd Po] SPAH members. Elections will take position] place in April 2012, and the new 4. “Sonny Terry Medley” [Key Kinya Pollard president and vice president will of E, A harp in 2nd position] 1. “Everything’s Gonna Be Al- take office at the end of the 2012 5. “Mean Low Blues” (Blues right” [Key of F, B-flat harp in 2nd SPAH convention. If you’re inter- Birdhead) [Key of G, G harp in 1st position] ested in running or wish to suggest position] 2. “Work Song” [Key of Fm, B- a candidate, please contact Election 6. “Stove Pipe Blues” (Daddy flat harp in 2nd position] Committee Chair Winslow Yerxa at Stovepipe) [Key of C, C harp in 1st [email protected]. Po/Key of F, C harp in 12th posi- Dennis Gruenling tion] 1. “Flying Home” [Key of E-flat, 7. “Sugar Mama Blues” (John A-flat harp in 2nd position] Lee Williamson) [Key of F, B-flat 2. “Bluesmith” (Tribute to harp in 2nd position] George Harmonica Smith) [Key of 8. “Bye Bye Bird” (Rice Miller) D, C Chromatic in 3rd position /G

Summer 2011 23 Photos by: Grant Kessler, Jerry Deall, Ernie Roberts, Jerry Devillier, SPAH 2010 HIGHLIGHTS

Randy Douglas, Grace Fischette and JP Pagán. More pics at www.spah.org spah2011 factsheet August 9-13

Holiday Inn Virginia Beach-Norfolk Hotel and Conference Center 757.499.4400 or 800.567.3856 SUN www.hivabeachnorfolk.com Special rate for SPAH attendees if you book by July 24! Use Group Code: SPA AND Hang ten with: Including performances by: And Seminars like: SURFSPAHBuddy Greene Robert Bonfiglio Harmonicamento •Buddy Greene: soulful harmonica with a revival •Brandon Bailey: Looping and Harpboxing— Buzz Krantz meeting feel a Modern Approach to Rhythm and Groove Peter Madcat Ruth Winslow Yerxa Harmonica & Tuula Cotter •International classical virtuoso Robert Bonfiglio Dennis Gruenling •Pat Bergeson: Jazz Improvisation & Steve Guyger •Harmonicamento, a harmonica quintet from Pat Bergeson Germany’s Black Forest •Phil Duncan: Beginning Diatonic; Beginning Stan Harper Chromatic; How to Play Melody Sgro Brothers •Buzz Krantz, the Santa Claus of the blues and Jimi Lee everyone’s close, personal friend •David Fairweather & Professor Roger Myerson: Jelly Roll Johnson Fourkey Tuning Steve Baker •Grammy Award-winner Peter Madcat Ruth Brandon Bailey •Joe Leone: Country Tuning and More Al & Judy Smith Joe Filisko •Winslow Yerxa and Tuula Cotter, intertwining and more! harmonica and violin in music from the far north •Robert Bonfiglio: Playing the Harmonica Classically; Chromatic for Diatonic Players •Blues/swing masters Dennis Gruenling and Steve Guyger •Reach Mann: Hand Percussion & Effects

•Pat Bergeson, Chet Atkins protegé and double •Grant Osborne: Intro to Diminished Tuning threat on harmonica and guitar •Peter Madcat Ruth: Playing Harmonica in a Rack; •Stan Harper, the legendary master of the chro- Rhythms, Trains, etc. matic harmonica 48th annual •Richard Sleigh: Harmonica Gymnasium •The Sgro Brothers, playing timeless favorites with spah convention verve and showmanship •As well as Dennis Gruenling, Steve Guyger, Buddy Greene, Al and Judy Smith, Filisko’s Teach-in and august 9-13 •Jimi Lee, Jelly Roll Johnson, Steve Baker, and more! Paul Davies virginia beach, va

Performance and seminar listings are incomplete and subject to change. Check spah.org for updates.For questions, suggestions or to volunteer, please contact Elizabeth Atkison at [email protected] or 816.914.0223.

26 Harmonica Happenings VENDOR BOOTHS NEARLY SOLD OUT! reserve your space now: 816-790-3724 SUN AND Hang ten with: SURFSPAHBuddy Greene Robert Bonfiglio Harmonicamento Buzz Krantz Peter Madcat Ruth Winslow Yerxa & Tuula Cotter Dennis Gruenling & Steve Guyger Pat Bergeson Stan Harper Sgro Brothers Jimi Lee Jelly Roll Johnson Steve Baker Brandon Bailey Al & Judy Smith Joe Filisko and more!

