Iab Newsletter 01
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Bi Works for Issuu.Cdr
BENGAL INSTITUTE WORKS The Bengal Institute for Architecture, Landscapes and Settlements is a unique, multi-disciplinary forum for the study and design of the environment. As a place for advancing the understanding of the lived environment, the Bengal Institute presents a platform for developing ideas to improve the qualities of architecture, landscapes, cities and settlements in Bangladesh. In generating a critical, creative and humanistic dialogue, the Institute applies an integrated approach to the study and rearrangement of the environment. Innovative transdisciplinary programs of the Institute integrate architectural and design research, investigation of cities and settlements, and the study of larger regions and landscapes. ACADEMIC PROGRAM With the intention of creating an inter-disciplinary, postgraduate educational development in architecture, urban design, landscape design, and settlement studies in Bangladesh, Bengal Institute's Academic Program was launched in August, 2015. Structured around seminars, lecture series, and workshop styled design studios, the Academic Program offers monthly sessions in Spring and Fall Sequences that are open to anyone with an interest in the study and rearrangement of the environment. Faculty with national and international repute conducts the activities of the program. RESEARCH AND DESIGN PROGRAM The Research and Design Program is dedicated to the study, design and planning of cities, settlements and landscapes. With the aim of facilitating the planned physical future of Bangladesh along with socio-economic development, the Program operates at various scales, from the regional to the small neighborhood. The research and design focus of the program includes regional contexts, small towns, public space, public transport, high density livability, hydrological dynamics, landscape forms and settlement patterns. -
A Study of Bangladesh in the Global Context 1. Digital Percept
DIGITAL PERCEPTION, DEVELOPMENT AND PRESENTATION IN ARCHITECTURE: A Study of Bangladesh in the Global Context A. Q. M. ABDULLAH, MD. EMRAN HOSSAIN Department of Architecture BRAC University 66, Mohakhali C/A Dhaka 1212, Bangladesh. [email protected] [email protected] AND MD. SHABAB HABIB KHAN Vitti Sthapati Brinda Ltd. Dhaka, Bangladesh. [email protected] Abstract. In the recent past the computer has become an important tool both in the design and presentation media/method in architecture. In this paper digitalization in architectural practice and architectural education in both the global and Bangladesh contexts have been studied. A survey questionnaire was carried out to find how and to what extent available software are being used in Bangladesh for this purpose. Opinion, views, expectations of architects from leading architectural firms of Bangladesh were studied to understand the future prospect of this field in Bangladesh. 1. Digital Perception Architecture, one of the oldest crossroads of arts and science, has been using information processing devices for centuries. These devices were sometimes in the form of measuring and drafting tools, sometimes in the form of wooden and paper models and, most recently, in the form of computers. The technology that has set the architects free to think extensively and broaden communication between themselves and the client community is not very old practice. Workstations (computer) are very recent equipment in architectural firms. Architecture has become a database containing information about the inhabitants, providing space quality according to the choice of the occupant. Michael Benedikt sees the distinctive achievement of the computer age as the marriage of digital design and physical presentation (Aaron, 1997). -
Search for Conceptual Framework in Architectural Works of Muzharullslam .'
