History of the Blues Harmonica Concert
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Blues Notes September 2018
VOLUME TWENTY-THREE, NUMBER NINE • SEPTEMBER 2018 The Jimmys on the River City Star M U S I C F E S T I VA L FREE, ALL AGES OUTDOOR FESTIVAL Sunday, September 30th 7 OAKS HEADQUARTERS Sunday, September 23 from 4 PM to 6 PM 13304 West Center Road, Omaha www.rivercitystar.com for tix and info Food trucks will be on site, please no outside food or drink. 2PM: GATES OPEN 3PM: SEBASTIAN LANE 4:15PM: ALASTAIR GREENE 6PM: THE DANIELLE NICOLE BAND 7:45PM: ELEKTRIC VOODOO 9PM: FIREWORKS! Tuesday, Sept. 11th Sunday, Sept. 16th @ 5 pm — HURRICANE RUTH — TAS CRU Wednesday, Sept. 12th @ 6 pm • Zoo Bar, Lincoln @ 6 pm Friday, Sept 14th @ 5:30 pm • The B Bar, Omaha BLUES BEATLES ($5 cover) Thursday, Sept. 20th @ 6 pm Wednesday, Sept. 12th LAURA RAIN AND @ 6 pm THE CAESARS HURRICANE RUTH ($5 cover) Chrome Sunday, Sept. 30th Sunday, Sept. 30th @ 5 pm @ 5 pm ROCKIN’ JOHNNY BURGIN WEBB WILDER ($5 cover) Lounge 8552 Park Drive, Omaha 402-339-8660 The Blues Society of Omaha Presents RUSTEMBERFEST Legendary Thursday Blues Matinees and more All shows 6 pm unless noted otherwise Saturday, Sept. 8th Thurs. Sept. 6th ...................................................Renee Austin ($10) atat 1-291-29 DragwayDragway Thurs. Sept. 13th ............Mary Jo Curry and Tombstone Bullet ($10) Thurs. Sept. 20th ...........................................Reverend Raven & the Pacific Junction, IA Chain Smokin’ Altar Boys ($10) Thurs. Sept. 27th .................................The Zac Harmon Band ($12) BSO presents Thurs. Oct. 4th .................................. Biscuit Miller and the Mix ($10) Hector Anchondo (5 pm) Thurs. Oct. 11th .....................Orphan Jon and the Abandoned ($10) Thurs. -
Dorm Room Cable Possible
Thursday, September 22, 1994 • Vol. XXVI No.l9 TI IE INDFPENDENT NEWSPAPER SERVING NOTRE DAMF AND SAINT MARY'S Dorm room cable possible Acadamic workshops By KATE CRISHAM basically up to the University's we've been told that it could Assistant News Editor discretion," said Herczeg. cost only $300,000 for the ini- to increase success According to Herczog, aca- tial set-up." Notre Dame students want demic reasons will force the Herczog said that it would be By MISSY LIND confidential. their cable television. The ques University to install cable in in- up to the University to deter- _N_ew_s_W_ri_re_r ________ The workshops are designed tion is, will the University give dividual rooms in the near fu- mine how to settle the monthly to give students an added feel it to them? ture. cable bills. Over the course of this ing of security in their academ Student Government will "Sure, it will be great to have "Some networks, such as semester, the Counseling and ic success at Saint Mary's. submit a report to the Board of cable for entertainment pur- CNN and CSpan, give free ac- Career Development Center at "The workshops teach stu Trustees on September 29th, poses, but having cable also cess to educational institu- Saint Mary's, located in dents study skill techniques to requesting that the University opens up different academic tions," she said. "The LeMans Hall, will offer students help ensure academic success," install cable television when it options," she said. University has its own options the opportunity to attend a according to Bentley-Lesnak. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
M.Sc. RESEARCH THESIS LARGE-SCALE MUSIC
LARGE-SCALE MUSIC CLASSIFICATION USING AN APPROXIMATE k-NN CLASSIFIER Haukur Pálmason Master of Science Computer Science January 2011 School of Computer Science Reykjavík University M.Sc. RESEARCH THESIS ISSN 1670-8539 Large-Scale Music Classification using an Approximate k-NN Classifier by Haukur Pálmason Research thesis submitted to the School of Computer Science at Reykjavík University in partial fulfillment of the requirements for the degree of Master of Science in Computer Science January 2011 Research Thesis Committee: Dr. Björn Þór Jónsson, Supervisor Associate Professor, Reykjavík University, Iceland Dr. Laurent Amsaleg Research Scientist, IRISA-CNRS, France Dr. Yngvi Björnsson Associate Professor, Reykjavík University, Iceland Copyright Haukur Pálmason January 2011 Large-Scale Music Classification using an Approximate k-NN