Acker's Burns Again Cause Undetermined
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George Hill (Director) Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ)
George Hill (director) Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) Get Your Man https://bg.listvote.com/lists/film/movies/get-your-man-50280771/actors The Big Parade https://bg.listvote.com/lists/film/movies/the-big-parade-1218520/actors The Secret Six https://bg.listvote.com/lists/film/movies/the-secret-six-1754467/actors Buttons https://bg.listvote.com/lists/film/movies/buttons-18636398/actors Clear All Wires! https://bg.listvote.com/lists/film/movies/clear-all-wires%21-18636416/actors The Flying Fleet https://bg.listvote.com/lists/film/movies/the-flying-fleet-2062050/actors The Hill Billy https://bg.listvote.com/lists/film/movies/the-hill-billy-2156553/actors Tell It to the Marines https://bg.listvote.com/lists/film/movies/tell-it-to-the-marines-2397961/actors Hell Divers https://bg.listvote.com/lists/film/movies/hell-divers-3235761/actors Zander the Great https://bg.listvote.com/lists/film/movies/zander-the-great-4023786/actors The Foolish Virgin https://bg.listvote.com/lists/film/movies/the-foolish-virgin-46604678/actors The Limited Mail https://bg.listvote.com/lists/film/movies/the-limited-mail-47500727/actors The Big House https://bg.listvote.com/lists/film/movies/the-big-house-531332/actors The Barrier https://bg.listvote.com/lists/film/movies/the-barrier-7715699/actors The Callahans and the https://bg.listvote.com/lists/film/movies/the-callahans-and-the-murphys-7721021/actors Murphys The Cossacks https://bg.listvote.com/lists/film/movies/the-cossacks-7727705/actors The Midnight Express https://bg.listvote.com/lists/film/movies/the-midnight-express-7751309/actors Through the Dark https://bg.listvote.com/lists/film/movies/through-the-dark-7798438/actors https://bg.listvote.com/lists/film/movies/%D0%BC%D0%B8%D0%BD-%D0%B8- Мин и Бил %D0%B1%D0%B8%D0%BB-1089809/actors. -
Chapter 2 but Changed It (Oddly, Perhaps by Typesetter’S Er- Ror) to “Peggy” in Chapter 3; See P
2 Silent Pictures Silent pictures. The Great Marion Davies Murder. An opening at the Cosmopolitan Theatre. Marion moves to California. Terrified by a lion. A party for the King of Siam. Mr. Hearst puts all his eggs in one basket. MD: I couldn’t act, but the idea of silent pictures appealed to me, because I couldn’t talk either. Silent pictures were right up my alley, and that’s how I got all the bad notices, except for the one that Louella Parsons wrote [in 1922]. She was working on the [New York] Morning Telegraph, and W.R. apparently read her review. Everybody else said, “Stinking.” But Louella said, “Give the girl a chance.” W.R. immediately hired her for the New York American, because of that one review. TC: A possible conflation here: Marion’s “Stinking” may allude to Cecilia of the Pink Roses (1918) whereas Louella’s words refer more directly to When Knighthood Was in Flower (1922). Miss Parsons wasn’t hired by W.R. until 1923. See George Eells, Hedda and Louella, p. 91; see also Samantha Barbas, The First Lady of Hollywood, pp. 80-85. MD: W.R. always said to me, “Never read any bad reviews about yourself. Read only the good ones.” Of course I thought, What if there are no good ones? Then I’m really in the dumps. I’d rather read the bad ones than the good ones anyway, because at least there are more of them. And you might find out what’s wrong. If they say this scene or that scene is not good enough, or if the comedy is lacking, maybe you can perk it up. -
Hearst Over Hollywood Power,,Passion, and Propaganda in the Movies