:/ • .. Search for Conceptual Framework in Architectural Works of Muzharullslam .' 111111111 1111111111111111111111111 1191725# Mohammad Foyez Ullah This thesis is submitted to the Department of Architecture in partial fulfilment of the requirements for the degree of Master of Architecture August, 1997 • Department of Architecture Bangladesh University of Engineering & Technology Dhaka. Bangladesh . II DEPARTMENT OF ARCHITECTURE BANGLADESH UNIVERSIlY OF ENGINEERING AND TECHNOLOGY Dhaka 1000 On this day, the 14'h August, Thursday, 1997, the undersigned hereby recommends to the Academic Council that the thesis titled "Search for Conceptual Framework in Architectural Works of Muzharul Islam" submitted by Mohammad Foyez Ullah, Roll no. 9202, Session 1990-91-92 is acceptable in partial fulfilment of the requirements for the degree of Master of Architecture. Dr. M. Shahidul Ameen Associate Professor and Supervisor Department of Architecture Bangladesh University of Engineering & Technology Professor Faruque A. U. Khan Dean, Faculty of Architecture and Planning Bangladesh University of Engineering & Technology ~ Professor Khaleda Rashid Member ---------- Head, Department of Architecture Bangladesh University of Engineering & Technology ~<1 ';;5 Member~n*-/. Md. Salim Ullah Senior Research Architect (External) Housing and Building Research Institute Dar-us-Salam, Mirpur III To my Father IV Acknowledgements I would like to express my sincerest thank to Dr. M. Shahidul Ameen for supervising the thesis and for his intellectual impulses that he offered in making the thesis a true critical discourse. lowe my sincerest thank to Professor Meer Mobashsher Ali for his commitment to make the research on this eminent architect a reality. I am extremely grateful to Muzharul Islam. who even at his age of 74 showed his ultimate modesty by sharing his experiences and knowledge with me, which helped me to see his enterprises in a truer enlightened way. -
Jahresbericht Schweizerisches
JAHRESBERICHT SCHWEIZERISCHES ARCHITEKTURMUSEUM 2018 INHALT 07 EINLEITUNG 11 AUSSTELLUNGEN 2018 21 AUSSTELLUNG AUF REISEN 2018 25 VERANSTALTUNGEN 2018 37 ASSEMBLE 39 REAKTIONEN AUS DER PRESSE 45 DANKSAGUNG UND ORGANISATION EINLEITUNG 7 Das S AM Schweizerisches Architekturmuseum blickt auf ein erfolgreiches Jahr zurück. Das ab- wechslungsreiche Programm 2018 des S AM Schwei- zerisches Architekturmuseum stiess auf grosses Interesse und Anklang. Insgesamt haben 34’424 Personen letztes Jahr das S AM besucht. Im ersten Halbjahr konnte in ‹Bengal Stream. The Vibrant Architecture Scene of Bangladesh› eine neue Welt entdeckt werden: Als erstes Museum weltweit widmete sich das S AM der Architektur Bangladeschs. ‹Bengal Stream› wurde von den Besuchern, den Fach- kreisen sowie den Medien derart gut aufgenommen, dass das S AM die Ausstellung bis Ende Juni 2018 verlängert hat. Danach folgte im Sommer 2018 ‹Portrait of a Landscape› von Pierre-Philippe Hofmann. Der bel- gisch-schweizerische Künstler hat die Schweiz entlang von zehn Achsen wandernd durchquert – von den äussersten Grenzen bis zum geografischen Mittelpunkt: der Älggialp im Kanton Obwalden. Unterwegs hat Hofmann unzählige Aufnahmen an- gefertigt, aus denen sich ein gigantisches Panorama des Landes ergab. Das Museum setzte mit dieser Ausstellung seine Schweiz-Recherche fort, die es mit der Schau ‹Schweizweit› begonnen hat. Nach der Vermittlung eines architektonischen Porträts der Schweiz im 2016, wurde 2018 ein territoriales Porträt der Schweiz freigelegt. Im Herbst 2018 stand dann ‹Transform› auf dem Programm. Das S AM nahm sich damit dem Thema Umbauen an. Heute schrumpft die Halbwertszeit von Gebäuden rapide. Ändert sich ihre Funktion, werden sie oft einfach ersetzt. Doch die Kritik an dieser räumlichen Wegwerfkultur wächst. -
YOUR DHAKA ART SUMMIT “Dhaka Art Summit Has Set the Gold Standard for the Visual Arts in South Asia.” -Bunty Chand, Director of Asia Society, India CONTENTS
