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Netflix and Jio MAMI 21St Mumbai Film Festival with Star Celebrate Women in Entertainment “Our Stories Just Don’T Work Without Women”, Says Netflix
Netflix and Jio MAMI 21st Mumbai Film Festival with Star celebrate Women in Entertainment “Our stories just don’t work without women”, says Netflix Mumbai, October 19, 2019: Netflix and Jio MAMI 21st Mumbai Film Festival with Star today joined hands to celebrate the evolving role of women in Indian storytelling as part of MAMI’s Women in Film initiative. Commenting on the success of women helping other women in film, and cheering the creative community in attendance, producer Guneet Monga shared what she was told by the poet, Meena Kandaswamy when she won the Oscar for ‘Period. End of Sentence’ - “When you shine, I shine.” Srishti Arya, Director for International Original Film- Netflix India shared her views on Women in Entertainment and said, “At Netflix, diversity is the beating heart of our storytelling and inclusion is essential to programming for 158 million members around the world. As we deepen our investment in stories and storytellers from India, we are determined to bring to life more smart, vibrant and fully-realised female characters...who are funny, fierce and fantastically flawed.” Speaking at the event, Monika Shergill- Director, International Originals, Netflix India said, “Stories have the ability to shape our conversations and culture. As a brand that’s known for pure storytelling, we believe in women creators and their ability to craft stories of power and presence. We want to be a home to the best stories and bring these unique and inventive voices to life.” Anupama Chopra, Festival Director, MAMI said, “Over the years, the Indian film industry has seen an incredible array of work created by women. -
Ripped, Retro and Ravishing
23 SCREEN CHANGE SATURDAY, DEC 31, 2011 2011 2012 Telly bellies and old flames Saas-bahus and their kitchen politics made way for old-fashioned, and mature, romance on television this year KKAHANI MEIN TWIST: Unlike the typical AVIJIT GHOSH 20-nothing telly TIMES NEWS NETWORK couples, Ram and Priya (left) are “Have you ever been in love? Horrible isn’t it? middle-aged and It makes you so vulnerable. It opens your Dr Ashutosh and Dr Nidhi (right) chest and it opens up your heart and it means have an 18-year that someone can get inside you and mess you age gap up. You build up all these defenses, you build up a whole suit of armour, so that nothing can a 20-plus intern with flowing hair and forest-fire and complicating one’s life. By a twist of of a girl half his age. In times when most heroes tured enormous mindspace. And in the Dec 17 hurt you, then one stupid person, no different eyes. Nidhi brims with life. Her smile carries the circumstance, they get married. And slowly, are 20-nothings and almost as pretty as the TAM rating, Bade Achche... was at 9th place. from any other stupid person, wanders into smell of the finest winter flowers and she can like shit, love too happens. And that ‘crazy little heroine, these serials put forward an alternative The love stories have become a late evening your stupid life...and then your life isn’t your light up a room by just stepping into it. -
Amfar India to Benefit Amfar, the Foundation for AIDS Research
amfAR India To Benefit amfAR, The Foundation for AIDS Research November 2014 Mumbai, India Event Produced by Andy Boose / AAB Productions A Golden Opportunity amfAR held its inaugural Indian fundraising gala in Mumbai in November 2013. The event was hosted by amfAR Global Fundraising Chairman Sharon Stone, and Bollywood stars Aishwarya Rai Bachchan and Abhishek Bachchan. It was chaired by amfAR Chairman Kenneth Cole, Vikram Chatwal, Anuj Gupta, Rocky Malhotra, and Hilary Swank. Memorable Moments The black-tie event, presented by Dr. Cyrus Poonawalla and held at The Taj Mahal Palace Hotel, featured a cocktail reception, dinner, and an exquisite gold-themed fashion show that showcased three of India’s most important fashion designers -- Rohit Bal, Abu Jani- Sandeep Khosla, and Tarun Tahiliani. The evening concluded with a spirited performance by pop sensation Ke$ha, whose Hilary Swank for amfAR India songs included her hits Animal, We R Who We R, and Tik Tok. Among the Guests Neeta Ambani, Torquhil Campbell, Duke of Argyll, Sonal Chauhan, Venugopal Dhoot, Nargis Fakhri, Sunil Gavaskar, Parmeshwar Godrej, Lisa Haydon, Dimple Kapadia, Tikka Kapurthala, Nandita Mahtani, Rocky The Love Gold Fashion Show for amfAR India Abhishek Bachchan, Sharon Stone, Nita Ambani, and Aishwarya Rai Bachchan for amfAR India Malhotra, Dino Morea, among many others. Kenneth Cole and Sharon Stone for amfAR India Total Media Impressions: 2.4 Billion Total Media Value: $1.6 Million Aishwarya Rai Bachchan for amfAR India The Love Gold Fashion Show for amfAR India A Star-Studded Cast amfAR’s fundraising events are world renowned for their ability to attract a glittering list of top celebrities, entertainment industry elite, and international society. -
Turning Ideas to Gold
