Spring 2015 Contents General Interest 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
National Life Stories an Oral History of British
NATIONAL LIFE STORIES AN ORAL HISTORY OF BRITISH SCIENCE Professor Bob Dickson Interviewed by Dr Paul Merchant C1379/56 © The British Library Board http://sounds.bl.uk This interview and transcript is accessible via http://sounds.bl.uk . © The British Library Board. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road London NW1 2DB United Kingdom +44 (0)20 7412 7404 [email protected] Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators. © The British Library Board http://sounds.bl.uk British Library Sound Archive National Life Stories Interview Summary Sheet Title Page Ref no: C1379/56 Collection title: An Oral History of British Science Interviewee’s surname: Dickson Title: Professor Interviewee’s forename: Bob Sex: Male Occupation: oceanographer Date and place of birth: 4th December, 1941, Edinburgh, Scotland Mother’s occupation: Housewife , art Father’s occupation: Schoolmaster teacher (part time) [chemistry] Dates of recording, Compact flash cards used, tracks [from – to]: 9/8/11 [track 1-3], 16/12/11 [track 4- 7], 28/10/11 [track 8-12], 14/2/13 [track 13-15] Location of interview: CEFAS [Centre for Environment, Fisheries & Aquaculture Science], Lowestoft, Suffolk Name of interviewer: Dr Paul Merchant Type of recorder: Marantz PMD661 Recording format : 661: WAV 24 bit 48kHz Total no. -
Programme Book COLOPHON
tolkien society UNQUENDOR lustrum day saturday 19 june 2021 celebrating unquendor's 40th anniversary theme: númenor 1 programme book COLOPHON This programme book is offered to you by the Lustrum committee 2021. Bram Lagendijk and Jan Groen editors Bram Lagendijk design and lay out For the benefit of the many international participants, this programme book is in English. However, of the activities, only the lectures are all in English. The other activities will be in Dutch, occasionally interspersed with English. tolkien society unquendor E-mail: [email protected] Internet: www.unquendor.nl Instagram: www.instagram.com/unquendor Facebook: www.facebook.com/groups/unquendor Twitter: www.twitter.com/unquendor Youtube: www.youtube.com/user/tolkiengenootschap Discord: www.discord.gg/u3wwqHt9RE June 2021 CONTENTS Getting started ... 4 A short history of Unquendor 5 Things you need to know 6 Númenor: The very short story 7 Programme and timetable 8 y Lectures 9 Denis Bridoux Tall ships and tall kings Númenor: From Literary Conception y to Geographical Representation 9 Renée Vink Three times three, The Uncharted Consequences of y the Downfall of Númenor 9 What brought they from Hedwig SlembrouckThe Lord of the Rings Has the history of the Fall of Númenor y been told in ?? 9 the foundered land José Maria Miranda y Law in Númenor 9 Paul Corfield Godfrey, Simon Crosby Buttle Over the flowing sea? WorkshopsThe Second Age: A Beginning and an End 910 y Seven stars and seven stones Nathalie Kuijpers y Drabbles 10 QuizJonne Steen Redeker 10 And one white tree. Caroline en Irene van Houten y Jan Groen Gandalf – The Two Towers y Poem in many languages 10 Languages of Númenor 10 Peter Crijns, Harm Schelhaas, Dirk Trappers y Dirk Flikweert IntroducingLive cooking: the presentersNúmenórean fish pie 1011 Festive toast and … 14 Participants 15 Númenórean fish pie 16 Númenóreaanse vispastei 17 GETTING STARTED… p deze Lustrumdag vieren we het 40-jarig Obestaan van Unquendor! Natuurlijk, we had- den een groot Lustrumfeest voor ogen, ons achtste. -
Teeming Boisterous Life Dents Are Powerfully Motivated by Exposing All Their Senses to Steinbeck’S “Teeming Boister- Known with Good Reason As the ‘Death Apple’
