Drum and Bugle Corps in Quebec by Daniel Buteau
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Peter Dalla Riva
Peter Dalla Riva Eric Prins & Philip Pasma Prof. Byl Ped 201 March 30, 2011 Peter Dalla Riva Peter Dalla Riva was an exceptional football player, playing as a tight end for the Montreal Alouettes in the Canadian Football League (CFL) for 14 years. Though born in Italy, Dalla Riva spent most of his childhood in Hamilton, Ontario, and this is where he was first introduced to football. Dalla Riva says, “I lived three blocks from Ivor Wynne Stadiumand football was always in my blood.”1 It was in the Hamilton area that Dalla Riva worked and played football in the junior and senior leagues. Many people around Hamilton are familiar with Dalla Riva and his family, and are proud of his accomplishments. Hamilton was the first real home that Dalla Riva remembered, and was the place that started Dalla Riva in football. People who live in Hamilton can be inspired by his skills in football and can inspire people to play football. Dalla Riva`s career has played a part in the popularity of the sport in Hamilton. Peter Dalla Riva was born on December 11, 1946 in Treviso, Italy.2 Dalla Riva was the oldest of five children and at the age of seven he and his family moved to Hamilton, Ontario, Canada.3 Dalla Riva’s family was poor and at times his father struggled to earn enough money to properly provide for his family. So at the age of 16 Dalla Riva quit school and decided to work at Stelco, a steel mill in Hamilton. This job helped him earn the money needed to provide for his family. -
Regional Rail Service the Vermont Way
DRAFT Regional Rail Service The Vermont Way Authored by Christopher Parker and Carl Fowler November 30, 2017 Contents Contents 2 Executive Summary 4 The Budd Car RDC Advantage 5 Project System Description 6 Routes 6 Schedule 7 Major Employers and Markets 8 Commuter vs. Intercity Designation 10 Project Developer 10 Stakeholders 10 Transportation organizations 10 Town and City Governments 11 Colleges and Universities 11 Resorts 11 Host Railroads 11 Vermont Rail Systems 11 New England Central Railroad 12 Amtrak 12 Possible contract operators 12 Dispatching 13 Liability Insurance 13 Tracks and Right-of-Way 15 Upgraded Track 15 Safety: Grade Crossing Upgrades 15 Proposed Standard 16 Upgrades by segment 16 Cost of Upgrades 17 Safety 19 Platforms and Stations 20 Proposed Stations 20 Existing Stations 22 Construction Methods of New Stations 22 Current and Historical Precedents 25 Rail in Vermont 25 Regional Rail Service in the United States 27 New Mexico 27 Maine 27 Oregon 28 Arizona and Rural New York 28 Rural Massachusetts 28 Executive Summary For more than twenty years various studies have responded to a yearning in Vermont for a regional passenger rail service which would connect Vermont towns and cities. This White Paper, commissioned by Champ P3, LLC reviews the opportunities for and obstacles to delivering rail service at a rural scale appropriate for a rural state. Champ P3 is a mission driven public-private partnership modeled on the Eagle P3 which built Denver’s new commuter rail network. Vermont’s two railroads, Vermont Rail System and Genesee & Wyoming, have experience hosting and operating commuter rail service utilizing Budd cars. -
PROGRAMME LUC PLAMONDON Parolier
PROGRAMME LUC PLAMONDON Parolier Né à Saint-Raymond de Portneuf, Luc Plamondon est initié très jeune au monde de la musique. Sa tante Augustine lui apprendra le piano et lui fera jouer des rôles dans des opérettes. ll commence secrètement à écrire des chansons et des pièces de théâtre à son adolescence. Dix ans plus tard, après de longues études à Québec, Montréal, Paris, Londres, Berlin, Rome et à Grenades, il se retrouve aux États-Unis. Suivra une année d’errance. À New York, il se gave de comédies musicales, puis, à San Francisco, il tombe sous le choc de Hair, le premier rock musical, l’étincelle qui l’amènera dix ans plus tard à écrire