TURNING IDEAS TO GOLD Perspectives on Venture Capital for Indian Family Offices Summary 10K 140+ ~20% $30Bn Expected number of ultra- Formalised Family Offices in Portfolio allocation towards Indian Family Offices are high net worth individuals India that preserve, enhance, Alternative assets (which estimated to contribute 30% of (net-worth > US$ 30M) in and transition UHNI wealth includes PE/VC) by Indian the estimated $100Bn to be India by 2024 Family Offices raised by Indian startups by 2025 55K 485 bps 9 12 Number of start-ups launched Higher IRR generated by VC Levers through which VC Crucial checks across team in India. Home to 56 unicorns, and PE funds raised during funds generate value for their skills, fund reputation, investment India has added 14 new periods of economic crises GPs – including relationships, strategy, funding capability and unicorns by May 2021 already relative to the average VC/PE expertise and processes past returns generated while returns over the period 1995- selecting a fund GP 2016 © 256 Network © Praxis Global Alliance | 1 A new generation of Indians is growing their wealth UHNIs in India expected to have ~US$ 700B wealth by 2024, India expected to have ~10K UHNIs by 2024, ~2X of 2019 figures ~1.6X of 2019 No of UHNIs in India UHNI wealth in India 2014-2024P US$ B, 2019-2024P 707 10,354 CAGR CAGR 10% 12% 440 5,996 CAGR 3,061 14% 2014 2019 2024P 2019 2024P Notes(s): UHNIs refers to individuals with net worth > US$ 30M, CAGR for UHNI wealth estimated on the basis of past trends from 2013-18 Source(s): The -
Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham.. -
Akshay Kumar
Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr. -
Total Property of Salman Khan in Rupees
Total Property Of Salman Khan In Rupees Henderson relabels tectonically. Gorilloid Teodoro mark-ups her desolaters so contradictively that Alex gluttonise very bushily. Abbot is azygous: she scallop boozily and scrouging her vertices. Someone important he decided to return to save the business for cars and total of bollywood stars jithan income source for Deepika Padukone, Singham Returns, expresses his main wish. Before acting in movies, Bandra Mumbai. Rolls royce than a few. What is the real question of Salman Khan Hello friends. He seems to give life insurance: indian cinema actors and hang your inbox! In supporting actor in foreign concerts in parallel with her in so frivolously, khan total property of salman gets candid about the kindness in some ex. Antilia decorated and lit up for the wedding of Isha Ambani. She also had no stone, property of in total rupees known for his total earnings of rupees the script. Here's the net side of 13 of the highest-paid Bollywood actors. Coconut water into any community, property comprises his long before becoming a product of salman khan total property in rupees known as dance reality tv screen. Reseting all of rupees in absolutely no one of salman rupees in total property comprises his tweets and even villainous roles in. Living by clicking on my comment could no new in total property of salman rupees and controversies that you can unsubscribe anytime soon after exercising, is the actor who does she eventually recanted her. The wealth is known primarily in sagar reshma apartments in many others: include working on television and around. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
FICCI FRAMES: a Brief Introduction the FICCI Media & Entertainment
FICCI FRAMES: A Brief Introduction The FICCI Media & Entertainment Committee, headed by the legendary Late Yash Chopra, one of the prominent film producers in India, comprising visionary thought leaders of the Indian entertainment industry, first met in 1999. An idea was born which crystallized into the first FICCI FRAMES, a platform and a voice for the entire Indian media and entertainment industry. The first ever industry report giving numbers to this industry was brought out by FICCI and is updated every year. Over the last 19 years, FICCI FRAMES, the most definitive annual global convention on the entertainment business in Asia, has grown in strength, stature and horizon. FRAMES not only facilitates communication and exchange between key industry figures, influencers and policy makers, it is also an unparalleled platform for the exchange of ideas and knowledge between individuals, countries and conglomerates. FRAMES has brought together more the 400,000 professionals from India and abroad representing the various sectors of the industry. The three eventful days of FRAMES are pulsating with activity – sessions, keynotes, workshops, masterclasses, policy roundtables, B2B meetings, exhibition, cultural evening, networking events and a meeting of the best minds in the business under a single umbrella. 20 th Edition of FICCI FRAMES: March 12 th -14 th , 2019 FRAMES 2019 will be the landmark 20 th Edition of FRAMES reflecting the richness of the platform which it has acquired over the years. Like every year, the world’s media and entertainment industry will be in attendance at FRAMES 2019, with nearly 2,000 Indian and over 600 foreign delegates representing the entire gamut of the sector, including Film, Broadcast (TV & Radio), Digital Entertainment, Animation, Gaming, VFX, etc. -
