Excerptsfrom Rev. Jesse Jackson

Total Page:16

File Type:pdf, Size:1020Kb

Excerptsfrom Rev. Jesse Jackson The Organ of Student Expression Maroon*^ Serving Morehouse College Since 1898 VOL. 73, NO. 8 MOREHOUSE COLLEGE; ATLANTA, GEORGIA Thursday, January 25, 2001 Morehouse College is # 1 Joe Carlos Features Editor In a pleasantly surprising turn of events, Morehouse College IN FEATURES has recently been ranked as the top If the holidays left you school for African Americans ac­ cording to a recent DayStar Rat­ broke, find out how to live ings list in the January 2001 edi­ the good life on the bud­ tion of Black Enterprise Magazine. get your parents designed Morehouse beat out 481 for you for the Spring. other colleges and universities such as Harvard, Yale, Columbia, Stanford, Howard, Horida A&M and Fisk to be ranked as the best Pages 10 institution for African Americans. Nearly 1,000AfricanAmeri- can higher educational profession­ als were asked to rate nearly 500 colleges and universities with an African American enrollment of at least 3 percent. Historically black colleges and universities made up 10 per­ cent of all colleges surveyed, and were representative of 34 percent of the schools that made the top Roger Spencer Humphrey/Staff 50 list. Black Enterprise Magazine recently ranked Morehouse College as the number one Dr. Thomas LaVeist, associ­ undergraduate school for African Americans. ate professor of health policy, man­ "Often the colleges that rank Massey replied, "This is wonder­ IN EDITORIALS agement and sociology at Johns are happy to hear about the recent high on the list have only a hand­ ful news! Morehouse provides an Hopkins University and the au­ rating atop the poll. ful of black students," said LaVeist. academic environment that sup­ Have adultery, infidelity thor of the DayStar Guide to Col­ "It's about time," said Senior "If s clear that there is a very wide­ ports our students' needs, and the and betrayal become a leges for African Americans, devel­ Finance major Damien Johnson. spread positive impression of Black Enterprise ranking says what oped the list to provide African- 'Tor the longest, the academic in­ sign of status? Morehouse among African- we have known all along— American students with "a better tegrity of Morehouse's students American institutions." Morehouse is one of the best lib­ sense of where African-American has been underrated, but finally, In response to latest ranking, eral arts colleges in the nation." students are thriving." Morehouse President Walter Likewise, many students Continued on page 8 Page 12 Thedmgingiàœofregistratim thought I was supposed to be Anthony Jewett confirmed and everything. It Contributing Writer was way better than when I first got here. That took me There was once a time three days." that the mention of registra­ Martin's satisfaction is tion to a man of Morehouse evidence enough that the brought tears to his eyes and many measures taken by flashbacks of frustrations registrtion administrators are gone-by. After a restful finally paying off in the form Christmas or summer vaca­ of a faster, better and more tion, thinking of add slips and efficient system that pleases long lines sprinkled with INA&E both students and staff. cashier's-office attitude could Working tirelessly, almost be too much. But the The latest opus from The many staff members of vari­ times, however, have Pharcyde is in. Check out ous offices have worked with changed. Campus construction continues the in-house staff of the Ban­ how it fared in the mind "I was through in 15 The construction area in front of Graves Hall is part of a drainage ner system to transition of our own hip hop cri­ minutes," mentioned junior Morehouse into the auto­ and erosion control project to eliminate the flooding of Graves Marketing major Marco Mar­ tique Carnegie H. Mims. mated age. The aim of the Halls’ basement. The basement will then be converted into a lounge tin in reference to his registra­ conversion is to make prac- for physical plant workers. According to Physical Plant staff, this tion experience. "I was more project is scheduledfor completion on Wednesday, January31,2001. Page 16 confused than them. I Continued on page 5 Announcements amazon.com LAST CHANCE FOR SENIORS: There is a m n £ □ CD limited amount of space for senior ads in the 2000-2001 O £ < r+ *4-» O Software Development CD CD £ 05 4-» O Torch Yearbook. We are providing one last opportunity N r4- CD o CO for interested seniors who wish to purchase an ad. This c U 3' c Engineers *< CO 4-» Q. will be done on a first come, first served basis, so stop 3 Q. Q. • CD by the Torch office, room 117 in Archer Hall or call us o 05 “D — 3 CD • We are looking for exceptional Software Developers CD —1 at (404) 681-2800, ext. 2982 by