YOUR DHAKA ART SUMMIT “Dhaka art summit has set the gold standard for the visual arts in South Asia.” -Bunty Chand, Director of Asia Society, India CONTENTS ABOUT DAS ........................................................................ 6 PROGRAMME ..................................................................... 8 SCHEDULE ........................................................................ 25 VENUE MAP ...................................................................... 54 DHAKA ............................................................................... 56 OUR PARTNERS ................................................................ 60 Front Cover: Louis Kahn, National Parliament Building, Dhaka. Image credit: Randhir Singh 2 3 The Missing One installation view. Photo courtesy of the Dhaka Art Summit and Samdani Art Foundation. Photo credit: Jenni Carter DHAKA ART SUMMIT 2018 “I have never experienced something as art focused, open and inclusive as I just did at Dhaka Art Summit. The calibre of the conversations was a rare happening in our region.¨ -Dayanita Singh, DAS 2016 Participating Artist 5 The Dhaka Art Summit (DAS) is an international, non-commercial research and exhibition platform for art and architecture connected to South Asia. With a core focus on Bangladesh, DAS re-examines how we think about these forms of art in both a regional and an international context. Founded in 2012 by the Samdani Art Foundation, DAS is held every two years in a public- private partnership with the Bangladesh Shilpakala Academy, with the support of the Ministry of Cultural Affairs and Ministry of Information of the People’s Republic of Bangladesh, the National Tourism Board, Bangladesh Investment Development Authority (BIDA), and in association with the Bangladesh National Museum. Rejecting the traditional biennale format to create a more generative space for art and exchange, DAS’s interdisciplinary programme concentrates its endeavours towards the advancement and promotion of South Asia’s contemporary and historic creative communities. -
BENGAL STREAM Die Vibrierende Architekturszene Von Bangladesch
INFORMATION – 5. Juni 2019 / Frankfurt am Main BENGAL STREAM Die vibrierende Architekturszene von Bangladesch 7. Juni 2019 – 20. Oktober 2019 im Deutschen Architekturmuseum (DAM) Schaumainkai 43, Frankfurt am Main AUSSTELLUNGSERÖFFNUNG: Donnerstag, 6. Juni 2019, 19 Uhr PRESSEKONFERENZ: Mittwoch, 5. Juni 2019, 11 Uhr FÜHRUNGEN: jeweils samstags und sonntags um 15 Uhr ÖFFNUNGSZEITEN: Di, Do — So 11 — 18 Uhr \ Mi 11 — 20 Uhr \ Mo geschlossen SOS Youth Village and Vocational Centre; Mirpur, Dhaka; Architect: C.A.P.E \ Raziul Ahsan © Iwan Baan ÜBER DIE AUSSTELLUNG 2 BENGALISCHER STROM – VIBRIERENDE ARCHITEKTURSZENE IN BANGLADESCH 3 AUSGEWÄHLTE PROJEKTE 6 BEGLEITPROGRAMM 11 PUBLIKATION / IMPRESSUM 12 VORSCHAU / KONTAKT 14 PRESSEINFORMATION Seite 1 Bengal Stream – Die vibrierende Architekturszene von Bangladesch Frankfurt am Main, 05.06.2019 BANGLADESCHS ARCHITEKTURLANDSCHAFT IST MASALA (BENGAL. মাসালা) – EIN BERAUSCHENDES MITEINANDER DER KONTRASTE. Eine Ausstellung des S AM Schweizerisches Architekturmuseum in Zusammenarbeit mit dem Bengal Institute for Architecture, Landscapes and Settlements, Dhaka. Kuratiert von Niklaus Graber, Andreas Ruby und Viviane Ehrensberger. Nur wenige von uns dürften mit den aktuellen architektonischen Entwicklungen im tropischen Deltagebiet Bangladeschs vertraut sein. Auf der architektonischen Weltkarte war diese mit kulturellem und landschaftlichem Reichtum gesegnete Region bislang kaum präsent, ein Umstand der sich in naher Zukunft dank herausragender Werke einer vibrierenden Architekturbewegung ändern dürfte. -
List of Eligible Candidates for Written Test
List of Eligible Candidates for Written Test Faculty/Program: Faculty of Business Studies Session: Jan - Jun 2021 Count: 11716 SL# Name Father Name Quota Test Roll 1 `AMINUL ISLAM NISHAD KAZI NAZRUL ISLAM Special Quota 1021104086 2 A B M AL SAMI DHRUBO MD. JASHIM UDDIN Merit 1021106193 3 A H M ASIF RAHMAN MOHAMMAD ARIFUR RAHMAN Special Quota 1021101951 4 A N M HASIBUL HASAN A N M JOGLUL HAIDER Merit 1021400143 5 A N M JUBAIR TANVIR MD. JAINAL ABEDIN Special Quota 1021100683 6 A S M MOSTAKIM BILLAH MD.REZAUL KARIM Merit 1021300722 7 A. B. M RAYHAN HOQUE RAFE A. H M SHAJEDUL HOQUE Merit 1021301088 8 A. H. M. IMTIAJ DELWAN HOSSAIN Merit 1021104334 9 A. J. M. ISTIAQUE MD. MOZAMMEL HAQUE SHAFI Special Quota 1021108047 10 A. K. M AOULA SHADIK SARDER A. K. M. ATAUR RAHMAN SARDER Merit 1021104109 11 A. K. M IMTIAZ SADAT A. K. M RUHUL AMIN Merit 1021107027 12 A. K. M, SHAKURUL ALAM A. K. M. SHAHE ALAM Freedom Fighter 1021107661 13 A. K. M. MAHAMUDUL HASAN SHUVO MD. SAIDAR RAHMAN MONDOL Merit 1021106382 14 A. K. M. MARAJ SHARIF A. K. MONIR AHAMED BHUIYAN Merit 1021107071 15 A. K. M. MUNTASIR UDDIN SHAWON KAMAL UDDIN Merit 1021105414 16 A. K. M. TOUHIDUL AMIN MD. NURUL AMIN Merit 1021200275 17 A. M. RAFID ULLAH MOHAMMAD MOHIB ULLAH Merit 1021103892 18 A. N. M NAFIUL MUTTAKI A.N.M. AZIZUL HAQUE Special Quota 1021102418 19 A. S. M MUSFIQUR RAHMAN A. S. M. SHAFIQUR RAHMAN Special Quota 1021103741 20 A. -
