DAS-Catalogue 16-5-Colour-Digital-Rs.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

DAS-Catalogue 16-5-Colour-Digital-Rs.Pdf 1 2 Dhaka Art Summit 5-8February 2016 Bangladesh Shilpakala Academy Exhibition Guide SHARE YOUR DAS EXPERIENCE #das2016 @dhakaartsummit Front cover: Ayesha Sultana, Outside the Field of View - VI (detail), 2014, courtesy of the artist and Experimenter Left page: Waqas Khan, The Text in Continuum (detail), 2015, ink on paper, metal, courtesy of the artist and Galerie Krinzinger, Vienna 1 Editor Dhaka Art Summit Team Diana Campbell Betancourt Nadia Samdani Artist and Architect Entries President and Co-Founder Thierry Betancourt Diana Campbell Betancourt Diana Campbell Betancourt Artistic Director and Chief Curator Ruxmini Choudhury Beth Citron Mohammad Sazzad Hossain Head of Administration Aurélien Lemonier Shabnam Lilani Emily Dolan Nivriti Roddam Director of Operations and External Affairs Essays by Guest Curators Eve Lemesle Associate Producer Amara Antilla Daniel Baumann Tasmia Nehreen Ahmed Diana Campbell Betancourt Manager of Communications Katya Garcia Antón Ruxmini Rekhvana Q Choudhury Madhavi Gore, Nikhil Chopra, and Jana Prepeluh Curatorial Assistant Shanay Jhaveri Aurélien Lemonier Shabnam Lilani Md. Muniruzzaman Curatorial Assistant and Assistant to Artistic Director Nada Raza Nivriti Roddam Curatorial Assistant and Institutional Relations Liaison Translation Thierry Betancourt Rezaul Kabir Kochi Tanvir Nahid Khan Architect and Project Manager for Architecture in Bangladesh Reid Masselink Safiqul Islam Shahman Mohsin Assistant Project Manager for Architecture in Bangladesh Copyediting Asifur Rahman Thierry Betancourt Assistant Project Manager for Architecture in Bangladesh Kathy Campbell Khan Md. Mobinul Haque Emily Dolan Engineer Amanda Kelly Aosafur Rahman Asad Helen Pheby Logistics Publisher Mahbub Alam Nazrul Samdani Art Foundation Accounts Shanta Western Tower Nippon Express Level 5 Official Logistics Partner Suite 501 & 502 186 Gulshan, Tejgaon Link Road Dhaka Art Summit Organising Committee Tejgaon 1/A, Dhaka 1208 Bangladesh Farooq Sohban (Chairman) [email protected] Rajeeb Samdani Liaquat Ali Lucky Graphic Identity Mohius Samad Choudhury Shruti Chamaria Anita Gazi Bruno Plasse Design Eeshita Azad Thierry Betancourt Judith Mirschberger Nivriti Roddam Rashed Maqsood Zakir Ibne Hai Distributor Samdani Art Foundation Samdani Art Foundation Advisory Committee Beatrix Ruf Coordination Massimiliano Gioni Mohammad Sazzad Hossain Shahzia Sikander Monica Narula Printers and Binder Sun Press [email protected] ISBN 978-0-692-61881-3 Published on the occasion of the exhibition Dhaka Art Summit 2016 February 5-8 2016 Copyright 2016 by Samdani Art Foundation. All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, or otherwise, without the written permission of the publisher and the editor. The Publisher has made every effort to contact the copyright holders of the materials included in this book. However, if there are omissions or mistakes in stating the correct name, please let us know ([email protected]) and further editions will be amended. contents Welcome ....................................................... Solo Projects................................................... 1 The Missing One ..............................................41 Mining Warm Data ............................................61 Architecture in Bangladesh ....................................91 Film Prpgramme ............................................. 141 Rewind ...................................................... 151 Performance Pavilion ......................................... 191 Samdani Art Award .......................................... 203 Soul Searching ...............................................221 Talks Programme .............................................225 Critical Writing Ensemble.....................................247 Supplementary Programmes And Workshops ................. 255 Asia Art Archive............................................. 257 Safina Radio Project ..........................................258 Children’s Programme . .259 Bangladesh Art SPaces ...................................... 260 Lenders .....................................................261 Acknowledgements ......................................... 262 Maps ....................................................... 264 Dhaka Art Summit Schedule ................................. 