✶ ✷ ✶ ✶ ✷ ✶ ✷ H earst over Hollywood Power,, Passion, and Propaganda in the Movies Film and Culture John Belton, Editor Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Attack of the Leading Ladies: Gender, Henry Jenkins Sexuality,and Spectatorship in Classic Horror Cinema Showstoppers: Busby Berkeley and the Rhona J. Berenstein Tradition of Spectacle Martin Rubin This Mad Masquerade: Stardom and Masculinity in the Jazz Age Projections of War: Hollywood,American Gaylyn Studlar Culture, and World War II Thomas Doherty Sexual Politics and Narrative Film: Hollywood and Beyond Laughing Screaming: Modern Hollywood Robin Wood Horror and Comedy William Paul The Sounds of Commerce: Marketing Popular Film Music Laughing Hysterically:American Screen Jeff Smith Comedy of the s Ed Sikov Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Primitive Passions: Visuality,Sexuality, Ethnography,and Contemporary Chinese Pre-Code Hollywood: Sex, Immorality,and Cinema Insurrection in American Cinema, – Rey Chow Thomas Doherty The Cinema of Max Ophuls: Sound Technology and the American Cinema: Magisterial Vision and the Figure Perception, Representation, Modernity of Woman James Lastra Susan M.White Melodrama and Modernity: Early Sensational Black Women as Cultural Readers Cinema and Its Contexts Jacqueline Bobo Ben Singer Picturing Japaneseness: Monumental Style, Wondrous Difference: Cinema,Anthropology, National Identity,Japanese Film and Turn-of-the-Century Visual Culture Darrell William Davis Alison Griffiths ✶ ✷ ✶ ✶ ✷ ✶ ✷ egggggggggggggggggggggggggggggggggggggggggggggggggh Hearst over Hollywood Power,,Passion, and Propaganda in the Movies Louis Pizzitola mooooooooooooooooooooooooooooooooooooooooooooooooop ✶ ✷ ✶ ✶ ✷ ✶ ✷ Columbia University Press New York Columbia University Press Publishers Since New York Chichester,West Sussex Copyright © Louis Pizzitola All rights reserved Library of Congress Cataloging-in-Publication Data Pizzitola, Louis. -
Motion Picture Production Photography 101
STILL STILLAmerican Silent Motion Picture Photography DAVID S. Shiel ds The University of Chicago Press : : Chicago and London DAVID S. Shiel ds is the McClintock Professor of Southern Letters at the University of South Carolina and chairman of the Carolina Gold Rice Foundation. His books include Civil Tongues and Polite Letters in British America and Oracles of Empire: Poetry, Politics, and Commerce in British America, 1690–1750, the latter also published by the University of Chicago Press. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2013 by The University of Chicago All rights reserved. Published 2013. Printed in Canada 22 21 20 19 18 17 16 15 14 13 1 2 3 4 5 ISBN-13: 978-0-226-01326-8 (cloth) ISBN-13: 978-0-226-01343-5 (e-book) Title page illustration: “The Garden of Sleep and Death” (detail). From John Van den Broek’s The Blue Bird (1918). Library of Congress Cataloging-in-Publication Data Shields, David S. Still : American silent motion picture photography / David S. Shields. pages. cm. Includes bibliographical references and index. ISBN 978-0-226-01326-8 (hardcover: alk. paper) — ISBN 978-0-226-01343-5 (e-book) 1. Stills (Motion pictures)—United States. 2. Motion picture actors and actresses—United States. 3. Photographers—United States. 4. Cinematography—United States. I. Title. PN1995.9.S696S55 2013 791.430973—dc23 2012026790 ∞ This paper meets the requirements of ANSI/NISO Z39.48—1992 (Permanence of Paper). for Marcus Shields CONTENTS Acknowledgments ix Overture 1 I INVENTIng Glamour, COMPOSIng WORLDS 1 Photography and the Birth of Professional Beauty 31 2 Glamour Comes to California 53 3 Worlds Distilled: Motion Picture Production Photography 101 II The VISUal ARTISTS 4 Manly Faces: Jack Freulich, Bert Longworth, Ray Jones, and the Universal Studio Aesthetic 163 5 The Dying Photographer and the New Woman 187 6 Opium Dreams: Ferdinand P. -
Metro-Goldwyn Pictures Presentation Book (Australia) (1924)
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