Classifier Haukur Pálmason January 2011 Abstract Content based music classification typically uses low-level feature vectors of high-dimensionality to represent each song. Since most classification meth- ods used in the literature do not scale well, the number of such feature vec- tors is usually reduced in order to save computational time. Approximate k-NN classification, on the other hand, is very efficient and copes better with scale than other methods. It can therefore be applied to more feature vec- tors within a given time limit, potentially resulting in better quality. In this thesis, we first demonstrate the effectiveness and efficiency of approximate k-NN classification through a traditional genre classification task, achieving very respectable accuracy in a matter of minutes. We then apply the approx- imate k-NN classifier to a large-scale collection of more than thirty thousand songs. We show that, through an iterative process, the classification con- verges relatively quickly to a stable state. -
Ruidoso Water Bonds on Ballot Council Points to Failing Infrastructure, Need for Eagle Creek Rights Purchase
- - --- -- ----- ..... ....- - --- - - ....----- .....---------- -- -- ---------------- ... - ....--- .. -- -- ...... ,.....--- .....-- ...- -- -- ....------ ..... ------- ..-- .,...--- ---------------..,..-.......-..,.......---......--Jill""""" ...... ....---.......---------......----.........-.......-...---111'"""'""-....----- ... - ........ .......-....... ............ --........----...... I J OUR 51ST YEAR oso 50 CENTS R lJ I l) () S () , N L \X/ ;\!lFXIC() • FRIDAY, JAN~ 9 1998 ISSUE NO. 67 • 26 PAGES ' Ax-wielding convict seeks medical release from prison BY DIANNE STALUNGS involving visitation to his chil ical reasons. parents In years for escape and would ..1 just got word yesterday RUIDOSO Nf:WS HAH WIUTI'.R dren. He was sentenced to 16 His hearing Boyd Bartlett attacked his Artesia. have to apply for parole from and that's highly unusual," years in prison on two charges is set for estranged wife and injured But while that too," the spokesman said. Maddox said. "They usually do A man who attacked two of attempted murder. Monday doctors who Michael Thms, spokesman pre-parole reports, but I didn't But all Terry McDaniels (Jan. 12) m one of her friends with an examined him for the Department of know anything about it. But women with at;bax in Ruidoso 4, seven years ago is asking the remembers is being hit in the Santa Fe. ax in Ruidoso on Oct. acknowledge Corrections, said his office can we're on top of it now. I talked head, arm and body with the ax A state parole board to release 1990 he suffers not release any details on to the cabinet (corrections) sec as she was trying to protect spokesman Bartlett's behavior while in retary yesterday. We're trying him from prison because of a From Ruidusu Nerl'sfiles f r o m herself from an enraged for the State Hepatitis C, prison. -
Austinmusicawards2017.Pdf
Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers. -
Blues Notes June 2016
VOLUME TWENTY-ONE, NUMBER SIX • JUNE 2016 Sunday, June 5th @ 5 pm - Zoo Bar CURTIS SALGADO Tuesday, June 7th @ 6 pm • 21st Saloon, Omaha, NE $10 for BSO members, $20 for non-members Join the BSO or renew at the door Advance tix @ www.eventbrite.com GOLDEN STATE - LONE STAR REVUE Also Appearing Thursday, June 30th @ 5 pm $15 Wednesday, June 8th @ 6 pm • Zoo Bar, Lincoln, NE 21st Saloon, Omaha WEEKLY BLUES SERIES 4727 S 96th Plaza SOARING WINGS BLUES FESTIVAL Thurs. shows @ 6pm • Sat. shows @ 8 pm with John Primer & Watermelon Slim Bands subject to change Saturday, June 4th June 2nd .............................................................Davy Knowles ($10) June 4th (8 pm) ... Swamp Productions Presents Swampboy Blues Band, SUMMER ARTS FESTIVAL Sweet Tea, Bad Judgement & 40 Sinners ($5) June 10, 11, & 12 June 7th (Tues)........................................................... Curtis Salgado Featuring ($10 BSO Members, $20 Non Members, Bernard Allison Friday, June10th advance tickets at www.eventbrite.com) June 9th (5 pm) ......................................... Tale of 3 Cities Tour ($10) BLUES AT BEL AIR Hector Anchondo, Amanda Fish, and Delta Sol - Sunday June 12th Front and Center opens at 5pm! featuring June 10th (9 pm) ........Achilles Last Stand - Led Zepplin Tribute ($5) The Mighty Jailbreakers June 11th (8 pm) .... Luther James Band ($5) Summer Arts Fest After Party and The Bel Airs June 16th (5 pm) .......... Markey Blue ($10) - Dilemma opens at 5pm June 18th (8 pm) ........ Blue House and the Rent to Own Horns ($5) BRIDGE BEATS June 23rd (5 pm) ....Bruce Katz Band ($10) - Far & Wide opens at 5pm Saturday June 10th & 24th June 25th (8 pm) ............................................Rhythm Collective ($5) June 30th (5 pm) ................... -