Starmania, dont la création à Paris sera dirigée par... Tom O’Horgan, le célèbre metteur en scène original de Hair. C’est en revenant à Montréal qu’il écrit sa première chanson Dans ma Camaro, qui sera le hit de l'été 70. C’est en Diane Dufresne cependant qu’il trouvera son interprète fétiche, pour qui il écrira 75 chansons. Considéré comme le premier parolier rock de la langue française, il est appelé dans les années 70 - 80 à travailler, entre autres, avec Julien Clerc, Robert Charlebois, Françoise Hardy, Johnny Hallyday et Ginette Reno. En 1978, l’opéra rock Starmania (musique de Michel Berger) sort sur disque avec Diane Dufresne, France Gall, Fabienne Thibeault, Nanette Workman, Daniel Balavoine et Claude Dubois. Le spectacle est créé sur scène en 1979 au Palais des Congrès de Paris. Le succès immédiat et toujours grandissant des chansons de Starmania a donné lieu à de multiples productions dans différents pays au cours des quatre dernières décennies qui totalisent plus de 6 millions de spectateurs et autant d’albums. -
TEMPOREL a New Work by Lemieux Pilon & Les 7 Doigts Jan
TEMPOREL a new work by Lemieux Pilon & Les 7 Doigts Jan. 10 to 27 at Cinquième Salle of Place des Arts Montreal, December 14, 2017. Michel Lemieux and Victor Pilon (4D Art), and Isabelle Chassé and Patrick Léonard (Les 7 Doigts) bring you their new work, Temporel, a passionate and humourous blend of poetry, digital illusions and body movement that explores new forms of artistic expression set to an original score by Julien Mineau (Malajube, Fontarabie) and the acrobatic choreography of Shana Carroll. The show runs at the Cinquième Salle of Place des Arts in Montreal from Jan. 10 to 27. Temporel goes beyond the traditional stage experience. Here, dreams are nourished and emotions are triggered by the projection of animated images onto the bodies of the performers, with feats of acrobatics adding to the intensity of the experience. Temporel is perfect for an intimate setting like the Cinquième Salle, offering a idyll of fantasy that is at once deep, lyrical and amusing while also addressing universal themes accessible to a general audience. A man's life is told in fragments, out of sequence. We first meet him as an old man, his lifelong partner beside him, surrounded by piles of books, lost in a metaphorical forest of memory. But in his head the man is every age: adult, infant, elderly, child, all at once. As he recalls his past, a number of other characters, both real and imaginary, emerge. The man is trying to find his place in the world: he seeks happiness, true love, the woman he lost. -
Canadian Rail No162 1965
<:;an..adi J~mnn Number 162 / Janua r y 1965 Cereal box coupons and soap package enclosures do not general ly excite much enthusiasm from the editor of 'Canadian Rail', but we must admit we are looking forward with some eagerness to comp leting our collection of RAILWAY MUGS currently being distribut e d by the Quaker Oats Company, in their specially-marked packages of Quaker Oats. This series of twelve hot chocolate mugs depicts the develop - ment of the steam locomotive in Canada from the 0-6-0 "Samson", to the CPR 2-10-4 #8000. The mugs are being offered by the Quaker Oats Company of Cana da to salute Canada's Centennial, and the part played by the rail ways and their steam locomotives in furthering the pro ~ ress of the nation. Each cup pictures an authentic locomotive design -- one shows a Canadian Northern 2-8-0, a type of locomotive that made a major contribution to the country's prairie economy by moving grain from the Western provinces to the Lakehead -- another shows one of the Canadian Pacific's ubiquitous D-10 engines. There are 12 different locomotives in the series - each a col lector's item. The reproductions are precisely etched in decora tive colours and trimmed with 22k gold. Canadian Rail Par,e 3 &eee_eIPIrWB __waBS} -- E.L.Modler. Once a Ga in this year, the Canadian National Railways has leased a number of road switcher type diesels from the Duluth, Missabe and Iron Range Railroad. :,ihile last year all the uni ts leased from the D.I.L& I.R. -