Friday, February 2, 2001 05 in j£ CO kJ kJ to join our growing technology organization. Our development CD O to request an application. £ 3 3 05 05 CD fl> CD £ teams work on everything from forecasting systems to recom­ on 3 N iZ r+ CD The Georgia Press Educational Foundation • r+ • mendation technologies to GUI development and database • in O (GPEF) funds summer internships for students who CD ■D 3 £ t +3 systems. Candidates must have strong fundamental knowledge • work at GPA (Georgia Press Association) member IS O £ n m CD □ newspapers, in addition to awarding scholarships up o of software design, coding (C, Java on Unix platform), relational in 0 in to $1500. The applications deadline for both programs E g O E 4-» databases, and quality assurance. Intern experience building “h 3 is February 1, 2001. For more information about o CD o 3 u z § production software strongly preferred. Requires a computer 0 internships or scholarships, call Ali Garrett at (770) 454- -O • O n CD “O CD 6776 or e-mail [email protected]. 5 science, math, or similar degree. r+ £ CD 4-» 3 n • ■ 3" □ n’ 3 Coca Cola and UNCF Partner to Launch -£ Q_ CD kJ If you are a technical person with a passion for creating a fantas­ O £ r+ CD Internship Program: Requirements: Student must have 5 O 4-» o tic end user experience, email your resume and cover letter to: CO CD u 3 minimum 3.0 grade point average, be a sophomore cd' “O ~D [email protected]. in majoring in chemistry, engineering, finance, human CD CD 4-» c • E CD resources, information technology, marketing or =3 r+ 1“ _Q CD O 05 CO business management, submit a letter nomination form 4-» i— O’ 4-» CD in’ from faculty and write a personal statement. The in /college in CD ñ' deadline to apply is February 16, 2001. Q O EOE in in The Medical College of Georgia is recruiting college students interested in health care careers for the work hard, have fun. make history. Summer 2001 Student Educational Enrichment Program and Undergraduate Research Apprentice Program. Marian Wright Edelman addresses Crown Forum The American Musical and Dramatic Academy will be holding the national audition tour for admission Martin Luther King, Jr. In­ is too costly." Geoffrey Bennett and scholarships for conservatory training in New York ternational Chapel Board of Following the Crown Assistant Campus News Editor City. The conservatory will be visiting Atlanta on Sponsors and the Interna­ Forum program, many as­ Sunday, March 18,2001 and 21 other cities throughout tional Hall of Honor. sembled in the Chapel lobby the year. Last year, the AMDA awarded $500,000 in Touting the importance Quoting Ghandi, for the unveiling of the scholarships to enrolled students. Call 800-367-7908 or of child advocacy issues, Dr. Carter extolled Edelman as Children's Defense Fund art visit www.AMDA.edu for more information. Marian Wright Edelman, one of the "shining ex­ gallery that featured the cre­ founder and president of the amples of the glory of the ative works of international The Morehouse Time-to-Read program will be in Children's Defense Fund, unrequired" and presented children which was spon­ full effect this semester. All volunteers are welcomed to addressed an attentive her with an oil portrait and sored by Soka Gakkai Inter­ join. If interested, please contact Michael Harrison or Crown Forum audience on a citation with twenty moral national, a lay Buddhist or­ Adam Beane as soon possible at 404-215-2724. Training Thursday, January 18 to laws by which Dr. King ganization. sessions will begin February 3, 2001. commemorate the King holi­ lived his life. Following the unveil­ day. ing ceremony, Riddled "Turn political rhetoric into political Edelman met with statistics reality. We can no longer tolerate the kill- wi th ninety of interna­ Morehouse tional child ing of our children." students and p.o v e r t y , —Edelman several other Edelman's faculty mem­ speech was an impassioned Edelman then urged bers, clergy and Morehouse plea to honor the legacy of the men in attendance to be­ supporters to discuss the Dr. Martin Luther King, Jr. come "chief builders of importance of the freedom by helping the world's de­ strong Black families." home initiative and other fenseless children. "Don't be a poverty-produc­ child advocacy programs. "Turn political rhetoric ing machine," she added. "We need more expo­ into political reality ...Make "40,000 children die sure to people like Dr. a commitment to get out of daily," Edelman said. "In Edelman," said freshman this culture of death. We can the United States, every Blake Adams. no longer tolerate the killing sixth child dies of pov­ "All too often, issues of our children, " said erty...So, when you like the ones she is con­ (L-R)MissAntheaneum 1925, Erika Love, a junior Biology, Pre Edelman.