BOOKS & ARTS NATURE|Vol 443|21 September 2006 and learn invertebrate anatomy by preparing a paella. This is not educational sadism, as stu- Teeming boisterous life dents are powerfully motivated by exposing all their senses to Steinbeck’s “teeming boister- known with good reason as the ‘death apple’. ous life”. Watching my own students scramble Sensuous Seas: Tales of a Marine Biologist by Eugene H. Kaplan This compendium of sex and death provides across rocky shores and peer tremulously under Princeton University Press: 2006. 288 pp. plenty for raconteurs wanting to leave a lasting seaweed, I can only agree that these activities $24.95, £15.95 impression on friends, relatives or — in Kap- ignite interest and trigger understanding. lan’s case — students. People sometimes ask me whether the world Jon Copley Each of the 31 chapters opens with either one really needs more marine-biology graduates. “What good men most biologists are, the ten- of Kaplan’s own memoirs or a scenario from his Despite the vast challenge of exploring and ors of the scientific world — temperamental, imagination, before exploring the marine biol- understanding the marine realm, very few moody, lecherous, loud-laughing, and healthy,” ogy behind the tale. As a result, a reader may students actually become career scientists, wrote John Steinbeck in The Log from the Sea sometimes wonder where the book is going, as openings are highly competitive now that of Cortez (Viking, 1951). “The true biologist although the entertainment seldom flags. But universities are turning out more and more deals with life, with teeming boisterous life, PhDs. -
Christians and Jews in Muslim Societies
Arabic and its Alternatives Christians and Jews in Muslim Societies Editorial Board Phillip Ackerman-Lieberman (Vanderbilt University, Nashville, USA) Bernard Heyberger (EHESS, Paris, France) VOLUME 5 The titles published in this series are listed at brill.com/cjms Arabic and its Alternatives Religious Minorities and Their Languages in the Emerging Nation States of the Middle East (1920–1950) Edited by Heleen Murre-van den Berg Karène Sanchez Summerer Tijmen C. Baarda LEIDEN | BOSTON Cover illustration: Assyrian School of Mosul, 1920s–1930s; courtesy Dr. Robin Beth Shamuel, Iraq. This is an open access title distributed under the terms of the CC BY-NC 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Library of Congress Cataloging-in-Publication Data Names: Murre-van den Berg, H. L. (Hendrika Lena), 1964– illustrator. | Sanchez-Summerer, Karene, editor. | Baarda, Tijmen C., editor. Title: Arabic and its alternatives : religious minorities and their languages in the emerging nation states of the Middle East (1920–1950) / edited by Heleen Murre-van den Berg, Karène Sanchez, Tijmen C. Baarda. Description: Leiden ; Boston : Brill, 2020. | Series: Christians and Jews in Muslim societies, 2212–5523 ; vol. -
Giving Voice to the "Voiceless:" Incorporating Nonhuman Animal Perspectives As Journalistic Sources
Georgia State University ScholarWorks @ Georgia State University Communication Faculty Publications Department of Communication 2011 Giving Voice to the "Voiceless:" Incorporating Nonhuman Animal Perspectives as Journalistic Sources Carrie Packwood Freeman Georgia State University, [email protected] Marc Bekoff Sarah M. Bexell [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/communication_facpub Part of the Journalism Studies Commons, and the Social Influence and oliticalP Communication Commons Recommended Citation Freeman, C. P., Bekoff, M. & Bexell, S. (2011). Giving voice to the voiceless: Incorporating nonhuman animal perspectives as journalistic sources. Journalism Studies, 12(5), 590-607. This Article is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Faculty Publications by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. VOICE TO THE VOICELESS 1 A similar version of this paper was later published as: Freeman, C. P., Bekoff, M. & Bexell, S. (2011). Giving Voice to the Voiceless: Incorporating Nonhuman Animal Perspectives as Journalistic Sources, Journalism Studies, 12(5), 590-607. GIVING VOICE TO THE "VOICELESS": Incorporating nonhuman animal perspectives as journalistic sources Carrie Packwood Freeman, Marc Bekoff and Sarah M. Bexell As part of journalism’s commitment to truth and justice -
