The History of the Nile Region
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Twenty-Sixth Dynasty Necropolis at Gizeh
VERÖFFENTLICHUNGEN DER INSTITUTE FÜR AFRIKANISTIK UND ÄGYPTOLOGIE DER UNIVERSITÄT WIEN 29 WA FA A el-SADEEK Twenty-Sixth Dynasty Necropolis at Gizeh BEITRÄGE ZUR ÄGYPTOLOGIE BAND 5 WIEN 1984 VERÖFFENTLICHUNGEN DER INSTITUTE FÜR AFRIKANISTIK UND ÄGYPTOLOGIE DER UNIVERSITÄT WIEN NR. 29 WAFAA EL-SADEEK TWENTY-SIXTH DYNASTY NECROPOLIS AT GIZEH ANALYSIS OF THE TOMB OF THERY AND ITS PLACE THE DEVELOPMENT OF SAITE FUNERARY ART AND ARCHITECTURE BEITRÄGE ZUR ÄGYPTOLOGIE, BAND 5 WIEN 1984 C Copyright 1984 by AFRO-PUB Verein zur Förderung und Publikation wissenschaftlicher Arbeiten aus den Fächern Ägyptologie und Afrikanistik Verleger und Eigentümer: AFRO-PUB Herausgeber: H. Mukarovsky Verantwortliche Schriftleiter: D.Arnold, J. Holaubek alle: A-1010 Wien, Doblhoffg.5 und Frankgasse 1 Druck: 0. Schanz To my parents V CONTENTS Acknowledgment IX Introduction 1 Chapter I Gizeh necropolis: its history 3 Chapter II The Tomb of Thery 11 a. History of excavation and discovery 13 b* Description of the tomb 17 c. Decoration of the tomb 22 Exterior 22 Interior 32 d. Thery1 s burial: contemporary and geographical setting 89 Chapter III Dynasty XXVI at Gizeh 101 a. General introduction 103 b. The Isis Temple 105 c. Individual tombs 114 Chapter IV Dynasty XXVI throughout Egypt 149 a. General introduction 151 b. Graves at Saqqara 155 c. Graves at Thebes - Asasif 166 d. Graves at Heliopolis 183 e. Graves at Bahriya Oasis 186 Chapter V Analysis of the architecture of the Tomb of Thery within the Dynasty XXVI pattern 205 a. Introduction 207 b. Building materials and local conditions 208 c. Architectural features 209 d. Comparison of likely use 212 Chapter VI Analysis of scenes from the Tomb of Thery within the Dynasty XXVI pattern 215 a. -
192 Introduction
192 Introduction Antiquities are easily described in just a few simple words: ‘objects, buildings or works of art from ancient times’. This perhaps rather stark definition, although true, fails to capture the elusive magic that one can experience in the presence of something thousands of years old. Often whilst examining an antiquity, turning it about in our hands, it is not unusual to encounter a moment of illumination that brings it to life. This sudden revelation may be caused by a dribble of paint (the result of a too-full brush), the short parallel marks of the sculptor’s chisel on stone, or the thumbprint the potter left when the clay was still wet. At such instances something remarkable happens: the centuries roll away and we are next to the ancient artist or craftsman, someone just like ourselves in many respects but living in an utterly different world. This is a strangely moving experience, unnerving, direct and personal; more immediate than walking through archaeological sites, temples or tombs. Time contracts and we become part of a great continuum. It is akin to listening to music or seeing a great painting and one of the thrills of civilisation. Used as we are to seeing antiquities locked inside glass cabinets in museums, it is easy to forget that, whether part of the paraphernalia of funerary rites, votive offerings or luxury goods for a wealthy elite, they were familiar elements of daily life in the ancient world. It is naturally a privilege to possess these objects which have, through accident or good fortune, survived the ravages of age. -
2019: Alexandria, Virginia