Recommended publications
  • V. 65, No. 10, November 14, 1996
    Bryant College Thursday, November 14, 1996 Volume 65 Number 10 BY PAUL TOLME ASSOCIATED During nearly four w ek oftes­ HI URI FOOTBALL PLAY­ PRESS WRITER timony, Mann ne....er denied that ERSARRAlGNEDONASSAULT BarrettkilledSilvia, butsaidhe was CHARGES PROVIDENCE R.I. (AP)_ Re­ insane at the time and fired in self­ Two suspended University of jecting claims Dr. David Barren defense. Submitted by The Office of matchsince their most likely chance Rhode Island ~ otball players were was insane when he hot to death Psychiatrist testified Barren bad Student Activities. of finding a match i from someone arraigned Tuesday on a ault Joseph Silvia, a jury W dne day een iagnosed wilh manic depres~ • of a similar ethnic background. charges stemming from an attack convicted the former Brown Uni­ sian, and witnesse from Barrell Imagine for a moment that you Becoming a donor is easy. Th on a fraternity house. versity psychiatry re .dent f sec­ father to his colleagues at Brown could be the 1 in 20 000 match to fir t tep is to have a smaU amount William Edwards and Frank ond-degree murder. recalled episodes in which Barrett save the life ofyoung child. Tolllat of blood taken which is typed for Rom nolr., both 20 pleadedinno­ JUT rs deliberated 11 hours be­ acted "grandjo'e' and ·'manic." cbild you would be ahero and to the marker called HLA antigen .. Thjs cent to one count each of simple fore Iling mto the courtroom and Bello argued Barrell was using rest of us a life aver. information is entered in theNMDP assault and conspiracy to commit delivering the verdict.
    [Show full text]
  • Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
    Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A.
    [Show full text]
  • Experts Predict Move to Communist Russia Analysts Approve Clinton's
    R&R's Last Minute Edition Featuring reviews of Casino, Red Hot THE CHRONICLE Chili Peppers, and the GZA. See R&R. THURSDAY, NOVEMBER 30, 1995 IE ONE COPY FREE DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15.000 VOL. 91, NO. 64 Analysts approve Clinton's plan Professors cite America's unique responsibility By MISTY ALLEN Clinton's reasons for interven­ we're'going to have to send In the wake of President tion, citing America's unique re­ troops—as much as we find that Clinton's Monday night address sponsibility as the world's sole distasteful," he said. to the American public concern­ remaining superpower. Herbert Kitschelt, professor ing the dispatch of 20,0U0 Amer­ "I think he's making a rhetor­ of political science, underscored ican troops to Bosnia, University ical nod to the public's sentiment Eldridge's statement by saying students and professors have ex­ about not wanting to be the that the United States has a pressed opinions ranging from world's policeman, but at the strategic interest in the Balkan tactful criticism to tempered ap­ same time saying that if we war because of its vested inter­ proval. don't do it, then who will?" said est in the stability of Eastern By all accounts, the speech Peter Feaver, assistant professor Europe. "I think that this is the was a crucial one for Clinton, of political science. He was only way to attain peace in the whose administration promised speaking to the distinction be­ region. The United States' [pres­ military support to the warring tween unilateral and multilater­ ence] is an essential element," Balkan factions in the sweeping al military action, a longstand­ he said.
