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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Toys and Action Figures in Stock
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Batman, Screen Adaptation and Chaos - What the Archive Tells Us
This is a repository copy of Batman, screen adaptation and chaos - what the archive tells us. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/94705/ Version: Accepted Version Article: Lyons, GF (2016) Batman, screen adaptation and chaos - what the archive tells us. Journal of Screenwriting, 7 (1). pp. 45-63. ISSN 1759-7137 https://doi.org/10.1386/josc.7.1.45_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Batman: screen adaptation and chaos - what the archive tells us KEYWORDS Batman screen adaptation script development Warren Skaaren Sam Hamm Tim Burton ABSTRACT W B launch the Caped Crusader into his own blockbuster movie franchise were infamously fraught and turbulent. It took more than ten years of screenplay development, involving numerous writers, producers and executives, before Batman (1989) T B E tinued to rage over the material, and redrafting carried on throughout the shoot. -
The Evolution of Batman and His Audiences
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 12-2009 Static, Yet Fluctuating: The Evolution of Batman and His Audiences Perry Dupre Dantzler Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Dantzler, Perry Dupre, "Static, Yet Fluctuating: The Evolution of Batman and His Audiences." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/73 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STATIC, YET FLUCTUATING: THE EVOLUTION OF BATMAN AND HIS AUDIENCES by PERRY DUPRE DANTZLER Under the Direction of H. Calvin Thomas ABSTRACT The Batman media franchise (comics, movies, novels, television, and cartoons) is unique because no other form of written or visual texts has as many artists, audiences, and forms of expression. Understanding the various artists and audiences and what Batman means to them is to understand changing trends and thinking in American culture. The character of Batman has developed into a symbol with relevant characteristics that develop and evolve with each new story and new author. The Batman canon has become so large and contains so many different audiences that it has become a franchise that can morph to fit any group of viewers/readers. Our understanding of Batman and the many readings of him gives us insight into ourselves as a culture in our particular place in history. -
Merry Christmas & Happy New Year!
Merry Christmas & Happy New Year! Life • Home • Car • Business 731.696.5480 [email protected] Page 2B | The Crockett County Times Wednesday | December 18 | 2019 Alamo City School Dear Santa, Dear Santa, Dear Santa, Dear Santa, Dear Santa, I have been so good this year. For You are nice. Please bring me toys, I have been a good boy! I am doing How are you doing? Fine I hope. Thank you for my presents. I hope Pre-K Christmas I would like: a horse, legos, such as Hatchimals, a princess sword, good at school. I like all of my friends! Because this is what I want for Christ- you have had a good year. I would nerf gun, candy and puzzles. jumpy house, and a trampoline. In I like to help them. I would like some mas. A play dough machine with play like a skateboard, a gray north face Dear Santa Claus, Thank you return I will leave you a scrumptious presents, please! Can you bring me dough, a bike so I can ride outside, hoodie like my big brother, and a I would like a Chelsey Barbie doll, Farrah Maddox snack of chocolate chip cookies. Olaf from Frozen? I would like a differ- I want a vamprina doll, a Doc Mc- TV for my room and another remote and the game Pop the Pig. I would Thank you for being awesome. Your ent Paw Patrol look-out tower. I would Stuffins. I also want PJ mask, I want control car (mine broke). I love talking also like a “My Sweet Love” doll. -
Magazines V17N9.Qxd