Modern Architecture and the Excavation of the Past William J. R
Modern Architecture And the excAvAtion of the PAst: Louis KAhn And the indiAn sub-continent This is the paradox: how to become modern and return Modern Architecture to sources: how to revive an old dormant civilization and take part in universal civilization. and the Excavation Paul Ricoeur1 of the Past As the work of Louis Kahn recedes into history its long-term implications for world architecture become ever more evident. Much has been written about his monumentality, his metaphysics, his ideas of construction, and his debts to classical antiquity. William J. R. Curtis The same is true of his beaux-arts formation, his obsession with ruins, and his interest in the geometrical structures of nature. Several later schools of thought have tried to “claim” Kahn as their chief mentor, from post-modernists to minimalists, but his architecture escapes these easy categories, as it touches much deeper, not to say archetypal, levels in experience. At times he even transcended the limits of Western architectural discourse, as when giving shape to the social and political aspirations of nations newly liberated from imperialism on the Indian sub-con- tinent. With both the National Assembly Complex in Dacca, East Pakistan (now Dhaka, Bangladesh (1962-1983)), and the Indian Institute of Management in Ahmedabad (1962-1974), Kahn penetrated the substructures of the past and transformed them through his usual abstraction into resonant emblems of mo- dernity. To later architects seeking touchstones in tradition and preoccupied with questions of post-colonial identity, his solu- tions revealed new ways of synthesizing the new and the old, the local and the universal.2 It is impossible to understand Kahn’s Assembly in Dacca separately from the processes of nation-building. -
Iab Newsletter
IAB NEWSLETTER 2019 THIRD QUARTER 02-03 International Relationship IAB Delegation In ACYA Stormathon In KL Roundtable Of Arcasia Committee On Social DNCC DECLARES NORTH ADJACENT ROAD OF IAB Responsibility (ACSR) In Hong Kong 04-07 International Relationship CENTRE AS ‘STHAPATTACHARYA MUZHARUL ISLAM ACPP ‐ Workshop At Jaipur: Adaptive Reuse Of Built Heritage For Tourism 11th Roundtable Of ARCASIA Committee On SARAK’ Green And Sustainable Architecture (ACGSA) Dhaka North City Corporation (DNCC) has recently declared the name of the road from IDB Bhaban In Jaipur to Election Commission Building which is adjacent to northern side of IAB Centre as ARCASIA Students Design Competition 2019 “Sthapattacharya Muzharul Islam Sarak (¯’vcZ¨vPvh© gvRnviæj Bmjvg moK)Ó, in recognition of the ARCASIA Forum 20 Organizing Committee late maestro’s great contribution to the development of architectural practice in Bangladesh as well Formation and Coordination Meetings as in South Asia. 08-09 National Relation./Design Competition IAB Hosts Program With Probable Sponsors This is for the first time in the history of Bangladesh that a road has been named after an architect. Of Arcasia Forum 20 And IAB Build-Expo Such an extra-ordinary honor is also rare in the world and there are only few instances where a 2019 Open Architectural Design Competition On street has been named to acknowledge the greatness of an architect. ‘Affordable Housing For Lower-Middle Income Group At Dholpur, Savar’ By Build Bangladesh Sthapattacharya Muzharul Islam Sarak 10-11 Institution List -
Water in Louis Kahn's Landscape
APPLIED HISTORY An Intersection: water in Louis Kahn’s landscape Nubras Samayeen University of Illinois, Urbana-Champaign, Illinois ABSTRACT: This interlocutory research examines American Modernist architect Louis Kahn’s (1901-1974) works through the lens of landscape design. This research emphasizes the materiality and design instrumentally of water in Kahn’s designs that have significant landscape work and explores the reverberating relationship between architecture and landscape. From the late 1950s to his death in 1974, Khan produced his most important works, which include: the Salk Institute for Biological Studies (1959-65) in La Jolla, California; the Kimbell Art Museum (1966-72) in Fort Worth, Texas; and the National Assembly Building Complex (1962-83) in Dhaka, Bangladesh. All of these