268 Dear Guests, Welcome to the third edition of the Dhaka Art Summit, the world’s largest non-commercial research and exhibition platform for South Asian Art. We were thrilled with the positive local and international responses to the first and the second editions of Dhaka Art Summit. We welcomed 70,000 visitors in the course of three days, making it one of the most important events in the region. We are also happy to say that projects from the 2014 Dhaka Art Summit have since travelled to the Berlin Biennale, the Queens Museum, NYU Abu Dhabi, the Kochi-Muziris Biennale, the San Jose Museum of Art, and the Kunsthalle Basel. Encouraged by the last edition, we have decided to lengthen this year’s event to four days with extended hours and while the summit remains free, we have now removed the idea of any form of ticket from the event. For 2016, there will be seventeen solo projects curated by the Samdani Art Foundation’s Artistic Director Diana Campbell Betancourt. Other content includes five curated exhibitions, eight durational performances, a film programme, panel discussions, and book launches. This year we are also collaborating with the Office of Contemporary Art Norway and Pro Helvetia - Swiss Arts Council to launch the Critical Writing Ensemble (CWE). CWE brings together writers, critics and curators from South Asia and across the globe to share writing histories and knowledge with each other, experiment together, and produce new critical impulses regarding art writing, which will be compiled for international publication. To grow Dhaka Art Summit as a research platform we invited curators from different institutions such as Tate Modern, Centre Pompidou, the Guggenheim and the Kunsthalle Zürich to extend their research deeper into South Asia. For the first time, Dhaka Art Summit 2016 is introducing a historical section, Rewind, which will highlight practices of South Asian artists active before 1980. Works from the National Gallery archive, National Museum of Bangladesh and various private collections will be shown in this exhibition, many stored behind closed doors for over thirty years. There will be over 300 artists, curators, architects and writers participating from Bangladesh, India, Sri Lanka, Myanmar, Pakistan, Bhutan, Nepal, Afghanistan and beyond, celebrating global links to South Asia. We believe this event will further increase the engagement of the region with the rest of the world. To strengthen our research platform, this year we have partnered with academic institutions such as the Harvard South Asia Institute, Yale University, University of San Francisco and University of Maryland to facilitate their faculty to be a part of our program and to create further links across Bangladesh and South Asia. Once again, we are partnering with the Delfina Foundation to award an outstanding young Bangladeshi artist the opportunity to attend a three-month residency at the Delfina Foundation in London as part of the bi-annual Samdani Art Award. This year 13 young artists were selected for the Art Award Show from an applicant pool of over 300 local artists. Once more, keeping young audiences in mind we are excited to realise an interactive workshop for children conducted by VAST Bhutan (Voluntary Artists’ Studio, Thimphu). The second edition of DAS welcomed 1,600 students who took guided tours of the summit. This year we are dedicating 2 days for local schools to visit and experience the event. On behalf of the organisers, I would like to thank Mr. Liaquat Ali Lucky, Director General, Bangladesh Shilpakala Academy, Mr. Akhtaruz Zaman Khan Kabir, CEO of the Bangladesh Tourism Board, Mr. Faizul Latif Chowdhury, Director General, Bangladesh national Museum, Mr. Farooq Shobhan, Chairman of the Summit Organising Committee, Mrs. Diana Campbell Betancourt, Artistic Director, Samdani Art Foundation, all our partners, participating artists, galleries, sponsors and most importantly the Samdani Art Foundation and Dhaka Art Summit team who have been working for the past two years to make this event a success. We look forward to see you again during the 4th edition of the Dhaka Art Summit in 2018. Nadia Samdani, President and Co-Founder Greetings! My team and I are delighted to welcome you to the third edition of the Dhaka Art Summit! We are pleased to witness the expanding regard for art from South Asia, especially the increased interest in looking beyond nationalism and to look instead at shared and cosmopolitan histories across the region, as culture knows no physical border. Collaborations outside of the region are quite easy to facilitate as Western museums have made strong commitments to exhibiting and acquiring works by artists from the region, however lateral collaborations across the region are nearly impossible in contemporary times due to visa restrictions and spiralling costs of moving artworks and people across the region. The art that we ship from India or Pakistan to Bangladesh cannot go directly from country to country, it must first stop in Dubai or Hong Kong. My deepest appreciation goes to Rajeeb and Nadia Samdani, who despite
Recommended publications
  • Śāntiniketan and Modern Southeast Asian