THE 70TH ANNUAL MEETING OF THE AMERICAN RESEARCH CENTER IN EGYPT April 12-14, 2019 Washington, D.C. ANNUAL MEETING OF THE AMERICAN RESEARCH CENTER IN EGYPT April 12-14, 2019 Washington, D.C. U.S. Headquarters 909 North Washington Street, Suite 320 Alexandria, Virginia, 22314 703.721.3479 Cairo Center 2 Midan Simón Bolívar Garden City, Cairo, 11461 20.2.2794.8239 [email protected] 2 3 *Dr. Ahmed Abu-Zayed, Head of Libraries and Archives TABLE CONTENTS Janie Abdul Aziz, Grant Administrator of *Djodi Deutsch, Academic Programs Manager Itinerary 12 Zakaria Yacoub, IT Manager Session Schedule 14 *Sally El Sabbahy, Communications & Outreach Associate *Samira El Adawy, Programs Coordinator Presentation Abstracts 18 Andreas Kostopoulos, Project Archives Specialist Student Poster Abstracts 99 Noha Atef Halim, Assistant Finance Manager Yasser Tharwat, Project Financial & Reporting Manager ARCE STAFF Doaa Adel, Accountant U.S. Staff Salah Metwally, Associate for Governmental Affairs Osama Abdel Fatah Mohamed , Supervising Librarian *Dr. Fatma Ismail, Interim US Operations Director Amira Gamal, Cataloguing Librarian *Michael Wiles, Chief Financial Officier Reda Anwar, Administrative Assistant to Office Manager *Laura Rheintgen, Director of Development Salah Rawash, Security & Reception Coordinator *Dr. Heba Abdel Salam, US Programs Advisor Abdrabou Ali Hassan, Maintenance Assistant & Director’s Driver *Claire Haymes, Board Relations Manager Ahmed Hassan, Senior Traffic Department Officer & Driver *Megan Allday, Annual Meeting Coordinator (Consultant) Ramadan Khalil Abdou, ARCE Representative Ellen Flanagan, US Human Resources Coordinator (Consultant) Mohamed Hassan Mohamed, Transportation Assistant & Messenger *Rebecca Cook, Membership & Development Manager Eid Fawzy, Technical Clerk & Messenger Freddy Feliz, IT Manager Nour Ibrahim, Messenger *Beth Wang, Development & Research Assistant ARCE STAFF ARCE STAFF Cairo Staff Luxor Staff *Dr. -
THE ARCHAEOLOGY of ACHAEMENID RULE in EGYPT by Henry Preater Colburn a Dissertation Submitted in Partial Fulfillment of the Requ
THE ARCHAEOLOGY OF ACHAEMENID RULE IN EGYPT by Henry Preater Colburn A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Art and Archaeology) in the University of Michigan 2014 Doctoral Committee: Professor Margaret C. Root, Chair Associate Professor Elspeth R. M. Dusinberre, University of Colorado Professor Sharon C. Herbert Associate Professor Ian S. Moyer Professor Janet E. Richards Professor Terry G. Wilfong © Henry Preater Colburn All rights reserved 2014 For my family: Allison and Dick, Sam and Gabe, and Abbie ii ACKNOWLEDGMENTS This dissertation was written under the auspices of the University of Michigan’s Interdepartmental Program in Classical Art and Archaeology (IPCAA), my academic home for the past seven years. I could not imagine writing it in any other intellectual setting. I am especially grateful to the members of my dissertation committee for their guidance, assistance, and enthusiasm throughout my graduate career. Since I first came to Michigan Margaret Root has been my mentor, advocate, and friend. Without her I could not have written this dissertation, or indeed anything worth reading. Beth Dusinberre, another friend and mentor, believed in my potential as a scholar well before any such belief was warranted. I am grateful to her for her unwavering support and advice. Ian Moyer put his broad historical and theoretical knowledge at my disposal, and he has helped me to understand the real potential of my work. Terry Wilfong answered innumerable questions about Egyptian religion and language, always with genuine interest and good humor. Janet Richards introduced me to Egyptian archaeology, both its study and its practice, and provided me with important opportunities for firsthand experience in Egypt. -
International Journal of Tourism and Hospitality Management Volume 1, No
International Journal of Tourism and Hospitality Management Volume 1, No. 1, June 2018 ___________________________________________________________ NON-ROYAL NUBIAN CLOTHING REPRESENTATIONS DURING THE NEW KINGDOM AND THE KUSHITES TWENTY- FIFTH DYNASTY ___________________________________________________________ AHMAD EBIED FACULTY OF TOURISM AND HOTELS, SOUTH VALLEY UNIVERSITY, LUXOR BRANCH, EGYPT TAMER FAHIM FACULTY OF TOURISM AND HOTELS, FAYOUM UNIVERSITY, EGYPT ABSTRACT There are interconnections between Egypt and Nubia since the Predynastic Period. The non-royal Nubians- as soldiers, servants, officials- were