    [Show full text]
  • Theoretical Approaches to Quotation in Hip-Hop Recordings Justin A
    Williams, J. A. (2014). Theoretical Approaches to Quotation in Hip- Hop Recordings. Contemporary Music Review, 33(2), 188-209. https://doi.org/10.1080/07494467.2014.959276 Publisher's PDF, also known as Version of record Link to published version (if available): 10.1080/07494467.2014.959276 Link to publication record in Explore Bristol Research PDF-document University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ This article was downloaded by: [University of Bristol] On: 26 March 2015, At: 13:07 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Contemporary Music Review Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/gcmr20 Theoretical Approaches to Quotation in Hip-Hop Recordings Justin A. Williams Published online: 28 Oct 2014. Click for updates To cite this article: Justin A. Williams (2014) Theoretical Approaches to Quotation in Hip-Hop Recordings, Contemporary Music Review, 33:2, 188-209, DOI: 10.1080/07494467.2014.959276 To link to this article: http://dx.doi.org/10.1080/07494467.2014.959276 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • 0 Musical Borrowing in Hip-Hop
    MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch.
    [Show full text]
  • An Interview with the Pharcyde, Page 4A. Plus, the Finest in Incredibly Strange Music, Page 5A
    AN INTERVIEW WITH THE PHARCYDE, PAGE 4A. PLUS, THE FINEST IN INCREDIBLY STRANGE MUSIC, PAGE 5A. 2A Thursday, November 10,1994 Daily Nexus TREE ClOTMNfi with Coupon ▼ 'THE WINTER Buy 1 Get 1 Free THAT NEVER ENDS'* of equal or lesser value Various Artists take out a second mort­ A- •Jeans • Blouses The Best of Kansas City gage on the wide-screen •Pants «Vintage K-TEL TV? The answer is A, none •Collectibles »Clothing of the above. You won’t Imagine if you could pay $500 for this invest­ THURSDAY New Arrivals Daily hear all your favorites ment — you won’t even singing “Kansas City” on pay $2501 Nov. 10 8 & 10PM THRIFT $5 Gen, $4 Student one single album. Well, If you order now, we’ll Sponsored by UCSB Sid Club friends, have I got a deal throw in “Kansas City” by CENTER for you! the luscious Peggy Lee and 5718 Hollister Ave. This hot little number is yet another version by the Downtown Goleta ironically called The Best tender (although once in a Next to Wendy’s Of Kansas City. Now, you while salty and over­ get “Kansas City” per­ cooked) Wilbert Harrison. formed by the great Little If you order sooner, we’ll H 5 SEASON Willie Littlefield. If that even throw in this won­ wasn’t enough, you also derful canying case made get this song called “Kan­ of real plastic. Notice how sas City” by the mighty Joe the cover is clear, so you Williams! But wait, there’s can see right through it! If morel You also get the you are nice, we’ll let you blissfully talented Everly have the two-page story of Brothers doing a song Kansas City, absolutely better! Order this very in­ ceive this handsome called “Kansas City.” How free.