    Artl@s Bulletin Volume 5 Article 2 Issue 2 South - South Axes of Global Art 2016 Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond YIN KER School of Art, Design & Media, Nanyang Technological University, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/artlas Part of the Art Education Commons, Art Practice Commons, Asian Art and Architecture Commons, Modern Art and Architecture Commons, Other History of Art, Architecture, and Archaeology Commons, Other International and Area Studies Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation KER, YIN. "Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond." Artl@s Bulletin 5, no. 2 (2016): Article 2. This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. South-South Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond Yin Ker * Nanyang Technological University Abstract Through the example of Bagyi Aung Soe, Myanmar’s leader of modern art in the twentieth century, this essay examines the potential of Śāntiniketan’s pentatonic pedagogical program embodying Rabindranath Tagore’s universalist and humanist vision of an autonomous modernity in revitalizing the prevailing unilateral and nation- centric narrative of modern Southeast Asian art.
    [Show full text]
  • History, Narrative, and the Female Figure (As Disruption) / Rizvi 35 Guises Himself in Jayida’S Clothes to Deceive Her Husband
    Shahzia Sikander began studying painting at the National of great artists. Like poetry, paintings were incorporated College of Arts in Lahore, working closely with Bashir into the performative rituals of the court, where the Ahmad, a master of the art of manuscript illustration. The cognoscenti gathered to admire and evaluate the works History, Narrative, “miniature,” as the genre he taught is sometimes referred of art. to, places Sikander’s work in a lineage that is at once Lahore was well known in the sixteenth and sev- local and historically grounded. Although once perceived enteenth centuries as one of the capitals of the Mughal and the by Euro-American scholars as conventional and repeti- Empire, with a magnificent fort, mosques, and gardens. tive, early modern illustrated manuscripts and drawings— The imperial household included talented scribes, poets, the foundation of Sikander’s practice—are now under- and artists from across India. Among the most well Female Figure stood to be a platform for innovation and artistic virtuos- known were Miskin (active ca. 1580–1604) and Basawan ity. Her paintings are in fact imbedded within a complex (active ca. 1580–1600), both of whom were extolled by tradition of art-making, with its strategies of allegory, narration, and appropriation. They build on past prece- dents and are made contemporary through their subject matter and through her rendition, scaled up or down and translated to other media, such as animation. Sikander’s perspective is informed by the social, political, and reli- gious cultures of her home in Lahore, while reflecting her participation in the broader art world of New York, her current residence.
    [Show full text]
  • Bi Works for Issuu.Cdr
    BENGAL INSTITUTE WORKS The Bengal Institute for Architecture, Landscapes and Settlements is a unique, multi-disciplinary forum for the study and design of the environment. As a place for advancing the understanding of the lived environment, the Bengal Institute presents a platform for developing ideas to improve the qualities of architecture, landscapes, cities and settlements in Bangladesh. In generating a critical, creative and humanistic dialogue, the Institute applies an integrated approach to the study and rearrangement of the environment. Innovative transdisciplinary programs of the Institute integrate architectural and design research, investigation of cities and settlements, and the study of larger regions and landscapes. ACADEMIC PROGRAM With the intention of creating an inter-disciplinary, postgraduate educational development in architecture, urban design, landscape design, and settlement studies in Bangladesh, Bengal Institute's Academic Program was launched in August, 2015. Structured around seminars, lecture series, and workshop styled design studios, the Academic Program offers monthly sessions in Spring and Fall Sequences that are open to anyone with an interest in the study and rearrangement of the environment. Faculty with national and international repute conducts the activities of the program. RESEARCH AND DESIGN PROGRAM The Research and Design Program is dedicated to the study, design and planning of cities, settlements and landscapes. With the aim of facilitating the planned physical future of Bangladesh along with socio-economic development, the Program operates at various scales, from the regional to the small neighborhood. The research and design focus of the program includes regional contexts, small towns, public space, public transport, high density livability, hydrological dynamics, landscape forms and settlement patterns.