represented in the art of the New Kingdom in various artistic media. In c.750 BC the Kushites succeeded in invading Egypt and founding the Twenty-fifth Dynasty (c.750-664 BC). The non-royal Kushites adapted traditional non-royal Egyptian clothing and added some new elements to it. The authors here introduce a comparative study between the clothing of these non-royal individuals in the New Kingdom and Kushites Twenty-Fifth Dynasty in art. The New Kingdom art introduces Nubians wearing Egyptian clothing with remarkable Nubian features, while the Twenty-fifth Dynasty art represents Kushites wearing all Egyptian clothing from the Old, Middle and New Kingdoms as a kind of revivalism and adapting some Kushites elements; that misleads scholars to identify this new trend. The authors conclude that New Kingdom Egyptian artists in all representations marked non-royal Nubians with their own clothing, some of these Nubian clothing continued to be utilized by non-royal Kushites to keep their ethnic identity. KEYWORDS: Clothing, Kushites Twenty-Fifth Dynasty, New Kingdom, Non-royal Nubians, Non-royal Kushites. 56 International Journal of Tourism and Hospitality Management Volume 1, No. -
A Statuette of Isis Nursing Horus the Child from the Turn of the Twenty
INSTITUT DES CULTURES MÉDITERRANÉENNES ET ORIENTALES DE L’ACADÉMIE POLONAISE DES SCIENCES ÉTUDES et TRAVAUX XXVI 2013 ALEKSANDRA MAJEWSKA A Statuette of Isis Nursing Horus the Child from the Turn of the Twenty-fi fth and Twenty-sixth Dynasties in the Collection of the National Museum in Warsaw 454 ALEKSANDRA MAJEWSKA A stone statuette of Isis seated hieratically on a throne and holding the Horus child in her lap, now in the collection of the National Museum in Warsaw, represents the Isis lactans iconographic type,1 which fi gures the goddess in the role of a mother personifying the ideal virtues of wife and mother. In the fi rst millennium BC the worship that was given this feature of the personality of the multi-aspect goddess raised her above all other goddesses with maternal attributes.2 Isis became the object of faith for countless believers in Egypt and beyond, turning into an universal goddess for the living as well as for the dead. The type is an iconographic record of the idea of maternity rather than a representation of the emotional bond between mother and child. The gesture symbolizing the importance of nourishment as a source of life is present in Egyptian iconography of the Old Kingdom and is closely related to the theology of royal power.3 Representations of the mother goddess, occurring in all periods of ancient Egyptian history, depicted her as the celestial cow nursing a child pharaoh or as a woman nursing a boy standing next to her. They belonged to a repertoire of scenes used commonly on the walls of tombs and temples. -
Three Late Egyptian Reliefs Boston, and by a Famous Silversmith of Boston
BULLETIN OF THE MUSEUM OF FINE ARTS VOLUME XLVII BOSTON, JUNE, 1949 No. 268 Fig. 1. Rocks in the River in the Moonlight Hiroshige(1797-1858) Harriet Otis Cruft Fund PUBLISHED QUARTERLY SUBSCRIPTION ONE DOLLAR BULLETIN OF THE MUSEUM OF FINE ARTS XLVII, 21 Fig. 2. The Liberty Bowl, 1768 Paul Revere (1 735-1 81 8) Gift by Subscription and Museum Purchase The ownership of the bowl was shared by the ranged from checks for thousands of dollars down fifteen men who ordered it made, but eventually to a contribution of fifty cents from a little girl one of them bought the interests of the other four- stirred by the story of Paul Revere. She, like all teen. He was William Mackay and upon his other contributors, received a note of thanks from death in January, 1801, the bowl passed to his son, the Director of the Museum of Fine Arts. Many William, and later to his grandson, also a William. schools throughout the Commonwealth collected Upon the death of the third Wi!liam Mackay, in any small coin the pupils cared to drop through 1873, his brother, Robert C. Mackay of Boston, the slots of collection boxes and, eventually, the became the owner. On the eleventh of March Museum itself gave a large share of the purchase 1902, ownership was transferred once again, by price as its Director, Mr. Edgell, has said it felt purchase after one hundred years, to Marian Lin- bound to do. The precious bowl is now the prop- coln Perry of Providence, Rhode Island. -