Resume (Adobe PDF Format)
DINAH LENNEY 2136 Princeton Avenue Los Angeles, California 90026 (323)664-8186 email: [email protected] www.DinahLenney.com EDUCATION Bennington Writing Seminars, MFA in Creative Nonfiction and Literature Yale University, Bachelor of Arts, American Studies. Neighborhood Playhouse School, Certificate of Acting. PROFESSIONAL ACADEMIC EXPERIENCE WRITING Assistant Professor of Literature and Creative Writing, appointed June, 2012, University of Southern California Visiting Faculty December, 2012, University of California, Palm Desert Fulltime Lecturer, 2009 to 2012, Master of Professional Writing Program, University of Southern California, Los Angeles, California. Guest Artist and Faculty, July, 2012, Centrum Writers’ Conference, Port Townsend, Washington. Instructor, Union Station Homeless Services Centennial Place 2011, Memoir Writing, Poets and Writers Grant. Mentor, 2010, The Loft Literary Center, Minneapolis, Minnesota. Core Faculty, 2008 -2013, Bennington Writing Seminars, Bennington, Vermont. Core Faculty, 2008 -2013, Rainier Writing Workshop, Tacoma, Washington. Part-time Lecturer, 2008-2009, Master of Professional Writing Program, University of Southern California, Los Angeles, California. Visiting Lecturer, October 2008, Scripps College, Memoir Lecture and Reading. Mentor, January, 2008 to August, 2008. PEN USA Emerging Voices Program. Associate Faculty, June 2007, Bennington Writing Seminars, Bennington, Vermont. Visiting Lecturer, 2007, UCLA, Los Angeles, California. Intro to Memoir: Fining Your Own True voice. Instructor, February -
Towards a Fifth Cinema
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sussex Research Online Towards a fifth cinema Article (Accepted Version) Kaur, Raminder and Grassilli, Mariagiulia (2019) Towards a fifth cinema. Third Text, 33 (1). pp. 1- 25. ISSN 0952-8822 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/80318/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk Towards a Fifth Cinema Raminder Kaur and Mariagiulia Grassilli Third Text article, 2018 INSERT FIGURE 1 at start of article I met a wonderful Nigerian Ph.D. -
Monika Weiss, Nirbhaya 1 Cover Diagram 1 of 1
Monika Weiss, Nirbhaya 1 Cover Diagram 1 of 1 Folded 9.25 x 11.25 in (235 mm x 286mm) Flat 9.25 in / 235 mm Outside Monika Weiss Monika Weiss 11.25 in 286 mm Spine Front 156 mm 235 mm + 235 mm + 156 mm TBD Inside Back 2 Monika Weiss, Nirbhaya 3 Interior Spreads Diagram 1 of 2 1 — 1 color 4 — 4 color 4 4 1 1 1 4 1 1 1 2 3 4 MACIEJ ALEKSANDROWICZ 5 MACIEJ ALEKSANDROWICZ 6 ŁUK TRYUMFALNY — ŁUK GODNOŚCI, PAMIĘCI JYOTI SINGH: NIRBHAYA A TRIUMPHAL ARCH – AN ARCH OF DIGNITY 7 5 MACIEJ ALEKSANDROWICZ 5 MACIEJ ALEKSANDROWICZ polegających na swobodnym i równoprawnym dostępie do prze- on the victims of such crimes, or on those people living in fear Na koniec powrócę do pierwotnego apelu o konieczności monument project in the Sculpture Park: Sam Fox School of Monika Weiss ŁUK TRYUMFALNY — ŁUK GODNOŚCI, PAMIĘCI A TRIUMPHAL ARCH — AN ARCH OF DIGNITY strzeni publicznej. Równość jest bowiem podstawą wszelkich praw of such crimes. These would represent new foundations of umieszczenia Nirbhayi w przestrzeni publicznej i naszej Design & Visual Arts, Washington University in St. Louis, EMA JYOTI SINGH: NIRBHAYA JYOTI SINGH: NIRBHAYA dotyczących takiej przestrzeni, podobnie wolność każdej