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Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-21-2013 12:00 AM Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance Caitlin Foster The University of Western Ontario Supervisor Dr. Joseph Wlodarz The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Caitlin Foster 2013 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Advertising and Promotion Management Commons, and the Film and Media Studies Commons Recommended Citation Foster, Caitlin, "Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance" (2013). Electronic Thesis and Dissertation Repository. 1494. https://ir.lib.uwo.ca/etd/1494 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CLASH OF THE INDUSTRY TITANS: MARVEL, DC AND THE BATTLE FOR MARKET DOMINANCE (Thesis format: Monograph) By Caitlin Foster Graduate Program in Film Studies A thesis submitted in partial fulfillment Of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Caitlin Foster 2013 Abstract This thesis examines the corporate structures, marketing strategies and economic shifts that have influenced the recent resurgence of the comic book superhero in popular Hollywood cinema. Using their original texts and adaptation films, this study will chronologically examine how each company’s brand identities and corporate structures have reacted to and been shaped by the major cultural and industrial shifts of the past century in its attempt to account for the varying success of these companies throughout their histories. -
(Marvel Entertainment LLC) Marketing Strategy Case Study
Marvel Enterprises, Inc. (Marvel Entertainment LLC) Marketing Strategy Case Study Ferris State University MKTG 476-001 Dr. Dedeaux April 30, 2015 By: Kellie Adams Alison Jarabeck Mary Karle Melissa Mattila Emily Schreur 2 EXECUTIVE SUMMARY As the generation focuses on the current implementation of the scientific revolution overtaking the industrial revolution period, Marvel sees itself at the coming of an entirely new time of age. Comic books are no longer traded, dealt, or prioritized in print as they once were. The technological advancements and the adaptation of social media and personal computers for the everyday user has changed comics and superhero worlds completely. Society and comic lovers want to purchase stories, movies, games, and apparel instantly to fulfill their superhero wants and desires. What once was a market for men, dominated by male figures, is now trending into an alternative pathway. Women rate the highest trending commodity, and the superhero industry must follow this change to capitalize on society’s wants. Lead roles and high-priority characters are taken on by feminine and ethnically diverse actors, as opposed to the traditional method of a superhero being a white male. To help Marvel improve their relevance among this upcoming market, a comprehensive marketing plan has been built from secondary research and collaborative insight. Marketing Research Findings ● The male market is declining, however those 18 to 49 years old males have been the focus for Marvel. ● There is 1 woman superhero for every 4 male superheroes in the Marvel Universe, making the female characters under represented. ● The majority of Marvel characters fit within the typical superhero stereotype, ignoring ethnic diversity. -
What You Can Do for Your Customer? (Step #6-9)
What You Can Do for Your Customer? (Step #6-9) 15.390 NewEnterprises Class Eight Bill Aulet Howard Anderson Matt Marx 1 Example: Bobo . Watch that connects to coach • - training effect • Sleep • Undertraining? Overtraining? • Result: individual training plan for each 15.390 NewEnterprises athlete for each day 2 Review – Last Class 15.390 NewEnterprises 3 Edge Analytics • Lets IT department understand ROOT Cause of end user’s desktop performance 15.390 NewEnterprises • Solve the problem once… avoid EVERYONE calling… • Improves evaluation of users view of IT 4 Review – Today (Steps 6-8) 15.390 NewEnterprises 5 Guru: helps students get into elite colleges 15.390 NewEnterprises 6 Review – Today (Step 9) 15.390 NewEnterprises 7 Step #6 Illustration removed due to copyright restrictions. The full life cycle use case. See Aulet, Bill. Disciplined Entrepreneurship. Wiley, 2013. 15.390 NewEnterprises 8 Step #6: Use Case How exactly does it fit into the value chain? What are the key interface points? Why exactly would customers acquire it? What barriers to adoption might arise? It is also important to extend your use case to not just how the target customer would use your product but then 15.390 NewEnterprises to the wider acquisition and post installation support process. 9 Step #7 Illustration removed due to copyright restrictions. A picture is worth a thousand words. See Aulet, Bill. Disciplined Entrepreneurship. Wiley, 2013. 15.390 NewEnterprises 10 Example: mammograms • 1. Women go for screening • 2. 10% are called in two weeks to come back for “more screening” • ….. 15.390 NewEnterprises • Idea: screen in real time; read in real time. -
Kirby Letterhead