Communication with the Divine in Ancient Egypt: Hearing Deities, Intermediary Statues and Sistrophores
COMMUNICATION WITH THE DIVINE IN ANCIENT EGYPT: HEARING DEITIES, INTERMEDIARY STATUES AND SISTROPHORES by ELEANOR BETH SIMMANCE A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Classics, Ancient History and Archaeology School of History and Cultures College of Arts and Law University of Birmingham September 2017 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines the desire for contact with deities in Egypt, the artistic and textual expression of which can be viewed as characteristic of ‘personal piety’. The attribution of hearing abilities to deities through epithets and phrases is evocative of human attempts to communicate with the divine sphere, and the Egyptian evidence is presented. A case study of so-called ‘intermediary statues’, which claim to facilitate communication between human and god, offers an opportunity to investigate how some members of the elite adapted their artistic output to take advantage of popular beliefs, furthering their own commemoration. Sistrophorous statues (bearing a naos-sistrum) are well-represented in the intermediary corpus, and their symbolism is explored alongside the significance of statue form and temple location in the context of communication with gods. -
JOS Volume 14 Number 1 (2007)
JOURNAL OF OROMO STUDIES THE JOURNAL OF THE OROMO STUDIES ASSOCIATION EDITOR I'>ekiel (;ebissa, Kettering L' niversity AsSOCIATE EDITOR Harwood Schaffer, L'niversity of Tennessee-Knox\'ille CONTRIBUTING EDITORS Getahun Henri, Southern Illinois l 'niyersity Taddesse Beriso, ,\ddis ,\baba l'ni\Trsin ,\sbw Hl'Vcl1e, San Diego Statc L:nivcrsity Bahru Duguma, US,\JD, L'S,\ Demisscw I ':jcra, L1nivcrsit)' ot i\lassachusctts, L'S, \ i\lohaJT1lllcd Hasscn, (;corgia Starc L'nivcrsity, l'S,\ ,\sata Jalata, Univcrsity of TCl1nessee-Knox\'ille, l'S,\ I ,ahra Smith, Georgetown L;nivcrsit!, EDITORIAL ADVISORY BOARD Scifudcin ,\dcl11, Binghal1lton Uni\'l'fsirr Mario ,\guilar, L'nivcrsity ot Sr.\nurcws, L'K 1.l'l1ll1lu Baissa, SL'NY Institute of Tcchnology, L'S,\ Paul Baxter, l'nivcrsit)' of Manchcster, l'K Mckuria Bulcha, Malardkn L'niversity, S\\Tllcn Bichaka Favsissa, Middle Tcnncssec Statc L' nivcrsitl, L' S, \ Hahru (;clllctchu, National Institutcs ot Hcalth, L'S,\ Bonnic Holcol1lb, (;corgc Washington l'nivcrsity, L'S.\ Jan Iluitin, University ot (;orhenburg, Sweden Tcscma Ta'a, .\ddis ,\baba L'niveristy, L'S.\ ADDRESS EDITORIAL CORRSPONDENCE TO: Dr. I :zckiel (;ebissa Department of Liberal Studies, Kcttcring L'ni\Trsity 170() \'{fest Third Avenue Flint, MJ 48840 THE JOURNAL OF OROMO STUDIES Volume 14, Number 1 February/March 2007 Publication of the Otomo Studies Association The Journa! oj Oromo 5tudies (105), is a leading scholarly publi cation of the Oromo Studies Association (OSA) Issued twice a year, the journal publishes articles pertaining -
JOS Volume 14 Number 1 (2007)
JOURNAL OF OROMO STUDIES THE JOURNAL OF THE OROMO STUDIES ASSOCIATION EDITOR I'>ekiel (;ebissa, Kettering L' niversity AsSOCIATE EDITOR Harwood Schaffer, L'niversity of Tennessee-Knox\'ille CONTRIBUTING EDITORS Getahun Henri, Southern Illinois l 'niyersity Taddesse Beriso, ,\ddis ,\baba l'ni\Trsin ,\sbw Hl'Vcl1e, San Diego Statc L:nivcrsity Bahru Duguma, US,\JD, L'S,\ Demisscw I ':jcra, L1nivcrsit)' ot i\lassachusctts, L'S, \ i\lohaJT1lllcd Hasscn, (;corgia Starc L'nivcrsity, l'S,\ ,\sata Jalata, Univcrsity of TCl1nessee-Knox\'ille, l'S,\ I ,ahra Smith, Georgetown L;nivcrsit!, EDITORIAL ADVISORY BOARD Scifudcin ,\dcl11, Binghal1lton Uni\'l'fsirr Mario ,\guilar, L'nivcrsity ot Sr.