48th annual spah convention august 9-13 virginia beach, va

Summer 2011 27 CD Review In Rehearsal the MARINE BAND family STEVE BAKER Hear the Sharp Harp Quintet keepin’ sharp the 1896 365 SPECIAL The result of over 100 years of tradition and German This 14 hole version of a Hohner Marine Band Awesome response, superior bendability and the craftsmanship, it is still the number one choice of top is tuned with the first note an octave lower than a sweetest tone ever. Its special airtight design makes it By Bill York Yurochko professionals and the most recognizable model all over normal 10 hole in C thus offering a wider range for the most recommended go-to harp for harmonica players the world, known for its full tone and wood comb. great warm deep tones. of any style, including blues, country, folk or rock. During the 1970s whenever I visit- this CD are not studio quality. The artistry is truly a treasure and a ed Al Smith in San Jose, California, I tracks were recorded by simply collector’s item. The selections could count on being rewarded with placing a small cassette recorder in feature accomplished polyphonia attending a rehearsal of the original the middle of the rehearsal table playing by Ray Tankersley, jazz im- Sharp Harp, an amazing harmonica for “bare bones” recording. En- provisations by Pete Blasberg and ensemble with eight members all of whom were either professional or Track List: 1) Front Page ex-professionals who had played in 2) So Rare 3) A Foggy Day the Harmonica Rascals or the Har- 4) Give My Regards To Broadway monica Harlequins. 5) I May Be Wrong 6) I’ll See You In My Dreams During the 1980s the number 7) On The Sunny Side Of The Street 8) Sweet Georgia Brown of players in the Sharp Harp 9) Putting All My Eggs In One Basket dwindled to three chromatics and 10) My Wild Irish Rose 11) Bye Bye Blues 364 soLo the DeLUXe a chord player and interest in the 12) Darn That Dream group was faltering. But then Judy 13) Jalousie A 12 hole single reed diatonic harmonica great for Combining the features of the legendary harmonica The revolutionary laminated bamboo comb (patent 14) Time Was players looking for an extended range. This harmonica is with a variety of state-of-the-art improvements, the pending) is completely sealed, making it water repellent Simpson, a bass harmonica player 15) Valse Bluette tuned an octave lower than its standard 10 hole cousins Marine Band Deluxe produces greater volume and and exceptionally stable. In combination with the screw 16) Always In My Heart in the key of C (G & D has same tuning as traditional 10 faster response while retaining the richness and power together assembly the Crossover is extremely airtight, from Ohio married Al Smith and 17) Take The “A” Train moved to San Jose. She joined the 18) Here’s That Rainy Day hole) and offers warm deep tones from its wood body. of the harmonica’s classic sound. with fast, even response and a raspy, powerful sound. 19) Charmaine Sharp Harp playing bass and the 20) Chelsea Bridge 21) When Irish Eyes Are Smiling ensemble survived for five more 22) Moonlight In Vermont years as a quintet until Judy and Al 23) Moonlight Serenade moved to Ohio in 1990. 24) Shiny Stockings The Sharp Harp was a music hancements such as equalization, lightning-fast solos by Jimmy Kreu- reading group that gathered weekly mixing, balancing, and reverb were zer (especially in “Putting All My NEW around a dining room table for the not possible on the small recorder. Eggs In One Basket”) as well as has a addition sheer joy of creating big harmonica Nonetheless, this CD, with 24 Al Smith’s intricate chord rhythms band sounds. The recordings on tracks of top-notch harmonica playing off Judy’s bass lines. jq

The latest member of the legendary Marine Band product line, creates a new benchmark for low and super low diatonic harmonicas by incorporating:

• Special new reed profiles for fast response and high volume even at an extremely low pitch.

• Patented triple laminated and layered bamboo comb construction.

• Conical lower cover design by Joe Filisco prevents reed rattle.

• Cover and plates fitted with Phillips head screws for easy maintenance.

Find us on Facebook at 28 Harmonica Happenings facebook.com/HohnerUSA the MARINE BAND family STEVE BAKER the 1896 365 SPECIAL The result of over 100 years of tradition and German This 14 hole version of a Hohner Marine Band Awesome response, superior bendability and the craftsmanship, it is still the number one choice of top is tuned with the first note an octave lower than a sweetest tone ever. Its special airtight design makes it professionals and the most recognizable model all over normal 10 hole in C thus offering a wider range for the most recommended go-to harp for harmonica players the world, known for its full tone and wood comb. great warm deep tones. of any style, including blues, country, folk or rock.

364 soLosoL the DeLUXe A 12 hole single reed diatonic harmonica great for Combining the features of the legendary harmonica The revolutionary laminated bamboo comb (patent players looking for an extended range. This harmonica is with a variety of state-of-the-art improvements, the pending) is completely sealed, making it water repellent tuned an octave lower than its standard 10 hole cousins Marine Band Deluxe produces greater volume and and exceptionally stable. In combination with the screw in the key of C (G & D has same tuning as traditional 10 faster response while retaining the richness and power together assembly the Crossover is extremely airtight, hole) and offers warm deep tones from its wood body. of the harmonica’s classic sound. with fast, even response and a raspy, powerful sound. has a NEW addition

The latest member of the legendary Marine Band product line, creates a new benchmark for low and super low diatonic harmonicas by incorporating:

• Special new reed profiles for fast response and high volume even at an extremely low pitch.

• Patented triple laminated and layered bamboo comb construction.

• Conical lower cover design by Joe Filisco prevents reed rattle.

• Cover and plates fitted with Phillips head screws for easy maintenance.

Find us on Facebook at facebook.com/HohnerUSA Harmonica Happenings SPAH, Inc. P.O. Box 865 Troy, MI 48099-0865 The Reed Choker L.J. Atkison