Israeli Holocaust Memorial Strategies at Yad Vashem: From Silence to Recognition Author(s): Natasha Goldman Source: Art Journal, Vol. 65, No. 2 (Summer, 2006), pp. 102-122 Published by: College Art Association Stable URL: http://www.jstor.org/stable/20068468 Accessed: 01-11-2015 01:18 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Taylor & Francis, Ltd. and College Art Association are collaborating with JSTOR to digitize, preserve and extend access to Art Journal. http://www.jstor.org This content downloaded from 89.179.117.36 on Sun, 01 Nov 2015 01:18:36 UTC All use subject to JSTOR Terms and Conditions 3 This content downloaded from 89.179.117.36 on Sun, 01 Nov 2015 01:18:36 UTC All use subject to JSTOR Terms and Conditions Moshe Safdie,Transport Memorial, 1995, Yad is site Vashem the living of Israeli national Holocaust memory, where every railway car, metal, wood, and concrete. of Israelis adds another memorial to an The Collection of the Yad Vashem Art Museum, generation evolving landscape. Jerusalem. ? Moshe Safdie; memorials installed from until the late are either or minim (Artwork photo 1953 1970s figurai graph by Michal R?nnen Safdie) alist in and on style focus the fighters, heroes, and martyrs of the Holocaust.