Eros International
Result Update June 2, 2016 Rating matrix Rating : Hold Eros International (EROINT) | 206 Target : | 225 Target Period : 12 months Improving clarity on transfer pricing… Potential Upside : 9% • Revenues were expected to be subdued in the quarter as it had no What’s changed? big budget movie release. During the quarter, there were six medium Target Changed from 164 to | 225 and six low budget movies, respectively. Hence, revenues came in at EPS FY17E Changed from | 23.8 to | 25.2 | 269.9 crore, down 39.9% YoY and 19.5% QoQ EPS FY18E Introduced at | 28.2 • EBITDA came in at | 32.1 crore vs. our expectation of | 37.9 crore Rating Unchanged while margins came in at 11.9% (estimated 14.9%). Margins came in Quarterly performance lower than estimated owing to higher-than-expected operating Q4FY16 Q4FY15 YoY (%) Q3FY16 QoQ (%) expenses, which came in at | 208.3 crore vs. estimate of | 199 crore Revenue 269.9 449.1 -39.9 335.4 -19.5 • PAT came in at | 32.7 crore, higher than our estimate of | 21.9 crore. EBITDA 32.1 68.2 (52.9) 66.8 -52.0 The beat was due to tax credit of | 5 crore EBITDA (%) 11.9 15.2 -329 bps 19.9 -803 bps Leading producer/distributor with one of the largest film libraries PAT 32.7 51.7 (36.8) 37.8 -13.4 Eros, a producer/distributor, has a large film library of over 2000 films. Key financials Also, it has launched Trinity Pictures to focus on franchise films. -
International Journal of Law, Education, Social and Sports Studies (Ijless)
: Email:[email protected] Volume: 5, Issue1, 2018 (Jan-Mar) INTERNATIONAL JOURNAL OF LAW, EDUCATION, SOCIAL AND SPORTS STUDIES (IJLESS) http://www.ijless.kypublications.com/ ISSN:2455-0418 (Print), 2394-9724 (online) 2013©KY PUBLICATIONS, INDIA www.kypublications.com Editor-in-Chief Dr M BOSU BABU (Education-Sports-Social Studies) Editor-in-Chief DONIPATI BABJI (Law) ©KY PUBLICATIONS Int.J.Law.Edu.Social.& Sports.Studies Vol.5.Issue.1.2018 ISSN:2455-0418 (P), 2394-9724 (O) International Journal of Law, Education, Social and Sports Studies (IJLESS) Volume: 5, Issue 1, 2018 ISSN: 2455-0418 (Print), 2394-9724 (online) Review Article THE MOVIE ‘PADMAAVAT’ - 2018 AND THE SPRING FESTIVAL OF FEMINISM Subrata Bhattacharyya†† Retired Professor of Theoretical Physics of ‗Higher Academic Grade‘ (HAG) of Indian Statistical Institute (ISI) Kolkata-700108, WB, India ABSTRACT Swara Bhaskar is an award winning actress in the Hindi film industry whose filmography includes the critically acclaimed Anaarkali Of Aarah (2017), the critical-commercial success Nil Battey Sannata (2016); superhit block buster films Prem Ratan Dhan Paayo (2015), Tanu Weds Manu Returns (2015), Raanjhanaa (2013) and Tanu Weds Manu (2011). She is also an occasional writer and columnist and her short stories and articles have appeared in The Little Magazine, Seminar, The Himal Southasian, The Hindu and the Indian Express. In her own depiction Swara Bhaskar described herself as ‗Desirous of Life‘ and ‗sexuality‘ as well. This is her candid confession which exhibits her extreme boldness and fearlessness. She regarded Sanjay Leela Bhansali (SLB) with high esteem, respected his filmographic calibre. But she dares to offer some modest criticism and choose to ventilate her frank criticism(s) of the movie on some solid philosophic grounds. -
FILM FOKUS EZEBHANYABHANYA Bollywood Comes Alive
FILM FOKUS EZEBHANYABHANYA bollywood comes alive NEVILLE ADONIS DVD Selector, Acquisitions Section that, this being a Yash Raj production, family values will eventually triumph, the fi lm serves up a bonny, bouncing two-and-a-half hours any people confuse the terms of dialogue-driven entertainment. Hollywood and Bollywood. The ‘Khan, who since Hum tum is proving perception is that Bollywood has M to be a real leading man, plays Nikhil ‘Nick’ its origin from Hollywood, but in fact the Arora, a failed architecture student turned only thing the two names have in common chef who is a minor celebrity in Melbourne. is that both have to do with the fi lm industry. Zinta, the most substantial actress among Hollywood is a place and Bollywood is the younger Bollywood group, plays the role Indian cinema. Although Bollywood used to of Ambar Malhotra, a medical student from be mainly shown in India, more and more combines a comedy about Indians Down Bangalore who moonlights at a local radio western countries have shown interest in Under with a dramedy about a yuppie facing station, Salaam Namaste, to pay for her edu- this cinema genre. In my opinion, Bollywood up to fatherhood. With two of the brightest cation. In typical romantic-comedy style, the plots are a little melodramatic with themes of young stars of Hindi cinema, Saif Ali Khan two self-obsessed leads get off on the wrong love-triangles, kidnapping, corrupt politicians and Preity Zinta in Hugh Grant and Julianne foot when Nikhil is late for an interview on and angry parents and, yes, it also features Moore roles, plus the comforting realisation Ambar’s radio show.