\nurcws, L'K 1.l'l1ll1lu Baissa, SL'NY Institute of Tcchnology, L'S,\ Paul Baxter, l'nivcrsit)' of Manchcster, l'K Mckuria Bulcha, Malardkn L'niversity, S\\Tllcn Bichaka Favsissa, Middle Tcnncssec Statc L' nivcrsitl, L' S, \ Hahru (;clllctchu, National Institutcs ot Hcalth, L'S,\ Bonnic Holcol1lb, (;corgc Washington l'nivcrsity, L'S.\ Jan Iluitin, University ot (;orhenburg, Sweden Tcscma Ta'a, .\ddis ,\baba L'niveristy, L'S.\ ADDRESS EDITORIAL CORRSPONDENCE TO: Dr. I :zckiel (;ebissa Department of Liberal Studies, Kcttcring L'ni\Trsity 170() \'{fest Third Avenue Flint, MJ 48840 THE JOURNAL OF OROMO STUDIES Volume 14, Number 1 February/March 2007 Publication of the Otomo Studies Association The Journa! oj Oromo 5tudies (105), is a leading scholarly publi cation of the Oromo Studies Association (OSA) Issued twice a year, the journal publishes articles pertaining -
High Priestess in Mesopotamia (Ur, Ca. 2300-1100 BCE) and Egypt (Thebes, Ca
King’s Daughter, God’s Wife: The Princess as High Priestess in Mesopotamia (Ur, ca. 2300-1100 BCE) and Egypt (Thebes, ca. 1550-525 BCE) Lloyd D. Graham Abstract The practice of a king appointing his daughter as the High Priestess and consort of an important male deity arose independently in the Ancient Near East and Egypt. In Mesopotamia, the prime example of such an appointee was the EN-priestess of Nanna (EPN), spouse of the moon-god Nanna/Sin at Ur; in Egypt, its most important embodiment was the God’s Wife of Amun (GWA), consort of the creator-god Amun(- Re) at Thebes. Both institutions operated – with interruptions and periods of uncertainty – for about a millennium (Ur, ca. 2288-1104 BCE; Thebes, ca. 1552-525 BCE). The office of EPN began strongly, with a peak period that lasted ca. 525 years, whereas the GWA’s heyday came at the end of its trajectory and lasted only half as long (ca. 265 years). In both cases, the incumbents were powerful royal figures who served as spiritual and economic leaders of their communities. The cultic roles of the EPN and GWA were similar, and the “god’s wife” role of both has attracted similar academic controversies over their sexual, marital and maternal status. This paper, which provides the first systematic comparison of the two institutions, focuses on comparing the two offices in their respective periods of peak strength. The analysis reveals that the High Priestesses were typically political appointments made in turbulent times, often to help the king secure control over a remote region and/or rival institution. -
Egypt Between Kush and Assyria
EGYPT BETWEEN KUSH AND ASSYRIA The Perspective of Tanutamani, King of Kush by Mattias Karlsson Egypt between Kush and Assyria: The Perspective of Tanutamani, King of Kush ii Karlsson, M. 2018. Egypt between Kush and Assyria: The Perspective of Tanutamani, King of Kush. vii+83 pp. Länna: utgivare Karlsson, Mattias (printed) / Uppsala: Uppsala universitets publikationer, http://uu.diva-portal.org/ (digital). ISBN 978-91-639-2642-6. ISBN 978-91-639-2642-6 © Mattias Karlsson 2018 iii Table of contents List of illustrations v Symbols and abbreviations vi 1. Introduction 1 1.1 Topic, aims, and previous research 1 1.2 Material and method 3 1.3 Historical and ideological background 6 2. The perspective of Tanutamani throughout the stela 10 2.1 The non-narrative parts I: the texts and images in the lunette 10 2.1.1 Sources 10 2.1.2 Analysis 12 2.1.3 Summary 17 2.2 The non-narrative parts II: the titulary (lines 1-3) 18 2.2.1 Sources 18 2.2.2 Analysis 19 2.2.3 Summary 21 2.3 The narrative parts I: Tanutamani in Kush (lines 3-9) 21 2.3.1 Sources 22 2.3.2 Analysis 23 2.3.3 Summary 25 2.4 The narrative parts II: Tanutamani in Upper Egypt (lines 9-16) 26 2.4.1 Sources 27 2.4.2 Analysis 28 2.4.3 Summary 30 2.5 The narrative parts III: Tanutamani in Lower Egypt I (lines 16-26) 31 2.5.1 Sources 31 2.5.2 Analysis 33 2.5.3 Summary 36 2.6 The narrative parts IV: Tanutamani in Lower Egypt II (lines 26-42) 37 2.6.1 Sources 37 2.6.2 Analysis 40 2.6.3 Summary 43 3.