    [Show full text]
  • DD 258 März 2018 40S.Indd
    NUMMER 258 MÄRZ 2018 THEATERTREFFEN im RahmenTHEATERTREFFENder 39. DuisburgerAkzente„Niewieder Krieg?“ IM RAHMEN DER 39. DUISBURGER AKZENTE: NIE WIEDER KRIEG? 3.–18. MÄRZ 2018 DAS PROGRAMM ZUR STADT THEMEN MÄRZ 2018 Themen Kultufestival 4 39. Duisburger Akzente Nie wieder Krieg? Theatertreffen 6 Richard III. 7 Die Perser 8 Im Westen nichts Neues Figurentheater 9 Babylon Literatur / Lesung 10 Sarah Bosetti Kanzelrede 11 Gregor Gysi 39. DUISBURGER Magie 12 Nicolai Friedrich AKZENTE Kabarett / Comedy 14 Andreas Rebers 16 Margie Kinsky & Bill Mockridge 17 Benni Stark Live 18 The Pharcyde 19 The Doppelgangerz & Dynasty Film 22 The Florida Project Kalender 24 Alle März-Termine 03. – 18. Impressum 03. 2018 Redaktionsanschrift designWerk Verlag der duisburger Uhlenbroicher Weg 30a 47269 Duisburg fon 0203.72 92 07 fax 0203.71 93 78 [email protected] Erscheinungsweise monatlich redaktionelle Mitarbeit Ralph Curran Herausgeber Patrik Wegling Redaktionschluss der 10. des Vormonats Anzeigenschluss der 15. des Vormonats WWW.DUISBURGER-AKZENTE.DE I INFO: 0203 94000 Der Abdruck von Veranstaltungshinweisen erfolgt atis. Für die Richtigkeit und Voll eit der gr ständigk A ngaben wird keine Gewähr übernommen. E in Rechtsanspruch auf Veröffentlichung besteht nich eingesandt t. Für unaufgefordert e Unterlagen 3 nehmen wir keine Haftung. über Titelfoto von Reinhard Werner Reinhard von Titelfoto rz_39_Akzente_Anzeige_112_160.indd 1 15.02.18 16:57 Nie wieder Krieg? Gesundheits · Messe 39. Duisburger Akzente 3. - 18. MÄRZ 2018 Duisburg 2018 Mit dem Waffenstillstand vom Compiegne endete am 11. November 1918 der Erste KULTUR-FESTIVAL Weltkrieg. 17 Millionen Menschen hatten seit 1914 ihr Leben verloren und rund 70 Millionen Menschen unter Waffen gestanden. istoriker wie Hans Ulrich im gesamten Deutschen Reich.
    [Show full text]
  • No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
    20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change.
    [Show full text]
  • Korn All Albums Download Korn – Discography (1994 – 2014) UPDATE
    korn all albums download Korn – Discography (1994 – 2014) UPDATE. Korn – Discography (1994 – 2014) EAC Rip | 19xCD + 4xDVD | FLAC Image & Tracks + Cue + Log | Full Scans included Total Size: 11.2 GB | 3% RAR Recovery STUDIO ALBUMS | LIVE ALBUMS | COMPILATION | EP Label: Various | Genre: Alternative Rock, Nu Metal. Korn’s cathartic alternative metal sound positioned the group among the most popular and provocative to emerge during the post-grunge era. Korn began their existence as the Bakersfield, California-based metal band LAPD, which included guitarists James “Munky” Shaffer and Brian “Head” Welch, bassist Reginald “Fieldy Snuts” Arvizu, and drummer David Silveria. After issuing an LP in 1993, the members of LAPD crossed paths with Jonathan Davis, a mortuary science student moonlighting as the lead vocalist for the local group Sexart. They soon asked Davis to join the band, and upon his arrival the quintet rechristened itself Korn. After signing to Epic’s Immortal imprint, they issued their debut album in late 1994; thanks to a relentless tour schedule that included stints opening for Ozzy Osbourne, Megadeth, Marilyn Manson, and 311, the record slowly but steadily rose in the charts, eventually going gold. Its 1996 follow- up, Life Is Peachy, was a more immediate smash, reaching the number three spot on the pop album charts. The following summer, they headlined Lollapalooza, but were forced to drop off the tour when Shaffer was diagnosed with viral meningitis. While recording their best-selling 1998 LP Follow the Leader, Korn made national headlines when a student in Zeeland, Michigan, was suspended for wearing a T-shirt emblazoned with the group’s logo (the school’s principal later declared their music “indecent, vulgar, and obscene,” prompting the band to issue a cease-and-desist order).