selected works with major waterscapes have been heavily influential in the architectural world. The key questions that the paper explores are: How does the water (waterscape) act as an intersect? What role does water play? How is water a cultural connector? These questions are explored via interviews, conversations, empirical and spatial studies of the selected sites, and archival scholarship that includes study of existing drawings and literature. This paper looks at water primarily as an intersectional element that not only acts as the interface of architecture and landscape, but also helps in creation of “contact zones” and a controlled topographic catalyst. Use of water also creates a link between the East and the West, the local and the global, colonial and native, Islamic and non-Islamic, as well as the seen and unseen, expanding to the perception of real and unreal. -
Bengal Stream the Vibrant Architecture Scene of Bangladesh
Bengal The Vibrant Stream Architecture Scene of Bangladesh 2 3 12 13 The Vibrant Architecture Scene of Bangladesh Andreas Ruby The fact that the Swiss Architecture Museum is had studied architecture at Yale in the US in the ’50s producing the first major exhibition on contempo and ’60s with Paul Rudolph among his professors. rary architecture from Bangladesh ever shown out Coming back to East Pakistan (which was to become side the country begs a question or two. Such as: Bangladesh only in 1971), he reread the traditional Why Bangladesh, of all places? And what makes ar Bengal building culture through the lens of West chitecture from Bangladesh particularly relevant ern modernism and construed a unique blend of to be shown in Switzerland, or in the Western world both Eastern and Western approaches to space. in general? When Dacca needed a new Assembly Building in A lot, actually. Bangladesh is not as far away 1962, he would have been ideally placed to design as it seems. You may even wear a piece of clothing it. Committed to enhancing the process of cultur produced in Bangladesh as you read this, since Ban al crossproliferation, he however proposed to ap gladesh is the world’s second largest exporter of proach an international architect of renown to do Western clothing brands. But for a long time the the job. Kahn was elated to be chosen and immedi only moments we heard about architecture in Ban ately embraced the history of architecture of the gladesh was when one of its textile factories tragic Bengal region. -
The Bangladesh Liberation War Museum and the Inconclusivity of Architecture1
Südasien-Chronik - South Asia Chronicle 10/2020, pp. 171-213 © Südasien- Seminar der Humboldt-Universität zu Berlin ISBN: 978-3-86004-346-2 The Bangladesh Liberation War Museum 1 and the Inconclusivity of Architecture ANOORADHA IYER SIDDIQI [email protected] KEYWORDS: BANGLADESH LIBERATION WAR MUSEUM, ARCHITECTURE, NATION, GENOCIDE, DESIGN, DHAKA 171 Muktijudda Jadughar under construction, 2016. Figure 1, source: photo by Tanzim Hasan Salim. FOCUS Did the world need the Fifth Symphony before it was written? Did Beethoven need it? He designed it, he wrote it, and the world needed it. Desire is the creation of a new need. (Louis I. Kahn, architect of the Bangladesh Jatiya Sangsad Bhavan (National Parliament House) (Goldberger 2017)) The concept of nation which the Europeans have is very different from the concept of nation that we actually found ourselves. The nation is a very derogatory term—"imagined communities" and all these theories that have emerged. For us it’s not an imagined community. It’s a community which found strength in this identity. (Mofidul Hoque, trustee of the Bangladesh Muktijudda Jadughar (Liberation War Museum))2 Ten days before Eid, on the third Wednesday of November in 2009, the Shahbagh area near the campus of Dhaka University became the site of an unlikely procession. Seventy teams of architects arrived late into the night, carrying models and drawings.3 They were to be dropped off in the Bangladesh National Museum for entry into a competition. The work of these architects filled the Nalini Kanta Bhattasali Hall, named after the first curator appointed to the institution. He was a specialist in history, archaeology, iconography, and numismatics, and died six months 172 before the 1947 territorial partition, which led to the creation of East Pakistan and prefigured the nation of Bangladesh, for which the institution is now a primary repository.