    [Show full text]
  • Raja Ravi Varma 145
    viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art.
    [Show full text]
  • PRESS RELEASE Homeward ARPITA SINGH 18 March
    D-40 Defence Colony, New Delhi 110024 | T +91-11-24622545/24615368 D-53 Defence Colony, New Delhi - 110024 | T +91-11-46103550/46103551 E [email protected] | W www.vadehraart.com PRESS RELEASE Homeward ARPITA SINGH 18 March – 16 April 2021 D-40 Defence Colony, New Delhi Vadehra Art Gallery is pleased to announce a continuation of our presentation titled Homeward, featuring a recent body of worK by Arpita Singh, which was recently presented as part of On Site, a collaborative exhibition by four leading galleries held at BiKaner House, New Delhi, earlier this month, and is now on view at our modern gallery. Described as a figurative artist and a modernist, Arpita Singh still maKes it a point to stay tuned in to traditional Indian art forms and aesthetics, like miniaturist painting and different forms of folk art, employing them regularly in her work. Afflicted by the problems that are faced each and every day by women in her country and the world in general, Singh paints the range of emotions that she exchanges with these subjects – from sorrow to joy and from suffering to hope – providing a view of the ongoing communication she maintains with them. In this latest body of watercolours on paper and oil paintings, Singh’s cartographical autobiographies assume new dimensions through an intensification of colour, accenting her imagined landscapes with the flourish of expressionist emotion. With compositions foregrounded in movement, Singh tends to emphasize the potential of individual agency operating within collective constraints, though her mapping doesn’t seem to prioritize any one aspect – whether the fictional, mythical, personal, public fact or dream.
    [Show full text]
  • Institutionalising Diaspora Linkage the Emigrant Bangladeshis in Uk and Usa
    Ministry of Expatriates’ Welfare and Overseas Employmwent INSTITUTIONALISING DIASPORA LINKAGE THE EMIGRANT BANGLADESHIS IN UK AND USA February 2004 Ministry of Expatriates’ Welfare and Overseas Employment, GoB and International Organization for Migration (IOM), Dhaka, MRF Opinions expressed in the publications are those of the researchers and do not necessarily reflect the views of the International Organization for Migration. IOM is committed to the principle that humane and orderly migration benefits migrants and society. As an inter-governmental body, IOM acts with its partners in the international community to: assist in meeting the operational challenges of migration; advance understanding of migration issues; encourage social and economic development through migration; and work towards effective respect of the human dignity and well-being of migrants. Publisher International Organization for Migration (IOM), Regional Office for South Asia House # 3A, Road # 50, Gulshan : 2, Dhaka : 1212, Bangladesh Telephone : +88-02-8814604, Fax : +88-02-8817701 E-mail : [email protected] Internet : http://www.iow.int ISBN : 984-32-1236-3 © [2002] International Organization for Migration (IOM) Printed by Bengal Com-print 23/F-1, Free School Street, Panthapath, Dhaka-1205 Telephone : 8611142, 8611766 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording, or otherwise without prior written permission of the publisher.