osoby change, based on free and equal access to public space. Equality publicznej świadomości. Experimental Media Arts at the University of Arkansas, Lamar do przebywania tam, bezpieczeństwa i realizacji swoich potrzeb. is the foundation of all rights related to such space, just like Johnson Collaborative, St. Louis/Chicago, and Streaming Monika Weiss upamiętnia Jyoti Singh, Nirbhayę, której the freedom of each person to to inhabit public space, safety, Museum, New York, as well as New York Foundation for the Arts 9 MONIKA WEISS 9 MONIKA WEISS bestialsko i zbiorowo odebrano życie, godność i wszystkie prawa. -
All Creation Groans: the Lives of Factory Farm Animals in the United States
InSight: RIVIER ACADEMIC JOURNAL, VOLUME 13, NUMBER 1, SPRING 2017 “ALL CREATION GROANS”: The Lives of Factory Farm Animals in the United States Sr. Lucille C. Thibodeau, pm, Ph.D.* Writer-in-Residence, Department of English, Rivier University Today, more animals suffer at human hands than at any other time in history. It is therefore not surprising that an intense and controversial debate is taking place over the status of the 60+ billion animals raised and slaughtered for food worldwide every year. To keep up with the high demand for meat, industrialized nations employ modern processes generally referred to as “factory farming.” This article focuses on factory farming in the United States because the United States inaugurated this approach to farming, because factory farming is more highly sophisticated here than elsewhere, and because the government agency overseeing it, the Department of Agriculture (USDA), publishes abundant readily available statistics that reveal the astonishing scale of factory farming in this country.1 The debate over factory farming is often “complicated and contentious,”2 with the deepest point of contention arising over the nature, degree, and duration of suffering food animals undergo. “In their numbers and in the duration and depth of the cruelty inflicted upon them,” writes Allan Kornberg, M.D., former Executive Director of Farm Sanctuary in a 2012 Farm Sanctuary brochure, “factory-farm animals are the most widely abused and most suffering of all creatures on our planet.” Raising the specter of animal suffering inevitably raises the question of animal consciousness and sentience. Jeremy Bentham, the 18th-century founder of utilitarianism, focused on sentience as the source of animals’ entitlement to equal consideration of interests. -
Derbyshire Parish Registers. Marriages
942.51019 M. L; Aalp v.4 1379092 GENEALOGY COLLECTION ALLEN COUNTY PUBLIC LIBRARY 3 1833 00727 4241 DERBYSHIRE PARISH REGISTERS. flDarriagea, IV. phiiximore's parish register series. vol. xc. (derbyshire, vol. iv.) One hundred and fifty only printed. I0.ip.cj : Derbyshire Parish Registers, flftat triages. Edited by W. P. W. PHILLIMORE, M.A., B.C.L., AND LL. LL. SIMPSON. £,c VOL. IV. ILon&on Issued to the Subscribers by Phillimore & Co., 124, Chancery Lane. 1908. — PREFACE. As promised in the last volume of the Marriage Registers of Derbyshire, the marriage records of St. Alkmund's form the first instalment of the Registers of the County Town. The Editors do not doubt that these will prove especially interesting to Derbyshire people. In Volume V they hope to print further instalments of town registers in the shape of those of St. Michael's and also some village registers. It will be noticed that St. Alkmund's register begins at the earliest possible date, 1538, but of the remainder, two do not start till the seventeenth century and one, that of Quarndon, synchronizes with the passing of Lord Hardwicke's Marriage Act. 1379092 It will be convenient to give here a list of the Derby- shire parishes of which the Registers have been printed in this series: Volume I. Volume II. Dale Abbey Boulton Brailsford Duffield Stanton-by-Dale Hezthalias Lownd Volume III. Stanley or Lund Duffield Spondon Breaston Church Broughton Mellor Kirk Ireton Sandiacre Hault Hucknall Volume IV. Risley Mackworth Derby— St. Alkmund's Ockbrook Allestree Quarndon Tickenhall Foremark It has not been thought needful to print the entries — verbatim. -