Drum Corps International and the Cavaliers
TOUR HOUSING Drum Corps International and The Cavaliers Drum Corps International (DCI) is a non-profit organization that offers a competitive circuit for independent non-profit youth performing arts organizations from around the world. These ensembles, known as drum and bugle corps, attract members from across the country and around the world and make up what is widely recognized as Marching Music’s Major League ™. The average age of membership in these ensembles is approximately 20 years old. The nature of their performances is similar to a college marching band format but they do not perform at sporting events. Programs are more sophisticated, with much more time and expertise given to perfecting shows that are as athletic as they are artistic. DCI competitions attract tens of thousands of people in live audience settings and live feed cinema viewings every year. The members of corps such as The Cavaliers spend the entire summer touring the United States, Canada and in some cases overseas. Each member pays dues for this experience, which are used to hire staff and cover food and travel expenses. Staff members range from professional educators to Broadway designers and are significant contributors to the educational experience the members receive. Corps raise additional funds through private industry and municipalities to meet the immense cost of travel. Corps members routinely sleep on buses and in school gymnasiums while on the road. On rare occasions, they enjoy the luxury of dorm room accommodations. The drum corps activity is a national treasure that can only exist because of partnerships with sponsoring schools who furnish rehearsal and housing facilities. -
4528, Rue De Bullion Montréal (Québec) Canada H2T 1Y6 WWW
4528, rue de Bullion Montréal (Québec) Canada H2T 1Y6 PHOTO: ANDRÉ CORNELLIER WWW.LOUISELECAVALIER.COM www.facebook.com/LouiseLecavalier.FouGlorieux INTERNATIONAL AGENT (EXCEPT EUROPE): MENNO PLUKKER THEATRE AGENT \ [email protected] T.: 1 514-524-7119 \ F.: 1 514-526-5792 BOOKING EUROPE: ANNE-LISE GOBIN, ALMA OFFICE \ [email protected] \ T.: 32 499 25 00 18 ADMINISTRATIVE DIRECTOR: CYRILLE COMMER \ [email protected] \ T.: 1 514 779-18333 TOUR AND COMMUNICATIONS COORDINATOR: ANNE VIAU \ [email protected] \ T.: 1 514 273-5478 \ Cell.: 1 514 464-5478 TECHNICAL DIRECTOR: PHILIPPE DUPEYROUX \ [email protected] \ T.: 1 514 222-6685 SO BLUE Premiere: December 7, 2012, tanzhaus nrw, Düsseldorf Conceived and choreographed by: Louise Lecavalier Created and performed by: Louise Lecavalier, Frédéric Tavernini Assistant Choreographer and Rehearsal Director: France Bruyère Lighting Design: Alain Lortie Music: Mercan Dede PHOTO: CARL LESSARD Additional Music: Normand-Pierre Bilodeau, Daft Punk, Meiko Kaji Remixing Producer: Normand-Pierre Bilodeau Costume Design: Yso Length: 60 min Production : Fou glorieux, in co-production with: tanzhaus nrw (Düsseldorf); Théâtre de la Ville (Paris); Hellerau (Dresden); National Arts Centre (Ottawa); Festival TransAmériques (Montréal); Residency: Szene Salzburg Louise Lecavalier is supported by the Conseil des arts et des lettres du Québec, the Canada Council for the Arts, and the Montreal Arts Council. PRESENTATION OF THE WORK SO BLUE Louise Lecavalier and partner Frédéric Tavernini risk all in the high-voltage atmosphere of this radical, raw, and haunting work set to the visceral music of Mercan Dede. Quick as thought, the body dictates its laws and transgresses its limits. -
Club Félin Alouette 13 - 14 Oct