    [Show full text]
  • PDF Examples
    MTO 26.2 Examples: Adams, Harmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop (Note: audio, video, and other interactive examples are only available online) https://mtosmt.org/issues/mto.20.26.2/mto.20.26.2.adams.html Example 1a. Kurtis Blow, “Basketball” (1984), verse 1, 0:25–0:35 (borrowed from Adams 2009) Example 1b. Eric B. and Rakim, “Paid in Full” (1987), 0:46–1:10 Example 3. Danger Doom, “Sofa King” (from The Mouse and the Mask, 2005), 1:12–1:48 (produced by Danger Mouse [Brian Burton]) Example 4. Repetitive beat: De La Soul, “The Grind Date” (from The Grind Date, 2005), 0:28–0:49 (produced by Dave West) Example 5a. Oscillating beat, alternating by second: A Tribe Called Quest, “Excursions“ (from The Low End Theory, 1990), 0:28–0:52 (produced by Ali Shaheed Muhammad) Example 5b. Oscillating beat, alternating by third: Aesop Rock (Ian Bavitz), “None Shall Pass” (from None Shall Pass, 2007), 0:15–0:34 (produced by Blockhead [Tony Simon]) Example 5c. Oscillating beat, alternating by fourth: People under the Stairs, “Montego Slay” (from O.S.T., 2002), 0:20–0:44 (produced by Thes One [Christopher Portugal]) Example 5d. Oscillating beat, sequential: Cunninlynguists, “Lynguistics” (from Will Rap for Food, 2001), 0:18–0:46 (produced by Kno [Ryan Wisler]) Example 5e. Oscillating beat, uneven: Migos, “Bad and Boujee,” (from Culture, 2017), 0:15–0:30 (produced by DY and Tre Pounds [Dwan Avery and Jeffrey LaCroix]) Example 6a. Expansional beat, I → iv: Atmosphere, “The Best Day” (from To All My Friends, Blood Makes the Blade Holy: The Atmosphere EP’s [sic], 2010), 2:17–2:41 (produced by Ant [Anthony Davis]) Example 6b.
    [Show full text]
  • The Snow Miser Song 6Ix Toys - Tomorrow's Children (Feat
    (Sandy) Alex G - Brite Boy 1910 Fruitgum Company - Indian Giver 2 Live Jews - Shake Your Tuchas 45 Grave - The Snow Miser Song 6ix Toys - Tomorrow's Children (feat. MC Kwasi) 99 Posse;Alborosie;Mama Marjas - Curre curre guagliò still running A Brief View of the Hudson - Wisconsin Window Smasher A Certain Ratio - Lucinda A Place To Bury Strangers - Straight A Tribe Called Quest - After Hours Édith Piaf - Paris Ab-Soul;Danny Brown;Jhene Aiko - Terrorist Threats (feat. Danny Brown & Jhene Aiko) Abbey Lincoln - Lonely House - Remastered Abbey Lincoln - Mr. Tambourine Man Abner Jay - Woke Up This Morning ACID MOTHERS TEMPLE - Are We Experimental? Adolescents - Democracy Adrian Sherwood - No Dog Jazz Afro Latin Vintage Orchestra - Ayodegi Afrob;Telly Tellz;Asmarina Abraha - 808 Walza Afroman - I Wish You Would Roll A New Blunt Afternoons in Stereo - Kalakuta Republik Afu-Ra - Whirlwind Thru Cities Against Me! - Transgender Dysphoria Blues Aim;Qnc - The Force Al Jarreau - Boogie Down Alabama Shakes - Joe - Live From Austin City Limits Albert King - Laundromat Blues Alberta Cross - Old Man Chicago Alex Chilton - Boplexity Alex Chilton;Ben Vaughn;Alan Vega - Fat City Alexia;Aquilani A. - Uh La La La AlgoRythmik - Everybody Gets Funky Alice Russell - Humankind All Good Funk Alliance - In the Rain Allen Toussaint - Yes We Can Can Alvin Cash;The Registers - Doin' the Ali Shuffle Amadou & Mariam - Mon amour, ma chérie Ananda Shankar - Jumpin' Jack Flash Andrew Gold - Thank You For Being A Friend Andrew McMahon in the Wilderness - Brooklyn, You're
    [Show full text]