    [Show full text]
  • Iab Newsletter 01
    IAB NEWSLETTER 2020 FIRST QUARTER 02-05 International Affairs Grafton Architects wins Pritzker Prize 2020 Celebration of AGA KHAN AWARD 2019 for Architect IAB PROPOSES THE WORKS OF LOUIS I KAHN, Saif Ul Haque & his team IAB President and Secretary Profession Attends ARCASIA Committee on Professional Practice MUZHARUL ISLAM AND ROBERT G. BOUGHEY FOR THE (ACPP) Workshop in Colombo World Urban Forum (WUF10): Connecting Culture and Innovation 2020 WORLD HERITAGE TENTATIVE LIST AS MODERN IAB President Attends SLIA Annual Conference: ARCHITECT 2020 HERITAGE 06-09 Institution Formal closing ceremony of ARCASIA Forum 20 and IAB Build-Expo 2019 Celebration of IAB Foundation Day and inauguration of Sthapatyacharjo Muzharul Islam Road Open Discussion on RAJUK drawing submission 10-11 Award Award Giving Ceremony of KSRM Awards for Future WƌŽƉŽƐĂůƐŽĨ,ĞƌŝƚĂŐĞWƌŽƉĞƌƚŝĞƐĨŽƌ Architects tŽƌůĚ,ĞƌŝƚĂŐĞdĞŶƚĂƚŝǀĞ>ŝƐƚ 12-15 Design Competition Open Architectural Design Competition: Landmark Monument at University of Dhaka Prize giving ceremony of the open architectural design competition of DPDC Prize giving ceremony of Affordable housing competition by Build Bangladesh 16 Sports IAB contingent participates in the Inaugural /ŶƐƚŝƚƵƚĞŽĨƌĐŚŝƚĞĐƚƐĂŶŐůĂĚĞƐŚ ARCASIA Sports Fiesta 2020 17 Seminar IAB lecture Series: Presentation of four recent award winning projects 18-21 CPD ϮϬϮϬ Dhaka Mohangar Imarat Nirman Bidhimala 2008 Means of Egress in Terms of Life Safety Code of Ethics and Professional Conduct 2018 Imarat Nirman Bidhimala 1996 22 Institution IAB extends humanitarian support to marginalized people of Dhaka slums IAB pays homage to martyrs of language movement IAB Chattogram Badminton Tournament 2020 23 Heritage News IAB proposes contemporary heritage sites of Bangladesh for inclusion in The World Heritage Tentative List to the first time ev¯’B emš— Drme postponed due to outbreak of Covid-19 pandemic 02 INTERNATIONAL AFFAIRS IAB NEWSLETTER GRAFTON ARCHITECTS WINS PRITZKER PRIZE 2020 Yvonne Farrell and Shelley Ireland (2009); and Medical year.
    [Show full text]
  • List of Voters
    List of Voters Life Members 203. Dr. M. A. Waheeduzzaman Associate Professor of History 8. Mr. Mustafa Hasan Eden Girls' College 17/26 Suklal Das Lane, Dhaka Azimpur Estate, Dhaka-1205 9. Mr. M. Hamid Ali 217. Dr. Bhuiyan Nurul Islam Tareq Manzil Professor (Retired) Plot# 52-A, Block# 2 House # 07, Road # 01, Sector # 07, PECH, Karachi, Pakistan Uttara Model Town, Dhaka-1230 14. Mr. A. Z. M. Shamsul Alam 224. Dr. Muhammad Ali Akbar Chairman Urban Harmony Al-Arafa Islami Bank Limited House # 362 (1/D), Road # 27 (Old), Dhanmondi R/A, Dhaka-1209 16. Mr. Anwarul Haque C/O- Md. Nasir 230. Professor Rafiqul Islam House # 69, Road # 8/A House # 44, Road # 05, Sector # 10 Dhanmondi R/A, Dhaka Uttara Model Town, Dhaka-1230 17. Mr. Iqbal Rashid Siddiqi 231. Professor Dr. Manzoor Hasan Macneill & Kilburns Ltd. House # 41, Road # 9/A Motijheel, Dhaka-1000 Suvastu Ruchira Dhanmondi R/A, Dhaka-1209 19. Dr. K. M. Karim PROSHANTI 233. Dr. A.M. Harun-ar-Rashid 177 West Monipur UGC Professor Mirpur, Dhaka-1216 House # 35/A, Road # 4, Flat # 1-B, Dhanmondi R/A, 109. Professor Harun-ur-Rashid Dhaka-1205 House # 26, Road # 10/A, Dhanmondi R/A, Dhaka 234. Dr. Asim Roy University of Tasmania 114. Professor Mahjuza Khanam Hobart 7001, Tasmania, Australia House # 05, Road# 11, Sector # 4, Uttara Model Town, Dhaka-1230 238. Mrs. L. Razzaq C/O-Mr. Razzaq Rahman 126. Mr. Mohammed Abdul Qadir 1 Outer Circular Road 57-Z, Uttar Maniknagar Malibagh, Dhaka-1212 P.O.-Wari, Dhaka-1203 239.