DORIS SALCEDO Education Solo Exhibitions
DORIS SALCEDO 1958 Born in Bogotá, Colombia Lives and works in Bogotá Education 1984 MA, New York University 1980 BFA, Universidad de Bogotá Jorge Tadeo Lozano Solo exhibitions 2019 Doris Salcedo: Tabula Rasa, Kunsthalle St. Annen, Lubbeck, Germany Doris Salcedo: Acts of Mourning, IMMA, Dublin 2018 Fragmentos, Bogota Palimpsest, White Cube, London Prints 2003 – 2009, Alexander Bonin, New York 2017 Palimpsest, Palacio de Cristal, Museo Nacional Centro de Arte Reina Sofía, Madrid 2016 The Materiality of Mourning, Harvard Art Museum, Boston, Massachusetts Nasher Sculpture Center, Dallas, Texas 2015 Doris Salcedo, Museum of Contemporary Art Chicago; Solomon R. Guggenheim Museum, New York; Perez Art Museum, Miami, 2016 2014 Hiroshima Art Prize: Doris Salcedo, Hiroshima City Museum of Contemporary Art, Japan FLORA arts+natura, Bogotá 2013 Robert Kinmont/Doris Salcedo, Alexander and Bonin, New York 2011 Plegaria Muda, Museo Universitario Arte Contemporáneo, Mexico; Moderna Museet Malmö, Sweden; Gulbenkian, Centro de Art Moderna, Lisbon; Museo nazionale delle arti del XXI secolo, Rome, 2012; White Cube, London, 2012; Pinacoteca, São Paulo, 2012 2008 Alexander and Bonin, New York 2007 Shibboleth, Turbine Hall, Tate Modern, London White Cube, London 2004 Neither, White Cube, London 2001 Camden Arts Centre, London 2000 Tenebrae: Noviembre 7, 1985, Alexander and Bonin, New York 1998 Doris Salcedo: Unland, New Museum of Contemporary Art, New York; SITE Santa Fe, New Mexico; San Francisco Museum of Modern Art, 1999; Tate Gallery, London, 1999 1997 -
Religious Studies 181B Political Islam and the Response of Iranian
Religious Studies 181B Political Islam and the Response of Iranian Cinema Fall 2012 Wednesdays 5‐7:50 PM HSSB 3001E PROFESSOR JANET AFARY Office: HSSB 3047 Office Hours; Wednesday 2:00‐3:00 PM E‐Mail: [email protected] Assistant: Shayan Samsami E‐Mail: [email protected] Course Description Artistic Iranian Cinema has been influenced by the French New Wave and Italian neorealist styles but has its own distinctly Iranian style of visual poetry and symbolic lanGuaGe, brinGinG to mind the delicate patterns and intricacies of much older Iranian art forms, the Persian carpet and Sufi mystical poems. The many subtleties of Iranian Cinema has also stemmed from the filmmakers’ need to circumvent the harsh censorship rules of the state and the financial limitations imposed on independent filmmakers. Despite these limitations, post‐revolutionary Iranian Cinema has been a reGular feature at major film festivals around the Globe. The minimalist Art Cinema of Iran often blurs the borders between documentary and fiction films. Directors employ non‐professional actors. Male and female directors and actors darinGly explore the themes of Gender inequality and sexual exploitation of women in their work, even thouGh censorship laws forbid female and male actors from touchinG one another. In the process, filmmakers have created aesthetically sublime metaphors that bypass the censors and directly communicate with a universal audience. This course is an introduction to contemporary Iranian cinema and its interaction with Political Islam. Special attention will be paid to how Iranian Realism has 1 developed a more tolerant discourse on Islam, culture, Gender, and ethnicity for Iran and the Iranian plateau, with films about Iran, AfGhanistan, and Central Asia.