Golden Gate Grooves, January 2014
Golden Gate Grooves, January 2014 CD REVIEWS Billy Boy Arnold, Charlie Musselwhite, The singers/harmonica players under whose names Remembering Little Walter was issued are an enviable Mark Hummel, Sugar Ray Norcia, James all-star assemblage: Hummel, Harman, Charlie Harman, Remembering Little Walter Musselwhite, Billy Boy Arnold, and Sugar Ray Norcia. Together they make up something like 50% of any by Tom Hyslop reasonable person’s list of the pre-eminent living Latter-day harp men talk harmonica players, and the environment, as one might about Big Walter’s tone, expect, makes for committed and spirited emulate the conversational performances. Sugar Ray’s intense “Mean Old World” is styles of both Sonny Boys, dynamite, as is Musselwhite’s take on the up-tempo admire the power and “One Of These Mornings,” a relative rarity, which also playfulness of Cotton, and features a daredevil guitar break. Tone and dynamics dig Junior Wells’s attitude. are at an impossibly high level throughout—Hummel Some may work on Jimmy and the band dial in a perfect late-night mood on “Blue Reed’s high-end approach, Light,” and the way Harman drives “Crazy Mixed Up or give lip service to Snooky World” hard before breaking it down to a whisper at Pryor or even Louis Myers. But Marion Walter Jacobs the end is masterly. Billy Boy’s “Can’t Hold Out Much was The Man, the player whose stylistic innovations Longer” is splendid on every level. revolutionized the way the instrument was played, and whose technique, taste, and tones continue to baffle That recaps only about half of the program, but the rest and inspire musicians more than 60 years after his of the songs (each performer sings two) are excellent as debut, and nearly 45 years after his untimely death. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Download Booklet
559216-18 bk Bolcom US 12/08/2004 12:36pm Page 40 AMERICAN CLASSICS WILLIAM BOLCOM Below: Longtime friends, composer William Bolcom and conductor Leonard Slatkin, acknowledge the Songs of Innocence audience at the close of the performance. and of Experience (William Blake) Soloists • Choirs University of Michigan Above: Close to 450 performers on stage at Hill Auditorium in Ann Arbor, Michigan, under the School of Music baton of Leonard Slatkin in William Bolcom’s Songs of Innocence and of Experience. Symphony Orchestra University Musical Society All photographs on pages 37-40 courtesy of Peter Smith/University Musical Society Leonard Slatkin 8.559216-18 40 559216-18 bk Bolcom US 12/08/2004 12:36pm Page 2 Christine Brewer • Measha Brueggergosman • Ilana Davidson • Linda Hohenfeld • Carmen Pelton, Sopranos Joan Morris, Mezzo-soprano • Marietta Simpson, Contralto Thomas Young, Tenor • Nmon Ford, Baritone • Nathan Lee Graham, Speaker/Vocals Tommy Morgan, Harmonica • Peter “Madcat” Ruth, Harmonica and Vocals • Jeremy Kittel, Fiddle The University Musical Society The University of Michigan School of Music Ann Arbor, Michigan University Symphony Orchestra/Kenneth Kiesler, Music Director Contemporary Directions Ensemble/Jonathan Shames, Music Director University Musical Society Choral Union and University of Michigan Chamber Choir/Jerry Blackstone, Conductor University of Michigan University Choir/Christopher Kiver, Conductor University of Michigan Orpheus Singers/Carole Ott, William Hammer, Jason Harris, Conductors Michigan State University Children’s Choir/Mary Alice Stollak, Music Director Leonard Slatkin Special thanks to Randall and Mary Pittman for their continued and generous support of the University Musical Society, both personally and through Forest Health Services. Grateful thanks to Professor Michael Daugherty for the initiation of this project and his inestimable help in its realization. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context.