    [Show full text]
  • Ky; Okf”Kzd Izfrosnu
    2013-14 tokgjyky usg# fo’ofo|ky; Jawaharlal Nehru University okf”kZd izfrosnu 44 Annual Report Contents THE LEGEND 1 ACADEMIC PROGRAMMES AND ADMISSIONS 5 UNIVERSITY BODIES 10 SCHOOLS AND CENTRES 19-302 School of Arts and Aesthetics (SA&A) 19 School of Biotechnology (SBT) 35 School of Computational and Integrative Sciences (SCIS) 40 School of Computer & Systems Sciences (SC&SS) 45 School of Environmental Sciences (SES) 51 School of International Studies (SIS) 60 School of Language, Literature & Culture Studies (SLL&CS) 101 School of Life Sciences (SLS) 136 School of Physical Sciences (SPS) 154 School of Social Sciences (SSS) 162 Centre for the Study of Law & Governance (CSLG) 281 Special Centre for Molecular Medicine (SCMM) 292 Special Centre for Sanskrit Studies (SCSS) 297 ACADEMIC STAFF COLLEGE 303 STUDENT’S ACTIVITIES 312 ENSURING EQUALITY 320 LINGUISTIC EMPOWERMENT CELL 324 UNIVERSITY ADMINISTRATION 327 CAMPUS DEVELOPMENT 331 UNIVERSITY FINANCE 332 OTHER ACTIVITIES 334-341 Gender Sensitisation Committee Against Sexual Harassment 334 Alumni Affairs 336 Jawaharlal Nehru Institute of Advanced Studies 336 International Collaborations 340 CENTRAL FACILITIES 342-370 University Library 342 University Science Instrumentation Centre 358 Advanced Instrumentation Research Facility 360 University Employment Information & Guidance Bureau 370 JNU Annual Report 2012-13 iii FACULTY PUBLICATIONS 371-463 FACULTY RESEARCH PROJECTS 464-482 ANNEXURES 483-574 MEMBERSHIP OF UNIVERSITY BODIES 483 University Court 483 Executive Council 489 Academic Council 490 Finance Committee 495 TEACHERS 496 Faculty Members 496 Emeritus/Honorary Professors 509 Faculty Members Appointed 510 Faculty Members Confirmed 512 Faculty Members Resigned 512 Faculty Members Retired Compulsorily 513 Faculty Members Retired Superannuation 513 Faculty members Re-employed 513 RESEARCH SCHOLARS 514-574 Ph.D.
    [Show full text]
  • Ashuganj Power Station Company Ltd. (APSCL)
    Ashuganj Power Station Company Ltd. (APSCL) List of Valid Candidates for the Post of Assistant Engineer (Electrical) Written Exam Date: 06/05/2016 Venue: ECE Building, BUET, Dhaka Roll Name & Father's Name Present Address 1 2 3 Hafiz Ahmed House: 449, Road: 13, Block: F, Bashundhara Residential AE(E)-0001 S/O. Amin Ahmed Area, Dhaka-1229. Ashik Amin AE(E)-0002 Room # 2010, Titumir Hall, BUET, Dahaka-1000. S/O. Saiful Amin Mohammed Shahadat Hossain C/O. Idris Ahmmed (SD Man), Military Estate Office, Central AE(E)-0003 S/O. Bazlur Rahman Circle, Dhaka Cantonment, Dhaka-1206. Md. Shahjalal Nirjhor Vill. North Nabinagor, P.O: Sherpur Town, P.S: Sherpur AE(E)-0004 S/O. Md. Abdur Rahman Labo Sadar, Dist: Sherpur Md. Nur Nabi C/O. Syed Rafique Ahmed, 38/C-3, Nigar Mention, Hi Level AE(E)-0005 S/O. Shariat Ullah Road, Lalkhan Bazar, Khulshi, Chittagong. Md. Mahamudul Hasan AE(E)-0006 Dr. F. R. Khan Hall, Room # 204, DUET, Gazipur. S/O. Md. Abdul Hie Md. Sazzad Hossain House: 54, Ward: 01, Along Sarder Surujjaman Mohila AE(E)-0007 S/O. Md. Sohrab Ali College Road, P.O+Thana: Dakshinkhan, Dhaka-1230. Md. Muktarul Islam House: 29/1, 2nd Floor, Munshibari Road, Zigatola, AE(E)-0008 S/O. Md. Nurul Islam Dhanmondi, Dhaka. Md. Imtiyaj Sharif C/O. Md. Kantar Alii, Falkamori, Amratoli-3500, Barura, AE(E)-0009 S/O. Md. Kantar Alii Comilla. Md. Shakhaowth Hossain Vill. Kashor, Union: Hobirbari, P.O: Seed Store, Thana: AE(E)-0010 S/O. Md. Shahjhan Bhaluka, Dist: Mymensingh.