Club Félin Alouette 13 - 14 Oct. 2007 École Secondaire Marcellin-Champagnat 14 Chemin des Patriotes Est, St-Jean-sur-Richelieu, QC J2X 5P9 Limit : 225 Cats 5 Allbreed & 1 Specialty Rings Closing: Monday October 8th 2007 or when filled. Saturday Judges : Sunday Judges: 292 miles from Boston Karen Lawrence (AB) Donna Davis (AB) 372 miles from New York Roger Lawrence (AB) Ellyn Honey (AB) 266 miles from Syracuse 360 miles from Toronto Iris Tanner (SP) Walter Hutzler (AB) Entry Fees : Show manager : René Menweg & Guy Godin 1st Entry :$46.00 US / CDN [email protected] (450) 430-3109 2nd Entry : $42.00US / CDN Show secretary : Isabelle Bellavance 3rd Entry : $35.00 US / CDN (450) 584-3874 [email protected] 4TH Entry & more: $30.00 US / CDN Vendor information : Isabelle Marchand Household pets : $35.00 US / CDN (514) 642-6382 [email protected] Grooming Space : $40.00 US / CDN http://www.clubalouette.com Double Cage (limited) : $25.00 US / CDN End of row/ Substitution : $15.00 US / CDN http://www.catshows.us * Canadian prices are for Canadian residents only Entry Clerk : JoAnne Prima, Tel : (514) 684-6817 Email :[email protected] 6 Maisonneuve Dr., Dollards des Ormaux , Quebec, Canada. H9B 1K4 On-Line Entries Accepted at NO CHARGE Entries : Must be submitted on an official CFA entry form, available online at www.cfa.org. No phone entries accepted. If faxing, confirm receipt by phone or email. All mailed entries must be accompanied by full entry fee payment. For entries sent by fax or email, entry fees must be paid in full within 10 days. -
CP's North American Rail
2020_CP_NetworkMap_Large_Front_1.6_Final_LowRes.pdf 1 6/5/2020 8:24:47 AM 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 Lake CP Railway Mileage Between Cities Rail Industry Index Legend Athabasca AGR Alabama & Gulf Coast Railway ETR Essex Terminal Railway MNRR Minnesota Commercial Railway TCWR Twin Cities & Western Railroad CP Average scale y y y a AMTK Amtrak EXO EXO MRL Montana Rail Link Inc TPLC Toronto Port Lands Company t t y i i er e C on C r v APD Albany Port Railroad FEC Florida East Coast Railway NBR Northern & Bergen Railroad TPW Toledo, Peoria & Western Railway t oon y o ork éal t y t r 0 100 200 300 km r er Y a n t APM Montreal Port Authority FLR Fife Lake Railway NBSR New Brunswick Southern Railway TRR Torch River Rail CP trackage, haulage and commercial rights oit ago r k tland c ding on xico w r r r uébec innipeg Fort Nelson é APNC Appanoose County Community Railroad FMR Forty Mile Railroad NCR Nipissing Central Railway UP Union Pacic e ansas hi alga ancou egina as o dmon hunder B o o Q Det E F K M Minneapolis Mon Mont N Alba Buffalo C C P R Saint John S T T V W APR Alberta Prairie Railway Excursions GEXR Goderich-Exeter Railway NECR New England Central Railroad VAEX Vale Railway CP principal shortline connections Albany 689 2622 1092 792 2636 2702 1574 3518 1517 2965 234 147 3528 412 2150 691 2272 1373 552 3253 1792 BCR The British Columbia Railway Company GFR Grand Forks Railway NJT New Jersey Transit Rail Operations VIA Via Rail A BCRY Barrie-Collingwood Railway GJR Guelph Junction Railway NLR Northern Light Rail VTR -
Participation in Winter Guard International As Experienced by Ten Stakeholders: a Phenomenological Study
The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 2018 Participation in Winter Guard International as Experienced by Ten Stakeholders: A Phenomenological Study Jeremy Morgan University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Music Education Commons Recommended Citation Morgan, Jeremy, "Participation in Winter Guard International as Experienced by Ten Stakeholders: A Phenomenological Study" (2018). Dissertations. 1587. https://aquila.usm.edu/dissertations/1587 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. Participation in Winter Guard International as Experienced by Ten Stakeholders: A Phenomenological Study by Jeremy Paul Morgan A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved by: Dr. Edward Hafer, Committee Chair Dr. Mark Waymire Dr. Amanda Schlegel Dr. Webb Parker ____________________ ____________________ ____________________ Dr. Edward Hafer Dr. Richard Kravchak Dr. Karen S. Coats Committee Chair Director of School of Dean of the Graduate School Music December 2018 COPYRIGHT BY Jeremy Paul Morgan 2018 Published by the Graduate School ABSTRACT The purpose of this phenomenological study was to describe the essence of Winter Guard International (WGI) as lived by ten stakeholders, invested individuals currently serving in leadership roles within the percussion and winds divisions of the WGI organization. -