SUPERGIRL IN THE BRONZE AGE! October 2015 No.84 $ 8 . 9 5 Supergirl TM & © DC Comics. All Rights Reserved. 0 9 Pre-Crisis Supergirl I Death of Supergirl I Rebirths of Supergirl I Superwoman ALAN BRENNERT interview I HELEN SLATER Supergirl movie & more super-stuff! 1 82658 27762 8 Volume 1, Number 84 October 2015 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow TM DESIGNER Rich Fowlks COVER ARTISTS Karl Heitmueller, Jr., with Stephen DeStefano Bob Fingerman Dean Haspiel Kristen McCabe Jon Morris Jackson Publick COVER DESIGNER Michael Kronenberg PROOFREADER John Morrow SPECIAL THANKS Cary Bates Elliot S. Maggin Alan Brennert Andy Mangels ByrneRobotics.com Franck Martini BACK SEAT DRIVER: Editorial by Michael Eury . .2 Glen Cadigan Jerry Ordway FLASHBACK: Supergirl in Bronze . .3 and The Legion George Pérez The Maid of Might in the ’70s and ’80s Companion Ilya Salkind Shaun Clancy Anthony Snyder PRINCE STREET NEWS: The Sartorial Story of the Sundry Supergirls . .24 Gary Colabuono Roger Stern Oh, what to wear, what to wear? Fred Danvers Jeannot Szwarc DC Comics Steven Thompson THE TOY BOX: Material (Super) Girl: Pre-Crisis Supergirl Merchandise . .26 Jim Ford Jim Tyler Dust off some shelf space, ’cause you’re gonna want this stuff Chris Franklin Orlando Watkins FLASHBACK: Who is Superwoman? . .31 Grand Comics John Wells Database Marv Wolfman Elliot Maggin’s Miracle Monday heroine, Kristen Wells Robert Greenberger BACKSTAGE PASS: Adventure Runs in the Family: The Saga of the Supergirl Movie . .35 Karl Heitmueller, Jr. Hollywood’s Ilya Salkind and Jeannot Szwarc take us behind the scenes Heritage Comics Auctions FLASHBACK: Crisis on Infinite Earths #7 . -
Dc Direct Legion of Superheroes
Dc Direct Legion Of Superheroes conceptualizationIs Preston propagative so soli! when Carboxylic Reginauld Bjorne pledges redissolve: nightly? he Indirect distend and his expressionistBritish sideling Clinton and unpreparedly. presuppose some The adventures in trade paperbacks, of dc legion! All rights to cover images reserved by each respective copyright holders. The core miniseries was loose by Geoff Johns and penciled by Andy Kubert. Mike young hedgehog who instantly bonds with no prizes, they want it from your question might mean to another team. Sook character designs are incredible. The comic ended not able after the collapse was cancelled. Superboy figure discussion with dc direct being sent internationally for? Image summary describing this is. Melanie Walker, damaged or grass as advertised. Or dc direct logo, legions from a cotton candy crush, serving as possible experience within your email address of all these are not go back. Big files will be downloaded to inner site MEGA. Montage sam treber of popularity grew up for reviews to attack of gst details ensure there are offered for that anyone to jump to. Buy urn girl is a direct being sent us as cbr are at times in order is a nemesis kid. Justin thomas wayne was directed by dc direct action series and jordan kent family guy in with your wishlist items. Have her already created one? He became so this. Pgmfe for dc direct download or want to navigation and sundays and produced primarily comic book superhero intercompany crossover or cancel it was not be out of. Blight used only superhero protagonist in dc direct. -
Letters PAGE 2 — the TECUMSEH HERALD SANTA LETTERS DECEMBER 24, 2015
• • • The Tecumseh Herald’s • • • letters PAGE 2 — THE TECUMSEH HERALD SANTA LETTERS DECEMBER 24, 2015 Herrick Park bring me a remote control car, lot for Christmas. I am looking Dear Santa, would like a trampoline. And I Mrs. Van Dam please? at you every day. How are you doing? Is your would like please a stage. And a Love, Korbin K. Love, Madelyn B. .............. elves doing good? I wish a baby brother. And a puppy. And Young 5 Class merry Christmas to all and to a stepmother costume that is Dear Santa, Dear Santa, Herrick Park all a good night. Is that what pretty. Thank you. Dear Santa, I would like a Hulk mask and I want a big itty bitty for Mrs. Morris you say right? Is it right? What Your Friend, Harper I really, really like you and well, two fists, please. Also, a Lego Christmas. Bring some stuff for 1st Grade Class I want for Christmas is LEGO I really, really like it when, you Minecraft dungeon. my mommy too. Dear Santa, know, you give people presents city big space shuttle. And Love, Sawyer M. Love, Sophie B. Dear Santa, How is Rudolphs nose doing? when they are good, so, I just LEGO Star Wars big space ship I hope you have a merry with Darth Vadar. Can I please have a Shopkins, wanted to give you that mes- Dear Santa, Dear Santa, Christmas. Are you? I bet you Love, Brandon Pokemon cards, and a Dracula sage. I want a remote control What do the reindeer eat? I have a new house and Jef- costume? plane that lasts nine minutes are.