    [Show full text]
  • Chapter-31 Ministry of Cultural Affairs
    275 Chapter-31 Ministry of Cultural Affairs 1.0 Introduction 1.1 Culture plays a pivotal role in building an ideal society. Ministry of Cultural Affairs is working to uphold country’s glorious cultural heritage in literature, fine arts, music, drama and all other forms of culture so as to ensure a society by promoting and heightening the excellence, removing religious bigotry. The business of this ministry includes preservation of archaeological sites, promoting folk culture, pure music and performing arts, proliferation of Rabindra-Nazrul songs, arrangement of seasonal cultural fairs and motivating people for using public libraries etc. Ministry of Cultural Affairs exerts persistent effort to exercise and promote a healthy cultural trend. Different activities are also been implemented in restoring and excelling the culture of ethnic groups along with the greater community’s expansion and achieving excellence in culture. 1.2 According to the direction of Article 23, 23 (A) and 24 of the Constitution of People’s’ Republic of Bangladesh Ministry of Cultural Affairs has been working relentlessly to develop and disseminate the delicacy of national language, literature, art, music, drama and other creative forms of arts and preservation of non- communal and democratic heritage of Bengali culture. 1.3 The traditional view towards women has been changed for various activities implemented by the Ministry of Cultural Affairs (MoCA). As a result, the possibility of access to equal opportunities for both women and men in the process of economic
    [Show full text]
  • YOUR DHAKA ART SUMMIT “Dhaka Art Summit Has Set the Gold Standard for the Visual Arts in South Asia.” -Bunty Chand, Director of Asia Society, India CONTENTS
    YOUR DHAKA ART SUMMIT “Dhaka art summit has set the gold standard for the visual arts in South Asia.” -Bunty Chand, Director of Asia Society, India CONTENTS ABOUT DAS ........................................................................ 6 PROGRAMME ..................................................................... 8 SCHEDULE ........................................................................ 25 VENUE MAP ...................................................................... 54 DHAKA ............................................................................... 56 OUR PARTNERS ................................................................ 60 Front Cover: Louis Kahn, National Parliament Building, Dhaka. Image credit: Randhir Singh 2 3 The Missing One installation view. Photo courtesy of the Dhaka Art Summit and Samdani Art Foundation. Photo credit: Jenni Carter DHAKA ART SUMMIT 2018 “I have never experienced something as art focused, open and inclusive as I just did at Dhaka Art Summit. The calibre of the conversations was a rare happening in our region.¨ -Dayanita Singh, DAS 2016 Participating Artist 5 The Dhaka Art Summit (DAS) is an international, non-commercial research and exhibition platform for art and architecture connected to South Asia. With a core focus on Bangladesh, DAS re-examines how we think about these forms of art in both a regional and an international context. Founded in 2012 by the Samdani Art Foundation, DAS is held every two years in a public- private partnership with the Bangladesh Shilpakala Academy, with the support of the Ministry of Cultural Affairs and Ministry of Information of the People’s Republic of Bangladesh, the National Tourism Board, Bangladesh Investment Development Authority (BIDA), and in association with the Bangladesh National Museum. Rejecting the traditional biennale format to create a more generative space for art and exchange, DAS’s interdisciplinary programme concentrates its endeavours towards the advancement and promotion of South Asia’s contemporary and historic creative communities.
    [Show full text]