Faculty Biographies Division Coordinators and Educational Consultants
2012 Summer Symposium, presented by Faculty Biographies Division Coordinators and Educational Consultants Mark Buselli Jazz Band Division Coordinator Mark Buselli is Director of Jazz Studies at Ball State University. Awards include a 2010-2011 BSU College of Fine Arts Dean’s Creative Arts Award, a Creative Renewal grant from the Indianapolis Arts Council in 2005, a teacher of the year award in 2004 at Butler University, a Creative Vision award from NUVO in May of 2007, a top 10 CD release of 2009 (December 2009) in JAZZIZ magazine for “An Old Soul,” and a top 100 CD of the decade (January 2010) in DownBeat magazine for the Buselli/Wallarab release of “Basically Baker.” Mr. Buselli has over 40 arrangements published for big bands, brass ensemble and piano/trumpet. He has nine recordings out as a leader on the Owlstudios and OA2 record labels. He has written/arranged/performed for numerous artists.Mr. Buselli currently serves as Education Director of the Buselli Wallarab Jazz Orchestra/Midcoast Swing Orchestra in Indianapolis, where he has created numerous educational opportunities for over 10,000 students. Mr. Buselli graduated from the Berklee School of Music in Boston and received his Master of Music degree in Jazz Studies from Indiana University. Thomas Caneva Concert Band Division Coordinator Dr. Thomas Caneva is Director of Bands, Professor of Music and Coordinator of Ensembles and Conducting at Ball State University. At Ball State, Dr. Caneva’s responsibilities include conducting the Wind Ensemble, coordinating the graduate wind conducting program, teaching undergraduate conducting and administering the entire band program. Under his direction, the Ball State University Wind Ensemble has performed at CBDNA Regional and National Conferences, the American Bandmasters Association Convention, and state and regional MENC conventions. -
A Production Spring 2011 | Follies Chicago Shakespeare Theater About CST
A production Spring 2011 | Follies CHICAGO SHAKESPEARE Theater About CST Chicago Shakespeare Theater (CST) is a leading international theater company, known for vibrant productions that reflect Shakespeare’s genius for intricate storytelling, musicality of language and depth of feeling for the human condition. Recipient of the 2008 Regional Theatre Tony Award, Chicago Shakespeare’s work has been recognized internationally with three of London’s prestigious Laurence Olivier Awards, and by the Chicago theater community with 62 Joseph Jefferson Awards for Artistic Excellence. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, CST is dedicated to producing extraordinary productions of classics, new works and family fare; unlocking Shakespeare’s work for educators and students; and serving as Chicago’s cultural ambassador through its World’s Stage Series. At its permanent, state-of-the-art facility on Navy Pier, CST houses two intimate theater spaces: the 500-seat Jentes Family Courtyard Theater and the 200-seat Carl and Marilynn Thoma Theater Upstairs at Chicago Shakespeare. Through a year-round season encompassing more than 600 performances, CST leads the community as the largest employer of Chicago actors and attracts nearly 200,000 audience members annually—including 40,000 students and teachers through its comprehensive education programs. n BOARD OF DIRECTORS Raymond F. McCaskey William L. Hood, Jr. Glenn R. Richter Chair Stewart S. Hudnut Mark E. Rose Mark S. Ouweleen William R. Jentes Sheli Rosenberg Treasurer Gregory P. Josefowicz John W. Rowe James J. Junewicz Robert Ryan Frank D. Ballantine Jack L. Karp Carole B. Segal Brit J. Bartter John P.